the 2nd release on steady work by dear friends features conti with his exceptional consignment to all lovers of left field approaches to house and bass loaded music. contis ma lumps ep allows you to get a feeling for the crocking of the toxic but cheering industrial spheres of the city of mannheim. this ep is an emulsion out of distorted beats, field recordings, sampled baselines and vocal snippets, processed through a mpc, tracks in a rough tape compression mix style. funky-but-not-funky-kraut-hop-house at it s best. slope down from your faith by those lumps.

andreas tilliander released his first album as mokira at the very turn of the millennium on almighty raster noton. 11 years later, the latest mokira album time axis manipulation was issued on ulf erikssons kontra-musik and now it s time to pick up where we left off with chill out . there s an air of happy retrospect and light solemnity surrounding the new album - enhanced by the fact that it marks kontra-musik s 50th release. with chill out , mokira attempts to bring back the dreamlike state from those magical late nights of his youth spent in front of mtv s chill out zone, to go back to his ambient roots using contemporary techniques and perspectives. the result? well, imagine lee scratch perry and klf enjoying an episode of stranger things on a crappy vintage tv after being hard at work burying old tape recordings in perry s tropical garden. imagine them sitting together totally at peace in a big, cosy sofa while a heavy haze is building up in the room, pleasantly affecting the eerie images on the screen. we always knew kontra-musik s 50th release had to be something quite out of the ordinary. as expected, mokira didn t disappoint us one bit. the vinyl lp is accompanied with a download code for a mixed version of the album, containing almost double the amount of tracks. the mixed version makes it easy for the chill out listener to just sit back and let go of reality for a while, just like mokira did 25 years ago in front of his old tv.

uk hip hop’s original and best live band are back with brand new album ‘bring out the sound’, released in march 2018 on bbe music. founded in the early 90s by ollie teeba and jake wherry, the herbaliser have earned every single accolade they’ve received during almost 25 years of touring and recording. best known for delivering a series of groundbreaking albums on ninja tune and providing one of the all-time highlights of the ‘fabric live’ mix series, the herbaliser’s most recent lp ‘there were seven’ was issued on their own ‘department h’ imprint back in 2012. having worked with hip hop royalty such as jazzy jeff and pete rock over the years, not to mention releasing j dilla’s first and last solo albums, bbe are delighted to share in the herbaliser’s musical journey.

inside out is a brand new series that invites djs and producers to blur the boundaries between traditional artist albums and mix compilations. coming from aus music label head and dj-kicks curator will saul, the concept encourages artists to showcase their own music and or the music of those in their own individual circles. the mix will be release digitally and on cd, while a selection of the tracks will also be available on double gatefold vinyl. each instalment will feature 100% new and unreleased music. it is a chance for artists to take sole creative charge, a&r as they see fit and then commission brand new music specifically for the cause. depending on who is at the helm, inside out will take different forms: producers may wish to represent their own sound with only music they have made themselves or with close collaborators, while djs and label heads may wish to reflect the sounds and scenes that surround them. the results will be a window into an artists world that works as a coherent mix, but also as a treasure trove of fresh new music that steps outside the usual lines of a dance album. the idea stems from will sauls own approach in the club, which often finds him seeking out brand new and unheard music to play for the first time. that feeling of taking people into the unknown is one that reminds him of the energy and excitement of his early days as a dancer.

mister mellow moves further away from the synthesizer-heavy sounds of the recent washed out releases and more band-driven sound of his work on iconic labels sub pop in america, and domino in europe. on mister mellow, greene draws from the experimental collage techniques of musique concrète and plunderphonics artists such as the residents. combining styles as diverse as free jazz, house, hip-hop and psych together with interlude-esque voiceover samples, often pulled from anonymous youtube vlogs, he creates a busy, chaotic, and caricaturish mix that mirrors the claustrophobic, hyper-stimulated psyche so familiar to young adults. as he continues to carve out his innovative sonic identity, influenced by the world around him but unafraid to buck trends, it’s fitting that greene has partnered with legendary hip hop label stones throw records, long a home for beat-loving musical rebels. his approach to releasing music is every bit as individual, too: in an environment where compiling singles into an album format or working with a single video director are the norm, greene has chosen to commission eleven different artists to bring the visual aspect of his fully-realised album project to life. on mister mellow, washed out steers clear of emotion to empathise with the minutiae of the world around him. ive been much less interested in sentimentality and emotion for the past couple of years, says greene, in some ways, i think its a reaction against getting older and having more responsibilities. maybe i’m just nostalgic for a time in my life where i could just relax and block out the world for a moment. though mister mellow is an intensely personal album, its ideas and observations speak to the lived experience of so many young adults, an experience that we come to see as both funny and sad.

