until recently, the legendary ricardo villalobos was the only one to remix acclaimed norwegian folk singer mari kvien brunvoll. ricardo s -celestial remix- of the track -everywhere you go-, has been widely played in the underground music scene this year. the italian dj,producer marco faraone, who s music has also made it into labels like desolat, all inn and moon harbour, loved mari s voice, and decided with his friend piegaja, to remix a different song called > something inside<, just for fun, himself and in his own dj sets. but when mari heard it, she decided to officially release it !!! check this masterpiece rework! limited one-sided vinyl 12 140gr gatefold! vinyl only

ltd nice price action !!
sound exists to be stolen, cut up, re-arranged, and turned on its head. good sound, once produced, should be preserved for proper arrangement. docile #21 is a collection of elements that have been captured from unique sources and fused into fluid creations. environment and progress of time are catalysts for a creation to form a process. dociles nameless and faceless process works to liberate a new sound and describe its’ own natural pattern. docile connects to the random to pull out patterns, those patterns can be honed down to construct a logical but abstract funk. mistakes are made and processed and reworked into a melody. nonsensical, indiscriminant, drunkin funk turns to soulful harmony with presence and conviction. immature tantrums and rambunchous crunching mask a bi-polar need for smooth rides with snacks and naps.

limited nice price action
!!! pumping electro house mixes making its way into your direction in a very legrande - ish way! w&p by an unlisted producer who wishes to remain anonymous but is certainly a full time hero amoung the electro house shopping community

forty-two months can be a lifetime in the rapidly changing world of dance music, but the 3 1/2 years since maya jane coles previous mobilee release, 2011s beat faster, has seen the uk dj/producer accumulate unprecedented accolades from all corners of the dance music sphere, from magazine covers and reader poll placement to premier league bookings and regular play by her esteemed house music peers having seamlessly transitioned from buzz-heavy newcomer to perennial favorite, maya returns to mobilee with three tracks in her unmistakable style, one that has only become more potent with practice on releases by dogmatik, hypercolour, jackathon jams, 20:20 vision and her own i/am/me label.

limited nice price action
after the huge success of plastik in 2007, we now bring you the next bomb from leeds based, simon baker. >x, y & z< original mix bears all the characteristics of a typical baker anthem, rolling percussion bouncy bassline and intricate melodies weaving in and out of the groove complete with a huge breakdown of twisted keys and pads, simple you might say but ultimately effective.

the 6th release on bond celebrates its makers return to the wheel. it consists of three tracks made by petter b and is part of a series called roots. the a-side, roots pt i, is as ballistic track that got a simple yet addictive stab as a hook. it sound could best be described as that t-shirt you went clubbing in for 24h and that you should wash thoroughly before ever wearing again. that dirty. on the flip side you got drummer iii which, like its predecessors, is a simple yet effective tool track. last but not least you got shut your eyes. follow the titles advice and leap of into infinity and beyond with this 303/707 minimalistic soundscape voyage. a perfect end to a great night.

true to the motto do it yourself diynamic is re-releasing solomuns remix of lana del reys west coast on its sister-label 2diy4, in order to make it available all around the globe. in his subtle manner, solomun works his magic around the breathless sultry vocals of lana del rey: apart from the luscious beat and the droning lower frequencies, the catchy synthesizer builds a simple, but harmonic structure that sends you on a mesmerizing journey throughout the track. the a-side, which is the dub remix, has already proven to be raising hands on festivals and in clubs during this summer all over the world, the b-side attracts the listener with the matchless voice of lana del rey.

vinyl only release !! long live 90s house! the new 10 inch supersingle 160 by o*rs takes us back on a journey through time without suffering a loss of modern or contemporary sound. with *body talk* the berlin based female producer perel creates a future house classic featuring no less than abba lang. lang, who lives in berlin but originally comes from uganda, not only add his voice to the original track but creates a delicate hip hop rhythm while reciting – and harmonizes perfectly with perels vocals and the sound of the track. *this love*, the second track featured on the limited supersingle is a house tune which has it all: love of detail, funky grooves and extravaganza. o*rs 10inch 160 – one record, two tracks and a perfect fusion of house and hip hop.

after its initial string of records, spring theory is back with its third release of the year: the record is let me love & steal, the latest ep from avalon emerson. in the past few months, emerson has moved from san francisco to berlin and has taken in her new environment s vibrant club culture, and it shows. but this four-tracker is a far cry from the dark industrial cliches that typify foreign expectations of the german capital. instead, her cuts here carry an undertone of playful sampling that balance out the sheer power and energetic intensity of her rhythmic drive — aka its a full eps worth of hard-hitting house music with even more of her idiosyncratic flair.

