nice price deal !!! chilli mint music continue to provide us with their limited 180 vinyl series,this time giving us a 4 tracks ep from two of their excellent artists. the groovy a side sounds of garnicas cage and a new day both being great nu disco infused house mixes simply makes any dancefloor move and groove. and the aa side sounds of luca elles classy and intelligent deep house cut do i and do i remix both being smooth baseline driven cuts of modern deep house.

following last years acclaimed curse of soft rocks album, were invited to revisit said masterpiece from an alternative entry — a robust compilation of remixes. each track is wildly re-contextualized leaving us with a beautifully obtuse yet complimentary rendering. personnel employed vary in style and technique drastically, but such is the ethos of soft rocks, and furthermore the esp institute. at the end of the day, we implore you to shut up and listen. on this 12inch (the second of 3 surrounding the revenge of soft rocks remix album) esp mainstays cos/mes deliver a deep and sensual yet sinister take on little lights, and side b reveals an upbeat dubbed out version of wicker man by zurichs own lexx (running back, permanent vacation, leng) good lord this is quite a piece of wax!

leonard cohen, the most elegant canadian bard, whispers his way through his 2004 album >dear heather< like a poet quietly musing over his life and loves.
music on vinyl is releasing this quietly powerful album for the first time on vinyl (180 gram audiophile pressing), so you can memorize the songs in time for his european tour later this year!

shortly after the controversial album >self portrait< dylan released >new morning<, which expands on the laid-back-country-rock of john wesley harding (movlp246) by adding a bit more rock & roll.
in the us >new morning< reached #7 going gold and in the uk it even bumped led zeppelin iii from the number one position. being one of the most versatile albums of mr. dylan, this 180 grams audiophile vinyl pressing is a beautiful expansion of the music on vinyl catalogue!

jmx makes his second appearance for us after his remix on the atapy ep last year. also known as one half of belfast duo jet project, jmxs solo project takes influence from everything from old mood ii swing records to modern day bass music creating a raw sound that is completely his own.
we have got a few remixes on this one: first up is krl, on loan from the excellent wolf music, with a deeper take of >on u<. moscows s.k.a.m. turns in a remix ahead of his debut ep for us in july (more on that soon).

the legendary carlos santana returns with his 36th album >shape shifter<. the collection of songs on this brand new lp is a journey from soaring santana leads and driving beats to the beautifully crafted melodies that have made santana a household name. consistent throughout the project is the world-class musicianship of the santana band members, who bring vitality and heart to every note.
music on vinyl is proud that they have been chosen to release this new santana album and thereby adding another classic album to be to their catalogue after >santana< (movlp040) and >santana iii< (movlp132).
180 grams audiophile vinyl pressing, including 8 page booklet.

unreleased egyptian jazz: 2x45s set in a unique hand-printed fold-open pyramid! four sides of previously-unreleased ethnic mythic mystic jazz from the legendary egyptian drummer! before the re-release of his album with the cairo jazz band recently, the name salah ragab was best known to jazz fans and record collectors by way of another lp that was recorded with sun ra in the early 70s. his album >prism music unit< with the cairo jazz band was released in egypt with another by the cairo free jazz ensemble, but perhaps only salah himself knew of the other songs he had recorded at the time, but didnt make it onto these lps. the tapes lurking for decades in an old trunk, its taken until now for them to see the light of day, and we present them here as four amazing pieces of egyptian jazz on 2 seven inch singles. entombed within a hand-printed, hand-made pyramid shaped box, this is the first time in 40 years that these recordings will have come to light. ladies and gentlemen, behold the splendor that is salah ragab and the cairo jazz band!

lost blues & other songs was the first compilation oldham released. the collection rounds up many of the palace singles and b sides long with some unreleased recordings.

mit seinem longplay-debüt tritt der produzent und sänger aus sacramento endlich mal selbst ins licht der Öffentlichkeit. als mitmusiker von zach hill, techniker und co-produzent der dirty projectors und gitarrist für marnie stern stand raleigh moncrief stets in der zweiten reihe, auf >watered lawn< rückt er ganz nach vorn. selbst gemachter elektronik-soul, sich vortastende psychedelic, das ganze im steten wechselspiel aus hell und dunkel und folkig intim vorgetragen. dabei schmiegt sich moncriefs herzschmerziger falsett an westafrikanische gitarren, synthie-effekte und verhallte beats. aus melodien werden rhythmen, aus moll wird dur, aus r&b grunge. und manchmal klingt es wie ein in acetat getauchtes stück von panda bear.
limitiert auf 1000 kopien, inklusive mp3-downloadcode

just be, formerly known as bushwacka! drops second base on get physical this month. a collection of percussion heavy soundscapes to entertain your thoughts as the night turns to day. hold on, wait a minute is a heavy track for heavy dance sessions in the late night dark places we love to frequent. just be provides the perfect sound to company us on our journey into the vibe as it opens itself and displays its mechanical insides. an edgy percussive rhythm dominates second base, the second track of the ep, in its opening moments leading us deep into a forest of sound. theyre not playing games here, this is the deep night. touch me is a percussive wonder from rainsticks to bongos an organic feeling floats throughout. the bassline pushes on unwaivering and determined to move you to your feet in any situation.

