super fresh stuff..

limited to 500

-the powerful duo, rawlsmatic, consists of respected hip hop producer-djÆs, rhettmatic (member of the world famous beatjunkies, cypress junkies) & j rawls (produced for black star, slum village, beastie boys, & more). -their debut collaborative album -rol

18ß0gram yellow vinyl remixes !

recycled aqua cassettes in slipsleeve card slips inc free download code + sticker

fourth album from turkish singer, songwriter and producer gaye su akyol.

the best of buddha-bar 1996-2013, compiled by ravin. limited edition transparent blue triple vinyl in tri-fold sleeve.

mazewskis zweite ep auf dem warschauer label bruta&#380,.

between traditional folk and dance-floor grooves - the self-titled debut album from turkish band satellites.

black vinyl

violet coloured vinyl

abstract from house to techno

soul/funk/jazz

xl recordings presents the debut longplayer from joy orbison.

limited 5th anniversary edition on neon pink vinyl.

100 copies only

the debut album from chicago native kaina on black vinyl with download code included.

the debut album from chicago native kaina on pink vinyl with download code included.

turkish ladies. female singers from turkey 1974 – 1988 is a first ever compilation of female music from turkey from 70s and 80s. sony music turkey and ladies on records deliver a compilation emerged from deep and profound listening to the message of turkish female singers. created from music archives of old turkish labels (elenor, türküola, sah plak) under licensing umbrella of sony music turkey, the compilation captures the broad diversity of music performed by turkish women.

martin kohlstedt wollte erst erfinder werden, dann astronaut, später physiker, entwickelte interaktive märchen, science-fiction hörbücher und pflanzenroboter. nun ist er musiker und hat ein solo piano album aufgenommen. tag ist ein rückzugsort, ist sehnsucht, ist ein vorausmusizieren des nächsten schrittes, ist filmhaftes schaupspiel und drang nach definition und erklärung. nach unterricht in interaktivem klavier, filmmusiken, verbindungen in projekte des erfurter zughafens und expeditionen in elektronische musik mit dem kollektiv marbert rocel ist tag die erste solo veröffentlichung von martin kohlstedt. ein intimer einblick in die nächte, das verarbeiten des musikers. reduziert auf klavier entstehen hinerzählte landschaften und skizzenhaft gemalte kompositionen. der extrem minimale ansatz, die schönheit in den detailverliebt arrangierten figuren, die karge mathematische ausformung einzelner sequencen werden zum sog. tag ist zeitraffer und super slow motion zu gleichen teilen.

reissue of this fascinating fusion album from haiti, recorded in 1983. tip! as the cover suggest this lp can be described as a meditative ramble along a tropical seafront. conceived with some of the most prominent hatian musicians (raoul denis jr, arius jospeh, oswald durand, jacques fatier) and his own brother joël, mushy widmaier s opus brings us to a deep spiritual wonderment where smooth jazz mingle with creole melancholy. note: remastered with phoenix mastering/comes with a insert in french english and japanese

kult-reissue von 1987: kollektion legendärer werbe-jingles aus dem japanischen tv.
der begriff kult wird inzwischen leider inflationär gebraucht, aber angesichts der wiederveröffentlichung des albums -music for commercials- kommt man nicht drum rum: die ursprünglich 1987 im rahmen der legendären -made to measure--serie bei crammed erschienene platte hat definitiv ein sehr hohes kultpotenzial. nicht umsonst wird die scheibe noch heute gesucht und entsprechend hochpreisig secondhand gehandelt. doch damit dürfte angesichts der - von crammed verantworteten - neuauflage schluss sein, zumal das werk des japanischen produzenten, komponisten und saxofonisten yasuaki shimizu nun auch als lp und cd erscheint. shimizu, der in seiner langen karriere eine gewaltige zahl an alben, soundtracks und kollaborationen (ryuichi sakamoto, van dyke parks, pierre barouh, björk, elvin jones) herausbrachte, vereint auf -music for commercials- eine kollektion an werbe-jingles, die ursprünglich für kunden wie seiko, sharp oder honda entstanden, tatsächlich auch so heißen und im japanischen tv liefen. für die neuauflage wurden die tracks remastered.

