its been a while since the last rsb release, but then tracks like this dont come along every day! for their first vinyl appearance on a label other than their own, enigmatic german duo ancient methods do the honourable thing and break out the whip, a track that comes across like a 2-step party in the foundry of thor himself. lets lazily label it anvil techno, because as far as we are aware no has yet invented a genre that adequately desribes music such as this. and as we have come to expect, much the same can be said of the evil sickness that is eat like hawks by bjorn svin (with a little help from karsten pflum, jona olesen & copyflex!). it starts like it means to go on, with a gnarled loop and indecipherable distorted vocals, and is gradually tweaked and augmented to the point of destruction. all manner of ill bass, overdriven filters, zaps, clanky drums & feedback join the party before the whole affair is brought to an abrupt end by the strange foreign lady that we have come to know and love over the course of the track. truly music for small, sweaty, strobe-driven cellars.

already supported by etienne de crecy, crystal method, acid jacks and more!
this vinyl comes in special limited white edition. needless to say, all tracks come in ipunks accustomed banging electro style!

toolbox is gideons third album, in the line of many to come. although the minimal hype has surpassed this is minimalism from a techno point of view. no bullshit sounds, just straight up minimalistic techno grooves. inspired by guys like richie hawtin and robert hood, gideon has twisted this knowledge into something of his own. very different from his last album on kanzleramt called >need no permission<, this album focuses on tool tracks. and that is off course the title explanation. toolbox is an 8 track album in the line of gideon his first minimalplus release trias politica. 8 pure danceable tool tracks that a fit for any techno minded dance floor. toolbox will be released on 2 separate 12 inch records minimalplus 010 and minimalplus 011 each containing 4 songs.

great road songs are driven by a yearning for the distant city that can only come from those that dont live there and like all the best ones, way to la feels dreamlike and timeless. claremont 56 start 2010 with a single from their latest signing, bison, made up of holger czukay, ursa major, paul mudd murphy and benjamin smith. the first release takes you on a trippy rock fuelled journey to the west coast of america, via stuttgart and holloway. on the a side, way to las bass throbs insistently, engines growl and bubble and tom petty power chords flash by in a swirl of czukay reverb, fading like treacle. ursa major is at the wheel, her voice soothing. she knows where shes going. cocooned in the cracked leather of the passenger seat beside her, nobody can stop you. you re on your way. side b takes to the highway with a darker sound. holger czukay puts his foot to the floor, pushing his mix up a gear and rounding off an essential debut release. like the perfect road trip sunset, this release is epic and unforgettable. like all claremonts this will be fly of the shelf...again!

well known for her electrifying panoramabar sessions, representing her love for all things deep, sensual and musical about house music steffis talent has blossomed out of her relationship with the musically entwined cities of amsterdam and berlin.
her touching, classic-jack inspired productions continue to gracefully bubble towards the international surface with this 12 inch. her debut cut for the label, >24 hours<, featured on tama sumos >panoramabar 02< compilation set out her production intentions quite eloquently. >kill me< continues the warm, traveling night-time vibes and opens steffis signature sound up into a full vocal-led celebration of house.
besides steffis killer chicago inspired throb and moody melodic structure, >kill me< features the sultry vocal talents of close friend elif bicer, also recording partner of label mates prosumer and murat tepeli. elifs tender and instinctive story of a love lost and found flows honestly and creatively throughout the vocal version. an instrumental dub is also included for the creative use of the dj.
steffi also shows off her skills with the >crushed soul< mix, allowing her intuitive, sentimental yet dancefloor tuned chord progressions to flow stronger. baassline led and focused on clean, precisely measured beats and synth lines to tell the story, this alternative version goes even further to suggest what treats are yet to come from this talented producer.

its been three years since uffie took the underground by storm with her killer electro crunk anthems hot chick, ready to uff and pop the glock. 17 million my space plays later, the 22 year old star of parisian club culture is ready to release her new single mcs can kiss. produced by mr oizo, its an old school soundclash of heavy beats and sharp rhymes, a pass the dutchie for the modern era. remixes come from some new kids on the block, zombie disco squad and starkey. zombie disco squad have delivered the perfect big room remix, while starkey has given it a dirty philly street feel with his dubstep rework.