some proper peak time house tracks on uks dogmatik label blending uk garage vibes with traditional us house. one of londons finer house imprints (the label introduced some fine works by the talents of maya jane coles, stojche and alex arnout)!they deliver the goods once more with talented london producers dusky, with the flo jam ep, four tracks of quality house already gathering support from the likes of lee foss, maya jane coles and huxley, to name a few.

recorded in london and produced by the band with mark ralph, in our heads is the bands follow up to 2010s intoxicating one life stand and their first lp for domino.
heavyweight double 12 inch vinyl, including code for free mp3 download of the full album.

ltd warehouse found! how many moons do we have in space? stephan bodzin and marc romboy will give us the answer one fine day. now they have called two of their tracks after the moons telesto (moon of the saturn, discovered in 1980) and hydra (moon of pluto, discovered in 2005!) and both have a pretty dark atmosphere, deep sounds and again impressing chord moog basslines you have not heart before. after the great >the alchemist< single on 20/20 vision and >atlas< on systematic and their remix on williams >shivering< another masterpiece to watch out for. massive hit

red earth records presents a new six-track ep. responding to popular demand, the title track >we re not leaving< is here presented in a radio-edit version (side 1, track 1), after having been released in an extended version last year on 7 inch vinyl. this will be plugged on uk radio this summer combined with a uk and european tour, preceding the release of the new soothsayers album in september.

submerse is 23 year old rob orme who splits his time between north west england and tokyo. he has already had a guardian new band of the day feature, which claimed him to be making some of the most heartbreakingly beautiful (dance) music anywhere on the planet. this came after just a handful of eps and a free download album that blend his love of j-pop and 2 step. his debut ep for apollo showcases how his productions have moved on in complexity and accomplishment moving between the digital hip hop of 8bit romance and the glitchy electronica of cluster to the recognizable garage mutations of give it up and they always come back.

astonishing album by mark du mosch, who delivers his first full length album on syncom data records and it s quite simply overwhelming. in a true detroit fashion mark du mosch rides that fine line between techno, house and disco. that line which guides you to the dancefloor as well as a higher musical and emotional level. with salmiak mark du mosch shows he s not only a great dj, but one of hollands finest producers as well. absolute techno house killer bomb. don t sleep on it.

the robert glasper experiment blurs the boundaries between jazz, hip-hop, r&b, and rock & roll.

the classic 1974 live-album by lou reed re-issued in gatefold cover for record store day 2012.

bob dylans >love & theft< was a true return to form, his 30th studio album, with the unfortunate release date of september 11, 2001.
his voice is shot, but he sounds warmer, more relaxed, and old mr. grumpy is as good humoured as on >the basement tapes< (movlp 429). bob is in a wistful, elegiac, playful mood. he has recovered the humanity he lost on >time out of mind<, and is looking on life with loving eyes. he has thrown off the weight of life and is remembering a better self. and that makes this one of his more accessible albums, despite a lack of high-flying hit songs.
with beautiful printed inner sleeves and 180 grams audiophile vinyl, this is the first vinyl re-issue since 2001!

this is the tenth volume in the impressive love, peace & poetry compilation series.

180gr vinyl!! bjak and dubbyman team up to become twin beats on the latters deep explorer imprint. this is the pairs first collaborative release, but their studio chemistry is there for all to see as the first few bars of >do it properly< ease out through your speakers. its floaty, jazz-flecked house bathed in pools of gently rippling bass tones, and things are given a sophisticated edge by the adroit vocals of brian cullen. this shares the a-side with the slightly more upbeat >water walk with me<, with cullen matching marvin belton in the modern day soulful crooner stakes. flip over for a remix of the title track from - gulp - larry heard, with the chicagoan legend turning in a typically sumptuous slice of machine soul that naturally hogs the vast majority of the b-side, before an excellent ep is rounded off by a beatless outro

for another record store day release, british singer-songwriter victoria christina hesketh (little boots) teamed up with historic chicago house label trax to release the 12 inch for >every night i say a prayer<. she wrote this one with hercules & love affairs andy butler and it is better than anything on his groups sophomore dud blue songs. (it is also better than pretty much everything on little boots own spotty debut, 2009s hands.) the housey original version of >every night< incorporates a sort of cleaned-up old-school chicago aesthetic (dig the claps), but tensnakes posh freestyle rerub is the vinyls real winner. you can never go wrong with clinking 808s and pretty female vocals. fact.

