limited to 750 copies cd, where 2 original concept albums are fit together available in an all-in-one digipack cd.liner notes (french & english), sticker. bernard parmegianis never-released before soundtracks for two films by pierre kast, including the ultra cult les soleils de liles de paques and award-winning short la br�lure de mille soleils (edited by chris marker).

the official sonne mond sterne festival compilation! 2cds , 2 mixes by charlotte de witte und markus kavka. inclusive unreleased tracks

loke rahbek returns with his fifth album under the croatian amor alias with love means taking action, recently premiered at the 2016 edition of berlin atonal where it was considered by many as one of the festival highlights. although not as harsh and abrasive as previous albums, such as genitalia garden or last years the wild palms, rahbeck still manages to execute a polarising opus, comprised of short ambient journeys which incorporate various sonic influences and clever use of sampling outside of his usual employment of textural noise treatments. field recordings, immaculate synthesis and emotional vocal snippets are interspersed throughout this exploration of love and human connection. the title track, in particular, could well be one of our favourite songs this year. quite simply: breathtaking.

over the years, berlin has been cited as oliver koletzkis main point of reference and, more importantly, his endless source of inspiration. his albums gro§stadtm�rchen and gro§stadtm�rchen 2 are wholehearted tributes of the german capital, as its importance is continuously hinted and charted. friedrichshain, one of berlins vibrant districts, has always held a special place in olivers heart. this is where he started out when he first moved to the city, and this is where he lives now. kreuzbergs wall paintings adorn stil vor talents cover sleeves and host their headquarters. there are little to no corners in the city that havent brought a spark of inspiration into the mix. the schneeweiss compilation series, now at its eigth installment, is built as a form of tribute to all these particles, tied in together into a series of carefully curated tracks. each compilation stands at the intersection of the musical and cultural surroundings most prominent of their respective times

to commemorate our 10 year anniversary celebration, this new release comes in the form of our beloved deepchord presents echospace project. the set was recorded live at ghost in the sound on 05/26/2013 a few miles away from hart plaza. an official movement after party curated by the detroit paranormal society in association with echospace, and now re-mastered by rod modell. from the second the bass dropped, it stole the breath from the room! this duo started off as barely more than a rumor supported mostly by the continous scarcity of their records. the duo comprised of detroits rod modell and steven hitchell have spent nearly two decades producing low-key electronic music both bordering on the verge of myth. theyre considered by many the most noted producers operating in the dub-infused aftermath of the basic channel axis and all its myriad offshoots. once their critically-acclaimed the coldest season emerged on one the uk based modern love imprint, the curtain was unveiled and the sound of echospace was born. they ve often been coined the true heirs to the basic channel legacy but their work finds a home somewhere on the outskirts of the galaxy, where detroit soul ties to jamaican roots played through a tunnel in deep space. this evocative, immersive sound that is echospace was born out of a love and passion for analog circuitry, sound design, field recordings and non-conventional methods of recording. but its also work thats quintessentially building upon the detroit electronic scene where it was born, and that divine marriage of roots and vision make the work at once so highly considered, so pertinent and so timeless. this is the first new album from the echospace duo since the critically-acclaimed silent world (ost) 3lp/cd set dropped 5 years ago, it features live renditions of some of their classics as well as unreleased material. expect gorgeous plumes of sound deeper than the ocean floor, a rich analog tapestry made and performed in the heart of detroit, techno city!

surgeonÕs new full-length, luminosity device, takes bardo thoedol - the tibetan book of the dead - as a starting point for a rhythmic journey into those interstitial spaces where body, mind, and soul no longer seem like distinct categories. it has the potential to turn anything from a club visit to a train commute into a collision with the otherworldly.