incl. rmxs by antonelli & drei farben house
easy house grooves and deep, chord-driven techno – two versions of electronic music paulo olarte is particularly interested in as he has proven with his records on diynamic or his own imprint fresh fish. for his first 12 inch on frankfurts new entry, polytone, former hamburg-resident olarte gives full scope to his perferences. >vayas donde vayas< comes with a wonderfully housey feeling and a rich fund of harmonies, whereas >sweet sugar< plays the role of the techno bouncer for the tradition-conscious and discerning dancefloor with its deep detroit flavour. in his remix of >vayas donde vayas<, antonelli concentrates on the lightness of the or iginal and moves towards a maximum of funkyness with a mulitude of thrilling details. drei farben house rounds off the remix flip side with one of his long suspense arrangements he has come to be known for, which sends us to house heaven when the fine chords eventually fully unfold. polytone remains one of the most interesting, diverse newcomers of recent times.

toolbox is gideons third album, in the line of many to come. although the minimal hype has surpassed this is minimalism from a techno point of view. no bullshit sounds, just straight up minimalistic techno grooves. inspired by guys like richie hawtin and robert hood, gideon has twisted this knowledge into something of his own. very different from his last album on kanzleramt called >need no permission<, this album focuses on tool tracks. and that is off course the title explanation. toolbox is an 8 track album in the line of gideon his first minimalplus release trias politica. 8 pure danceable tool tracks that a fit for any techno minded dance floor. toolbox will be released on 2 separate 12 inch records minimalplus 010 and minimalplus 011 each containing 4 songs.

from the great success of smallvilles first label compilation >and suddenly its morning< a new deephouse collective evolved: the smallpeople aka dionne, steinhoff & hammouda, jaques le bon and christopher rau. hanging at their record store, djing together and exchanging beats and samples made the lovely hamburg house gang around smallville owners julius steinhoff and just von ahlefeld (aka dionne) an new source of deepest club culture. due to their large output jus ed from bridgeport ny signed another 12inch of the smallpeople for his underground quality imprint to come out right after their amazing debut on laid recordings.

body electric has been in very high demand for years. steen gjerulff made this obscure gemm back in 1984, it was only released on limited 7inch. collectors and music lovers has been diggin after this fantastic release for years. now moustache records proudly presents this masterpeice on 12inch for the first time ever. flemming dalum teamed up with steen gjerulff and made this project come true - even with brand new special extended versions. now feel the magic electronic! this power release also contains the ultra rare 5595 track, an out of this world and time futuristic cosmic electro gemm that rocks your socks off for sure... modern space dope sound on top non stop. limited, full colour sleeve and cutted by the only cutter ome lex in this world that still cuts totally analog...

nicolas duvoison & mendo are back with the 2nd part of geneva underground!
played by: karotte, matt star, frank leicher...

support: steve bug, jay haze, someone else, mark henning, matt star, pan pot, agaric, jason emsley!!! 2009 has been an extremely busy year for billy dalessandro. on top of having recently relocated from his hometown of chicago to montreal, the year has marked his most engaging yet in terms of gigging and musical output. along with a successful three-month european tour, billy released a string of highly acclaimed singles, and his latest artist album (not to mention his growing catalog under the huge hephner and tyrone aliases). however, it should come as no surprise that the producer has saved the best for last.
>strombooty< (for details, consult your local urban dictionary) is the modern dalessandro sound, combining heady experimentation with dance floor prowess. the eps title track is a deep, yet explosive number that creeps in subtly like dark clouds on the horizon, before raining down a devastating thunderstorm over the speakers.
the latin-flavored >el tapatio< and super-deep cut >speak to me< make up the b-side. although the tracks represent different aspects of the dalessandro sound, the commonality they share is a thoughtful approach to dance music that much of the formulaic output these days lacks.

must have classic live performance!! grunge at it best

with five beat pharmacy albums and almost a dozen vinyl releases on francois ks deep space imprint, this dubby and eclectic project of brendon moeller needs no introduction.
chugging along at 120bpm, underpinned by a thick sub-dub bassline and a modulating maurizio-style synth cord arpeggio, pump is a hypnotic slap of deep smoky house with some memorable hooks to boot. swirling rhodes keyboards and a slick piano riff serve as a lovely counterpoint to the swinging funk of the hi-hat groove. forever morphing and evolving, the stready and unrelenting groove are guaranteed to keep heads bobbing and toes tapping!
the first remix here is by echospace head honcho, stephen hitchell under his intrusion guise. stripping away and re-contextualizing the key elements in the track, hitchell crafts a warehouse-style dj-tool that subtlely weaves its way into ones subconscious via a delightful psychedelic keyboard hook.
londons bearweasel takes a similar approach, except with a much more pronounced beat track superbly trippy atmosphere. a top notch dj tool thats likely to be spun worldwide.
all round a quality release with enough sensibility and character to be played for years to come.