cut mistake music was conceived somewhere between the day dream induced soundscapes of my bloody valentines loveless on the western seaboard of ireland and the haze filled manic energy of new york city dance floors. loosely associated with a collective of new york based musicians our aim is true and our message clear, we want to bring our landscapes to the ears of those who are willing to listen. this first release comes from the hearts & minds of the label founder cnnr (connor whiriskey) and good friends no regular play (nicholas debruyn & greg paulus).

vinyl only! limited to 300 copies worldwide. these two swinging cats deliver four funked up vintage house cuts that will touch your mind, body and soul. the fellowship of the funk gets down straight to the floor with their first release.

record store day is synonymous with exclusive and limited releases and this year is no different. featuring a collaboration ep with adrianyounge from venice dawn and black dynamite fame and adrian quesada from the echocentrics, ocote soul sounds, brownout and grammy-winning grupo fantasma. a first name is not all adrian younge and adrian quesada share, they also both have an equal love of the psychedelic, the cinematic and at the root of it all, soul music. so it was inevitable that a collaboration would eventually come to fruition. mutual admirers of each others work, they first met at the sxsw music festival while on the same bill. both began their production careers on mpc and taught themselves various instruments to further capture the symphonies heard in their heads. fresh off his current solo project something about april under the moniker venice dawn, adrian younge found time to create all new tracks with adrian quesada who just released his echoland tribute to timbaland with the echocentrics. although both are distinct artists in their own right, they are cut from the same cloth with a signature sound thats equal parts morricone, early portishead, wu-tang and 60s psychedelic cinema soundtracks. their combined efforts on this ep guarantees a double dose of the sound we have come to expect from these talented individuals.

zum 20-jährigen jubiläum des kultlabels aus chicago erscheinen nun diverse klassiker und raritäten als limitierte nachpressung auf vinyl!

the first release of fottute registrazioni (marcello napoletanos label) is based on freedom, especially after release of a member of i.f.m. fran mela. after being locked up for some law bullshit, fran came out with an anger and strength, so as to be transmitted to another i.f.m. member, marcello napoletano, this blend of anger and strength derived from it this ep mini-album. in this record you can feel the anger and the power , the resistance, the freeform lifestyle and analog machines...desire for freedom, desire to fight and resist, desire for free expression, desire to rush the anger and the energy stored.

following last years acclaimed curse of soft rocks album, we are invited to revisit said masterpiece from an alternative entry — a robust compilation of remixes. every track is re-contextualized so wildly that we are left with a beautifully oblique yet complimentary rendering. the personnel employed vary in style and technique drastically, but such is the ethos of soft rocks, and furthermore the esp institute. at the end of the day, we implore you to shut up and listen. on this 12 inch (the first of 4 surrounding the revenge of soft rocks remix album) we are treated with a serious disco belted version of talking jungle as reworked by justin vandervolgen (tbd, gold channel, dfa, etc, etc) and an insanely serene take on obo by esp favorite tiago (sea power & change, gala drop, dfa, etc, etc)... good lord this is quite a piece of wax

sechs ausgesuchte exklusive versionen von tracks des album >reggae music again< (vpcd1953) im showcase style = extended version - vocal & dub! aufgenommen im tuff gong studio & penthouse studio und abgemischt vom legendären errol brown - limited!

i know u combines tribal rhythms, pounding bass, insistent synth stabs, some distressed dialogue and a insanely large crash in the most maniacal way imaginable for what has to be one of the most devastating and original tunes for a very long time. sparse and spacious but yet rhythmical and energetic, lxc manages the ultimate arrangement balancing act here. the intensity increases gradually as the track progresses, culminating in an all-out tribal war ! a modern day jungle masterpiece from one of the most under-estimated producers around. on the flip, senses finally unleashes a track that decimated the very first technicality all-nighter back in 2004. 8 years later and that power is still very much in evidence! everybody want go heaven. nobody want dead – taking influence from the 1990 film marked for death, senses builds a dense vibe here, thick with imminent danger. rolling drums soon give way to a energetic ride-heavy break and pounding sub-bass hits. drum rolls drop and mentasms screech before the storm begins to subside half way through. the respite is brief however and after a complete silence the track reassembles, beginning with some insane slow to fast mentasm pitching which continues as a dark, slick reece begins to build with mysterious atmospherics. the tension is cut by the return of the drums – rolling along at first, before the mentasms and subs hit hard again, signaling a percussive onslaught! jungle just got catapulted into 2012.

