kenntnisreich kompiliert: noch mehr remasterte jazz-perlen vergangener jahrzehnte auf 180 gramm vinyl.

weeoow. mworrp. bleomp. nothing sounds quite like a 303. enthralled by its mysterious timbre, a band of daredevil explorers travels far and wide in search of the secrets of its squelchy goodness. real grooves invites you to tag along on these adventures in acid.

northern soul anthems features 26 classic northern soul tracks pressed on 2x 180g heavyweight black vinyl. housed in gatefold sleeve with original photography from filmmaker elaine constantine. defining northern soul anthems from judy street, al green, sue lynne, chairmen of the board, the vibrations, little richard, the charmaines, willie kendrick, gloria edwards + more.

dj koyote and too smooth christ team up to release on some party tunes, a 3-track ep of collaborative and spontaneous jams. willing to produce coupe-decale-inspired tracks with old analogue gear, they crafted at the end an hybrid sound mixture, somewhere between south african house, grime and uk funky. on error : does not computer, a tr606 meets swirling arpeggios spiced with crystal riffs. a sneaky bass line provides an even more swaying groove to the track. on strike (on-a-string mix), a straight-out-of-pretoria riff meets a strong and conquering string stab on top of a really dry and thumping beat. modern action is the most introspective track of the ep, with an m1 pattern flipped upside-down and hazy cymbals rythms.

ltd 2018 repress • 12 inch , vinyl only - full cover
• printed discosleeve drawing & typography by stefan marx
to shorten a night-time tale into it s evidence: fuck reality is finally here. the piano mix- still to be heard on undefinably diverse dancefloor around the globe and without a doubt our, the, true westbam classic, needed to be digged again by the kids and ravers- the time is now. along the hard-to-beat original, it s smallpeople, the true lovers, and the never-beaten gerd janson in control of both a new version and a version of the version. go dance!

- amazing and lovingly crafted box
- red colored vinyl in 180g
- strong limited numbers worldwide
- very special printed banderole
- each vinyl in a fullcover printed sleeve - more than 40 tunes - 10 vinyl -

ltd 1 per customer !! french disco auteur dimitri from paris le edits imprint is proud to present a very special and limited record store day release for 2018. le edits burst onto the music scene in 2017 with the highest quality re-workings of stone-cold disco classics and rarities for the discerning record buyer, striving to present the best possible product in a world of cheap bootlegs. this particular release has been in the works for the last 18 months and has been conceived with all copyright owners’ blessings. using only the finest materials available, sourced from multiple countries across the globe, as well as top shelf engineering and mastering - this product cost 4 times as much to produce than your average disco edit 12’’ because le edits believe in quality first and foremost. strictly limited to 300 copies, hand numbered and signed by dimitri from paris - no re-issue guaranteed. utilising the highest end tip-on heavy duty gatefold sleeve, and inner protective sleeves, pressed onto 100% virgin vinyl and housed in a handsome protective plastic cover and exclusive printed tote bag. these new mixes have been commissioned for rsd 2018 and will not be available digitally. a truly collectible and desirable item indeed.

hiroshi watanabe does not hold back on threshold of eternity ep. the leonids strings is a deeply emotional and delicate string arrangement that leaves the listener beauty struck and in awe. into the memory is a dance floor banger which holds true to watanabe s exquisite skill as a techno producer. the release contains a beautiful balance between groove and beauty which is rarely present in a techno record. the cover photography is a photo by watanabe himself of his hometown tokyo.

tresor records is proud to announce a new commission, bringing together two of its most time-honored contributors. berlin’s thomas fehlmann and detroit’s terrence dixon came together in detroit to produce this expressive album. an avant-premiere live performance of this album was presented at tresor’s annual detroit showcase in may 2017. composed of six titles and exploring a wide range of rhythms and emotions, “we take it from here” is a celebration of resilience, patience, creativity and devotion.

milan is a parisian based producer, providing sweet house, dance and hip hop music, flirting with some jazzy and soul influences.to date, he released on labels like banoffee pies, beat x changers, quartet series and skylax records.setting obvious foundations into house, techno, disco, funk, hip-hop and soul, tell’s music incorporates many elements from his musical past. his journey began playing drums and piano in bands as a teenager, which manifests itself in the raw, live sound he strives for in his productions.

previously a regular performer and release artist on behalf of soul:r founded by the late marcus intalex, since then lsb has decided to launch his very own label footnotes as a platform for his music.