typically eccentric, melodious, atmospheric and bristling with interesting ideas, cosmic vibrations delves deeper into ruschas archives and comes up with gold. highlights are naturally plentiful, but keep an eye out for the psychedelic ambience of electric brain, the analogue electronic explorations of nova laser, and shockers, an acid-flecked chunk of chiming balearic deep house with exotic, arabic touches

soft gamma repeater finds graze continuing to develop and refine their singular voice, enmeshing a tough percussive edge with the rich textures of dance music at its deepest. but it doesn t take many listens to realize that soft gamma repeater is also their fullest and most accomplished effort to date, as well as their most cohesive. limited 3x 12 inch!!

nice price deal !!! amazing & groundbreaking compilation!! with success comes ambition, and on the heels of two successful 12-inch releases that followed the changing seasons of 2013, studio r returns for fall 2014 with our most expansive offering yet. coming in the form of a 12 track triple ep, our third release revisits one illustrious name – fred p – while deepening the roster with a list of the renown like brendon moeller, exercise one and mike parker, hot upcoming names like zadig, dj spider, and hakim murphy, and lesser knowns, some new but others with long histories. those with their ears to the ground will certainly perk up for contributions from andré kronert and boyd schidt, each of which can trace their production histories back over a decade, the former as head of night drive music and the latter as half of the georgian duo greenbeam & leon. the remaining three – harry light, j&#363,,,ras lietus, and weitone – are all newer, with the first making his debut here, the second having debuted on our own wavereform imprint, and the third ostensibly new, although he may have some history we will not reveal here.

all-day and all-night cultural entertainment center and athenian place-to-be, six d.o.g.s, has launched its brand new label, six d.o.g.s records. its first release under the gilda series, which will be focusing on contemporary, club-oriented electronic music, is lemos *kay&#305,,,,kç&#305,,,,*. lemos, the wonder-boy of greek underground dance scene, delivers the goods with a cover of *kaykci*, a greek (with turkish-like aroma) folk song, originally written in 1948. the song is a staple of traditional greek music, having been covered by numerous artists through the years. lemos nine minute long take features the beautiful vocals of folk-jazz singer, natasha mindrinou. in typical lemos style, the track is a dubby techno - house trip to the stars, retaining the core of the original song, basic melodies and lyrics. this leads-up to a deep, hypnotic but epic, huge cut that will surely move after hours dancefloors all-over. a remix by kreon, the greek maitre of contemporary minimal techno. he takes the original parts of kay&#305,,,,kç&#305,,,, under a low key bass carpet that extends to 12 minutes. stripped down, with emphasis on crystal clear rhythmics and in full swing, the track takes a whole new meaning. smartly placed vocals that fit in the after-hours aura and a hands-up moment towards the end, kreon brings the heat akin to the sound of ricardo villalobos and rpr.

alan fitzpatrick is back with a three-track ep that encapsulates what alan s drumcode sound is all about. hard-hitting drums that fire down onto the dance floor like cannon balls. check! intense key patterns that are as twisted as they are uplifting. check! beautiful melodies that seamlessly interlock with each element. check! big-sounding, infectious grooves and killer hooks generously sprinkled with the infamous fitzpatrick magic over the top. check! in short, this ep is everything we have come to expect from alan over his long history with drumcode (this is his 10th ep as a solo artist!), but still his sound remains fresh and super-charged for 2014.

heidi lord wife of rephlex/weme artist jodey kendrick 3 of heidis tracks are featured on the famous edm compilation albums this is the debut album from heidi using a unique pallet of sounds from mri machines to modular synthersizers to conversations in a super market to her own processed voice co produced by her husband i could describe what the album means to me, but i would much rather leave it to listener to experience and feel and to interpret how they see fit

standard black vinyl - repress 2014
glorious and epic two tracker vinyl for bosconi records, this time by our favourite detroit techno duo the oliverwho factory. we used to be big fans of their madd chaise works and latest rush hour and planet e were awesome, but that percussive sound was different from what we knew from their past. we wanted them to give another chance to their more jacked out musical side in memory of the two masterpieces (and bosconi soundsytem favourite waxes) those were >the rhythm< and >the rain 5th wave<, and so we proudly got another timeless, soulfull, spacey and futuristic techno anthem called >take me away< darryl with his magic hands has created an ultra effective combination of energetic and groovy pumpin kick with a tight funky bassline substaining an upbuilding layers of dreamy synths and stormy noises while the voice of lashone gives that unique colour and atmosphere to the track that all the oliverwho fans love, dictating their original trademark sound. on the flip, takin inspiration from tama sumo panorama bar mix samplin the ow, we got an upbeat version of their slowmotion gem called >together<, that this time, thanks to altered states re touch of darryl and shone has become a proper and fat techno arena bomb, now just for the pleasure of absolutely everybody. you wont miss it, for sure

still no one knows who gerstaffelen is, but with this release the producer becomes a regular on the mos deep label and is now back with four more of the rawest cuts you could imagine.