introducing club constructions, a new series of releases that will operate alongside night slugs main eps and white label series. a new home for our most direct productions, cc will run as a channel for raw and tracky material aimed straight for the dancefloor. the first cc volume comes from l-vis 1990. hot on the heals of his >neon dreams< lp, l-vis dives further into the house music whirlpool, drawing on classic dance mania and underground construction vibes (think robert armani building trax for 2012) to deliver 5 tape-saturated, strictly-analog slices of modern-day ghetto hard house. strictly for peak time use!

leskin, massimo di lena, joseph russel and rio padice (aka the early sound collective) deliver four outstanding deep & raw house/techno cuts. of course, shitloads of records come out these days that fit the deep & raw house description, but this stuff just goes beyond. without falling back into cliche, their characteristic use of analog equipment takes you right back into the early days of hypnotic, raw & soulful machine music competing with the detroit/chicago cats from back in the day.

keeping within the spirit of this years record store day, and the celebration of vinyl culture, phuture shock musik drop an exclusive vinyl-only remix package of mr mageekas >vintage malarkey<, featuring sensational reworks by none other than dego, best known as one half of the legendary 4hero - whom have long set the standard for true innovation in british electronic dance music, as well as being a veteran producer in his own right, under countless aliases and side projects such as tek 9, 2000black and nutmeg.
pressing on clear blue vinyl.

limited 4 track picture disc release for record store day 2012.

limited to 300 copies. available only on vinyl.
for the fourth ep on austere, irelands slowburn are welcomed into the fold. having impressed us with releases on uzuri and elektrosouls this ep will not disappoint fans of the label to kick things off we have the the hustle which sounds like something that prescription forgot to release back in the day! next up is broken document which delivers lovely warm analogue chords and pads interlaced with an 808 groove. the b-side starts off with do it using various samples to great effect to culminate in a unique deep house sound. finishing things off in much the same territory is from another angle which again brings the warm chords and pads, but also brings to the table some really delicate synth lines to create a surreal effect.

along with massive attack and tricky, portishead was part of the bristol triumvirate that popularized triphop in the early nineties, especially in america. but what made them stand out was their added elements of cool jazz, acid house and soundtrack samples to their slow, elastic beats, creating an atmospheric and seductive sound that appealed to a broad audience. in 1998, when they realized that fans were swapping bootlegs of their live shows like crazy, portishead decided to capture a unique performance.
>roseland nyc< was a one night stand of sorts at the new york city roseland ballroom, where geoff barrow, adrian utley and beth gibbons were joined by the 35-piece new york philharmonic orchestra. these new arrangements gave a new sense of dramatic tension, and in the process they created one of the most breathtaking albums of the genre.

where the river turns black, is the first international album by copenhagenresident and musician katrine ottosen aka call me kat. call me kat are adorably intense and mesmerizing songs, an enchanting melancholic, almost translucent drift into this sonic world best described as alternative pop, music that gives spoken word of the ever expanding danish music scene of now. songs that adapt a fine line between organic instrumentation and that very specific sound of her voice, which although completely its own tends to remind at times on other playful ladies in music like bjørk, feist oder lykke li.earlier works with reknown producers valgeir sigurdsson (bjørk, mum, sigur rós etc.) or joe magistro (prophet omega) on the current album have certainly had their share on this.

nice price deal !!! full cover art & and download code included!4 track instrumental 12 inch from l.a based via portland producer devonwho. sun drenched synths and g funk vibes are the order of the day here. tip!! strangebrew and sleet zip along with their low-slung bass and melodic purple keys while on the flip cactus takes the pace down a bit. slow jamz with a fast feel, these three rolling 4-4 workouts are rounded off with a fresh rework of the title track from fellow west coast funakateer - bay area’s b bravo.

the album was unanimously praised and confirmed krazy as a special planet in the ed rec galaxy. depending on his mood, his music can be somber and melancholy or experimental, and with no warning slide into a warm almost poppy funk. his comps can be either built on a classical or jazz base, with funky synths and organic electro sounds, mostly with powerful bass lines inspired by british bass-music. for his second album the noise in the sky, krazy baldhead delved into his 70s influences: while on tour for the b-suite, he traveled by day listening to 70s.