is time for a brasilian-german-canadian connection through this new defrag// release. robert babicz and pan/tone at the control remixing gui boratto and delivering two finest gems. babicz show his skills with an elegant andpowerful tune - driving and hypnotic with that super fat sound that only robert have. on the other side we proudly welcome our friend pan/tone on board, his debut for us is a percussive and sofisticated tune with an old schoolappeal. more will come soon from this man on defrag//, stay tuned.

7 oz. records has come to its 4th release in vinyl. label founders siddharta and mr. rovat have finally put the last touches to their musical debut with windy city lights, an explicit dedication to the sound which influenced them in the 90s. its an ep which relives those chicago and detroit atmospheres, enhanced by the solo trumpet played by acclaimed musician omar valle, who gives it a unique jazzy mood intertwined with drum machines and old school tools, an attempt to have the record play in an analogic manner.
the remix was handed over to none other than to brothers vibe, an historical name in the north-american deep and house scene. the result is filled with dub echos, undoubtedly detroit and perfect for any set!

deep a & biri have been involved in the tel aviv house scene for some time. with this 3 track ep plus digital bonus track they give their debut now.
>twisted tango< is the most stripped down of all three tracks and a real cool groover. one of these tracks that grow enormously with volume and space. these two guys have got a good vision of how dance music should be to clad the clubbers in cotton batting. their cool way of transmitting indifference has always been the carrier of sensuality and sexiness in entertainment and it does create a certain kind of peppermint stench here. the vocals stabs in this one work like dubby elements which deep a & biri drop like things dropping out of your pocket.
>mischievous< is a perfect bassline monster... deep and heavy with a genius >pam pam< vocal stab. we dont know where these samples come from but they are luscious as hell. welcome to the pleasure dome!
>hine gama< is as cool as the two other tracks but but a little more laissez-faire fair. we dont think that anybody will be able to resist this bright light brown colour it shows with all its reflections of intensive sunbeams shining in.
this release fits perfectly to the last release on trapez ltd.

stroboscopic artefacts third release sees label owner lucy and underground trailblazer ercolino, inspired by novelist michael endes imagery, create two visions of a nihilistic future. the 12inch begins with the tale of fear incarnate >gmork<, the most powerful weapon for controlling society. the a-side is a portrait of this terrifying beast: slinking baselines come from its black heartbeat and white noise grows from its unearthly appetites. fat, squelching noises emerge as light, hope and ideas are quashed, ground up and eaten. the sound is viscose, violent and deep seething red. what emerges is a genius slice of dark, brooding techno crafted from the nectar of your darkest nightmare. the story gets even bleaker with b-side >so the nothing grows stronger<, a narrative of blips, bleeps and squeals. this extreme dub techno track is a mutinous call to arms, the sound of the insurgence. here beats forge together, fortified by a devastating charge, till the track crunches away into nothingness

third ep from the talented nebraska on rush hour... after the two variation eps, a weekend of my own brings us four strong house tracks.side a features the deeper tracks. the lush soho grand oozes a touch of magic, while the snappier >a weekend of my own< has perfect late night drive to it. side b opens with the disco-fied >time has come pt. 1<. this is peak-time business. the same can certainly said of >masala dosa<, this infectious jazz groove rides on a finger snapping bounce. bam! for fans of rick wade, theo parrish, trusme et al

second release from shoes offshoot plimsoll by space rangers are two funky disco edits. an extended version of d trains keep on dub mix, and a dancefloor filler edit of new jersey connections love dont come easy. rainer trueby and motor city drum ensemble are already fans.

circus company welcomes a new artist on the label: the homewreckers. named after a track by southern soul legend sam dees, the production collective from germany has been moving and breaking new ground between detroit techno, abstract funk and melancholic disco music since 1995. their debut album amercian ruhr has been released on unique records in 2008 and creates an absolutely distinctive sound which seems to come straight out of a from a feverish dream populated by the ghostlike figures of larry graham, juan atkins, frank hutter, bernard edwards, erik b or al green. the not my business ep perfectly shows how the homewreckers flow on these two original tracks. you feel the funk, you feel detroit and you feel a deep and unique sense of music. cherry on the cake, you got a remix from san francisco based artist dave aju who is back on the label after his much acclaimed album open wide released in 2008. not my business isnt their first shoot on the label as they were already part of last months snuggle & slap circus company compilation with a brilliant live-version of chicago urban blues.