extraordinary pieces of music have long stood in direct correlation to the physical surroundings that inspire them. when oliver koletzki and niko schwind packed up their berlin studios last april to spend a month locked away in a cottage nestled in the stunning nature of cape towns noordhoek area before heading to afrikaburn, little did they know that its long beaches, dramatic mountain views and the heritage of its indigenous people would have such a profound effect on the club-ready sound they had championed with a string of eps and live-performances since 2015. the result of four weeks of geo-cultural stimuli and creative experimentation culminated in the album noordhoek, released in may 2018 on stil vor talent. while the productions on noordhoek display the same on-point sound design of previous oliver koletzki and niko schwind releases, the impressive emotional depth and electronic floor-focus of its twelve tracks effortlessly merge with complex rhythmic textures to form a contemporary narrative on ancient dance rituals. after a roller coaster ride through twelve versatile yet coherent productions, one thing is certain as the ultimate crack of thunder crashes down on noordhoek: south africa fuelled the creative energy of two remarkable musicians, who where able to translate the abundance of their impressions into a truly original world of sound.

welcome to toolroom 15. celebrating 15 years of one of dance music s most recognisable and truly international independent labels. avoiding a retrospective reflection of the label s classic tracks, achievements and catalogue, toolroom are proud to present an album of all new exclusive material written by some of house music s freshest talent alongside established genre favourites, including mark knight, booka shade, tube & berger, format:b, danny howard, eelke kleijn, dosem, rafa barrios, dj s.k.t, gotsome, weiss, raumakustik, david keno, rebuke, mendo, the golden boy, harry romero, adrian hour and many more. three discs mix, edit and reconstruct these productions, offering a seamless journey through the genres toolroom have become world famous for, house, tech house & techno 15 years. 15 parties. 1 essential album.

luaka bop presents this album from contemporary brazilian legend kassin. one of the leading producers and instrumentalists in brazilian music, alexandre kassin has produced roughly 100 records for singers, including marisa monte and bebel gilberto, recorded with sean oÕhagan (stereolab, high llamas) and made a full album based on nintendo game boy sounds. he has played bass for caetano velosoÕs live shows and conceptualized the orchestra imperial band. his new album, relax, is rooted in dreams and surrealism, yet grounded enough to reach listeners where they are. across 11 tracks, kassin flirts with latin rhythms, brazilian pop, and straight-ahead soul, using this varied stylistic array to tell imagined tales of death, drug usage, politics and fate. theres a dichotomy to relax, with kassins arrangements often feeling bright and danceable, yet with incredibly sullen themes. its a record that speaks directly to the yin and yang of everyday life, and the uncertainty that comes with simply existing.

wed like to introduce you to this giant of musical endeavour, the colossus of rio, as hes known. for edÕs sweetly agreed to be our point man on all matters smooth for this latest tstd collection, where we take a dive into an often overlooked side of brazilian music: brazilian soul, funk and aor.

uppermost will be releasing his upcoming album with a completely new perspective that should change the course of his career, expanding to a brand new pop oriented approach but keeping his french signature at the core of the project. his previous hit tracks flashback and beautiful light have already generated more than 27 million combined streams across platforms, while mercedes-benz selected uppermost single disco kids to be featured in their formula one advertising campaign and starz/encore chose another of his instrumentals for their 2018 tv spot only few weeks ago. uppermost is being closely followed by international media leading to great articles from influent press channels such as djmag, vice, complex, paper magazine, and famous radios such as bbc 1 and virgin. in addition to releasing music via his own independent label uppwind records, uppermost has released music through powerful labels such as sony and ministry of sound and done official remixes for dada life, lemaitre and crystal fighters. he has also already shared french festival solidayss stage with madeon, yelle, fakear and die antwoord.

hunee presents a collection of his favorite dance floor cuts from the 70ties till modern times. biggest tip! going from afro to disco to techno, hunchin all night holds a wide spectrum of songs, tracks by the wonderful boncana ma�ga, pat thomas, black beat niks, kenny larkin, larry heard, mappa mundi and many more. hunee, aka hun choi, is a korean berliner who has been drawn in music since a very young age. after working in record stores and studying musicology he resided in amsterdam, where he released his debut album hunch music. as a dj he has always followed a hunch, which gave him wings to communicate the music he loves with crowds all over the world. with hunchin all night, hunee expresses his relationship with the dance floor.

far out monster disco orchestra returns with black sun, its second full-length album of 100% original, unadulterated disco sophistication, featuring all three original members of pioneering brazilian jazz-funk trio azymuth, a full orchestra with arrangements split between arthur verocai and azymuths late maestro jose roberto bertrami, plus members of the legendary rio funk group banda black rio.

