debut album

180g marbled double vinyl 16 tracks

blessings of the highest order compiles all of thou’s nirvana covers, originally recorded and released piecemeal on various eps, splits, and tributes from 2009 - 2018.

ltd 1k smoke clrd coloured

b from e with a tasteful combination of upbeat tunes and upbeat groove.

third album from german quartet jazz against the machine.

long awaited vinyl reissue of the cult’s breakthrough second album from 1985.

black vinyl

pic disc / collectors item

the musical history of buddha-bar, compiled by ravin. pressed on white triple vinyl, housed in a tri-fold sleeve.

the album is released in conjunction with midori takada and shomyo of koya-san s you who are leaving to nirvana

the self-titled debut album from dina Ögon on yellow coloured vinyl.

erta ale takes us back to the 90s.

incl pan-pot remix

the 2nd album from french band tample on clear vinyl.

2 x 12 inch, 1 red & 1 orange vinyl, picture sleeve + a2 poster

das 2. album von rin als limitiertes rotes doppel-vinyl im klappcover.

standard pressing on black vinyl.

limited pressing on violet vinyl.

fresh, bizar and hypnotic

deutscher pop like hip hop

new ep from ethyène showcasing a raising maturity in his discography. drawing samples from library music, dub, soul and r&b, this record delivers everything house music has to, deepness, groove, love and sincerity. no need to say that by launching a new imprint ethyène decided to show a different side from his previous work. we can definitely feel it from the first second the record starts, with static, mashing up samples from 80 s dub music and west-coast funk to finally sound as a surprising modernized classic house anthem. the second track of the record enove lough features a deconstructed and mysterious rhodes loop delivering a smart groove until a delightful sexy vocal sample get in the mix to round off this deeper but easily danceable cut. the b-side of the record starts with cape town mambo , a tune whose graceful horns loop keeps the listeners on an endless dreamy trip while its mid-tempo jazzy beat will have them hips sensually shaking without any doubt. the record has its consistency assured with ending on a 100 bpm powerful hip-hop beat with high-pitched and happy vocals as the nirvana of this 4 tracks sensual and groovy journey.

on the back of their acclaimed debut album which was shortlisted for bbc 6 music ‘album of the year’, the hempolics release their latest offering for a record store day 2018 exclusive on limited edition 12” vinyl. on the a-side john holt’s version of ‘riding for a fall’, a song originally released by the tams, is given the full hempolics treatment featuring a powerful vocal from nubiya brandon. on the flip-side is a reinterpretation of nirvana classic ‘come as you are’ but with an original hempolics riddim drenched in atmospheric dub. both songs come with an instrumental so the soundsystems can get their own players involved.

holy doom ist das zweite outing der garage-rocker demob happy aus brighton, die einen fetzigen rock n roll-sound irgendwo zwischen nirvana, the stooges und kyuss zelebrieren

music from the beavis and butt-head experience on picture vinyl.

ein schauer aus fuzz und punkrock, aus verträumtem grunge und seele entblössenden texten, das ist das zweite album der kalifornischen punkrocker monster treasure. stell dir vor, blondie spielen unbekannte nirvana-cover im cbgb’s der frühen 1980er, als es grunge noch nicht gab, und du kommst annähernd dorthin, wo monster treasure stehen. transparentes, mit regenbogenfarbenen spritzern coloriertes vinyl plus downloadcode.

first release in a series of four compilations, which includes international artists of the slow-industrial, tribal and experimental scene. lyon based new label kump presents a stunning debut with a 5 tracks vinyl compilation. opening with new project ricco by label boss himself markus gibb and french producer jutix aka hlm38, gilbert & george would be the perfect soundtrack of an immersive nightmare in slow motion. distorted hats and ghosty voices from the graves surronding by detuned guitar and discreet acid cuts. followed by a middle east psychedelia inspired, pletnevs thinder fit in the perfect definition of a dusty weapon. mystic melodies and mesmerizing bass for suave basement parties. turn over, ju-ju83 is flirting with depression and nihilism. untimely end takes you to an obscure journey in the 80s with this new-wave-ish banger. where drum machines hangs out with rock bass and dying voice. nirvana by lithuanian producer roe deers is a subby minimalist down tempo triplet drive by weird-melodic synths. killing the codes, this is truly musical rollercoaster for insensible souls. last breath with markus gibb, his dernier souffle is a shamanic ambient and subliminal eno-ish track. ethereal grace synths and smoky reverberations, this is the track to cross the nevada desert, psychotropes loaded

