a certain level of soulful expression can be reached only when stars align correctly up there as well as down here. once in a while a new track comes along that fools you into thinking you are listening to some lost re-discovery from the catacombs of american soul. the first release on timmion records new stylart imprint should leave a lasting mark on all friends of quality soul balladry. -love can last forever- by the enigmatic fred is the tune that will turn your heart to the love side whether you hear it at the end of a heavy club night, gripping on the wood grain wheel, or leaning on the bars of the penitentiary. who is fred then, you might ask. suffice to say he is a complicated man, who possesses a buttery falsetto and the rare power to turn banal testimonies of heartache and love into cathartic magic. this basically means he has soul, and we don t state this lightly here at timmion. after his first release, there are a few other heaters lined up, so be prepared for fred, his star is rising.

unrelated is back with black as night ep by vesàlio ( kapvt mvndi ) side project of livio improta, vesàlio was born from the necessity to change something in his way of producing. less rhythm section and more emphasis on the atmosphere and field recordings, the last one the essential part of this project. a1 - in “n at alba- the concept of vesàlio is pure,clear, and deep , where the atmosphere is the main character of the track. a2 - -black as night” probably is the conflict between the two artistical parts, dark and despondent sounds, in contrast with the rthythm of the drum section. the perfect sound for a science fiction movie, totally mysterious ! b - o.xander (nous disques) decided to solve it bringing back the track into a classic raw theme with his antartica reshape

300 copies hand made ... early support from: session victim, red rack em, & dj nobu.
max 1 per customer / max 1 pro kunde

sn 002 comes with the touch of ambient atmospheres paired with classic house and techno grooves. hypnotic synth pads come along with quality drums and smooth sounding basses in the typical way of fabe productions. vinyl only!

francesco tristano really needs no introduction lately, his music speaks volumes and his reputation precedes him with that said we are happy to share place on lafayette with you once again, this time including some stunning remixes. the first one is a collaboration between two highly respected artists: thomas gandey and radio slave. the two take the track further into tech-house territory with the percussion driving while multiple layers begin the fall into one another, achieving a beautifully elegant and jazzy end result. gutis vision is much deeper, with hints of dub here and there as the artists drives the tension up and creates a stunning groove. the final remix come from tuff city kids, who are known for their sometimes unconventional approach to making music, and in this case, it works. they channel a raw vibe and create something that is quite possibly the furthest thing from the original in terms of percussion. the pianos keep the thread strong, and the rhythm takes care of the rest.

tired of the politics of the minneapolis funk scene it’s rumored the group has taken refuge in tokyo’s late night disco scene. their brilliant and cheeky song writing combined with incomparable musicianship will be sure to make a bold statement in the modern funk scene this year. “hot touch” brings bass that goes oops upside your head and down your back into your butt crack. we’ve all been burned before, but never like this. brilliant cut followed by the super deep two-step stunner “ain’t gonna last” on the flip. perfect soundtrack for the end of the party when you look around and yourself, “which one of these freaks is going home with me tonight?” out on star creature.

last harbour return with paler cities, a 7inch vinyl release for gizeh records which marks the follow-up to 2015 s raw and brooding caul album. maintaining the high standards set by caul, these two new tracks are a more direct version of last harbour s signature form, leaning towards a more stripped back, less textured post-punk sound.

clark liefert den soundtrack für die von warp films co-produzierte serie “the last panthers” auf sky atlantic. dabei bricht er mit seiner bisherigen diskografie und kombiniert - im stile zeitgenössischer künstler wie mica levi, mogwai, jon hopkins oder olafur arnalds - naturklänge mit klinischen, maschinell produzierten geräuschen und einer experimentellen, erforschenden attitüde. die limitierte vinyl-lp erscheint inklusive downloadcode.