supported by adam beyer, john digweed, dominik eulberg, ewan pearson, perc, danny tenaglia, dave tarrida. roland m. dill is a passionate dj, trained musician as well as bit of a scientist. this release tells a story of psycho acoustics. so expect >low go< to be something special for your ears and for your soul. roland likes chicagomusic and this track has the chicagoesque feeling in it from the beginning. those who remember green velvet will get a hang also on this powerhouse-techno production! this track will be easily fitted in to every berghain dj set and rock the shit out of everyone on the dance floor. dont expect dubbed out lushness, this is serious dance or die action .
the remixes come from prominent producers around europe, so starting chronological from a2 to b2: sian has appeared on a lot on raves and parties with his surf board. he is an international traveller who loves to be reminded of the times when surfing farmers left their houses with door frames and no doors. his remix works in a way a countdown functions. building up tension at an incredible speed, this track is set out to explode... but sian would not be sian if he had not developed a club friendly torture . sian rides the wave of superfatt basslines and adds a sequence that sounds as if someone had replaced his teeth with thin pieces of metal, creating a humming voice comparable to one of a jaws harp. sian keeps the tension going with very few elements and shows he is a true masterof techno.
secret cinema has been accompanying us since his first releases mid of the 90ies and we truly believe quality prevails, not to mention his mayor chart hit just 3 months ago with “shake ur tech-ass”. well secret cinema is unbelievably massive in his production. we dont see how anyone can fatten up the sound more than he can. but it is not only about tuning and pimping and pimping and tuning... his remix is a masters piece of perfectionbecause it creates something rare... deep emotional hydraulic strength. this is like diving head on into a pool of silicone and getting sucked into it. this track has an hypnotic feel to it that is comparable to radiohead.
darko esser is an icon in the techno scene of the netherlands. his remix takes the track in to a direction you would not expect it could go to. starting rather minimal darkos remix soon takes a turn and brings in jack elements and cool nostalgic melodies that will warm the heart of every detroit techno lover. was it derrick may who played chords like this... these strings are looked up in the back of our heads like childhood memories of having your first popcycle exploding in your mouth. this is soulful music with just enough analogue imperfection and warmth to it.

2009 re-release of this classic cypress hill album, including >i wanna get high<, >insane in the brain<, >hits from the bong< and many more. one fat timeless joint on double 180gr vinyl!

2 tracks taken from the tribute album >silver monk time - a tribute to the monks<.
>it s a dream come true!<
nathan howdeshell (gossip)
>the idea for the single with gossip is a match made in heaven.<
shirley o loughlin (the raincoats)

next up and on ep 2 we have the remixes of tiefschwarzs - voodoo. bringing the black magic thistime is hungarian artist son-tec and the awesomely talented tolga fiden. fidens version is abrilliantly fresh, pacey, techy turn. with a host of crazy efx and driving bassline, he turns in a truedancefloor number. hungarian artist son-tec makes a debut on the label with his wonderfully moodymix. capturing the true essence of voodoo, the producer takes us on a magical journey.viva music have done it again. creating a monster of a remix package for the fantastic on the buse.p. and one that is set to rule your cd wallets, hardrives and dj sets for a long time to come. untilnext time...

quarks remixed by turner, gonzales, schneider tm, submission and jamie hodge. released in 2000 on gudrun guts monika enterprise imprint.
turner turns the queens heart - the >königin< is dancing now.
gonzales wanted all and more, and he got it: >alles und mehr< flying straight and soft through the clouds.
schneider tm drops the guitars - >fallen< - sounds like an ejection seat.
submission bought a new dub dress and covered time (>zeit-hin<).
and at last but not least: jamie hodge is secretly catching us in the dark (>dunkeln<).
these remixes are beautiful and shy. just like roe deer. they give every track a new brightness and let them sparkle again. come on now - dance and dream away in quarksland.

