welcoming warrior one to losing suki, the man like carl faure has been knocking out some killers for labels like black butter, catskills and king pigeon over the last few years, and for suki he shines a light upon the garage house hybrid sounds…. title track 5ths kicks things off with the kind of punchy garage house swing that never fails to move you, airhorns and synth sweeps pepper the cut whilst a thundering double 99-esque bassline throbs hard and heavy. flipside, the reverberating keys and mc licks of nyc continue warrior ones indulgence of the classic us house sounds but with a slick production for the modern dancefloor. closing track only you presents orgasmic pads and tough garage beats, its meaty bass touching the spot, a sweet slice of when rave met garage (somewhere in a field off the m25, most probably).

for the last release of 2013 be as one has kept a very unique collaboration under wrap between two great friends and producers, shlomi aber and guti. the result of this encounter is blossom, a track where drums and basslines smoothly fuse together creating a funk swing on a tech roll, its deep, chunky and steady.

the latest incarnation for bliq comes in the form of brazilian future primitive thingamajicks and his lysergic quest through sound on >patricks last trip<, with vernon felicity channeling a different kind of synesthesia. drop out – turn on – tune in.

reconstructed by sasha is his first release since his no.1 album involv3r. this highly anticipated ep once again puts sashas own twist on three beautiful pieces of music, which are all outtakes from the world-renowned involv3r series. the ep has already received much love from numerous other highly respected djs and producers such as the likes of scuba, noir, dubfire, adam beyer, huxley, maceo plex and shadow child.the tracks on the ep were described as incredible, exceptional, beautiful and breath-taking

absent from the shelves of record shops for some four years, the detroit wax label operated by eddie fowlkes resurfaced in style with last years unsung hero ep. thats what makes a track represents the seventh detroit wax transmission from fowlkes and sees the producer offer up a double does of his own distinct technosoul sound. lead track *thats what i think about* starts with a deep beat and then expands neatly, adding further rhythmic detail and a killer vocal hook: this is what makes a song cool, special. complementing this, *computer* has fowlkes on hypnotic form, mixing deep beats with cosmic sounds which are again elelvated by his usage of vocals...

borai returns to helm tasteful nudes’ third release, *last time out*, demonstrating his techno chops in two different ways. the title track is all techno muscle, banging out a gigantic piano riff to match the slamming percussion and hypnotic undercurrents. *midnight run* imagines a race through a pitch black city, layering stark pads and sparkling riffs atop its gas-guzzling bass line. both whip the dance floor into shape.

after whispering the name >the jaydes< for a few months, the dame-music crew is proud to finally reveal their first single >step on light< on a vinyl only release. the jaydes are a collaboration between two friends and studio partners bloody mary and attan. their first remix of anaxander >7 ways< on the last dame-music release was a good introduction to their album, that >step on light< is a hint on what is forthcoming. the album, due in february 2014 will include nine tracks and some serious featuring artists. >step on light< rises from its very strong 80s influences to the 21st century with class and power. the swinging drums and the percussive bass mark the tone and lead the groove all the way till the end.

review: with releases on a who s who list of labels that are pushing experimental, underground house and techno including l.i.e.s, creme organisation, echovolt and strange life, william burnett has been steadily putting out releases that have gained a lot of respect without having to shout too loud about it.

the title track for schallbox015 is delivered by none other than label boss steve cole himself. with a driving groove, playfully set chords and vocals by her majestys sound (aka alexander friedrich), the original version asks every dancer for the *last dance*. or then, is this just the beginning the cast of remixers, consisting of rené bourgeois & dan caster, as well as the glitz, lines up in perfect sequence and will again set every dance floor on fire!

hectic dystopian stuff abound as last known trajectory proudly presents the very exciting >nuclear invasion< ep from jauzas the shining. featuring once again the seductive vocals of victoria lukas alongside the remix talent of none other than heinrich mueller. from the bustling drama of the title track, to the highly hypnotic >crockett<, impending doom of >reality< and stark, edgy shenanigans of >bohrium<, this ep has it all!

