lap records is proud to present a new split ep, available on 12inch vinyl, featuring two very promising combos. the a-side kicks off with >art boi sin< by click click & najeh, a hard-hitting club gem that pays tribute to the new york gay scene. with its catchy vocal samples and driving acid bassline, this track will make you feel like you are in the middle of a wild night out. the b-side starts with >tabu subject< by aitch & brut, a groovy techno tool that samples alluring phrases. this track is a playful and seductive affair that mixes crisp drums, bouncy bass, and cheeky vocals. this ep is a showcase of a timeless sound and a testament to the talent and passion of lap records. lap records is a division of pal hamburg.
neuauflage des debütalbums der amerikanischen experimental-rock-band tomahawk von 2001. das album wurde nach einem treffen zwischen sänger mike patton und gitarrist duane denison aufgenommen. an dem album waren mitglieder von faith no more, the jesus lizard, helmet und melvins beteiligt.
support by: anja schneider, karotte, steve lawler, nic fanciulli, darin epsilom, claptone, damian lazarus, magit cacoon, robbie akbal, paco osuna, chris fortier, noah pred, mihai popoviciu, pathaan, spektre, niconè, click + click, james flavour, gary beck, can -khan-oral...
mahoneys voice vacillates smoothly between ghostly and falsetto, while mcnanys arrangements and instrumentation bump, click, and whirr like a lovingly tuned rube goldberg jukebox. not too surprising, perhaps, considering they named the band after a song by schizophrenic outsider favorite daniel johnston, and they cite harry nilsson and roxy music as influences. (vibe)
ltd 2019 repress , black vinyl - for all the acid that is coming out through this so-called -acid revival- i was somehow missing the good old hook of the 90s acid-techno tracks. after countless requests to do some new acid again it finally clicked with me and i had this - in my opinion - great acid hook to jump along to for the acid to the future track. i really love this one and it could ve been big in the 90s i guess...so hopefully this will click with the listeners also today :-) acid funk and acid jaxx pretty much speak for themselves and are funky groovin acid tracks with a more modern touch mixed with the old vibe flavour. machine banger is definitely on the harder side and was done for ferox this is acid... nothing else- va compilaton on kobayashi.hands up and have fun... we love and release on vinyl !
spirituals operates under contradictory, sometimes combating, stylistic principles. somehow, however, small glints of emotive euphoria always seem to emerge from the muck and mire at just the right time. love changes, an eerily relatable distant memory, floats in an unsettling, yet celebratory dreamscape. gersts is nested comfortably in a cautiously optimistic daze. in canadian national, the priming of a train engine turns into a snare-driven house banger ¹ a prime example of spiritualsã obsession with combining natural and synthetic moving parts. as it rotates and revolves through ranges of blissfully dissimilar materials, doumen 07 elegantly drapes us in an emotional, shimmering house-coat with pulsating thumps to wear as our slippers.
children of tomorrow will celebrate soon its 10 years anniversary. the label was created by emmanuel ternois back in the day and being joined by arnaud le texier in 2011. since then they focused on techno producing amazing artists, to name few: terrence dixon, zadig, tensal, antigone, oscar mulero, jonas kopp, samuli kemppi etc... children of tomorrow is now presenting the first album from arnaud le texier. after almost 30 years dj-ing around the world and almost 20 years producing. signing many releases over the years and always busy delivering dance floor releases, it s been a long wait to finally get an album from arnaudon his first album we can feel that he wanted to tell a story and to express something deeper with his production experience. there is a different variety of techno that stretches from ambient / broken beat / hypnotic / raw techno along with subtles grooves, wondrous atmospheres & sonic textures. on a side the album opens with dusk, an ambient atmospheric mid-tempo track with sonic sounds that is a perfect intro.pattern 2 starts with drones and blip sounds and a broken beat groove follows with a pad that sounds like a voice coming from the space. the track ends with some modular click sounds that make the whole track clever. followed by the album title granular therapy, a deep techno track with modular bass line and melancholic pad. a perfect track to play in after or to warm up a party.the b side is more dedicated to the dance floor with black nympheas that is a proper dark modern techno with a grinding bass line and magic drones. a simple beat makes the track evolve in a nice way. blade pass frequency is 4/4 effective techno with a 909 kick, a syncope acid bass line and a pad that sends you to another dimension. it is a powerful track but with a sense of deepness and sensibility that arnaud can achieve sometimes. this side closes with binary sun dawn which is an ambient track with melody that has a jazz feeling mixed with dark atmospheres, sonic drones and water drops. the c side opens with mono driver, a minimal track with a little synth that stays until the end repetitively until it makes you travel and lose your mind. deep and dance floor at the same time.