braiden s material has been slow to come out since he first landed with a bang on doldrums back in 2010. a turn on rush hour confirmed his status as a producer in command of the chops necessary to get a dancefloor shaking, but this years x years in london ost cassette was a chance for him to expand into more experimental pastures. not so on this new 12inch for his off out label, which finds braiden turning up the heat with some fiercely modern tech house workouts. v.o.l.a.t has the same kind of dangerous earworm armour that made paul woolfords erotic discourse so potent all those years ago. hydroplane meanwhile takes some of the crisp but playful tropes of pearson sound et al and straps them to a thrumming motorik beat

panorama bar resident nick ho&#776,,,,ppner gets to work on his second solo album on ostgut ton, connecting the territories of house music with the ease of alt-pop. work as in labor. an axiom that fuels the capitalist system just as the techno/house scene economy says that one needs to keep oneself busy to make a living. as a musician, things are complicated of course. it’s a long way from the romantic idea of creating music simply for the sake of art to becoming a full time musician. those who have accomplished this feat often find themselves in a professional loop of writing the music, producing it, promoting it (with an info text like this), releasing it and then hopefully selling it. after leaving his full time job as ostgut ton’s label manager in 2012, nick ho&#776,,,,,,,,,,,,,,ppner went fully freelance, focusing on his musically diverse, deep and dynamic djing in and outside berghain’s panorama bar, but more importantly spending more time in the studio. the result was his critically acclaimed debut album folk (ostgut ton, 2015), various 12“ releases and remixes, and now his sophomore lp, work, which, more than ever, lays out his refined production skills and his talent to work the machines until they reveal their inner ghosts: nine new songs that now dodge the dance floor, then fully embrace it.

(180gr vinyl) as far outs in-house producer his work is a key component in the consistency and transience of the labels sound, with key albums include azymuths fênix, marcos valles estatica, sabrina malheiros dreaming and far out monster disco orchestra. his latest credit on the catalogue is the next chapter of his dokta venom alias, moodswings.

with a meticulous sound design and audibly distinguish, suciu s latest work transports the listener into an exquisite intricacy, far away from the conventional. showcasing a mysteriously dark, eerie atmosphere, -translucid- subsists a glitched out after hours affair. this heavy piece of techno house minimalism plays along with a quirkly oddity allready established in suciu s trademark. on the other side we find -jesus chrysler-, a refined micro-house beat that hosts a warmer ambiance, delivering a delightful context for carefully selected whimsy sounds.

* came home from work and your house was missing* is the debut ep from label boss aschof mal (aka jay caston) - contributing a range of raw, melodic techno and electro formed out of the palette he developed during his time as a buyer for chicagos gramaphone records.

what can be said about lnrs work it to the bone? another slamming piece of chicago house history brought to us by the dynamic duo of larry thompson and rick lenoir (lnr, larry n rick) of the cult house jam label. this is some straight 1987 heat, real house music for the heads, from the very beginning! work it to the bone does exactly that, works every single part of your body into a frenzy, a cacophony of jacking sparse drum programming with that infamous descending bassline and that dude chanting, asking us to join him c mon let s work! this record is a total classic. period. featured on this official 2016 reissue we have 4 mixes of this monolithic slab of machine funk that originally came out on various pressing between 1987-1989: the vocal mix, the instrumental, lnr clubhouse remix and the lnr underground mix.na sense, this is the complete collection of this cornerstone of chicago house. the full set. all audio has been lifted from rick lenoir s private collection of reel to reel tapes from his basement and remastered accordingly. this reissue has been realised with the full involvement of thompson & lenoir and is 100% legit! dont snooze, this one deserves a spot in any self respecting house heads record bag or dj set, classic material made available again for 2016, house is going on!

arnold jarvis take some time out was first released in 1987, the year that fourth floor records was born, and it stands the test of time as a seminal release for the label. the track perfectly characterises the stand out productions that keep the house music world returning again and again to its catalogue for inspiration. this official vinyl re-issue includes the club and dub that made up the original release, plus a reconstruction mix by ilija rudman. ilija delighted classic music company earlier this year with his minimal take on disco in track in her eyes. his approach to the take some time out re-work has the same deconstructed vibe the loose percussion and punchy melodic bass gives a pleasing spaciousness to the track, giving the record fresh life and re-imagining it for 2016

early august will see the martinez brothers cuttin’ headz imprint return with a five-track ep from luke solomon, featuring remixes from byron the aquarius and filsonik. although only marking its seventh release here the cuttin’ headz imprint has carved out quite the reputation already with its most recent output, a collaboration between label-heads martinez brothers and miss kittin garnering huge support from both underground and commercial tastemakers.