apple pips come out of nowhere with their latest release from newcomer to the scene greena, two heavy slabs of garage / house influenced dubstep, tenzado is the freshest tune we ve heard for a while, slick vocal hooks and smooth bass lines sounding like a cross between cooly g, el b and the 8bit vibes of zomby. absolutely massive release from appleblims apple pips, we re sure they re set for another massive year in 2010! dont sleep on this one!!

close to the end of the first season, percusa records presents their last vinyl in 2009 and the labeltrio fimo themselves. after the successful remix on varoslavs >family ep< the three friends now deliver 3 fresh tunes working pleasant in the cold winter time.
>busy time< starts with a long warm intro and a duby chord which risesto a kind of detroit-style groove while the beat drops. fresh vocals and changing percussion shaking perfectly through the coldest night.
>deep fall< was produced in that mood when warm feelings come to mind, reflecting those nights when time falls down into deep winter-feelings. atmospheric voices, deep hits, stabs and chords melting toa catchy atmospheric feeling.

warehouse find . brand new release from levon vincent on his own novel sound label. limited edition, stamped white labels. this is a hot, hot 12 inch and we absolutely love it!!! a handful of releases on novel sound, decontruct music and his simply amazing recent remix for clone have forced everyone to recognize one of the biggest talents to come out of new york in recent years - levon vincent. >double jointed sex freak< is a dirty, stomping three track ep with deep and dubby elements, rough house beats and vocal repetitions that even remind us of some old chicago jack trax. needless to say this is highly recommended. tip!

bolz bolz comes back at your full steam with this new release of ramped up crunchy dirty break beat waver. this is some of his best work yet with >lift going up< setting the tone of what is to come. bolz bolz has come along way and in this lp he really creates a new universe of sonic wonder.

ltd one sided 10 300 copies only, first come first served! track taken from originals 4. when i was growing up, the only rock record in the house apart from the beatles was a christian rock record: straight talker by bristol band amaziah, my dad was a huge fan. my brother and i listened to it each day, as our matchbox ferraris traced intricate road networks on the patterned living room carpet. soon we knew every word, wah wah solo and squiggly synth noise off by heart. we loved it. and who could thought fifteen years later, while picking through piles of junk in the shed we found this forgotten treasure and searched for the owners and finally gave it a release on our label. so paul and jez, along with dave steel, derek elliott, richard grinter, phil williams, gerald davies and keith loring – and most of all my dad - this is for you.

deepart returns with his snapshots concept. deepart is andi hart, and if theres one man out there which keeps true to his own sounds its andi hart. hes been pushing his sounds for almost ten years now, ever without doing any concessions. this double 12 inch brings eight new typical deepart tracks, they come in his typical minimal lo-fi style, but with the soul deep within. sometimes warm, frantic some other time.

chantals tracks are tinged with a hazy, nocturnal sadness, a touch of sexy, decadent disco glamour and a retro palette of sounds that reminds the listener of the synthesised soundtracks to john carpenters horror films. diegors & the dons (aka m. aguayo) tracks are testimonies to this fact. built simply but well, in the comeme style for maximum dancefloor power. the overall strangeness plus the syncopated melodies are distinctly latin and couldnt have come from any other label. cÓmeme is hot right now and this is definitely the best record they have done so far

supported by renato cohen, danny tenaglia, sian, patrick pulsinger, axel bartsch, bukaddor & fishbeck, orde meikle, kiko... let us introduce the new trapez artist deepchild with his brand new 2 track ep on vinyl. deepchild writes bass-heavy machine-music for broken people, disjointed booty-bass for backroomdreamers, fuelled with sweat, jackin funk and tears. >backroom< is such a track, a warm, raw, urgent and sensual. techno at its finest, highlighting deepchilds voice stronger and more delicately than in the other track. his misch-masch of deep detroit futurism, southern-crunk and forgotten space-disco cut with a rusting razor-blade of german tech-minimalism and filtered through a personal collection of odd analogue equipment is a secretformula that has >backroom< come to life! the b-side >death panel my ass< is a masterpiece of a recording with a hell of a tricky production, cool vocal snippets, cool effects over dubs... well a busy track but at the same time at ease and deep.
deepchild is based in australia and has recorded for resopal in the past. he is playing worldwide and on trapez parties in 2010 !

