after john coltrane and cannonball adderly left the quintet, miles davis was forced to search for new qualified musicians. he found them in hank mobley, wynton kelly, jimmy cobb and paul chambers. in 1961, just two years after recording kind of blue, miles and his new line up started recording energetically and finished someday my prince will come after only three days.
this album is a cross-over from kind of blue (movlp019), which is known for the typical miles davis-tunes, to traditional pop-standards such as the eponymous title track from >snow white and the seven dwarfs<.
music on vinyl turned this classic album, including glaring solos from john coltrane (joining miles on two tracks on this album) and hank mobley, into a true gem! this record is re-mastered on 180 grams audiophile vinyl.

foolish felix dickinsons superb cynic label with another hot one! cynics latest release features another killer track from l.h.a.s. inc. (jamie read and felix dickinson). analogue synths and vintage drum machines rock along with an infectious old school style reminiscent of the early sounds coming from chicago and new york in the late 80s early 90s. think clubhouse meets nu groove. on the b side phoreski (felixs fellow resident at londons bad passion) delivers a remix that takes the track to another level, darker haunting synths and a robo vocal asking: do you like the way you feel, will you dance with me?

kojak giant sounds strike gold once again with another killer 12inch. hailing from finland kojak giant sounds has released from the likes of maxxi soundsystem, rayko, young edits, nicholas and many more. this time pat les stache takes the reins with two tracks that will slay the dancefloor. limited copies.

the excellent lumberjacks in hell imprint has served up some fine edits in its short lifespan to date, most notably from chicagos mutant beat dancer traxx and the labels latest release turns to two other windy city residents renowned for their collections and skills. rahaan needs little introduction for the disco loving community with essential drops on stillove4music, disco deviance and more, whilst mr sounds runs the excellent bring the heat website. this twelve is all about the a side >rainin bleeding boy< which puts a well loved uk ebm couple through the dub laden beatdown grinder - though djs will get plenty of mileage out of both tracks on the b side with >flip side< some supremely chopped up disco funk and >war i declare< a stomping and heavily filtered bomb.
comes on blue, marbled vinyl.

the london based production duo dusky (a.k.a. alfie granger-howell and nick harriman) debut on will sauls recently resurrected imprint, simple records with the henry 85 ep, two tracks of uk garage infused house music. influenced by everything from classical and avant-garde electronica to uk garage and underground house, this offering is diverse and danceable, and in line with the duos singular aim, to compose electronic music with depth, soul and originality. with support from djs as diverse as joy orbison, zane lowe, annie mac and boddika as well as airplay on rinse fm from loefah and a remix for hot chip imminent on domino, dusky prove theyll be around for a while. on remix duty is fcl, otherwise known as the belgian production team red d and san soda. in early 2010, red d and san soda released their first collaborative ep, the critically acclaimed vocals for everyone via red ds we play house recordings. lets go and more than seven both became huge club hits and dominated charts, parties and playlists for the whole of 2010. they followed it up with the more vocals for everyone ep and a number of remixes for tyree cooper, subb-ann, stuffa and audiojack.

after 4 years and 14 digital releases, more or less is proud to present to you their inaugural vinyl release. the record is a fitting tribute to our fans, friends and the people who have helped support our sometimes illogical and irreverent musical endeavors. enjoy these previously unreleased tracks, and as one wise man with the red face once said … full support, will play.

zum 40. jubiläum des legendären philly-labels erscheinen in kooperation mit expansion eine reihe limitierter 7 inch vinyle mit den besten klassikern!

will azada is back for his third appearance on proper trax, and his first solo 12 inch, with the appropriately titled strictly heat. drawing from the success of the labels split personalities ii, his collaboration with piltdown sound on the wet feet ep on woods n bass, and >easy does it< on the newly-minted mystical disco imprint, will azada continues to draw attention to his diverse style with three floor-torching cuts on proper-003. from the driven, hands-in-the-air piano house of >pump that shit<, to the queasy chords of the unconventional, yet highly mixable >drunk sequence<, to the relentless, searing arps of >for the floor<, strictly heat is likely to induce near-strokes on dancefloors globally. other info: marbled color vinyl, red jacket, black sleeve, 200 copies available.