last known trajectory proudly presents inkamera, the solo project of the multi-talented victoria lukas, who of course you may well be familiar with from her previous work as zerkalo, performing alongside the legendary gerald donald. here, the first inkamera release demonstrates victoria’s clear understanding of what constitutes a solid and balanced musical project – ‘superpartners (photon photino) ‘ and ‘&#1089,,,&#1084,,,&#1077,,,&#1088,,,&#1090,,,&#1100,,, &#1085,,,&#1077,,, &#1089,,,&#1091,,,&#1097,,,&#1077,,,&#1089,,,&#1090,,,&#1074,,,&#1091,,,&#1077,,,&#1090,,, (death doesn’t exist) ‘ are both pacey, electro drivers with a distinct european feel, the former being quite upbeat, while the latter rendering a slightly darker more sinister air. ‘i can speak’ provides a volatile contrast with its crazy, freestyle electro beats and rhythms, whilst both ‘human terms’ and ‘potentia’ showcase victoria’s quite distinctive, totally unmistakable, seductively hypnotic vocal to a backdrop of gorgeous electronics. a superb solo debut from lukas – let us hope that there are many more to follow.

featuring new material and recorded in the bands isolated studio on the edge of the essex marshes, the album ebbs and flows in mood like the nearby blackwater estuary. working with a palette of vintage drum machines, analogue synths, textural samples, acoustic recordings, electric bass & heavily treated guitar, the songs were born out of captured live studio performances.

the recent album by sting as 12 inch vinyl in gatefold sleeve, featuring 12 brand new songs!

dfa revisits several classic and in demand 12inchs with a new series of hand stamped white labels called >dfa white out series<. only 200 copies worldwide. dont sleep. coming soon: benoit & sergio, lcd soundsystem and many more.

samuli kemppi played live twice at suicide circus, and since his energetic sound really fit well with our club, we started talking to each other about a release on our dark series imprint. so here we go now, after releases on labels such as prologue, mote evolver and perc trax, samuli kemppi now is ready to rock your boat with three tracks on our label, which define a very particular sound of their own. last day on earth brings samulis apocalyptic vision to the dancefloors. dark hisses, well scaped spaces and a hookline with the pull of a spacecraft make up for a track that with no doubt will be one of the techno anthems of the next months. a killer of a track! on the b-side spacing has similar sound aesthetics as last day on earth, but comes along more playful whereas calling approaches the apocalyptic theme from a very different angle. bleepy synths over a banging beat let you think of laser shots in the dark, haunting and scary.

hunter/game return with their second ep on last night on earth full of depth and warmth in time for the summer months. this four track release also features the talents of bajka and camille corazon. to round off the package are two superb remixes from german based baikal and jacob korn

after 2012s la fin de lespèce, french hip hop producer klub des loosers returns with last days, his first instrumental album (springtales released in 2010 was more a collection of beats produced along the years).
includes free download code.

bunker, creme org., mathematics to name a few labels, who andreas gehm aka elec pt.1, the man from cologne, releases his output the last years. after the ep the exaltics meets elec p.1 early 2013, solar one music is happy to announce his fantastic longplayer black pukee. 12 tracks on the edge of early dark jackin acid, chicago house and uncompromising underground techno and you can clearly hear his passion for the purest 303 sound. double lp presented in full printed cover artwork. are u ready for gehm?

clear vinyl pressing. already support by : marco bailey, slam, hector couto, danny chatelain, miguel picasso, anderson noise, christian varela, philipp straub, benedetto & farina, paolo mojo, chris source...

limited edition 12 inch featuring 2 cuts by raudive and remixes by al tourette & appleblim and steve moore.

after appearances in the last 12 months across world unknown, lets play house, endless flight and futureboogie, geordie trouble starters last waltz add tusk wax to their canon of labels with the first of two releases. the usual hand stamped, individually numbered, weighty 180g vinyl factors are present and correct yet there is still room for the concluding chapter in the sleeve. the thrusting, lusting glamour things isnt shy, pairing motorboat arpeggios with satisfyingly weighty drums, whilst the detuned tipping the gulf tumbles along with a certain lopsided glee. an accompanying jamie blanco remix ramps up the originals lead synths with decidedly epic cosmic results, whilst beholden (part 1) sees last waltz play with the work of foals in calming, cosmiche fashion.

multi-faceted canadian artist james teej drops his second lp, eight bit ocean on sashas last night on earth imprint. releasing his first james teej singles in 2008, teej has since become a firm fixture on the electronic music circuit with releases for we play house, rebirth, supernature and no.19 music as well as a debut lp on radio slaves rekids in 2010 entitled evening harvest. since then, teej has joined old friends jared simms and voytek korab to become one third of my favorite robot, an act which is steadily becoming another of torontos break-outs via tracks and remixes for visionquest and crosstown rebels as well as their own highly regarded my favorite robot records.