2012 vinyl label sampler, check this out

prince of portland paul dickow turns his no-nonsense nudge-sludge awesomeness into revved-up, avant tech-house arousal after releases on orac, outward music, combining a granular ambient aesthetic with an abstract, percolating rhythmic sensibility.

vinyl only! synths glittering through the night are pierced by metallic percussion and crushed by bass frequencies from a deep abyss! many times have ricardo esposito and micheal nadjé demonstrated their tight dj skills all over europe and now these two brothers have stepped up their game yet again to craft two tracks in a most simple and efficient way that only early chi house is capable of. claps, toms and tambourines rushing fiercely through arped hooks bring back that 87 feeling! the flip transports us back to the present day in the form of two remixes, but wont betray the a-sides spirit. for b1 john spring trades arpeggios for chords and introduces a thump you will surely be able to feel on the floor. kyle, on the other hand, hooks up his analog gear and pulls out synth lines that will get everyone on the dance floor dizzy – but only until the bass line crushes their chests.

along with massive attack and tricky, portishead was part of the bristol triumvirate that popularized triphop in the early nineties, especially in america. but what made them stand out was their added elements of cool jazz, acid house and soundtrack samples to their slow, elastic beats, creating an atmospheric and seductive sound that appealed to a broad audience. in 1998, when they realized that fans were swapping bootlegs of their live shows like crazy, portishead decided to capture a unique performance.
>roseland nyc< was a one night stand of sorts at the new york city roseland ballroom, where geoff barrow, adrian utley and beth gibbons were joined by the 35-piece new york philharmonic orchestra. these new arrangements gave a new sense of dramatic tension, and in the process they created one of the most breathtaking albums of the genre.
music on vinyl is proud to re-release this album on vinyl for the first time since its original release!

13 tracks triple-vinyl celebrating 20 years of industrial strength records. featuring the outside agency, hellfish & producer, stormtrooper, wavelan, dj gizmo, tymon, neophyte, drokz, tieum, akira ...

two giant forces in dance music collide as guy gerber makes his first foray with the visionquest imprint. >the mirror game<, guys first original material since 2010, explores varying shades and tempos across two distinct cuts of progressive tech and electronica.

eduardo de la calle releases three new records, two on analog solutions, and one on sub label suprawax. musically, the tracks tie in with where he left of, featuring held back percussion, hypnotic and prolonged use of slowly modulated patterns. several tracks even do away completely with hi-hats. once in a while the almost trademark tweak of the delay tears the tracks open that are otherwise reduced to the essence of a deep groove. these records mark a new high point in de la calles musical output: they meld an awareness of techno history - and, let us be candid, sometimes samples out of it - with a tripped-out understanding for the passing time on the dance floor. the result is a form of distinctly contemporary dance music. all the same, de la call’s music eludes present day trends of going overtly retro and being contently at rest in nothing but epigonism. nor are they the maximised-to-death tracks spun of the present day techno functionalist goading crowds by the means of formalistic upbuilds over and over. his sound carves out a niche quite its own: its the ultimate modern day dj tool. all records have been pressed in a run of 320 copies and come in inside-out natural cardboard sleeves. no represses are planned at present.

eduardo de la calle releases three new records, two on analog solutions, and one on sub label suprawax. musically, the tracks tie in with where he left of, featuring held back percussion, hypnotic and prolonged use of slowly modulated patterns. several tracks even do away completely with hi-hats. once in a while the almost trademark tweak of the delay tears the tracks open that are otherwise reduced to the essence of a deep groove. these records mark a new high point in de la calles musical output: they meld an awareness of techno history - and, let us be candid, sometimes samples out of it - with a tripped-out understanding for the passing time on the dance floor. the result is a form of distinctly contemporary dance music. all the same, de la calles music eludes present day trends of going overtly retro and being contently at rest in nothing but epigonism. nor are they the maximised-to-death tracks spun of the present day techno functionalist goading crowds by the means of formalistic upbuilds over and over. his sound carves out a niche quite its own: its the ultimate modern day dj tool. all records have been pressed in a run of 320 copies and come in inside-out natural cardboard sleeves. no represses are planned at present.

bill youngman has become one of the most important parts of the killekill family. his new record displays his wide range of interests: from dark techno in shadent he crosses over to drone monster alert in wespe to his very own style of melodic electro in centrumcircuit. about bill youngman: scandinavia, tresor, null etc., bill has from day one been producing a lot of excellent other stuff. for exam- ple, he released one album of the finest electronica on depth charge’s dc recordings under the alias audible, several great eps of electro on serotonin and recently remixed jamie lidell in a rather techy dubstep style for warp. bill doesnt follow trends and dislikes being categorized into one stale genre and so perfectly fits into the killekill master plan. expect several eps from him on killekill in the future. bill will furthermore attempt to push the threshold of modern electronic music production.