jun kamoda is a producer, dj and mc from tokyo. new to the label but a friend of the party, jun came to mister sunday in nyc last year and ended up hanging around for a few days afterward, digging for records and sharing bowls of spaghetti with the boys. when he returned to japan, he got to working on the music we now present to you on the clay ep. this is jun blending loopy, psychedelic disco stylings with chugging drum work for three party-ready cuts. they’ve been chopping up our dance floors months, we’re excited to hear them do the same to yours.

the junkies make their truesoul debut with a three track, punchy ep.
the rhythmic, tech house and techno tracks are filled with delayed vocals, chuggy drums and throbbing bass line.
the tracks showcase the diversity and talent the pair hold as producers and their ability to cross paths between house and techno

im a cliches first release of 2016 comes from label boss cosmo vitelli. after a five year hiatus during which he was kept busy by his band bot ox and relocating from paris to berlin, this is the very first release to come out of his new studio located in berlins marzahn district.

after mama001, we proudly present our second ep. no need of introduction for renato figolis music. music speaks for itself...

last known trajectory proudly presents the second album from visonia. opal s sunflowers continues the new- wave/cold wave theme combined with inimitable romanticism. limited pressing artwork by pavel javor

shadeleaf no.9 sees city fly s jonna step up with a superb ep ! vocalist erik rico graces title track through the night , a serious piece of deep, disco influenced dopeness that follows the classic us house blueprint, but with that all important uk grit in the construction. a2 & 3 cater for the labels love of lo-slung sample house, with music for people really shining as a thumpin sound system jam who better to tackle the beautiful title track than ny born, detroit grown bad boy kai alce ! his recent sandman & riverside joint has been testing a few speaker stacks these last few weeks, so the label couldn t wait to hear his versions of through the night safe to say, he doesn t disappoint ! a disctinctive vocal rub that recalls classic ron trent, and a stripped down and deadly kzr dub - roots house at its finest ! another shadeleaf sureshot !

dirty macs highly anticipated return gets right to the gritty rub with four cuts of slow-burning and erstwhile white hot, dance floor choice.

nathan melja is the same young frenchman whose debut ep we released under the name melja late last year. since then, he moved to new york and worked at mister hq for a few months, manned the light booth at the mister saturday night and mister sunday parties (djs make the best light guys), and spent most of his time outside that making music. leo draws is the culmination of that music-making, two murky but beautiful tracks centered around vocal samples and one off-kilter number aimed at the dark corners of the dancefloor.

after the success of his debut album back in flight school on hot creations, miguel campbell has spent the last three years living in ibiza, dividing his time between touring and the studio. since returning to his hometown of leeds last year, his production output has been prolific, with a slew of original tracks and remixes coming through his own outcross records imprint, the same label that will release forthcoming second artist album

this is the very awaited debut of the canadian electronic darkwave solo act of jimmy anderson aka expect delays. a mini album of 5 tracks analogically remastered specially for vinyl. minimal synth melodies and ethereal compositions combined with technopop and soft ebm. imited to 300 copies with 350 gram sleeve (metallic ink impression) – transparent grey vinyl

last trasmissions from solaris was inspired by the stanislav lems novel solaris, a journey into techno-soul emissions explored by the talent of passenger. it combines a subdole sci-fi atmosphere with solid techno approach and scientific electro incarnation. here you can find a direction if your soul needs an utopian vision of the future. the closest thing to detroit we have been able to produce over the years.

fur trade is excited to showcase mossas solid rhythms and enticing sonic layers with this 2-track release. the record begins with just for a while. a rolling bass groove and satisfying percussion open the track. the rhythm moves forward to welcome carefully-crafted folds and peaks that let you choose your own adventure. mossa changes the palette with the saucy assortment of samples and vivid collection of tones that make up last chance. this track is a playful bouquet of colour and flavour. enjoy the umami of mossa, with love from fur trade.
pressing on yellow coloured & marbled vinyl.

as we draw proceedings to a close with part 3 last supplement - we take a moment to reflect back on what nathaniel x has meant not just to us at undertones, but the entire culture of deep house as a whole. this is not the end - it s merely the closing of one chapter and a transition into the next.