(punks jump up / moullinex rmxs) drop out orchestras >it will never be the same again< was one of the stand-out tracks on aeroplanes >in flight entertainment. this is going to be your summer anthem, take notice!

after the great success of jerk house connections velvet touch release, stalwart is quite proud to present you its 21st release from one influential member of the infamous broken beat uk combo bugzintheattic: orin walters aka afronaut. orin heard the slam poetry of suheir hammad, a speech about the wheel power not to give up into any extreme ideological, political and/or religious undemocratic system. he craftily joined his minimalist deep groove to emphasize it, giving birth to eye will not, a track that is sure to be noticed in any sets. on the remix treatment, bugzintheattic have been working on their classy broken beat treatment, whereas dj rork has been giving it an infectious hypnotic house touch with an heavy bass, while deep house man of the moment djeff kalukuta relift it for the more south african house music dance floors.
another quality and classy release from stalwart sure to take wmc 2012 by storm! already getting early support from phil asher, yass, ian friday, ralf gum, master kev, abicah soul, lars behrenroth ...

will azada opens with a huge, meaty bleep-chunking stomper. jackson lee comes back on the flip with his glacial dub, looming kicks awash in sub-ambient chords, then shifts from a mood of menace to one of somber longing.

already a classic! wonderfull. ric mcclelland & sean grieves seven music imprint are proud to welcome kastil to their ever growing family, for its 16th release. hailing from vitoria in northern spain, kastil is a new and exciting name in the burgeoning deep house and disco scene. his love of vintage sounds and equipment is ever present in his music. from beatdown jazzy funk to straight up house grooves, his productions ooze class and versatility! the >keep it simple< ep does exactly what it says on the tin. a quality 4 tracker that relies more on precision sound design and less on modern studio trickery. this is a release that will easily stand the test of time and sound just as good on a home listening system as it will on a big club rig!

with two highly successful eps on gamm our stockholm turntable master will-rock is now back with his 3rd and in our opinion strongest ep.
this time he takes on beyonce, hooking up her vocals with a classy maceo funk classic. on the flip hubby jay-z gets his revenge when his 99 problems classic gets funked up with fatback bands >wicky wacky<. trust us … this one rocks the party big time! as a bonus we also left you with a nice edit of the original >wicky wacky< jam as well.

limited edition 7inch single from the forthcoming album >saturday night<, the lifes work of cyril walker

nice price deal !!! produced by ras kush , engineered by russ d-black redemption-10 -jah will make a way - cologne + always fari - turbulence

black redemption-10-jah is the father / fred locks +there will come a day / fred locks (mighty massa dub/japan !!

south american label woods n bass unveils its new vinyl-only imprint, woods n bass limited, with wet feet by will azada and piltdown sound. the title track, wet feet, is a forward-looking slice of tribal minimalism that encapsulates the ethos of the label with its dubbed-out, winding hook, thoroughly drenched in dirt and brooding overtones. on the flip, piltdown sound goes solo with rbml, a detroit-esque piece that relentlessly works the floor with its twisted organ and chord stabs trading places for dominance. tying up the release, will azada amplifies the sleaze-factor with the driven bass and tweaked synths of slangin low. living up to its name, wet feet, is just the beginning for woods n bass and its new vinyl series, and promptly received enthusiastic support from influential global techno tastemakers raiz, seph, jeroen search, samuli kemppi, and detroit techno militia to name a few.

the debut palace brothers album was released in 1993 when much american music was going through a particularly bombastic period. in contrast >there is no one what will take care of you< sounded like a field recording, as though a tape of back porch confessionals recorded by alan lomax as an example of high southern gothic style, had been newly discovered and released.

vincent valler delivers with this release a timeless classic for now and then..

pop will eat itself (they took the name from a feature in the nme) was formed in 1986 and became one of the most well-known grebo-acts before changing their style to alternative dance and industrial rock. in 1996 they disbanded the group and each of the bandmembers concentrated on solo projects before shortly reforming the band in 2005 to play some shows. these gigs were notable from their instant double live albums which were available only ten minutes after the gigs. in july 2011, graham crabb announced a new line-up with him as the only original member.
>new noise designed by a sadist< is the first release with new pwei-material since 1994.