scuba continues his uncompromising scb moniker with caibu, a twelve track lp of cerebral techno, darkened disco and broken beats. paul roses career has enjoyed a unique trajectory that affords his reputation as one of the scenes most forward-thinking artists, label heads and promoters. always the risk taker, his hotflush imprint is credited as a key force behind the evolution of bass music, whilst his ground-breaking booking policy for the sub:stance night at berghain opened up one of the worlds most revered venues to new sounds and musical possibility. today he continues to challenge the status quo of electronic music through a packed touring schedule, various artistic projects of his own and a weekly radio show platforming new material. caibu is his first album as scb and incorporates material from the below the line and Ôold media new society eps of last year. preceding the release, a third ep - engineered morality - continuing to explore the fictional narrative in which a climate-related disaster corrupts a hypothetical timeline. the title of the album itself refers to an imagined surgical procedure where cognitive ability is augmented through transplant from one brain to another. as such, caibu and its accompanying eps invite the listener to forge their own ideas on the development of society in the context of crisis. within this dystopic setting, caibu draws strength from introspection. at times trapped in a pressurized container, at others floating through vast spaces, scb merges subdued hypnotism, syncopated basslines and visceral ambience to find his centre.

shakarchi & stran�us inhabit a secret place in the universe of music, one existing at the intersection of scandinavian poplands, hisingen forest raves and outernational placelessness. faik shakarchi and daniel stran�us famously started making beats together in the gothenburg tapas-joint coat check where they both worked as clerks. their now 10 years old friendship is the story of legends, their sparse vinyl output the secret love of deep house 12 enthusiasts round the globe the warm, vibrant sounds found on those records a stark contrast to the stripped-down effectiveness of their marathon dj sets, frequently heard within the more nefarious examples of gbg nightlife.

*cd version with exclusive track!* after three stand out eps over the last three years for l.i.e.s. tzusing delivers his debut lp for the label. here we get seven tracks of precison crafted electronics, unmistakenly taking the artists signature industrial fueled sound and opening it up to a new dimension far beyond the typical metal beat clang. ltd edition pressing. . emotional, dark and powerful, the album title taken literally means -invincible east- based on a character (a swordsman) in a jin yong novel who must make the ultimate sacrifice to attain knowledge and transform. the narrative goes in hand with the artists observations living and travelling throughout asia and provides a haunting soundtrack for a bleak future where few dare to subvert the power structures at hand.

kuf create emotion-laden dialogues across layers of time and dimensions of sound. voices recorded in private are chopped up and brought out center-stage to sing with beats hammered out right here and now. glowing synths push forward. basslines rise to grab the melodic role of a track while a vowel is truncated and locked into a grid, driving the rhythm. voices move within the frame of a sample, performed by hands pushing keys, guided by the ear, immersed in a trio sessions deep flowÉ a vortex of quirky hands, responsive ears and glowing circuits. since thomas a. edison first recorded the human voice in 1877, the recording arts have changed music forever. musicians have explored the endless possibilities of bouncing their input onto layers of tape, off the walls of an echo chamber or the circuitry of electronic helpers - technology that modulates, spatializes, shifts, divides or multiplies the work of human hands and mouths. an era of sampling offered a cubistic analysis of the recorded past and djs took dancers onto intricately fractured time travels. this is the historic foundation that kuf keep probing. just like the sampler and the dj before them, they found new ways to re-allocate where machine and man stand when making music together. most importantly, they turn the resulting friction into sparkling bursts of energy. Ôuniverse digs deeper into the android vocal chords. the album offers sweeping melodies, different beats and persistent bass. immerse in the intimacy of the voices, probably recorded in trains, backstage areas and at late night private parties during berlin lichtenberg warehouse rehearsals. by striking the keys, kuf squeeze out and serve up all the soul accumulated in those savory phonetic shreds.