180g pressing , 12 inch vinyl records, single press, hand stamped, no digital. first part of a double bagger from last waltz

sunset wax records is a new independent label founded in 2012 by the italian dj producer gianluca brancaccio and based in salerno. its goal is to print on wax the fusion from the modern warm deep house sound and the old raw house feelings, that fade as the transition from dusk till dawn. first release coming from the talented berlin based nick beringer, with 2 excellent house tracks remixed by giovanni damico and the boss label gianluca brancaccio! vinyl only for wax lovers!

after last years spectacular return to our airwaves and the world of techno with the release of the excellent album from the far future pt. 2, the detroit veteran terrence dixon is back with a new release entitled the giant robot ep on monique musique imprint, while that enigmatic and experimental british producer actress has been brought in on remix duties.

french producer fred siera comes along with two driving tech house tracks for rennbahn records. last glass on apollo is influenced by dark and deep sounds combined with a sexy female vocal. david jachs remix is full of groove and sounds more fluffy than the original. the b side boast with moonboots 69 a deep and melodic tune. with this pure deepness, percussions and open hats larssons powerful remix is definitely made for the dance floor.

from his beginnings in stockholm, hes been a preacher of the underground gospel and a key part in redefining swedens music persona. running side by side with the likes of adam beyer, jesper dahlback, and cari lekebusch his thundering take on techno rarely shifts from the kick heavy sound that has become swedens signature accent. previous releases with the likes of cocoon, drumcode and saved show his ability to balance sounds from across a spectrum with sturdy rhythms, chords, and melody to create soundscapes suited to both festival and basemen

following on from his long awaited album ku:palm in november of last year, we now see its lead track pyramid get a vinyl release on photeks own label, photek productions. the eastern instrumentation and spacey beats may not be apt for every dance floor, but for fans of modus operandi era photek, pyramid is an essential tune. on the flip we have oshun, another track from ku:palm this time remixed by beneath, a producer that began making waves last year with a series of 12 inches on his own label, no symbols and a cracking mix for fact mag. he has gone on to release the illusions ep on dusk & blackdowns keysound recordings, as well as a 12 inch on pinchs influential tectonic recordings. mixing the darkest elements of funky, dub and syncopated grime with a distinctly uk edge, beneaths complex layered beats result in a truly unique sound that is a perfect matched to remix fellow experimentalist photek. a young producer that clearly knows his shit, beneath is a breath of fresh air.

last night on earth continues to support and pluck artists that are turning heads, with ejeca at the forefront of ushering in the recent heavy 90s revival. his nu-house, garage style is ever present in his latest frequency ep. the first two tracks hi rollin and neva 2 far are dripping with classic vocals and vintage house sound. nassau storm brings a dubby side to the ep, while time for change adds calming intelligent beats fused with soul. last night on earth hit the spot once again as the supreme ejeca puts out another incredible release.

uner live club mix! hunter/game remix! dj support: richie hawtin,adam beyer, nick warren, nico lahs, doomwork, craig morrison (silicone soul), tiga, gregor tresher, matthias meyer, jay tripwire, coyu and more.

written in an outdoor studio overlooking the mallorcan countryside, baby prince (wolf + lambs gadi mizrahi) and crew love newcomer navid izadi portray a moment of sun drenched inspiration on the last dance ep.as if one mind-boggling new collaboration wasnt enough, the last dance ep features a remix by fellow crew love members tanner ross and deniz kurtel who turn out an efunk meets hip-hop in outer space version of the title track.

nice price deal !!! deep driving & hypnotic techno tracks... nothing more, nothing less... tip!

paradise club recordings are due to serve up another eclectic ep later this month – their first selection of what they have in store for 2013 – and it’s one that furthers the label’s trend of showcasing the many different styles at their disposal from their current roster.label stalwart jabru kicks things off with ‘last days of rome’, an aptly-titled cut that begins by traipsing through ambient swells and looms, only to then brew up a truly decadent, central dancehall rhythm.

after 20 superb 12 inch single releases over five and half years in the game, uk label, 2nd drop, is proud to present its first compilation, future foundations, featuring a mixture of established artists who have graced the label previously, alongside a handful of exciting new acts generating some serious hype on the scene right now. this compilation is the first of many that will bear the future foundations title. we have assigned each 12 inch with a number, *foundation 1, foundation 2* and so on, viewing these chunks of superb music as the foundations of an on-going, multi-layered aural concept that will document the rich and varied output of the label and its artists for the foreseeable future.