hot deal! support by nick curly, reboot, karotte, robert dietz, mathias kaden, soul clap, dj hell, brothers vibe, &me, adam port and many more.. andrew soul continues to shine as one of the most exciting young talents form his native italy. his current switching positions ep on new yorks stranjjur imprint is winning many a plaudit and today he rolls into town with his latest offering on kiara records, too much love will kill you. andrew brings the funk with his deep bassy synth lines and pounding kick. he also continues to impress with his use of vocals, here using a pitched down soulful take. but its the bass that wins the day and takes control. watch the girls move! on the remix kiara welcome dutchman julien chaptal who dips his rework into some fierce nyc flavouring. killer drum pattern and a twist of the vocal bring a whole new face to the original whilst creating a fearsome and equally potent groov

russian cool cat sportloto (aka andrey rublev) is making quite a name for himself in the remix realm. he comes from the western urals and makes some of the most splendid electronic music around.the title track >will i< started out as an instrumental on our sister labels tirk03 sampler.after bags of attention and plaudits we decided to nudge things into vocal-drive and add a nifty vocal.michelle bee ably assists with a smouldering and sultry tones. if chord movements and darting electronic lines and arpeggios are your thing then you will love the original.on the remix tip fabrizio mamarella (1/3 of clap rules and bearfunk big dog) chips in with the remix.he takes the organic analog route and trims things down nicely for the dance floor.to round off the package and give an enticing glimpse into the cool production skills of andrey,weve also included the track metamorphosis.andrey is busy at work on his debut album for nang as we speak!stay tuned.

proper trax is proud to present its second 12 inch release – proper-002 - split personalities ii – keeping true to its title with another double feature of raw house and techno cuts. featuring a pair each from proper trax newcomers piltdown sound, and a reappearance from 001s will azada. staying true to its mission, proper trax is once again delivering focused, modern house and techno–with a pinch of nostalgic bite–built for the floor-minded listener.

just a brilliant three - track -vinyl, with maceo plex & mercury remixes... amazing tech house and deep house on the flipside!! decks tipp

nobody does it like gamm does it! the second part in dj will-rocks duo of heavyweight eps, jam packed with dancefloor jams, upended and amended for maximum impact where it counts from deftly executed hip hop blends to surefire disco & funk rewires, its all 100 % proof!

nobody does it like gamm does it! the first in a series of two eps from dj will-rock.
its another heavyweight 4 tracker of dancefloor dynamite, upended and amended for maximum impact where it counts from deftly executed hip hop blends to surefire disco rewires, its all 100% proof!

safeword is an exciting new act comprising of 2 dedicated us-based producers, clint stewart and marc smith. their low slung, warm and sexy sound already gave way to one ep on paso music and now we find them really hitting their stride with their debut for dessous. lead track >you can you will< introduces us to safeword s world, a sleazy, percussive and intricate gel of textures, flavours and audio fetishes. punchy, bright production characterises this modern house jam. the eventual arrival of a deep and spritual melody is surprising and instantly turns the snaking drum tool of the introductory minutes into an anthemic, autumnal beauty. leading dessous and poker flat man phonique turns his hand to the title track with a cheeky, energetic remix. aimed at the floor we find a more uptempo groove at the heart of his mesmerising tech-house re-work. the soft bell tones floating throughout >tangent< are perfectly melancholic, while tough driving beats urge us forward, making the perfect partnership bewteen cinematic sound design and bass-heavy floor dynamics.

two very solid terrence parker produced tracks from his various monikers - re-issued by dekmantel. tip!

mehr northern soul-raritõten auf 7 inch vinyl!

saved regular ross evana returns to the label with the monstrous >these sounds<, a vocal infused future classic that cannot be ignored. combining an infectious groove with devastatingly catchy vocals the lead single will slip with ease into any djs box and remain there for years to come.
continuing with the quality expected of a saved release, gregor tresher makes his debut on the label, presenting his take on the lead single and adding a flavour to the original that only he knows how.