deluxe double album release of camp lo’s latest “the get down brothers” and “on the way uptown: saturday night demo”.

christina vantzou and john also bennett’s musical interpretation of thoughts of a dot as it travels a surface, a 90m panoramic wall drawing by zin taylor, is a beautiful electro-acoustic meditation on the passage of time. it was recorded live at westfälischer kunstverein in münster, germany, may 6th, 2017, and now finds its way onto vinyl via the supremely keen-eared shelter press.

the maghreban aka ayman rostom is one of the most unique and respected beat makers working in house and techno today. his dusky grooves, heavy bass pressure and clanking drum breaks sound like they were dredged from the bottom of the river nile, imbued with a maverick personality that shares kinship with the likes of detroits andres and waajed, making him a perfect fit on r&ss storied roster of pioneering outsiders.

co-produziert von jacob portrait (unknown mortal orchestra) und matt molnar (der bereits für das debüt verantwortlich war) bleiben sunflower bean auf twentytwo in blue ihrem kern als gitarren-rockband mit wurzeln im klassischen rock treu, während sie weitere klangliche texturen ausloten. auf twentytwo in blue findet eine sublime reife und weiterentwicklung ihres sounds wie auch ihres songwritings statt. war es auf dem debüt human ceremony die raue schönheit der hauchdünnen, groovenden wall of sound, die die band auszeichnete, findet sich nun eine neue direktheit in den songs ein ergebnis ihrer entwicklung als band sowie des irrsinns, den wir in der heutigen zeit erleben. in uk absolvierten sunflower bean letzten herbst eine große tour mit wolf alice und spielten vor 10.000 zuschauern im ausverkauften alexandra palace.

co-produziert von jacob portrait (unknown mortal orchestra) und matt molnar (der bereits für das debüt verantwortlich war) bleiben sunflower bean auf twentytwo in blue ihrem kern als gitarren-rockband mit wurzeln im klassischen rock treu, während sie weitere klangliche texturen ausloten. auf twentytwo in blue findet eine sublime reife und weiterentwicklung ihres sounds wie auch ihres songwritings statt. war es auf dem debüt human ceremony die raue schönheit der hauchdünnen, groovenden wall of sound, die die band auszeichnete, findet sich nun eine neue direktheit in den songs ein ergebnis ihrer entwicklung als band sowie des irrsinns, den wir in der heutigen zeit erleben. in uk absolvierten sunflower bean letzten herbst eine große tour mit wolf alice und spielten vor 10.000 zuschauern im ausverkauften alexandra palace.

gu classicos on groovin

top-sampler mit 21 soul/funk/disco-klassikern aus den 1970ern, die in der britischen rare groove- und modern soul-szene seit den 1980ern wieder für furore sorgten, darunter etliche cd-erstveröffentlichungen und vinyl-erstreissues. mit kostbaren raritäten von almeta lattimore, mary clark und tommy mcgee, 2-step-perlen von jocelyn brown und zulema, smoothen jazz-soul-floatern von margie joseph, aretha franklin und ihrer schwester carolyn, debbie taylors grandios orchestrierter ballade -i don t wanna leave you- sowie wundervollem harmony-soul von the ebonys, manhattans, natural high und the impressions.

for 19 years fokuz recordings has been an unbending pillar for quality, soulful drum and bass. it has provided an outlet for some of the scenes most prominent names a home for their music and continues to foster the growth of the next generation of producers. from the elite class of calibre, ai, zero t, and lenzman, to the new school sounds of satl, kasper, macca, and bert h, the soul derivatives lp blends names and generations together creating a magnificent musical showcase. if good music is timeless, then the soul derivatives lp confirms that there is no end in sight for this illustrious dutch label. the soul derivatives lp - fokuz092 - is available in vinyl, cd and digital in march 2018.

reflex in waves brings together a series of sonic approaches manning has been developing for over a decade. specifically, manning’s work is concerned with waves and the impacts of their resulting vibration. quietly producing audio works out of his studio in yeronga, on the south side of brisbane city, manning’s works are based on a series of deeply personal instrument designs, tape manipulation and other exploratory approaches. his instruments, which are often percussive, use harmonically related materials that are activated by motor-driven strings. the resulting sound is a chaotic but pulse-like cluster of harmony.