for some ageing producers, the nineties represent a lost land of hazy parties, forgotten nights and emotion-tugging tunes. but for the fresher-faced end of the dance music spectrum - such as the la-based dj and producer urulu - those post acid house, pre-mp3 days are a neverland of the imagination, something to be relished vicariously through the mags, memories and music of 20-odd years ago. two years back, urulu - aka taylor freels - even released a single called *1991*. it might have made some grizzled club kids feel a bit old, but the love and euphoria in his music are there for all to hear. but jump right up to the minute, and urulu is back in action for sheffields shabby doll label.

ten releases in and aficionado have firmly established themselves as the go to label for those seeking something soothing and sublime to raise their spirits or move their feet. now messrs moonboots & boardman turn the page on the next chapter in the nado story with the earthly delights of number 11. the wrapping has changed but the gift inside is the same, blissed-out beats and sumptuous melodies perfect for the dancers and the dreamers out there. for this latest release, our generous hosts invite a new star from the east to take us on a journey through textured sound and rhythmic pulse. a vision of panorama greet us shrouded in secrecy and the mist of the unknown, preferring to speak through music than idle words.

kann is most delighted to calmly present things from the basement vol.1 as their 20th release. this soundscaping and atmospheric collection of interluding house takes you to the most enjoyable basement you can imagine

we are proud to present our first release: wade lets do it ep with two awesome remixes from chad andrew and david gtronic. you always can trust the sound of these artists, but this time we have the pleasure to show a very fresh and special sound from them.

portland producer strategy is back with two unique house cuts. his wide range unique music is released from 100% silk, kranky and endless flight. a side, >luna< is very unique sound which is difficult to categorise. but if we say, it is like detroit techno remix of synth pop ... b side, >the saga< is his trade mark dubby house sound but bit more gorgeous and uplifting.

the platform is extremely crowded, however, and she cant get to mick, who is standing at the opposite end, so she shouts his name. two other passengers relay the message to mick that sue wants to talk with him. what does she want? mick relays back. tell him that im not going to marry richard, sue shouts. why not? mick asks. -because i love you! she relays. when the message finally gets to mick, he tries to make his way through the crowd but he cant get to sue, so he climbs on top of the crowd and walks over the peoples shoulders to get to her. in the final scene, they embrace while the crowd cheers.

recondites atmospheric, driving, bleak tracks are techno to the core. but they are much more.

• three superb new collaborations from brothers
• another fine bundle of established artists go head to head...
and make a return for the 6th instalment on brothers, hooking up with 3 fresh new artists, adding to the labels growing roster of techno talent.
headless horseman makes his debut ride out for an external label, laying down a bad boy broken beat stepper with and for a brutal but grooving a side offering. for b1 earwiggle boss and one half of tinfoil, sunil sharpe, teams up with and to serve up the pounding slab of acidic techno that is security breach. the final track for bros006 sees and and d.carbone collaborate on a relentless 4x4 acid bomb.
three collaborations that you may not see again so grab this record while you can...
mastered by matt colton at alchemy // artwork: ryan self

soul has always been a constant in wolfs musical adventures, and here they release an ep that is positively drenched in it. wolfep026 has been crafted by wolf favourite, ishmael. a multi-instrumentalist who has featured on the label in the past but is now stepping up for his first full ep. fans of wolfep017 will be familiar with his debut single *want you* that received praise from the likes of jimpster, lovebirds & ben westbeech. luckily we didnt have to wait long for more tracks as we were treated to au juju & lumo as well a remix for frits wentink. this release is his full debut ep, and is a taster of what you can expect from this exciting new addition to the pack.

we are very honoured to welcome the cologne-based producers hade + gutta to the local talk family. their debut release marks a further development of the local talk sound, balancing between house & bass. the ep kicks off with *nothing wrong*, a track built around a bouncy bass riff that lingers and weaves around a clever vocal splicing. *in me* continues where *nothing wrong* left off but adds more depth and ingenious stabs, it is a 100% bouncing track for sure. ending the ep is hades solo number *baphome*. a bass fuelled floor packer with nicely interwoven synths and a hypnotic house groove that remains present throughout the track. in conclusion - a garage-esqe belter with the right amount of wobbly bass to satisfy all your dj & dance floor needs.