incl jay haze remix

grammy-nominated dance music beatsmith wolfgang gartner (born joey youngman), supported by felix cartal and harvard bass, is in the midst of a six-week, 33-date tour of north america - a six-dudes-on-a-bus excursion thats taking them to places both urban and remote. meanwhile his second single -forever- off his upcoming album has already hit the masses, and has generated quite a buzz. its a fiery electro tune with an unmistakable wolfgang gartner sound that features will.i.am singing, >baby, lets party all night long/ lets make it last forever.< the black eyed peas also threw in a set of bars. in fact, wg and will.i.am have been sitting on the track for some time now - it was recorded a year and a half ago. gartner said the duos pairing was organic, and its now time for it to be unleashed to the clubs! enjoy the remixes + original on this vinyl compilation

the highly anticipated squeaky lobster ep has been worth every second of the wait. in terms of sample / synth selection, song structure and sound quality, no expense has been spared. hi-fi synthetic drums intertwine with lo-fi sampled kicks & snares whilst heavy stretched out synth bass lines are topped with bollywood-esque string samples, 80s guitar bridges & plenty of other orchestral mayhem. the lush, thick melodic layers mount up into a frequently spine-tingling whole whilst the rhythm section, although outside the box, does by no means neglect the headnod factor. the incredible feat here is that although no 8 bars are quite the same as the next, a sense of unity is preserved within each genre-defying track, making it the stuff of epic journeys. you may start your listening experience in front of your turntable, staring at the record spinning, but you will end up somewhere quite different, squeaky lobster has made sure of that. as man from phone number 770021 would say: >this is $50.000. good luck.<

re-mastered by the legendary tom moulton from the original master tapes.

clown & sunset = nicolas jaar s own label!! fantastic deep house ... check... its deeeep

supported by luciano, claude vonstroke, alexi delano, ekkohaus, shinedoe, estroe. once more, a newcomer is going to be introduced on this tonkind release. its samuel fach, better known as laufmasche, who mainly was producing and remixing for the techno genre, is now getting more into a fresh-funky house sound. the change of residence from the mid-german student city giesen to the pulsating captile berlin, suppose to give him a fresh creative spring time. simple pleasure becomes his new calling card on this new project. this up-coming tracks are one after the other an absolute ear catcher and gives you an easy access to this open but already significant individuel sound. with an special touch and in a simple way, samuel fach combines soulful keys and lead sounds with an classic repetitive house-beat, without sounding mainstream or retro. he mediates a feeling of freshness and warmth, either with peak time runners like murter or discore or the expanding smotha work on the show and simple pleasure. all tracks, you will hear instantly, are coming from the same citchen, where a young and creative chef is cooking amazing stuff with very special flavour. one thing for sure... more choices of samuels menus will succeed.

mehr northern soul-rarit§ten auf 7 inch vinyl! marvin smiths feinster moment: >who will do your running now<!

the third release from tbd, pet project of nycs acclaimed duo comprised of justin vandervolgen (golf channel) and nyc disco don lee douglas features 2 new massive tracks which will undoubtedly do the talking. the ep fronts a noticeably more restrained and mature sound, while still maintaining the originality and power of the previous classic releases.

adelaides will jax with a debut for sonny foderas beatdown. remixes from sonny & wally callerio

ltd 2016 repress.. more beautifully crafted deep house from detroit soul singer marvin belton. recorded in the motor city soon after >bleed to be free<, this single is soon to be another underground classic. 3 versions including a 808 & 303 dub for late-night dancefloors …

goose are back. four years after the release of their debut, bring it on, the belgian fourpiece return with a new sound on album two, synrise. on this ep, the first single from the album words is given the four to the floor remix treatment by boris dlugosch and mickael karkousses infectious baritone hook can be fully admired on the acapella. on the flip there are fantastic remixes from electro techno duo joe & will ask? and disco kings the living islands.
comes with code for free digital download.

prompt has been producing electronic music since the mid 90s and during this time has made a string of outstanding eps, some of which have even won awards. but who exactly is this man from madrid: prompt? to stand on a stage and party for hours in his own world is not prompts style. he would rather sit in the background of his studio and create unforgettable and ever more fascinating tunes. his debut ep on highgrade set the tone for his convincing mix of sound design and subtle hooks. these are also the most important elements for his new highgrade release. in >sharing sounds< its all about deepness. expressed through dense loopy forests and deep broken valleys. you have to engage in the sound experience and see the world prompt has built for you. few other techno producers have such a distinctive style or unique voice. with this ep you could be blindfolded on the dance floor and you would still recognize the music. the sound will convince you once again, both in the club and on the turntables at home.