the dark jazz masterpiece by piero piccioni written for the film directed by paolo heusch in 1962, played by franco citti and taken from the novel under the same title written by pier paolo pasolini. produced and made by cam on a rare and sophisticated lp, the music of piero piccioni for this film embraces the jazz big band’s frantic pulsations, directed by the master - who sits on the piano - with symphonism and the best popular italian melodic tradition brass, dart, bows and rhythm. available for the first time since it’s original release, this limited edition vinyl reissue is limited to 500 hand-numbered copies on red coloured & black splattered 180 gram vinyl, housed in a gatefold sleeve.

a collection of crossover artists that really stand out for us with tunes that do so much more than just be hot. demuir, the organ grinder, snazzy trax & melodymann, they all bring their edge to this sick ep for melodymathics. we hope you like this record as much as we do!

first ever vinyl remastered reissue of this sought-after synth-pop /cosmic disco / funk / boogie album from 1983! lots of vocoder, analogue synths & keyboards, heavy drum machines, spacey vocals, bossa / brazilian touches, cosmic effects. the rah band was the brainchild of legendary english producer & arranger richard hewson. they debuted in 1977 with the cosmic glam hit the crunch, on which richard, an accomplished multi-instrumentalist, played all the instruments himself. in 1983, he released going up the second rah band album, where he also played most of the instruments himself, helped by several drummers, a brass section and the sweet vocals of his wife liz hewson. including massive club classics like messages from the stars, perfumed garden and more.

pünktlich zum hunderjährigen geburtstag der elektrischen gitarre haben tocotronic eine hymne geschaffen. eine hymne an die erinnerung, ans erwachsenwerden mit rock n roll, an die sehnsucht, die träume, den sex und den protest. electric guitar ist mit sicherheit eines der schönsten lieder dieser an schönen liedern nicht armen ausnahmeband tocotronic. -electric guitar- erzählt euch alles. und alles ist wahr.

on this split ep, two-heads project minimum syndicat is back again with its own special brand of hard acid music, mixing authentic rave influences and modern industrialish techno to reach this state of dark euphoria who became its trademark. this time, their guest is the famous irish producer sunil sharpe, another figure not known to make any compromise... he delivers two severe cuts of techno and electro full of raw energy, with a sinister vibe reflecting the dirty clubs and warehouses where this music is supposed to be played.

very classic sounding deep house from brian harden. the crown jewel of his album get gets the re-rub from label honcho mike grant. haunting sounds from the past that feel like old frankie knunke sets, this is bringing back the deep sound that is re-establishing detroit again as a major force in house music. mike’s throw down’s are really smoked out, blending soulful strings and chunky beats that meet with pure emotion from the blinding rhodes solos. very moodyman/ ron trent.

a strong selection of remixes for dj emersons latest album >repetitive music<. johannes heil strips things down and delievers a monotone monster of a track with a heavy and dark kickdrum. yan cook puts the broken beats of >anonymous< straight and transfers it into a throbbing dark and heavy track. markus suckut aka tales of the machines is having one of his most succesful years ever with the release of his album and the uprise of his exile label. this track really shows what his t.o.t.m. moniker is all about. nothing but pure unadulterated techno in the most underground sense. oliver deutschmann delievers a groove driven version of >string theory< great rolling tune with a perfect sound and build-up.

for the second release piramide landed with a va mini compilation including the debut of the mysterious hawaiian chips. xinner opens the scene with a mind-blowing synth journey that makes you lose concept of space and time. autre follows and hooks you up with a hypnotic house beat bringing you in a dance floor dreamy mood. finally hawaiian chips brings you back in the golden age with a proper electro banger made as your favourite 90s idol would have done it. to conclude xinner does the honour and closes the ep with two must have dance floor filler.

orson bramley has a long-standing legacy in uk electro history as part of the transparent sound production crew, and hes been recently aligned with robin balls memory box parties in london where he s been able to display his years of experience whipping machines into funky configurations in a live environment. this release speaks to that experience, with the various versions of then again punching out an irresistible sermon of crafty synth lines, swooping strings and crisp beats. ball steps up for two remixes on the flip that equally reside in the electro realm, but come at the component parts from a different rhythmic angle. one refined idea done five ways what more do you need to know?