for the past two years, nils frahm has been building a brand new studio in berlin to make his 7th studio album titled all melody, which will be released on january 26th, 2018 via erased tapes, before nils embarks on his first world tour since 2015.
since the day nils first encountered the impressive studio of a family friend, he had envisioned to create one of his own at such a large scale. fast forward to the present day and nils is now the proud host of saal 3, part of the historical 1950s east german funkhaus building beside the river spree. it is here where he has spent most of his time deconstructing and reconstructing the entire space from the cabling and electricity to the woodwork, before moving on to the finer elements, building a pipe organ and creating a mixing desk all from scratch with the help of his friends. this is somewhere music can be nurtured and not neglected, and where he can somewhat fulfil his pursuit of presenting music to the world as close to his imagination as possible.

described wholly accurately by boiler room as one of the best producers and arrangers of disco music to have ever done it, bronx native john morales has more than three decades of hits and over 800 remixes to his credit. this 4th volume of m&m mixes on bbe is without doubt the most ambitious yet, containing gems from barry white, diana ross, level 42, teddy pendergrass and eddie kendricks among others, all woven together with that special, intricate m&m magic. gaining unprecedented access to original multitrack recordings from the vaults of sony and universal records, john has once again upped the ante, going where no dj has gone before. accept no imitations, nobody does remixes quite like john morales. previously unreleased m&m mixes featuring globally renowned artists barry white, diana ross & cher among others.

kontor sunset chill 2018 - winter edition. 3cds of the finest deep house & chill tracks! incl. bicep, mat + joe, yotto, koelsch, kidnap kid, ry x, lovebirds, kiasmos, blank & jones, lexer, jan blomqvist, achterbahn, lost frequencies, edx, nora en pure, atb

over the years, berlin has been cited as oliver koletzkis main point of reference and, more importantly, his endless source of inspiration. his albums gro§stadtm�rchen and gro§stadtm�rchen 2 are wholehearted tributes of the german capital, as its importance is continuously hinted and charted. friedrichshain, one of berlins vibrant districts, has always held a special place in olivers heart. this is where he started out when he first moved to the city, and this is where he lives now. kreuzbergs wall paintings adorn stil vor talent s cover sleeves and host their headquarters. there are little to no corners in the city that havent brought a spark of inspiration into the mix. the schneeweiss compilation series, now at its eigth installment, is built as a form of tribute to all these particles, tied in together into a series of care

damon wild and david sumner (aka functions) relationship dates back to 1991 at lord michaels future shock, limelight, new york city when damon was running experimental records via northcott productions. at the time, he first saw something in dave and added him to brand x, a record pool run by moneypenny. but their bond is based around a period 5 years later when dave had an apartment above rogue music at 251 west 30th street in midtown, manhattan. it was during this time damon developed him as a synewave artist and released his first ep as function in the fall of 1996 catalog number sw-24. falling in and out of touch over the years, across continents, the two have somehow remained on the same cosmic path. so itÕs not a coincidence that now damon has turned to dave to release his first album in 13 years, during the time he is reissuing that first synewave ep on recompiled i/ii & ii/ii (a-ton lp02/03). this is where those paths cross again. 21 years later, this fall, dave will release cosmic path on infrastructure. the cosmic connection.

rezzs involvement in the toronto scene helped grow her gritty style. events like bassmentality and older shows at the legendary guverment helped shape not only rezz, but an era of electronic music producers who became inspired from early dj college tours. mass manipulation is a commentary on how easily our minds can become manipulated by the things we consume in society. we consume heavily through the media, which, in turn, tries to curate our thoughts and dictate how we as humans are supposed to live and behave. this album plays off this idea and invites people to become hypnotized, allowing their brains to be manipulated by my music in the hope they might see things through a new perspective (perhaps an outer world viewpoint) one where everyone is free from the unrealistic expectations planet earth has drawn for them. a world of acceptance and hypnosis.