nice price deal !!! all out war is a new label from richard hardcastle aka solid state, based in sheffield, uk. richard is known for his product of society edits on society recs, and work on toko, guidance, primitive and cookhouse recs in the late 90s/early 00s. the first all out war release is prisoners of wax vol 1, new edits by solid state, mastered for vinyl by warp legend rob gordon here in sheffield. the disco elements that marked their first 3 society releases are back in full effect... a: america - a radical extension of a french track from 1978, complete with fierce bass and guitar riffs, scything strings and urgent vocals plus police sirens for added drama... all out disco war! aa1: shortwave radiation - tames a once sprawling, 9 minute plus synth strumental behemoth. this 6 1/2 minute version lowers the tempo and cuts the flabbier excesses of the original to produce a far leaner, fitter space monster. aa2: if u love me started life as a quaint little spanish number in 1977. this version ditches the verses, allowing the intro and chorus to take centre stage. the resulting track has a hypnotic, spacey atmosphere... a quiet storm!

nice price deal !!! the new scissor sisters album as 12 inch vinyl in gatefold cover, including poster and free download code.

nice price deal !!! afrikanz on marz come correct with their second release for out hear audio. this follows on from their acclaimed first single the road we travel. ashley beedle and darren morris have joined forces with uk rap artist skilf to concoct a psychedelic drum led monster with shades of early warp bleepness, bass funk and headhunter era herbie hancock to come up with something unique and thought provoking. skilf lets loose with gritty lyrics and completes a strong combination. skilf is a brighton based rap/dance artist with a unique and distinctive sound. unfazed by the restrictions of >genre< over the years he has worked with a range of producers. artists from bob dylan, to wu tang clan to the streets have had a big impact on skilfs approach to writing and rapping.

what can be said about dance mania? simply put, some of the rawest, most jacking house music ever committed to wax has come out on the chicago label. work it! from 1994, courtesy of the mighty parris mitchell & rj hall is slamming, an update of steve poindexter s classic work that m..therfucker but done dance mania style! heavyweight stuff. pair this with its alright on the flip, which takes a deeper turn and you ve got am essential 12inch dug deep from within the vaults. this one is rare too! now it s here again, remastered and reissued with the full consent of mr.mitchell too, what s messing with that? essential chicago business!

fomdo011 is the latest in a series of vinyl only 12inch remixes and edits on far out. previous producers providing their re-works to the series include theo parrish, marcellus pittman, mark pritchard, 4hero, isoul8, ltj xperience and more.

the combination of ron hardy, adonis & frankie knuckles on one record should make even the hardest of house heads excited. *work the box* is that said record, featuring production & mixes from all of these legendary figures in classic chicago trax fashion! experimental, spaced out, hard, minimal, raw & jacking, all words that could be applied to the 4 cuts contained here. this is the real deal, up there with the best jack tracks, direct, straight to your dome bangers with a left-field edge. %100 essential. the sound of the warehouse & the muzic box 1986 right here! repressed, remastered & re-released in conjunction with trax records for 2015.

neuauflage sämtlicher broadcast studioalben mit bedruckten innentaschen und downloadcodes. parallel werden auch alle cd-formate wieder erhältlich gemacht. broadcast begeistern mit einer einzigartigen mixtur aus 60s pop, easy listening, psychedelia, 70s soundtracks & velvet underground.work and non work, die frühwerk-kollektion (1997) mit allen singles aus der pre-warp-phase.

out of sight , the title track, is an elegant house exercise that takes you back to san francisco. recall is a brain bomb, hypnotic and psychedelic but with lots of energy, and has already been supported by the likes of raresh, rhadoo, djebali and apollonia, and is definately the cut to go in this record. to finish things off, romania s rising star mp, known for his works on soulsity and meterze, shows us his own view on out of sight , based on dynamic drums and a with an amazing bass leading the whole thing.

there are few names in dance music today which need less of an introduction than masters at work. the ground-breaking project of louie vega and kenny dope, masters at work forged a reputation for genre eschewing dj sets and flawless house production throughout their extraordinary careers, while their influence and reach changed house forever.