merc return with the latest instalment in their celebrated e-versions series. no. 8 is classic mark e business, proven king, as he is, of the slow-burner train tunnel is a beautifully unhurried deconstruction of a jazz classic, upright bass, piano flourishes and horns picked fresh from the speakeasy and popped in the slow-cooker for a deeper, mesmerising flavour on the flip give it time is a glorious celestial and atmospheric workout, which - as the title would suggest - implores you to ignore the demands of accelerated culture and pace your journey to dancefloor nirvana accordingly. merc to the future !

as bpmf started making techno again, he surveyed his techno friends asking them what it was about his music they found the most annoying. the answers? tr-606 hi-hats and portamento. he proceeded to focus on these aspects of his music and today the results are here: -abide the glide volume 4- wherein bpmf is pushing all the right buttons to get the dj thinking about the sounds their pumpin. jamie morris provides an excellent dj freindly remix of -even straighter-, taking bpmf s idea and going even straighter.

last year, music from memory released a brilliant retrospective of vito ricci. music for amiga is riccis first vinyl record of original music in decades. this project was made on the commodore amiga (with its infamous sound chip) composing all the pieces on music mouse laurie spiegels pioneering software from the mid-80s.

während sich der große wirbel um pan-pots zweites album the other allmählich legt, braut sich nun der nächste sturm an, der nirgendwo sonst, als auf den dancefloors entfesselt wird. acht herausragende remixe fasst das allererste remixalbum auf second state auf einer doppel lp zusammen. eine zeitlose sammlung absolut wirkungsvoller und atmosphärisch eindringlicher interpretationen von einigen großen sowie aufstrebenden künstlern der technoelite, deren remixe und ihre namen noch lange nachwirken werden

the drowning shadows edition of sam smiths huge success debut album in *the lonely hour* includes a bonus disc with new tracks, alternate and cover versions. comes in gatefold sleeve.

immersed in the worlds rich dance music culture from an early age, producer guy j has become an intrinsic part of a forward thinking generation of electronic artists. returning to bedrock with his third lp, the trees, the sea & the sun elevates the trademark sound that has made him the revered artist that stands before us today. the trees, the sea & the sun reiterates guy js status as one of dance musics most inspired, driven and talented artists.

während sich pan-pots mit spannung erwartetes neues album -the other- schon am horizont abzeichnet, erscheint erst einmal die erste von zwei 12--auskopplungen mit je zwei wohl selektierten tracks. -the other one- ist der perfekte teaser mit der definitiven pan-pot inschrift. big room, serious, dramatic techno!

macro has released albums by two of technos greatest live acts, kink and elektro guzzi. it would have been a shame if the two didnt exchange their special skills on each others killer material. and thats just what they did: kink remixed atlas into a tranced-out, peaktime world-domination slammer of pure euphoria. elektro guzzi let the snares smack and the pads build up on vodolaz into nirvana. dream team double pack: nothing better to let the sun shine through the summer of 2015. even at night.

touching upon dance musiculatory milestones like detroit techno and electro, nsyde007 sees tyon, a well-known but besides this moniker for now anonymous traveller, summoning up atmospheres totally his own. this is space music. but not in the ra sense. take the a-side flaw 11, for instance. this is space music in the way it catapults you out, like the most terrible mistake made by man-machine, into the farthest reaches of an ever faster expanding universe, dark energy tearing at your nipples until they rip off, resemblances of melody orchestrating the drama/bliss of event horizon passage. its dark yet beautiful, like the smile on a dying persons face, and a heavily psychedelic trip at that – but fear not! you won’t be subjected to any despicable noodleage here, just to weird, intensely warped sounds you want to dance your ass off to. make it fat on the other side is the sci-fi equivalent to hänsel und gretel: a perpetuating feeding of the child-to-be-eaten. the finest in andromeda’s hyper-fattening molecular cuisine gets crammed into the gagging brat as doom is looming over its forehead. and with every spoon thats being recklessly punched into the poor little demon’s face it is getting closer to its, as well as the dancers ultimate goal: total nirvana. pressed on black vinyl.