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waxwork records presents the deluxe soundtrack vinyl re-issue of the excorcist. directed by the legendary and prolific william friedkin (the french connection, sorcerer, cruising, to live and die in la) and starring linda blair, the excorcist remains one of the most important, and scariest films in cinematic history. . deluxe features include exclusive liner notes from director william friedkin, re-mastered audio, old style tip-on gatefold jackets with soft touch coating, a 12-x12inch booklet, 180 gram colored vinyl, and all new artwork by justin erickson of phantom city creative.

the legendary moscow club propaganda celebrates its 20th anniversary in april 2017 and launches a brand new record label. the label will cover different styles of intelligent electronic music, focusing on techno in the first year.
at the beginning there will be released music by great artists who had performances at propaganda club in past. more artists will be involved and more excellent music will be released over time.

the album is released as a special edition double vinyl with silver ink folder
after 5 years releasing in some of the most important techno labels such as synewave, nachtstrom schallplatten, kobayashi or afu limited, david meiser releases his first album - dark legacy -. this work comprises 11 tracks that show a perfect balance between hypnotic patterns, strong rhythmic structures and darkness. this work is released as the first reference on meiser s own imprint - dark vortex -.

does the world need more acid? yes it does! the r-a-g trio aka dutch producers ma spaventi, g-string & aroy dee deliver three raw acid-jams with aroy on the couch working the mic. the lyrics of dreadfully nervous are based on a edgar allan poe story. . dreadfully nervous (aryd s acid mix) is a gurgling brew of squelchy acid with dark vocals and pinging cowbells pulling you in all directions. coarse claps and ever more wild synths encourage you to cut loose and make for another timeless cut. dreadfully stoned is more stripped back, with a rubbery arpeggiated synth the main hook over subtle, supple drums. those dark spoken word vocals are back again and the whole thing is freaky and unsettling as a result. last of all is the bright and glistening no soul with metal hits and claps and prickly acid all bursting out of dusty chicago drums. it s raw and sure to fire the synapses just like r-a-g productions always do.

does the world need more acid? yes it does! the r-a-g trio aka dutch producers ma spaventi, g-string & aroy dee deliver three raw acid-jams with aroy on the couch working the mic. the lyrics of dreadfully nervous are based on a edgar allan poe story. dreadfully nervous (aryd s acid mix) is a gurgling brew of squelchy acid with dark vocals and pinging cowbells pulling you in all directions. coarse claps and ever more wild synths encourage you to cut loose and make for another timeless cut. dreadfully stoned is more stripped back, with a rubbery arpeggiated synth the main hook over subtle, supple drums. those dark spoken word vocals are back again and the whole thing is freaky and unsettling as a result. last of all is the bright and glistening no soul with metal hits and claps and prickly acid all bursting out of dusty chicago drums. it s raw and sure to fire the synapses just like r-a-g productions always do.

>maybe price is incorrect - tba< deep house legend enrico mantini brings to life purism, a new label and artists collective focused on a traditional approach in making and playing music, with no limitation on style. first release delivers three tracks of emotional, intense, warm yet groovy deep house ballads. pure pleasure for your ears. food for your soul.

the album is released as a special edition double vinyl with silver ink folder and printed inner sleeves and as collector s edition usb box with the logo engraved in laser.
after 5 years releasing in some of the most important techno labels such as synewave, nachtstrom schallplatten, kobayashi or afu limited, david meiser releases his first album - dark legacy -. this work comprises 11 tracks that show a perfect balance between hypnotic patterns, strong rhythmic structures and darkness. this work is released as the first reference on meiser s own imprint - dark vortex -. the album is released as a special edition double vinyl with silver ink folder and printed inner sleeves and as collector s edition usb box with the logo engraved in laser.

the second release from bobby analog’s body fusion imprint follows in the footsteps of the first with heavily swung drums, some creative sample manipulation and a lot of soul. three tracks laced with tough 909’s, tape driven bongos, some lovely strings, an organ and even a touch of acid.

rrwd is a label collaboration between ta-ku/ repeat pattern & jakarta records. charlie abbott is a 25 year old from boston, ma.living in aomori, japan who teaches high school english. i made goes to math class, over the course of about one year (from fall 2015 fall 2016ish). as for influences, i d say i was trying to go for the dirt of early quasimoto mixed with the melody of emerald fantasy tracks era lone, but i m having trouble describing it in terms of larger generic genre terms.i feel like it has a beat tape structure, and is definitely rooted in hip hop//dance music, but isn t really danceable or meant for the club.i d probably describe it as headphone music?