music must be free. freedom in music is often suppressed by lack of, or by obstacles for creativity, which stops forward progression. the development that fontan’s songs have gone through, reaching this ep is unexpected and surprising but still, the bodies and characters of the original songs are intact and recrafted with fingerspitzengefuhle. from the core of fontan’s psychedelic and dreamy music, the artists involved on this release have hit cuts and chips off like cro-magnon people creating specific tools. tools with the power to blow holes open in the listeners mind.

there are many ways for a band or an artist to compile an album: some make it in a week and some let the process go on longer. the latter approach does often mean that that the record will not be better than had it been recorded and mixed within a short amount of time, rather the contrary. however, there are those albums that just could not be made within in a week or a month, those compilation of songs that needed the time to melt together to form an album. fontäns third album titled fontän, released on hoga nord rekords is that kind of an album. put the opening track mangsebung on, then stay with the record until the closer shadows rings out and you will go clear, sharp, and mildly messed up by the listening experience because this is an extremely well directed trip in mind-altering music! this album needed time to reach such heights.

lp in gatefold sleeve with cd included. camilles first studio album including mon petit vieux, 1, 2, 3 and paris

your lost property is ready for collection. the mysterious series of reduxes, reworks & re- versions continues. wild rumours abound about who is behind them, but it seems likely pbr streetgang may have something to do with it, that or ghost of walter gibbons, we cant be sure. from the obscure and rare proto electro gem endo to the adriatic, windswept euphoria of rimini cruising and then a sultry, spacey one night stand that is hott in the city .on the flip, the classic re-cut of do it yer sen it s vocal message ringing as true up on the bleak moors of yorkshire as it does on the mean streets of new york. finally say anything takes us home on a wing and a prayer, a perfect end of the night record

public releases hits the lab for some aural alchemy and to turn out its first release of 2017. a four-tracker from moscow’s phil gerus, scenes—or, in the producer’s native russian, &#1089,&#1094,&#1077,&#1085,&#1099,—manages to have a makeup that’s both peculiar and magnetic. the title’s a fitting one, every track feels like a vignette in a collection of short stories. separately, they’re self-contained, but a rich narrative arch is added when they’re sewn together. if there is a theme here, it’s of viewing the future through the dusty lens of the past, and each of the songs explores this in its own fashion. the kick-off, “ohashi sky garden,” starts as a hyped-up italo space epic, pumped full of swirling synth licks and sharp, tight drums, but it mutates into something completely its own when vocal samples (90s r&b?) and warm keys (prog rock rhodes?) enter. after the original’s brisk five minutes, the legendary richard sen—graffiti guy, breaks guy, house guy, disco guy, half-of-padded-cell guy—steps in to give it a trance-y tinge while doubling its runtime and adding a dancefloor-destroying hi-nrg coloration. the b begins with “naha swim,” a crunchy funk foot-stomper that might as well be an unreleased idjut boys or ray mang ditty dug up from the noid catacombs. fiery and furious, yet utterly cheeky. serving as a sort of coda to “naha” is “kiss of a kind,” a gerus take on 80s adult contemporary, replete with sleazy sax and sensual pads. a gentle nightcap to a zigzagging, antic 12-inch

“here come the horns” is the second studio album by the hip hop group delinquent habits. formed in east los angeles in 1991, the group are known for their latin-tinged rap, which is both melodic and hardcore. their first self-titled album movlp1338 was executive produced by cypress hill member sen dog and featured guest appearances by sen himself as well as puerto rican new york city rapper hurricane g.
their second album, “here come the horns”, again featured sen dog as well as sen’s brother, pioneering latin rapper mellow man ace. the album was also produced by sen dog and paul stewart. music videos were made for “this is la” and “here come the horns”.
pressing on audiophile 180 gram double vinyl.

originally operating in the 80s industrial scene, plus instruments have recently found a new lease of life. (emotional) especial are just the kind of label to jump on such deviant club fare, and on this package -love is enough- gets a variety of remixes that all embrace the groups seedy ambience. richard sen brings a muscular thrust to the track, while khidja takes a more delicate approach. luke solomon meanwhile casts his years of experience in oddball house on his steady grooving version, and then jamie paton taps into the industrial vein to finish the package off in fine style.