these two fellas from upstate wanted to party, so we met downtown at the club later that night... fresh off the mystery meat imprints auspicious debut comes ncams double header deep house excursion. comprised of nick chacona and anthony mansfield, the bi coastal duo have reworked seemingly untouchable bits of discos past to come up with two sublime housey reworks. handle this is a firm favorite of one todd terje, and its no wonder what with its slow, hypnotic build. nick and anthony strip down a prelude classic to its core elements to create an otherworldly rework, teasing the female vox before they let loose midway through. the bongers is a not so subtle nod to the original source material, again with the boys retooling a classic from the prelude catalogue with dazzling results.

alex worked together with artists like john aquaviva and released on labels like blue fin, idj, freuqenza or ministry of sound to name just a few. his mate nihil is also well known for his outstanding releases. both came together for this ep and give you 2 huge strong detroit influenced techno / tech house club tracks. this release has amazing energy and will come as strong limited 12 inch on the mysterious 3rd wave black edition. just listen!

vivace is a project of stephen hitchell (cv313, echospace, intrusion) and is a unique hybrid of deep house, dub, jazz, & soul, a sort of new school/old school fusion which pays homage to chicago house heroes like chez damier & ron trent in their prescription era but with a modern twist. this project is the continuation of his previous soultek material initially featured on germanys force tracks & force inc family of labels back at the start of the century. the title track in its original form is a sub-aquatic journey through space and bass, as deep as you would come to expect from an echospace production but the sound palette has changed, shifting into a world filled with ambience and free form jazz. the use of live instrumentation & vocals are a driving force behind this project and add a depth and soul oceans deep, its like melting in sonic butter. the soultek mix is a frenzy of edits, funked up and sounds like it could be a schizophrenics take on house music, brendon moeller dives deep into soul, shifting and morphing the original into a proper late night house jam you could only imagine derrick carter or theo parrish dropping at the wee hours of the morning. the closing intrusion mix gives the original a frosty lime green haze best absorbed while inhaling, real trippy stuff. this first release has already earned countless play from francois k and in its inception (as soultek) was hailed as >jacks echo -- the future sound of chicago< by de-bug magazine, germany

the first long awaited axe gabba murda mob release is here. after performing for a few years together on partys, hellfish & bryan fury release there first agmm release. this buv releases contains 2 solid fast technical tracks which will definitely burn the dancefloor. strong quality stuff! watch out, much more to come from the axe gabba murda mob.

palette recordings celebrates its 13 year anniversary with a release by the duo that started it all for the label. no giant mix compilation or collection of remixes, just another example of what has built the foundation of palette over the last 13 years. john tejada & arian leviste have been collaborating for over 18 years now. with this release the duo in a way come full circle, combining some of their oldest production techniques with newer ones. its been a long road for these 2 seeing styles and trends change, equipment and technology come and go over the years, but what has remained a constant is their vision of electronic music. >messenger< with its subtle intro of modular synths and rhythmic pads breaks out of its sinister drop full force into a multi dimensional crowd pleaser. the stabs continue to build energy while layered drum programming and modulating synth lines escalate the tracks energy. on the flip, >observer< continues with a fierce pace that harkens back to the days of palette 4, combining vintage synth stabs and drum machines recreating that classic vibe which is gaining such momentum again these days. the difference here is these guys were around at the time already releasing music that would garner them such high acclaim over the years.

the duo from uruguay monoblock are back with another deadly combination of tracks. finally the time has come to release (on vinyl only) the bootleg entitled >in-tensiones<. a complex remix using several horn parts and held together by a labyrinth of percussion. the result is a monster of a groove backed by samples from one of jazzs all time greats.
next up is >soul whispers<. looking for a dark groove that fuses fine minor chords and sultry whisper like vocals then look no further. monoblock again create a shaker of a groove that keeps things flexing all whilst keeping the floor pondering and guessing at whats to come. a super funky combo that monoblock have built their reputation on!

subb-an & adam shelton present one records, cultivated directly from five years experience at the helm of below, one of the uks most upfront and authentic underground parties, the label aims to encapsulate the energy and dexterity of artists and crowds the night has connected with most. the labels debut release comes from its founders, subb-an & shelton, with >feel the musik< ep, a retro infused collection of driving dancefloor tracks. each stamped with a dash of ibican spirit and explosive energy. subb-an has gained familiarity and become a talent to watch through his releases on immigrant and leftroom. he has a distinctly vivacious sound and is a youthful and passionate artist with some tasty scheduled remixes coming up on b-pitch, hypercolour, 2020vision plus a full release coming up with mothership. he is resident at below in birmingham and regularly takes his dj and impressive live set to the best european destinations. this is the debut release from adam shelton, founder of below, which has exploded over the past five years to become named the best uk club night outside london in major press. shelton has found major recognition from his peers and been asked to play everywhere from panoramabar to space in ibiza. his pioneering sound and spirit has propelled below to the heights of appreciation and he is subsequently tunneling this ambition and focus into the one record label. future releases due from the label come from back2basics resident and leeds one to watch buckley, little fritter and further collaborations and solo work from subb-an and shelton. each ep will introduce new talent and deliver first-rate material with 2 solid tracks + 2 added tools for dj use on every release.