a dark kingdom, erected from rubble, an arid production clashed with unstructured loops, some of which, though already used, are like reborn from their ashes in a climate of dull violence. jazz, soul, classical, gospel, lyrical grandeur, in an atmosphere of conquest or on a minimalist piano coming straight out of a thriller, the pair of rhyme-makers compete with any instrument, finale temperating by a laid and reflective flow the fiery fangs fel sinks on every bar. this kingdom, fel & finale, will have built it alone, fel sweetenberg taking charge of all the beats delivered to the duo s screened pages in ink, the door ajar only to let dj djaz introduce his turntable s tonearm to scarify the groove with his unique cuts. balancing the forces, bringing their ambition beyond the ill-famed streets that have already crowned them, finale & fel sweetenberg raise the matt colors of a demanding rap, the radiance of their banner now beyond the limits of a detroit-camden axis. two kings, two crowns. a reign: that of hip hop.

r&s proudly presents warmth the extraordinary new album from critically acclaimed new york based duo blondes aka sam haar and zach steinman whose ten tracks of mesmerising, ever shifting rhythmic workouts percolate alongside contemporaries such as levon vincent, joey anderson and donato dozzy.

we have already released the longer version of the northern classic ‘gone with the wind is my love’, but this kent 45 of rita & the tiaras’ masterpiece is the first time we have issued the doré single as it was originally put out. on the flip is the glorious instrumental version for lovers of that la orchestral soul sound.

we’re delighted to report that black grape are back on the road, and with new album pop voodoo that really does rock the fuck out of the discotheque. it’s a rewind to over twenty years ago and the glory days.
shaun’s word play has never been deployed to such devastating effect, and he scores a bullseye whether he hits the obvious targets (trump), and the more obscure ones… well, find out for yourself. the world is in a bit of a state right now, and bullshit reigns more than ever, and perversely disguised as candour. we need manc street sass, intelligence and wit more than ever right now. this new pop voodoo album has that in spades.
180 gram vinyl in gatefold sleeve with download code included.

nice price deal !!! nice price deal !!!

tolle musik bei voller umdrehung ist das konzept der stereo best of hörtest-lp. dieses doppel-album bietet 16 musikalische highlights aus den stereo hörtest-samplern i-vi in analoger perfektion. dafür laufen die vinylscheiben mit 45 umdrehungen und bieten so ein maximum an detailauflösung, dynamik und lebendigkeit. bei der titelauswahl wurde zugleich darauf geachtet, dass jedes stück neben dem hörgenuss auch besondere klangliche herausforderungen an die hifi-anlage stellt, so dass sich mit der best of hörtest lp deren fähigkeiten ausloten lassen.
dafür bedarf es auch einer besonderen fertigungsqualität. so wurden die pressmatritzen von pauler acoustics in northeim im direct metal mastering-verfahren, kurz dmm, geschnitten. dabei ritzt der stichel die information statt in eine lack- in eine kupferfolie (siehe foto). diese methode erzeugt keine vor- und nachechos, verbessert die hochtonwiedergabe und vermeidet lästige störgeräusche. außerdem reduziert sie die notwendige galvanik, was ebenfalls verluste gering hält. die pressung erfolgt auf jeweils 180 gramm hochreinem virgin vinyl. auch dies macht die stereo best of hörtest-lp zum erlesenen sammlerstück für den analog-gourmet.

ass spanking funky futuristic wobbly disharmonic robot wanking at its best! a must have for all fans of the karlskrona sound! this is the shit that makes you wanna move to the small town and have pizza at sorrento every day. dj joakim cosmo, sweden.

the jungle brothers’ 1988 debut, straight out the jungle, was important for many reasons. it was sloppy and goofy but had moments of real focus and social consciousness. it was a true “kitchen sink” record, that caught a rap fanbase enraptured by eric b. & rakim, public enemy and boogie down productions a bit off-guard. also of note, beyond the excellence of the album itself, the jungle brothers were the fulcrum for what would become the native tongues movement – they came first, de la soul and a tribe called quest followed, under their guidance.

following up nearly 3 years after mallory s 001, joe brings us house/acid/techno riffs with live recorded vocals and gear. joe is a warehouse sound-man veteran of almost 20 years in and around los angeles. after curating, playing and servicing many techno/house/disco/acid events, joe would like to share some notes & texture with everyone. thank you for listening