cd, download code for 1 bonustrack + 2 versions of where i wait

house music broke through in 1987, at the same time when aids arrived in france with the first contamination peak in gay and drug addict circles. in 1989, the founders of act-up paris knew that both the fight against aids and triumphant house music should be joined together. from 1992 to 1995, the period covered by Ò120 bpm-, house reached its most beautiful plateau even though techno was becoming dominant. Ò120 bpmÓ is a get-together moment through clubbing, this moment where fears are forgotten by dancing with oneÕs friends, what we called Òthe chosen familyÓ at act-up. boys and girls dancing in a club where the walls cannot be seen, flooded with simple light. this is their activist recess. arnaud rebotini, composing the soundtrack of robin campilloÕs previous film, Òeastern boys-, is a recognized dj, a composer and a kind man, which is for me the most important quality. here, his work is marked by restraint of his love for house and after techno. i believe he deliberately withdrew himself in relation to the filmÕs power and the aids theme.

say what you wanna say, but you have to give strahil velchev this: the manÕs a powerhouse. recording and playing live under the kink alias, he went on to become one of finest purveyorÕs of funk in techno and house. what it is, by definition, ainÕt exactly clear. and that is the beauty of it. kinkÕs music is unifying in the best possible way. channeling the spirit and feeling of a time where it didnÕt really matter who the faces behind the music were, kink plays with the elements of genres and sub-genres as if the future of it all is still wide-open. at the same time it could be accused of retro-fetishism, as much as the pope himself is infallible. the pure need to recreate moments, feelings and experience - rather than carbon copies of existing designs - was what started kinkÕs production work. hailing from bulgaria, it was nearly impossible to get your hands on all the records and music that fed into a system of raves, clubs and record shops that seemed far away from sofia, and financially it might as well have meant another galaxy. wanting to dj without having access to the tracks that spun the carousel meant that you had to create them yourselves. so, here we go with a private bootlegger gone public mastermind and one of the loudest voices in house, techno and beyond. from kinkÕs early productions with neville watson to his smash-hit for ovum, a cerebral album for macro, tons of remixes & tracks and his mind-bending live act, playground seems to take all that into a blender. simultaneously a sound-summary, the harvest of a field of ideas, and the exhibition of an artist in his prime, it also works as a sort of kink dictionary: avant-garde soundscapes stand next to boisterous bangers, classic club tracks and peak time emotions

rodhads debut album anxious sees the artist step away from the dancefloor and further develop the narrative qualities of his beautiful soundscapes. it was the natural next step to present the sound he began cultivating with his recent eps kinder der ringwelt and s�hne der erde as a full length lp. the experience the album is trying to convey is being thrown into a world that is ready to crush you.they have you with your back to the wall, and you are ready to give way to despair. will you be able fight back? how is it even possible? rodhad is the spearhead of a new generation of techno producers and djs. with his bass heavy grooves and dubby atmospheric soundscapes he is a sonic guide, knowing exactly where he wants to take the crowd, leading through the inexhaustible sounds of techno music in all its beauty and gloom. he fully immerses himself into the music, yet never loses himself. growing up in berlins rougher outskirts, as a teenager he was able to grasp the final flashings of berlins mythical nightlife of the 1990s at legendary places casino and ostgut. in the late 2000s the dystopian crew began their own series of parties and then the label with two seminal releases by rodhad, 1984 and blindness.

for their first multi-artist compilation, music from memory take us on a trip to the heart of the amazon rainforest. outro tempo: electronic and contemporary music from brazil, 1978-1992 is a double lp that explores the outer reaches of brazilian music, where indigenous rhythms mix with synthesizers and where mpb mingles with drum computers. as brazil faced the last years of its military dictatorship and transition to democracy, a generation of forward-thinking musicians developed an alternative vision of brazilian music and culture. they embraced traditionally shunned electronic production methods and infused their music with elements of ambient, jazz-fusion, and minimalism. at the same time they referenced the musical forms and spirituality of indigenous tribes from the amazon. the music they produced was a complex and mesmerising tapestry that vividly evoked brazilian landscapes and simultaneously reached out to the world beyond its borders.

dutch producer and live act conforce is back with autonomous , a fifth artist album and the latest in his long relationship with delsin records. conforce is boris bunnik, a producer who explores the deepest realms of dub, house, techno and electro under many different names. his conforce alias is where his most club orientated material comes from and this new nine track album finds the transcendent label boss producing dark syntheses inspired by his hometown and harbour city, rotterdam, and its automated industries. a masterfully conceptual album that really paints a vivid picture of a harbour as heard from deep down in the depths.