deep, authentic underground house business from the mind of ny house icon nathaniel x the saga continues with part 2 of nathaniel xs 3 part debut album - last supplement. taking the baton from part 1, part 2 is yet another authentic assembly of mind, body, and sound.
pressing on translucent blue vinyl.

on the third installment of sand, label boss nima khak is back with his characteristic dance floor oriented analogue leaning techno. from stockholm with love. 180 gram vinyl.

last supplement - the debut album from nathaniel x & the culmination in the supplement series kicks off with part 1 of what will be a 3 part series that will span the mind, body, and sounds of new yorks very own nathaniel x. pressing on red transparent vinyl.

by pushing the analysis between what is within us and the after outside we find the last edges of realism.

seit mitte der 1990er-jahre jahren bereichern last days of april die welt mit ihrem zauberhaften, leicht amerikanisierten indie-pop. doch klingt das neunte album der stockholmer um songwriter karl larsson viel überlegter, gereift und ausgewogen, als hätte sich eine raupe zum schmetterling entwickelt.
die vinyl-lp erscheint inklusive cd-version des albums.

shadeleaf continues, with a strident 7 out of 7 on the scoreboard! following a stunning (and sell-out !) ep earlier last year, the north easts answer to michigans finest, steps up again, with probably his strongest work to date. mannmademusic became known very quickly, over the space of a few low key, but expertly realised edits releases for the likes of glenview, lumberjacks in hell & diner city sounds. this ep sees him continue wearing his influences proudly, but re-imagine them in an altogether rawer framework - samples woven together, augmented and redefined, some of it following the classic kdj blueprint but laid out in a style thats all his own. those familiar loops submerged and unfurling, rubbing up against altogether more off-kilter but coherent workouts, sat alongside perfectly measured electronic jams all combining into an ep that stands head and shoulders above the competition. another shadeleaf sureshot!

electronic emergencies is proud to introduce ceci n est pas, a synth wave project from new york consisting of nico nightingale, pierre klein and jorge socarras. nico nightingale is the man behind neud photo and earlier worked with pierre klein as neud. jorge socarras was singer with synth maestro patrick cowley in the 70s duo catholic, and with 80s cult band indoor life. together, they started ceci n est pas in 2014, and this 7 inch -the last time- is their first release. the title track on the a-side is an irrestisibly melancholic and romantic synth wave pop song, while b-side -the stranger- has a mysterious and yearning feel.

after dark: nocturne ist ein infiziöses groove-monster, das körper, geist und seele gleichzeitig animiert. bill brewster, der auch als co-autor der dj-historie last night a dj saved my life brillierte, gelingt mit dieser top-selektion eine weitere meisterleistung. einmal aufgelegt, einmal reingehört, lassen einen diese positiven vibes nicht mehr los. groove, funk, disco, pop, house - party-rhythmus non-stop! mit komplett exklusiven und unveröffentlichten tracks & mixes von charli xcx (lindstrom remix), the emperor machine, hugh mane und zweimal hotel motel. und raren perlen von plastic bertrand(!), adriano celentano(!), rudy norman und coalkitchen. after dark: nocturne is ein massives schwarzes loch von einem dj-set, das dich auffrisst und nie wieder entlässt.

there was a time at the end of the eighties in which virtuous japanese musicians were forced to use just a few kilobytes to arrange the music of the videogames of the 8 bit era. despite the limitations of the early days of the digital music, the evocative power of their composition has remained unchallenged.

following on from last years *your charizmatic self* ep, night slugs executive producer bok bok teams up with composer and keyboardist sweyn jupiter on a romantic new double a-side single.

noisia return to metalheadz for their first single following up from last years massive strange owl project on the platinum series lp.
this time they bring to the label the twisted sounds of the bells of & the melodic funk of last look. both tunes have been getting major support from all the big club djs and radio players over the last 4 months and now the single is ready to land.