hopeworks opened just under two years ago, in the heart of sheffields former industrial centre. this empty warehouse has since become the hedonistic epicentre of the citys vibrant all night clubbing scene as chief resident and director of hopeworks, lo shea has built the ethos of the space from the ground up. having hosted an enviable list of international guest artists as well as showcasing the best of tomorrows talent, hopeworks has become an essential melting pot for the cultural and musical future of a city whose electronic heritage has surpassed its industrial one. a platform to release the music inspired by the space and its loyal crowd, not to mention the artists who have contributed to its success, makes perfect sense. who better to take the helm of this debut voyage than lo shea himself… following his successful seaghdha series, liam continues to flesh out a distinctive sound that doesnt easily fit into genre divides, but which is informed and inspired by all those late nights. often functional, always perfectly weighted - his productions have - given the diverse & astonishing energy of the space that feeds them - gained support from djs and dancers the world over… this is 100% mixed in sheffield & believe us, hope, works.

we have been working with knarf skipson since the very early days of deep vibes recordings and, just like a good red wine, 7 years of waiting have been worth the while. this 5 track ep brings you nothing but pure sampling madness, wild composing and some wicked beats that all go in line with the likes of koze, kdj or shake shakir.

picking up from an earlier professional relationship, but under another alias, the melodymann goes back to the roots on this release alongside celebrated producer, rennie foster.

greco-romance. it has often been said that the early underground parties thrown by the greco-roman artist collective, party and record label were romantic affairs. maybe it was the punch, maybe it was the music, but love was certainly in the air. and so the third solo ep from hot chips joe goddard picks up where last summers ep *taking over*s love affair with club basements left off.

always a good day when a new chicagodamn record arrives! postmodern blues will be a two-record series from the celebrated & illusive uk producer the first volume here features four new cuts fresh out the box! as ever, we are dealing with a combination of straight up, raw machine funk, built for strobe-lit, sweaty walled basements and warehouses sitting alongside more emotive pieces. familiar themes indeed, but pulled off with impeccable attention to space and sonics. all killer.

new 4 track ep from moscow based analogue genius chizh (previous releases on anton zaps ethereal sound and plus seven records). 4 track ep of acid flavored house tracks of varying tempo, but always melodic. two originals plus two incredible beauty remixes from the mole (perlon, internasjonal, ostgut ton, philpot, slices of life) and anton zap (underground quality, quintessentials, apollo/r&s). mastered by kuniyuki takahashi.

drew pompa & pipe scuttleworth unveil 6 tracks of guitar, rhythmic percussion, drones, synth pads & a host of found sounds into a sonic brocade of melody emitting the shadowy energies of post-punk & dark wave. this mini-lp is limited to 300 numbered copies and comes in a full color artwork record jacket, with an 11x11 insert.

dapayk & padberg welcomes the autumn season with layers. the original version on their 2013 longplayer smoke is a delicately written piece of slowly evolving poetry, that now is wrapped in deep interwoven coats. the new clubby layer 3 version by dapayk & padberg is haute musique, that not only leaves a warm shiver in your head but also salt on your skin.

returning to his original home for this ep, it represents yet another left turn on the ukkonen musical path. the man himself says: *once again i want to change direction a little, whilst still keeping all the things i love in there - the polyrhythms, phasing loops, ambiguous timings and so on* however this set sees the tempo looser than before. we are not sure if post-techno actually ever happened, but maybe post-discotronica is, er, in the post. anyway, we liked the tracks so much that we once again went the extra mile with the physical product - a clear and white marbled thing of beauty, cut to 10 inch size in a 12 inch pressing.

this is potion number one. murat tepeli is known for a style of house music that is rooted in the formative years of house, without any nostalgia but absorbent of the here and now. on this ep, he showcases his love for bass and what he considers fun on the dancefloor.

during these days where lo-fi analogue house productions seems to be the it thing, its time to dig out a release by one of the true pioneers of house music. not an outsider but one of the names thats been around forever and thats known for several timeless house classics.

music is strongly linked to memory, sometimes just a simple note will trigger a deep feeling of nostalgia or emotion. the new homesick series was created by music enthusiasts living half a world away from their birthplaces. their concept is to play on memory, to re-edit and rework songs from the past into something which is timeless, tracks which feel fresh but remain true to the original.