what could we possibly expect better from les n�gresses vertes than a grand d�ballage (big unpacking)? these happy music gipsies, children of the road and party open their caravans and throw everything on the place. twenty artifacts of a feverish schoolÕs fete where guitars and accordion lead the dance. les n�gresses vertes made their 1999 album ÒtrabendoÓ rigged by the electro wizard howie b., and we get this in our hands with this big unpacking. from the very last single Òvoil� lÕ�t�Ó to latinos excursions with Òhou mamma miaÓ and Òsous le soleil de bodega-, all their hits are here. un gipsy-arabic-andal-andalusian moving which will make you see Òdes vertes et pas m�resÓ - youÕll see it all.

fee fire ist der neue film von ben wheatley (high rise, sightseers,kill list, down terrrace) mit brie larson und cillian murphy in den hauptrollen und martin scorsese als ausf�hrendem produzenten. der titel bezieht sich auf den epischen shoot-out in diesem coolen 70er jahre gangster-movie. der score stammt von geoff barrow (portishead, beak) und ben salisbury. das album enth�lt zudem dialoge aus dem film und lizensierte st�cke von k�nstlern wie the real kids, creedence clearwater revival und john denver. cd wie doppel-lp enthalten eine zus�tzliche download card, die nicht nur die st�cke des albums sondern auch zus�tzliches material enthalten. die doppel-lp (140g) erscheint in einem gatefold-sleeve, das vinyl ist silberfarben

following on many ace 12-releases, dego (4hero) & kaidi tatham release their debut album for theo parrishÕs sound signature label. tip! . 14 tracks displaying the duo s signature sound, carrying elements of jazz-funk, boogie, house and broken beat and featuring collaborations by the likes of mr. mensah, nadine charles, sarina leah, yelfris valdes, ray carless, wayne francis.

an unreleased classic from the vaults emerges with beautiful reshapes by cv313 (recorded and reshaped from 2007-2016) this is where the sound of cv313 was realized, culled from cassette tapes recorded live (1995-2000) with nothing but analog/digital hardware, no computer in sight (excluding our commodore 64 midi sequencer, which is still alive and well today). the radius project has been absent since the final release in 2001, the first 12- appearing in 1996 (limited white label run of 100 copies pressed at acme pressing in canada) after revisiting these works we realized there was truly some magic here. this project was initially sent to rod modell & mike schommer shortly after they launched their brilliant deepchord label in 2001. they were incredibly kind in saying it was the best demo they had ever heard and passed it on to octal records for release, sadly, that didn t materialize and since then these masters have been collecting dust in our cassette rack for nearly 20 years now. we ve spent months doing our best to restore the old tapes from our tascam 688, an 8 track cassette recorder purchased and abused since 1992 and to our ears still sounds quite impressive even by modern standards. (that is of course, if you can get past the tape hiss) we ve had nearly every component replaced and re-calibrated to bring this obsolete machine back to life, it s been a truly nostalgic experience re-visiting these masters.

what is modern russia? an infinite space filled with skyscrapers made of gas and oil, golden crosses on church domes made of titanium, thousands of multi-floor beehives with millions of concrete honeycombs, where the fate of tired people burn out every evening. sensitive and subtle stirrings of the mind, persistently pushing up towards the light through the bootstrampled dirt, and blackened by ignorance. an infinite space of a centuries old experiment of power over man, and man over power on its way from nowhere to nowhere.
on the 1st of september, mindtrick records will release the new album ÒmuscoviteÓ from russian mysterious electronic music producer delete. his previous full length album Òpredatory things of a minuteÓ already dates back to 2012. after the album he released two more ep s on the label and released his controversial music video called Òa letter to godÓ about the war in chechnya, which gained more than half a million hits on youtube.

pianos have featured in house music since day one. there s just something about the combination of looping piano chords and a skipping house groove which works so well. in contemporary dance music the piano still remains intrinsically linked to house, though it was in the late 80s and 90s that the true piano house classics were created. we took it to our hearts. the emotionally charged piano riff became a defining motif of uk dance music. producers knew they only had to alight upon a suitably uplifting three-chord piano hook in order to unleash a tide of misty nostalgia for rave s halcyon days. ministry of sound are proud to present piano house classics.