for this new release serie, we decided to bring you guys a very hot project : one of the most influential & mysterious producer from now: jason grove teamed up with legendary hardrock striker & deliver us 4 heavyweight hs classic tracks revamped by him! deephouse bombs, essential item, no digital.

auf 500 kopien limitiertes live-album, nur auf vinyl! wer es bisher versäumt hat cloud nothings live zu erleben, hat nun die möglichkeit dazu. >live at grog shop< wurde wurde am 5. april 2012 (das ende der us-tour) in ihrer heimatstadt in cleveland, ohio von james kananen aufgenommen und gemixed.
one-off pressing white label clear vinyl. knapp ein jahr nach der veröffentlichung ihres debutalbums legte die amerikanische band cloud nothings ihren nachfolger vor. das album bietet eine echte musikalische weiterentwicklung zum debüt und vereint post punk, noise und indie pop. produziert wurde das neue album von der legende steve albini (pixies, nirvana, etc).

on le rire ep jared wilson (7777 - skudge / detroit) leads the way with a pest chicago-house inspired rework, devilishly and deliciously analog without whittling down to a mere old-school homage, a sort of us-acid-dubstep version of addison groove, with a taste of slacker jak-beat for the nirvana generation! a melodic decomposer, scottish dam mantle (warp - ghostly international / glasgow) deceitfully feigns to mellow with what could at first glance seem like an edit. however deep excavations into the intense choir of >voyage vers l harmonie< leads to a surreal confrontation between a slum village like beat and a post-industrial version of melody nelson. thundery atmospheres, slippery slopes… the best way to pay tribute to luc marianni. famous for his duo as well as his label syncom data, nukubus (bunker / rotterdam) is nonetheless an inspired soloist, as this breathtaking remix once again proves. the 11 minutes long krautrock tunnel leaves many envious of its authenticity and sheer technical virtuosity. this swirling reinterpretation of mariannis work manages to leave the original behind and come into its own. its out of respect for the original work that nukubus requested to be credited only as a remixer. if youve bothered to read the few lines above, please remember it is both easier and wiser to form your own opinion with the vinyl in your own two hands. please note that the distribution of these eps will be accompanied by some very limited original editions of luc mariannis vinyls

mit >life is full of possibities< von 2001 wurde dntel zu einer der wichtigsten figuren der glitch-szene, die der elektronischen musik eine neue dynamik und komplexität verlieh. unvergessliche songs wie >anywhere anyone< verschafften ihm eine treue fan-schar. seit dieser zeit sinnierte dntel, der mit bürgerlichem namen jimmy tamborello heißt, in zahllosen veröffentlichungen gefühlswelten und stimmungen nach. als teil von figurine entwickelte er einen mal anmutig-bezaubernden, mal irrwitzig-albernen techno-pop-sound. mit ben gibbard von death cab for cutie gründete er postal service, deren nummer such great heights wurde vom rolling stone unter die hundert wichtigsten songs des vergangenen jahrzehnts gewählt. dass tamborello als einziger electronic-act des nirvana-labels sub pop gesignt wurde, war zwar eine kleine sensation, rückte ihn aber aus dem blickfeld seiner europäischen fans. schon in den ersten momenten versetzt einen aimlessness mitten in den dntel-kosmos. von van dyke parks bis pavement, von den dead kennedys bis zu dr. dre hat popmusik aus kalifornien durch ihre emotionale abgründigkeit fasziniert. genauso zieht uns dntel in einen unwahrscheinlichen strudel aus irisierend schönen melodien und noch nie gehörten elektronischen klängen.
inklusive cd-version des albums.

look sharp. kap bambino is a stampeding punk-rock juggernaut,and its hurtling this way. unlike most assaults of lawless rock n roll ideals, its not powered by guitars,or rather any live instruments whatsoever. the empowering eruption of frenzied discordance, space invader sucker-punch beats and caterwauling incantations conjured by the bordeaux duo, caroline martial and orion bouvier, is the result of harnessing the unruly spirit of bands like suicide and nirvana, then feeding it through a tangled web of samplers, synthesisers and software modules. the result is a more immediate, more kinetic and more inspiring show than your likely to witness from any of the baggy-shorted buffoons 2009 tries to throw up as punk-rockers.

cool nirvana remake by adam freeland!!check it...its a warehouse found!