solo works from the front man of legendary soul/funk outfit slave. includes rare and unreleased funky jams from the emotionally funky man who changed the sound of the genre forever.

in addition to his work as one half of mista men, london via doncaster producer ryan aitchison has been making solo moves under his mella dee guise these past few years with appearances in all the right places (think wolf music, shabby doll and sccucci manucci).

keep out recordings is honoured to present the latest work of kryn, an eclectic artist who goes from techno to electronica with simplicity and ease, the ep s title is -hey berlin- and is about his interior journey. it describes a chaotic reality, full of lights, extravagance and schizophrenia. the listener is exposed to an explosion of feelings and a sensation of rebellion against everything rotten around us. it is a journey between lights, laser and surreal sensations by the berlin wall. the musical genre hops from minimal to techno resembling the typical style of electronic music without ever resulting monotonous. the videoclip has been created by luca palomba in berlin, his expert eye trasformed the emotions into images. hey berlin has been remixed by theo komp, red pig flower and frazer campbell, an amazing collaboration of artists from greece, britain and japan.

hommage this is already the third release for our little baby s p i e l and as we are on a constant search for the more leftfield and not so deep house esque dance music it was a very happy surprise to find an amazing demo in our mail box by the swiss indie dance/ electronic duo mercury. the bern based act already made a name for themselves by releasing on the great gomma label and by doing remix work and collaborations with people like robert owens, byron stingily, tom trago,munk and two door cinema club. these three new tracks are a well crafted mix of electro, disco, house and deep techno.

arttu is back with two tight tracks in his trademark raw jacking house sound. chicago rooted house music drenched in a heavy dose of interstellar boogie. a-side is the shuffling bassline driven ufo funkin that goes all crazy. aa side is arttu featuring detroits jerry the cat. both tracks comes in vocal and instrumental version. instrumentals take things back to the bare essential and are total basement workouts. arttu di it again!

hitsafe are a duo of established producers operating under an enigmatic moniker. nothing new, you might say, and that is true. the music is so outstanding and unusual though, that in this case this approach really does make sense. serious jaw-work is funk in its purest form. and we mean real funk! wonder how many djs will have the guts and abilities to play this one out…to round this release up, we asked lopazz and casio casino for a remix and these guys came up with two! both are so good, we couldnt make a choice. so here we go with both of them on this release. the jack remix on a2 is a functional tech housy Überhit, suitable for all peaktime house floors, the jane remix on the b-side is a moodymanesque version with a strong ludicruous tendency, that has all necessary qualities to become a timeless epic. massive!

file under disco return with another set of cracking remixes of jkriv & the disco machine, whose 6 track digital ep the high fidelity sound drops in late june. 100% original disco music is again the name of the game. for this edition, long-term stalwarts of the uk disco scene faze action step in to remix disco rocket in two very tasty flavours – main mix and dub mix. both are bang on the money and ready to rock the dance floor. meanwhile on the flip side, disco deviant dicky trisco is back at the controls following his heavy hitting remix of drop out orchestras the blue train at the end of last year. the results are again 100% guaranteed to raise the pressure to boiling point in any discotheque. file them all under disco and dance.

opener getting run down loops up a nagging hip hop sample over skittering dukey beats and washes drifting pads and spacey keys over the top for a hypnotic late night groover. reach out goes at a calmer pace, but revolves around intense builds, insistent polyrhythms and detroity riffs for a bit of hypnagogic drama. on memix duties, om unit does what you hope hes going to do, injecting reach out with seemingly infinite swathes of space and bottom end, looping about at his own pace, but with that constant sense of om unit purpose. nphonix closes out proceedings with a tweaky, rubbery acid style workout that will find friends in bass and house camps.

let the machines do the work (ltmdtw) are a 4 piece electronic out&#64257,,,,t that have a crazed obsession for all things analog. not the, i am into analog cause its cool, but a crazed obsession. simply step into their studio and you will be whisked away from the digital age in a heart beat as a haze of humming transistors and burnishing outboards drape you in a warm welcoming embrace. one love / brighter day is their debut release on the grass roots inspired blah blah blah records and it delivers a heavy and welcoming thump to the chest, forget thin digital beats, this is big phat dance&#64258,,,,oor house, dynamic, luxurious and seductively wanton.