thermalbear rmx! supported by: maya jane coles, seth troxler, huxley, deetron, maceo plex, ame

limited to 200 copies in green coloured vinyl ... sometimes memories and emotions are melted together, giving the right feeling to realize tracks with few elements that communicate.

knox is the band brainchild of brother-sister duo nic and eliza coolidge. hailing from boston and new york, the siblings released their second ep, here, on december 3rd, and it is a big step forward for the band. formed less than two years ago, in march 2011, knox finds themselves working with the likes of john tejada and kuxxan suum on this release, and the outcome is stunning. here is five-song set full of ice and echoes. it runs as close to the third rail of impersonation, but flies away so quickly that knox sounds contextual and perfectly fresh. the influences from james blake is clear: the swooping, bomber bass and half-timey compressed dub beats, here could also easily be an inventive b-side to the latest how to dress well album. but, with the limited scale, interspersed remixes and foundling status in the scene, i would say it is likely a more impressive feat. the ep as a whole is desolate. expansive spaces filled with cold little beats and vocal washes, exploring in the course of five songs an icescape aesthetic with a sense of place usually reserved for full-length albums. the remixes blend so seamlessly that i didnt even realize they were during my first, casual listen.

the next release on organic music features the deep house project chasing kurt from frankfurt. brought to life by the producer team pascal blanche and wojtek kutschke featuring the heartfelt lyrics of polish soul crooner lukas poloczek. after rocking the house at kater holzig last week-end, we are very proud to present you their last original tracks. to complete the ep, a simply awesome remix from jef k, who is on fire right now!

brilliant 90s infected house, coloured vinyl

john heckle (undisputed king of da real scouse house and fast becoming one of the most prolific young techno producers from the uk) deviates ever so slighty from his trademark sound to paddle his little raft down the mersey and run wild with the wolves. the result is epic and mystic (and 100% organic) and opens a doorway into a mythical world of wicker men, hill figures, druids, witch covens and early 90s sunrises off the m25, when ever-e-thing seemed possible. excellent new artwork as well by godspill, who is also into naked chicks that float and stuff. a deadly combination!

after a very long hiatus jackoff is back with a string of fresh new releases.

for signal life #03, we teamed up two young vigorous south londoners: mr. louis carnell, known by his moniker visionist, and mr. marco giuliani, who works under the alias last japan. >control this< by visionist combines his background in south london grime with his signature drum machine template and lo-fi vocal excerpts into a coherent mesh. our favourite visionist track to date! when we first heard >storm trooper< by last japan, it was the tension we got caught up in. the song is focused with a clear direction, uncommon in most young talent, armed with a driving snare-fill rhythm reminiscent of south rap and all that exiting stuff in the 160 bpm. i believe murky is the correct term. we predict interesting things for mr. giuliani.

limited one sided white coloured vinyl... phat epic sasha remix

support by xpress2, nacho marco, giom, phil weeks, shur-i-kan, jazzanova, miguel migs, roberto rodriguez, mark farina... following the success of the originals, which landed at #2 of the global sales on traxsource, lazy days is back with remixes by the almighty spirit catcher who give us 2 interpretations of this summer hit in a pure 80s boogie vibe. this is yet another, teaser from the forthcoming album >lets call it a day< out in october on lazy days.

the pain sat deep inside his chest – even a little further behind.
the world can exist without me, the world can exist without me - he repeats it again and again in a monotonous inflection.
what do you want to do now?

includes remix from sasha.

der eisenhuettenstaedtler alex q gibt hier mit den tracks >last song< und >antiheld< eine hommage an das kleinstadtfeeling. ergreifend und wohltuend, beruhigend und freudestrahlend lassen einen diese tracks nicht mehr los und wirken wie eine 5 tage kur am meer

factory floor offer up a substantial distraction while the band put the finishing touches on their debut album, due out on dfa records in early 2013. their last single two different ways is remixed by two different electronic music leaders. richard h kirk, co-founder of both cabaret voltaire and sweet exorcist, puts his own warped spin on the single, while perc aka ali wells, takes the original and piles on his signature throbbing bass for the main remix. perc also offers up a noisy mix taking avant waves of feedback and noise and shaping into something unexpectedly beautiful.