includes bonus download code to the unmixed track versions in both wav,flac & mp3 formats. badbadnotgood bedienen sich der einfl�sse und inspirationen aus ihrer umfangreichen schallplattensammlung, verkn�pfen soul/jazz unterschiedlicher generationen (von esther phillips bis thundercat) mit afrikanischen k�nstlern (kiki gyan, francis bebey, admas anchi) und exotischem pop aus estland (velly joonas) und frankreich (les prospection), vergessen dabei ihre kanadischen landsleute (river tiber, charlotte day wilson), heutige indiehelden (boards of canada, stereolab) und auch die klassiker (the beach boys) nicht. als besonderes bonbon enthalten ihre late night tales ein exklusives bbng cover des kanadischen singer/songwriters andy shauf sowie eine exklusive spoken-word-erz�hlung der ultimativen queen of siam, lydia lunch.

claude debussy (+1918) was one of the most popular and forward thinking composer associated with impressionist music. his innovative and at this time new way to compose music with non traditional scales and chromaticism inspired countless artists from the likes of steve reich, philip glass, miles davis and herbie hancock. remarkable attributes of his music were i.e. the usage of parallel chords, bitonality and many compositions of whole-tone and pentatonic scales and all this surely reminds us on contemporary electronic music where you hardly find limits or boundaries when it comes to traditional, harmonic sounding scale tone music. after studying countless composers of the last centuries marc romboy decided to accept the challenge to edit, remix and reconstruct several works of his favorite french composer, ranging from ãla merÒ to -pr�lude � l apr�s-midi d un fauneÒ. romboy: ãone sentence of debussy impressed me a lot when he said that he simply intents to write new sounding music. this is and has been exactly my goal, to create kind of unheard soundsÒ. on the album romboy performs together with the dortmund philharmonic orchestra, the renowned conductor ingo-martin stadtm�ller, the well respected d�sseldorf based concert master miki kekenj and sound programmer ali khalaj. the recordings was directed december 12th 2016. its the first live recording ever released on an album where electronic sounds and classical components were merged in such manner.

following last yearÕs much-acclaimed solo album Òmondo alteradoÓ (hippie dance 08), original pachanga boy and hippie dance mentor rebolledo returns to the limelight with the jam-packed mondo re-alterado (hippie dance 10), tapping into his vast and varied network of friends and fellow soundsmiths. artists such as superpitcher, dj tennis, maceo plex, red axes, fango or fantastic twins deliver stunning takes on rebolledosÕ unique signature sound, creating a full suite of exclusive remixes, cover versions and reinterpretations.
from the super-energetic club rumblings of maceo plexÕs discotico plexico to dj tennisÕ dreamy pimiento drive version of a numb gas to the future or fantastic twinsÕ party bomb fantastic pow pow, the journey through mondo re-alterado is full of twists and turns Ð a world where an epic, cinematic soundscape such as superpicherÕs rainboy super space sits comfortably alongside the claustrophobic, punishing banger that fango sculpted from stand-out cut Òpow powÓ.

meanwhile, red axes turn the casual narrative of Òlife is strange, life is hard, life is greatÓ into a bouncing workout Ð a great companion piece to want, danny daze and shokhÕs propulsive, jagged dub version of Òfears come trueÓ. other highlights include j�rg burger aka the black frame with the lush black rainbow woman, paulorÕs country rock extravaganza discotico desertico and not one, but two excellent contributions from former italians do it better honcho mike simonetti. itÕs a magical, surprising ride that finds beauty in contrasts Ð while staying tuned to rebolledoÕs spirit of adventure and powerful sense of style.

unmixed! more late 70s westcast yachtpop yu can almost dance to!

new 2017 album cd! session victim return to jimpsters delusions of grandeur imprint with a third studio album. listen to your heart is the result of a year of cross-continental scripting, started in their hamburg studio and wrapped up stateside in san franciscos room g studios where the duo had worked on their 2014 lp see you when you get there.