once again jay denes and lisa shaw come together to make a slice of vocaly and emotionly motivated music that pulls from classic r&b (i.e. gladas night and marvin gaye, not destinys child) as much as modern deep house. the moustached boy wonder comes in as the petalpusher and gives us his tough beats, pretty basslines and memorable melodies that make for a classic miguel migs mix. the besoul mix is all bassline, the kind that makes you immediately start bobbing ya head like a chicken and wanna start dancing all sexy on the closest person available. what can you say, naked music makes soul music for the year 2002, futuristic funk for the lovers.

after a serie of very well selling techhead releases, this will be selling even more! a.paul with a solo release on this greek label. he is famous for his well crafted uplifting techno that works so good on the dancefloor. driving beats and subtle edits are the key to success for this portugees mastermind! watch out for things to come...

now we are proud to welcome the flash brothers with their debut on clubstar records. na na hey hey kiss him goodbye has originally been a number one pop single on the billboard hot 100 in late 1969, by a band called steam. the flash brothes take this evergreen into a crossover potential electro house track. slamming remixes come by abel riballo & dj kds and kid chris, who have proved their skills before on clubstar. for those who dont like the vocals there is also a pumping dub mix on the vinyl. support from some of the biggest names in the industry, like paul oakenfold, tiesto, sasha, john digweed, pete tong, judge jules, danny tenaglia, armin van buuren, paul van dyk, deep dish, dave seaman, seb fontaine, ferry corsten, steve lawler, satoshi tomiie, max graham, robbie rivera, sandra collins, nick warren, hernan cattaneo, james zabiela, tom stephan, junior vasquez, victor calderone and many, many others!

the hidden cameras never fail to capture the imagination. orchestrated by leader joel gibb, their live spectacles are unconventional to say the least ? everything from blindfolded band members and string players to go go dancers shimmying alongside gospel choirs. the hidden cameras latest work, origin: orphan, is equally ingenious as the four previous albums.

mixture between mini tech, techhouse and some neo flavours.. familiar italian business style

ltd 20009 repress !! ndatl muzuik continues with its second release power thru pt 3 from label honcho kai alce with haunting vocals from azulu phantom. this actually has been floating around the waters of atlantis after missing the cut on kai alces debut the kaizer e.p. on tracknmode in 2002. after the original has been played by some the worlds elite larry heard, theo parrish, moodymann, funmi ononaiye, carl craig & karl injex . it now resurfaces with a new redefined energy from frances mush, who approaches power thru pt 3 with a new refreshing classic minimal feel that brings new life to kais already timeless chords & production. mush teams up with saxophonist daniel brothier to give you a dub very reminiscent of the conversation. the 12 is rounded off with more 2 come which its deepness embodies its title

2009 repress of ndatl muzik. which represent the three place in which i have cultured the sounds that come from within (new york, detroit, atlanta) this first installment contains four tracks from beneath atlantis. produced by kai kzr alce who is no stranger to the house music industry. having produced projects for the likes of trackmode records, kenny dixion jr. label mahogani records, and real soon records out of the uk. this new release comes directly from the production team of kai alce & richard corey. the first 100 copies will be limited edition colored vinyl with a few hundred standard vinyl to follow in the coming weeks. all 12inches will contain a coupon with a link in which the purchaser will be able to download high quality mp3 of the e.p. future releases include collaborations with jovonn, alton miller and chez damier

ich rieche blut is the hardtechno project by fiv from spain. for the third release he comes hard on the a1 track with his samples from hell and his beats that will even scare the demons away! talking about demons with jason little on the a2 you know you will run to your mommy! fergis from spain on the b1 is the main man from spain with his successfull killfactory records, hard stuff.. motormorfoses is last on this ep and he is the one with the off beat hard techno flavour, fresh!