300 copies only, dj support from midland, dam swindle, oneman, deetron...
the next release on rinse is the second in a series of three eps of gorgeous, punch-drunk house music from label regular rupert taylor, aka xxxy. the follow-up to last years acclaimed 18 hours, it is a further spiral inwards for the tripped-out, wistful style he has increasingly come to make distinctly his own, with clouds of arpeggiated synth notes and vapourised voice rolling atop pillow-soft, droning bass.

jon hopkins begann seine musikalische laufbahn 1999 im zarten alter von 21 jahren. er arbeitete mit brian eno und david holmes zusammen, war an der produktion dreier coldplay-alben beteiligt und erhielt für sein album *immunity* 2013 eine mercury prize-nominierung. seine late night tales session klingt wie ein requiem für einen traumort, irgendwo zwischen himmel, hölle und dem überfluteten themse-delta. technobeats und verzerrungen mögen vorkommen, doch der blick des zuhörers wandert gefangen und verträumt über die weiten eines offenen ozeans bei nacht. wir begegnen den komponisten nils frahm und ben lukas boysen, den warp-acts bibio und darkstar, jonsi & alex von sigur ros, den grace jones-samplern holy other, sowie künstler wie four tet, alela diane, school of seven bells, health und david holmes. garniert wird diese außergewöhnliche zusammenstellung mit einem exklusiven jon hopkins pianocover des yeasayer-songs *i remember*, sowie mit einer spoken-word-erzählung des produzentenkollegen rick holland.
die doppel-lp erscheint als limitierte 180g pressung mit 18 von 20 ausgespielten tracks, audiophil auf halber geschwindigkeit gemastered, inklusive bonus-download-code mit allen tracks (einmal komplett ausgespielt, einmal als mixset) in wav/mp3-formaten, im gatefold mit antistatischen innentaschen plus kunstdruck in 12 inch größe.

ryan teague is a composer, producer and multi-instrumentalist based in bristol. his music combines acoustic instrumentation and arrangements with electronic and processed material, often incorporating minimalist, ambient and electro-acoustic styles

caul is the new album from last harbour. based in the northern english city of manchester, last harbour play music with a dark, gothic heart yet their songs are always beautiful and transcendent. after working with producer richard formby (wild beasts, spacemen 3, ghostpoet) on two previous albums, the band took time out after touring to build their own studio in 2013. this new album was recorded in that self-created space over a year between 2013-4 and bears testament to a patient and detailed recording process that allowed time for experimentation and careful arrangement.
the vinyl lp includes a code for free download of the full album.

collaboration project between jauzas the shining & victoria lukas featuring ekman and orgue electronique. lukas, drawing upon personal sensations, melds diary-like lyrics into dreamlike ambiance and textures, beautifully fusing with the infectious electro-pop grooves of jauzas the shining. songs encapsulating lost love and longings for sensation, emotional stimulation and experiencing feelings through those of another are conveyed via vocal pieces, cold sweat and coral eyes. ekman contributes a driving, acidic groove version of cold sweat more apt for the dancefloor, while orgue electronique pushes the electronic pop vibes into house territory. shadows written, recorded and produced by jauzas the shining & victoria lukas for last known trajectory 2014

an interplanetary space/love odyssey featuring melvin van peebles (brer soul, sweet sweetbacks baadasssss song). following heliocentrics *out there* and *13 degrees of reality* albums. download card included. vinyl 2 contains all instrumentals.

visonia returns with the anticipated debut album release entitled, impossible romance. commencing with juana de arco, which edges finely the fragile border between expectant angst and hopeful optimism, this opening piece pretty much sets the tone for the album. undulating between the highs and lows of human emotion which beautifully encompasses visonias own conception of art to hold hands and contribute to humanity to give beauty, wisdom, or to simply open the listeners mind in order to reflect and ask questions of ones own self, ones own existence what we have here is at times a poetic soundscape of emotions, feelings, fears and positive expression. the album, in its double vinyl format includes the previously available collaboration with dopplereffekt, namely die reisen, alongside an equally striking collab with new wave/synth pop artist, mad moizel in the form of beat frequencies and late addition to the album – the sleek, driving vision of between lies and real looks