it was a little bit quite around the wirrwarr label in the last few years, as the boys focused on other projects like building up an bookingagency, a 2nd recordshop, new labels and for sure producing new music. now they are back with some fresh and crazy minimal techno tracks. on a1 we have mr. wigbert with his first appeareance on wirrwarr, a2 comes from labelhead locke in cooperation with mc shaver. b1 is a freaky brain damaging minimal monster by matt star. and last but not least b2 called *piano*, a old but still fresh sounding work of locke. freak out!

the very first release is by montreal based artist, stefny winter who emerges here with a wonderfully crafted tuned project. slightly stripped down but at the same time, providing a low end, fizzle bass, winter pushes hypnotic rhythms with a not so subtle smirk. a wink to audion, or a perlonesque aesthetic, this ep ensues a groovy moment as well as heartily groove.

discomaths 002 brings us clips sweetest and most emotional side. further removed from his techno facet, but no less intense!

unfinished business is the latest step for luke solomon, a mix album for his kaleidoscopic talents that gives him the chance to highlight what is still the bedrock of his extraordinary career: being behind the turntables and digging out those records you really should be listening to but might have missed in the avalanche of background noise. this handpicked four track sampler highlights some of the exclusive vinyl only releases from the forthcoming compilation.

always at the top of their game, hot creations this time call upon torontos nathan barato for the next release on the label. the unique and fresh sounding *everytime i see you* is a real groover with a low slung bassline creating deep swing and flow with the vocals from room 303 taking it to the next level. brazilian volkoder is first to remix, picking up the pace for the dance floor he adds a new killer bassline, stripping down the vocal but holding onto the groove. last up drumcode favourite nicole moudaber brings her techno touch to the release with her remix making this a wholly satisfying package indeed.

waifs & strays make their debut appearance on skream s new imprint of unsound mind. having had previous releases on leftroom, madtech, futureboogie, resonance and hot creations amongst others, waifs & strays have slowly but surely become a respected purveyor of quality house music, and its no surprise that skream has snapped up these two tracks for the second release on his new label. free your soul and just don t know have both been featuring heavily in skream s sets over the summer months of 2014 and doing damage across the globe from ibiza to la.

ltd nice price action !! >give it to me hot< is a 4-track ep that pays tribute to one of the hottest, raunchiest (but sadly short-lived) funk/punk groups from the early 80s, sexual harrassment.
sexual harrassment was started by radio dj lynn tolliver whilst he was working at mca records, and the cleveland-based group had a gold single on the heat/montage label. their rarer 6-track album from 1983 has become a collectors item. to do their tracks justice, we asked modern day artists who are synonymous with a sex-driven funk attitude to either cover or reinterpret the originals.

nice price deal !!! raw waxes continues the release number four with one more original track from the noisemaker. the edition 4.2 is enriched by the remixes of korova, duo who were protagonists of our first release, and inigo kennedy, old school artist truly appreciated by raw waxes. on side c, point x15 advances as an acid robot going ahead with swollen broken baselines covering sinister and rough ambients. the rhythm gets darker and nimbler as far as the stylus moves on the decks. on the side d, korova delivers the mirror of their hypnotic and straight techno soul. drums play hard, ambients are kept happily enjoyable, while the acid synths and chords go with the flow embellishing the original version. inigo kennedy’s reinterpretation seems to come from early ’90 productions on missile records. acid elements and palpitating hi-hats, followed by the syncopated bass drum, gradually fire the minds up and accelerate the roll of weird but deep moments. pure industrial machine guns.

modelmaker is a new london label from the collective minds of dan berkson and james what. the esteemed house duo has long been garnishing a range of international imprints with their inventive analogue house and techno sounds, but now they are focussing on their own outlet. initially launching with a couple of self penned eps, release number three will be the pair s long-time-in-the-making debut album, and after that a considered selection of other talents will join the ranks as the label pushes on. always primarily focussed on machine made, texturally rich house and techno, each release will come with unique artwork based on works from whats great grandfather, conrad felixmuller, who was a well known german expressionist.

as the autumnal nights draw in, futureboogie show off a slightly darker edge to their ever expanding roster of artists, welcoming re-edit king mark e to the fold. the birmingham based dj and producer has risen steadily through the musical ranks over the last few years, cropping up on a multitude of top drawer labels like sonar kollectiv, running back, golf channel, his own merc imprint, and most recently a brace of albums for the us label spectral sound (home to matthew dear, osborne et al). title track, *activity* chugs at a house music pace but with plenty of techno swagger, bridging the gap between the two genres with ease. a simple and minimal beat is doused in a pacey acid bassline riff that is constantly morphing and transposing, layers of synths join in the infectious melody whilst soaring pads rise up with all the familiarity of a detroit techno classic.