for its ninth release, italian label spazio disponible looks to countryman marco shuttle for a first full length. systhema comes three years after his last album on his own eerie label and finds him again focussing on an absorbing ambient techno style across eight enthralling cuts. shuttle layers sound in subtle ways and has a meticulous attention to detail that results in a cinematic techno style that is cavernous and hypnotizing. always operating in a region where ambient, techno and heady soundtracks become one, with this album marco shuttle once again confirms he is one of the finest sonic sculptors out there.

jewel box with a 12-page stapled booklet, camilles third studio album including home is where it hurts, waves and cats & dogs

3 cd compilation! your favorite dance floor fillers... mixed by ministry of sound

neues album des soul-interpreten jay king mit den singles good kinda lovin (no.1 der uk soul-charts) und -runnin- (inklusive zweier boogie back-remixes als bonustracks). jay king komponiert und produziert selber und feierte in den 1980ern gro§e erfolge mit der us-r&b/pop-formation club nouveau

the latest transmission from the world of gunnar haslam, kalaatsakia wildly sprawls across the intersections of techno and more abstract sounds to take us on a wideranging journey from the subterranean to the coastal, from blown-out dub tones through fractured rhythms. an incredible work that is not easy to pigeonhole, kalaatsakia is a full length album that navigates and sketches landscapes where new languages are created from old, dead ones to emerge as the lingua franca of interconnected immersive zones.

deleted - an unreleased classic from the vaults emerges with beautiful reshapes by cv313 (recorded and reshaped from 2007-2016) this is where the sound of cv313 was realized, culled from cassette tapes recorded live (1995-2000) with nothing but analog/digital hardware, no computer in sight (excluding our commodore 64 midi sequencer, which is still alive and well today).

archived environmental views- vereint unver�ffentlichtes material aus den future sound of london release-serien from the archives und environments, sowie aus ihrer piano-serie views, die haupts�chlich mit dem pianisten und mehrfachen grammy-nominierten filmkomponisten daniel pemperton (gold, steve jobs, king arthur) eingespielt wurde und 2 cover von brian eno (a place in the wilderness) und roger eno (late october) enth�lt.

in february of 1971, larry ray and bill szymczyk fled an earthquake and a debauched l.a. music scene to claim their own slice of utopia in denver, colorado. after meeting and bonding at abc-dunhill, where ray landed as general manager, and where szymczyk had breezed in from new york fresh off his first real hit as a burgeoning engineer/producer with bb kings. the thrill is gone theyd often daydreamed about starting their own label.

a leading figure of the contemporary electronic world, jamie odell aka jimpster sets his sights firmly back on the album format with this beautifully crafted long-player, silent stars. a self-confessed creature of the night, the freerange records and delusions of grandeur boss taps into his nocturnal and escapist impulses to deliver a superbly executed modern-day fusion album. his seventh studio album and first since 2013Õs highly-acclaimed porchlight and rocking chairs, this is an album dedicated to the nocturnal hours. silent stars is a richly textured ride through the tapestry of house, from jazz-infused opener ÔmigrationsÕ through to the dense, orchestral euphoria of Ôtau tonaÕ and the minimal, percussive bounce of title track Ôsilent starsÕ. the listener edges a touch closer to the dancefloor on tracks like ÔyansaÕ and Ôpower of the doofÕ - yet the grooves stay subtle with intricate percussion, dense sound design and a mischievous streak being palpable throughout. a range of guests are welcomed by jimpster across silent stars. hotly-tipped londoner florence rawlings adds her vocals on ÔcraveÕ and ÔeverytimeÕ. past collaborator and member of kirk degiorgioÕs the beauty room, jinadu weaves emotional soul on album centerpiece Ôthe sun comes upÕ. khalil anthony lends his vocals on Ôwhere you areÕ and leading session drummer andy gangadeen (massive attack, chase & status, the bays) lays down his immense beats on Ôtau tonaÕ. jimpster is a true veteran of the global house scene, a custodian of the authentic deep house sound and a producer who has quietly created some of the most reflective and sophisticated electronic music