out of the blue follows the recent success of the self titled vester koza ep, which gained support from djs such as ben ufo, even tuell, lowtec, giles smith, efdemin, alland byallo, lee gamble, braiden, and madteo. his brand of deep house and techno was recently compared to both kassem mosse and levon vincent by juno, whilst resident advisor noted ìa confident artist employing a level of patience and discipline that rewards repeated listens. as with the first release, this sequel is made up from a batch of demo recordings that circualted late last year. the works were written and recorded by vester koza in east london and have been mastered by helmut erler at dubplates and mastering berlin.

its dub- and detroit-techno, esser style. after 4 years label boss returns with a new ep on his own wltd ltd. ambiguity and introspection have always been a big part of his work, this ep just takes it to the next level.

toronto-based duo a digital needle are purveyors of disco, funk, & soul edits, pruned for the dancefloor & subscribers to the mancuso method of deejaying, with a preference for quality sound and selection over long, elaborate mixes et al. they join forces with fellow canadian re-editor/producer cyclist to deliver a killer 4-tracker of the finest disco-funk. the release comes as red coloured vinyl in a full colour sleeve photographed by top photographer matt barnes (who has worked with snoop dogg, dimitri from paris, mike skinner, lily allen), in the vein of a lost disco lp from the 70s and looks amazing. this is the first release on tripped out records and is one hell of a debut.

new 100% original disco imprint, file under disco, drop the first vinyl sampler for an extended player project by production outfit drop out orchestra. the power of music ep will be released in feb 2013 and features 6 original, dub disco workouts by the scandanvian duo. here we are offered a taster of what is to come via a couple of hot reworks. first up is crazy p member ron basejam who conjurs up a wonderdul el coco inspired refix that covers all the bases. while on the flip, disco deviant dicky trisco pushes the big red disco button and flies like a disco eagle.

on >work that shit party<, a fingers inc. style rhythm buttresses a two-note riff, a crackling male voice filtering in from the ether. a pinging keyboard zips around before that two-note flicker expands and contracts, warps and wheedles. but around halfway in, a female vocal refrain of >gonna work it out< breaks fat lacerations into pinholes, blaring keyboards seeping in through the gaps and crevices. then, as with >d117<, it is the congealing of all these disparate elements: a work it out from fischerspooners lizzy yoder sashaying with the two-note riff, the keyboards bouncing off the ceiling, and flaring hi-hats fraying the surface played by pat mahoney (lcd soundsystem). each portion is given its due, only to make the ensuing combination that much more enthralling.

sonic groove welcomes close friend henning baer to the sg artist roster. henning is one half of the team behind one of berlins most successful techno events - grounded theory. he along with milton bradley also owns the recording label k209 which has released his own solo work. henning makes his debut on sonic groove with >drop out< ep. a stunning 4 song release that spans a wide spectrum of dark, deep, gritty, analogistic industrial techno & rhythmic noise sounds layered over 4/4 and broken beat rhythms.

this 4-track ep is the first official release from new jerseys mikeq, one of the unquestioned leaders of the current vogue-house scene, and follows in the wake of a slew of self-released tunes he has dropped over the past few years. let it all out is also the second record on kingdoms fade to mind imprint, which has already received mountains of praise despite its short discography. largely built upon raw, upfront drum sounds, recycled snippets of hip-hop and r&b, and, most importantly, the ever-present >ha< (itself a repurposed masters at work sample), vogue house seemingly offered the sort of sound that tastemaking and blog-reading djs would snap up with aplomb. hell, even diplo championed the ballroom scene. yet, for whatever reason, the expected vogue-house explosion hasnt really happened. while a handful of non-ballroom producers and djs (most coming from the world of bass music) have experimented with the genre, the music essentially continues to hum along in the underground.

obsession is really the programmatic title of tobias olivers work of the last years. two years after his digital winter / summer release in 2009 and the human technology debut with his electro band datawelt, it is really a obsession of him, to bring out his first solo release on vinyl. if you listen to this record, you will be sure, that tobias oliver was born in a electro disco somewhere in this world. the analogy to the old school electro sound can not be ignored, when he reuses the drum and percussion sounds of well known drum machines of the past, combined with bass and synthlines, pads and strings of analog synthesizers from the past and the future - at the latest by then - you will think, that you are really out of space!

falinox is the new signing to lifted music. the soon to be superstar from america has been working extremely hard over the past 3 years in order to get his sound and techniques perfected and is finally ready to unleash drift out & worlds collide.