the last shout präsentiert die in vergessenheit geratenen superhelden der blues-shouter-generation, die die amerikanischen nachtclubs und r&b-charts nach dem krieg dominierten. trotz des aufkommenden rock n roll sturms erhielten viele durch ihr erarbeitetes standing in der musikindustrie mitte der fünfziger ihre letzten chancen zu aufnahmen. the last shout dokumentiert diese zwielichtige zeit und bietet die letzten großartigen werke des genres zwischen 1954 und 1962. die limitierte 2lp-edition enthält 32 ausgewählte stücke der 97-track starken 3cd-edition. die linter notes stammen von r&b-kenner und compiler dave penny.

tom findlay (groove armada) und late night tales beweisen wieder einmal geschmack und stilsicherheit. auf spätsiebziger yacht-pop folgt supercooler 80s groove, der sound der post-disco-Ära, als der soul/r&b das synthesizer-zeitalter enterte. wir hören begnadete jimmy jam/terry lewis-produktionen für thelma houston und alexander o neal, wir hören sharon brown in einer produktion der disco-legende tee scott, wir hören die Übergroover mtume und zapp, wir hören die smashhits von donna allen, rene & angela und des timex social clubs, und als exklusives cover hören wir eine superbe version von sugardaddy (tom findlay & tim hutton) des hitklassikers *dont look any further*.
die 3x12 inch lp erscheint als limitierte 180g pressung mit 18 von 20 ausgespielten tracks, audiophil auf halber geschwindigkeit gemastered, inkl. bonus-download-code mit allen tracks (einmal komplett ausgespielt, einmal als mixset) in wav/mp3-formaten, im gatefold mit antistatischen innentaschen.

roberto bosco has selected in recent months kinys music, to better prepare his first 12 inch, consisting of four tracks, named *damaged memory*. the track *unknown* (a1) leads off the dance of the release on last drop records imprint. it is a proper exploration in an unknown sonic territory to most of the people, and also a difficult element to make out for those who are novice to the visionary component in the musical poetic of kiny. the track starts with rounds of recurring sirens, almost deafening, framed by dark and ghostly noises. something not easily identifiable, ambiguous and unknown, as the title itself says, is perceptible in its sound. all this helps to shape a bad presage that fades away into the mystery.

first release on sun cat recordings / ancient sound from outer space is by italian obscure electronic producer named healing force project, that means freedom of the soul. inspired by space jazz and experimental techno, antonio marini reconnects distant horizons until the sky falls away, sonorizing the last ancient astronaut landing on earth in five hypnotic tracks. mastered by andrea merlini and illustrated by fernanda veron, *last journey to heliopolis ep* pictures early dawns and aching nights, combining different analog and digital elements. a cosmic trip without return only makes sense if has no stops or boundaries.

following the critical success of last years mini-lp the last tortuga, black deer is back on emotional response with a 4 track remix ep featuring friends and alumni nacho patrol, luke wyatt, sad city and valet. william burnett returns to the label in the form of a remixes ep that takes his original productions and hands it to a broad selection of todays finest electronic producers, plus a rare outing from one of the labels favourite pyschedelic experimentalists

presenting the evolution of in syncs undisputed uk techno classic, namely storm.

presenting the evolution of in syncs undisputed uk techno classic, namely storm. in sync is of course lee purkis, co-founder of the legendary fat cat record store in london and a highly-respected figure among the early underground scene

a harmless deed release number 8 brings the third installement from epiphany, a record we are really excited about. from the ever evolving and soul infused acid of -let the boy be- where everything sits over a deep and rhythmic chord progression, to the noisy deepness and jam feel of -player-, or the weirdly addictive groove of -on the run- where snares and pads find their way over a jazzy melody, -last gasp- proves itself to be epiphany s strongest release to date, a record that radiates energy and futurism.