old school filter house from finland, lupu and toni are sampling only forgotten finnish disco and new wave from the 80s. talopalo ep (in english house mania ep) is a solid production made with a tr-909, alesis 3630 and an akai mpc. the result is five dance-floor burners

release in deluxe 2 lp gatefold edition as part of because musics 10 years anniversary. includes cd for the first time! quentin dupieux classic from 2008… featuring uffie, error smith, and carmen castro.

new label based in madrid, run by alvaro cabana and his partner in crime juliana leyva, born to maximize synergies between different music scenes, breaking barriers to get to a common factor:quality music without pigeonholing. tronik youth has made a name making re-edits as well as original and remixes on his own label nein and on others like gomma or southern fried. red axes and richard sen join in offering us their personal visions of -malice of absence-, track that has been chosen to open the label.

pdm is a synth pop band formed in montreal in 2010 and they give the francophone perspective on what black marble, lust for youth, and cold showers did in english in 2012, as well as fitting in with the output of lescop. members are francis, anouk, fred and cristine.

while this album could have gone down a rather obvious route, with the remixers of the asphodells album *ruled by passion…*, andrew weatherall looked a little closer to home.
mainly revolving around the axis - the group of locally-based producers who can be spotted in and out of weatheralls shoreditch studio bunker - reworkings from the likes of phil kieran, scott fraser, hardway bros, justin robertson and ivan smagghe soon came to light.
this idea lead to a broad range of styles with something for everyone. we have stopped arguing in the office about which is the best track. they all are.

compilation w/ acts & bands that played at the off istanbul festival...incl. acts like grup ses...the comp. is especially interesting for the tracks by the acts daire 2 & klaustro...check it out!

the nice junkyard connection label returns with their 7th release... and each release they get better! three deep nordic house cuts by adam stromstedt & alan delius. limited supply!

ltd warehouse find

ltd warehouse found.. last copies of legendary classic label

number three in the dc reworks series drops with another three top class retakes on the music of the disco legend.
first up is the sleazy boogie-funk of >do you want the real thing< which is given the shakedown by underground hipsters richard sen & cazbee. over on the flip, portuguese man-of-the-moment social disco club deals out some heavily, uplifting discotheque vibes on >dancing with strangers<, while one of the leading players in the ny new school, jacques renault, works >i dont want to lose you< into a dance floor bomb. a superb addition to an already celebrated series of updated classics!

slamming chicago house classic !! now, 2011 with fresh updated versions

killer doublepack of west coast house here from yoshi toshi, atwater syndicate aka tood resnick, jesse brookes, sen-sei, and david coleman, all getting their heads together on 4 tracks of funky house as you would expect from these guys.

dj davis (freak n chic) starts the label debut of the famous brazilian club d-edge. including remixes of pete herbert, r.sen (padded cell) & wagon cookin. very limited stock

disco re edits from cliche breaks camp by cosmo vitelli, jacques renault, pierre wax, richard sen & cazbee!

this vinyl contains your personal code to download this 12inch in mp3 !! mr oizo is back again with a second ep taken from his lambs anger album. instead of asking remixers ?la mode, mr oizo is proposing us some radical self reworked versions of lars von sen, pourriture and steroids featuring uffie. some irish dude sent us a remix of erreur jean and we can easily say that arveene & misk will make some more noise soon. finally, mr oizo is giving us con tact extract from his new short movie project you ll discover soon...

satellite religion. spacetime 2009 - the world needs to prepare for the drone tunnel. one of the most dark andimpressive tracks comes out on the statik entertainment – label, made by the brits grit and sen. this is the discovery of warm feeling, enveloping depth and icy cold isolationism. it is dub-techno – endless endless, beautifulendless

botox last november single on im a cliche, >babylon by car<, later licensed by dfa in january, gets a new life with unreleased remixes by padded cells richard sen, discodeine (alias pilooski & pentile), and dissident records invincible scum. supported by ivan smagghe, toby tobias, photonz, crowdpleaser, mylo, dj morpheus, matt walsh (turbo), riotous rockers ..