these fellas hailed from leeds, and apparently have some sort of morbid love affair with balconies... mystery meat is on a tear these days and continuing to up the ante bring you a trio of terrific reworks from leeds finest, the dashing duo that is death on the balcony. paul and mark have been on the forefront of the deep house and disco world for a number of years now following a killer contribution to soul claps 2nd free.p >cruel banana< not to mention their >adventures of soul clap podcast - downtown:uptown<. fast forward to 2011 and the boys are on all of the top labels of the moment, including culprit, silver network, airdrop and their own magicbag. its no wonder then that their contribution to the fabled mystery meat imprint is anything short of stellar. >get out of your world< is an electro boogie monster, already melting down dancefloors from london to los angeles, berlin to beijing and back again theres just no denying that bassline! >what is dub< takes things more melodic and dare we say deeper with a hypnotic vocal that you just cant get out of your head. rounding death on the balconys ep out is >if you want my champagne<, a bouncy house re-work of one of the 80s finest voices. bounce to this!

*dreaming* combines the minimal electronic soul inspired sound of her debut equilibria with the sweeping organic brazilian pop of new morning and traditional sounds of brazil. linking past and present malheiros mixes seductive styles to create a truly original sound for the future. dreaming is her finest work yet confirming malheiros as one of the finest female brazilian songwriters of her generation.

for toro y mois chaz bundick, 2011 has seen the release of his acclaimed sophomore album, underneath the pine, remix work for tyler, the creator, a split 7 inch with cloud nothings, and a steady stream of international tour dates. just over halfway through whats already been a busy year, the prolific producer has a brand new batch of lavishly funky material to offer.
comes on green marbled vinyl, including code for free digital download of this release.

lipservice are proud to welcome a new addition to our label roster. >out of city< are a tuscan based trio and are no strangers to the scene. having already worked with labels like eskimo and dc recordings they make a melting pot of sounds with their fingers and thumbs!
in dino storai, simone fedi and nicola lopetuso we find a band that seem to effortlessly combine synth music with disco, rock and punk and their >galactica< lp for lipservice is a real joy to listen to from start to finish.

mister saturday nights eamon harkin dishes out another dose of rocking revamps on this the second release from his subway series imprint. this time the throne of blood man takes three numbers which should be somewhat recognizable to discerning ears and mutates them into jams designed firmly for the dance floor. >party out of sight< is a superb re-work of the bill withers seminal harlem. this edit made its first mark a few years ago in an earlier guise on mp3 but has now been further spruced and improved for wax. >the better kind< stretches out joy divisions >means to an end< and underpins it with a rocking drum pattern whilst >turn up the funk< is an excellent re-work of the proto hip-hop number >shoot the pump< from back in the day. a real bumper package!

nice price deal !!! lipservice are proud to welcome a new addition to their label roster. out of city are a tuscan based trio and are no strangers to the scene. having already worked with labels like eskimo and dc recordings they make a melting pot of sounds with their fingers and thumbs!
in dino storai, simone fedi and nicola lopetuso we find a band that seem to effortlessly combine synth music with disco, rock and punk, and their forthcoming lp for lipservice is a real joy to listen to from start to finish.

sasha is a moscow based producer and dj, working with analogue equipment. his laborious style and smooth sound design will show you different sides of moscow underground dance movement. hot!

third release on dj solid states (society records) new all out war imprint, and hes brought on board the legendary al kent (million dollar disco) following in greg wilsons footsteps, million dollar discos al kent now delivers 2 peak-time edits for all out war… first up -delirious steals francine mcgees delirium bassline and heads off on a disco odyssey with madcap latin percussion, searing brass, synthetic whooshes and intricately funky rhodes breaks… check the dazzling musicianship and production on this cut - dance floor demolition guaranteed! all out wars solid state first heard this edit the last time al played for his society nights, about 3 years ago. in a set packed full of stunning rarities, delirious was a real standout and had me rushing to the booth for an id, so i know the impact it has – just an amazing track! brock party on the flipside is archetypal al kent territory: a ghetto disco workout with call and response vocals, funky brass, a heavy bass line and that foot stomping breakdown… scarce indie disco of the raw and funky kind. proving just as popular as delirious in feedback, it completes a stunning double-header. as youd expect from al kent, both source tracks are stooooopid rare on vinyl, so grab the edits while you can!

three is the magic number. the mysterious tiger & woods strike again! no one knows where its coming from, no one knows where its going. special extended disco versions carefully tuned, remixed, over-dubbed, cut and sliced, housed-up and boggied-down. unlimited limited shizzle. you know the deal. whistle while you work!