italian producer morkebla presents his new “inner maze walkthrough” ep on fuselab. drippy rhythms, haunted industrial touch, subtly discomforting though balanced textures - a good blend of ambient electronica and nowadays meta divings into one’s mind corners. there is also a collaboration with infinity frequencies and a remix by perfume advert on a 12” with printed cover by theresa baumgartner.
chicago house pioneer dj sneak and russian export tripmastaz have proven themselves to be a formidable pairing since their first ep landed on sneak’s imprint, i’m a house gangster, in 2014. in july, they add to their joint discography with a three-tracker dispatch on cassy’s burgeoning label, kwench records. the label’s sixth release, cassy takes a step back and gives this collaborative duo yet another outlet to showcase their dancefloor fodder, which follows releases on kaluki music, mr. nice guy, reptile dysfunction, ovum recordings and, of course, i’m a house gangster. extraterrestrial intelligence reminds fans of not just their deftness in producing tough house cuts, but also their prowess at manipulating the roland tb-303 to deal a solid smacking of acid. ‘ufo’ reaches out to roughen up the humanoids of this planet with the 303’s distinctive squelch and those clattering drum machine rhythms – a track that’s guaranteed to get you twisted. gruff vocals on ‘click thang’ break through as a tough bassline ensures your participation on the floor, and ‘last daze of dizko’ maintains momentum with a thumping bassline that any peak-time burner should possess.
following her 1959 appearance in the anti-apartheid film come back, africa south african native miriam makeba vaulted into the international spotlight, fell under the tutelage of harry belafonte, and moved to new york city in 1960 where she immediately became a massive recording sensation. this lp collects some of that brilliant early material that launched her career and made her one of the most beloved voices of the 20th century. all tracks recorded 1957 - 1962.
limited edition of 300 on transparent pink 180 gram vinyl, 100 copies numbered for rsd. karen willems returns under the moniker inwolves with perhaps her most ambitious record to this date. color in the zoo is a playful album, masterfully composed, wrapped in dreamy sound waves and repetitive rhythm patterns, but the tone became somewhat lighter. it literally bridges the gap between north and south as nils gröndahl and barkin engin, among others are guests on the record. expect a colorful sound palette, with outlandish sounds, that all cohesively click together in an utterly engaging aural trip around the world.
EAR CANDY (FEAT. FYI CHRIS AND NUTRASWEET REMIXES)
12 Inch 27.03.18
across the ocean to canadian cousins. after persians unifying call to love, mysticisms rolls to 002. vertico inc comes leftfield and correct. ritual. objects. preen. click. pop. shuffle. bass. zebra skips, blunted grunts, xdancer enhances, water margin twists. sound system. music. non. stop. if you seek beyond the ordinary moral, the discovery will be in you. find the mystery.
cignol fires up the blasters and sets a course for hidden galaxies - a 303 fuelled electro trip into the outer reaches of the unknown universe. delving through throbbing gristly bass lines, pounding, intricate click clack drum programming and aquatic, electric cool.
silencio celebrates the first year of the label with a double-pack vinyl aptly titled uno. comprising of new and established artists, the tracks on uno collectively summarize the the feel of this label s year, while giving us a hint of what to expect in the year to come.
across the ocean to canadian cousins. after persian’s unifying call to love, mysticisms rolls to 002. vertico inc comes leftfield and correct. ritual. objects. preen. click. pop. shuffle. bass. zebra skips, blunted grunts, xdancer enhances, water margin twists. sound system. music. non. stop. if you seek beyond the ordinary moral, the discovery will be in you. find the mystery.
4 künstler aus dem diesjährigen line-up haben jeweils einen track beigesteuert. norman weber (luna city expres) -beachboy- reitet mit lockeren breakbeatanleihen und viel deepness über die wellen. stephan funkmanns -strandläufer- macht seinem namen alle ehre, click click schwirrt mit -hot beat- durch die flirrende hitze wie eine libelle mit groove turbo und pohop feat. zigan aldi steuern einen herrlich subtilen schieber bei, dem der platz zwischen himmel und horizont gar nicht groß genug sein kann. 4 mal musikalisches strandfutter, wie es passender zum tag am meer festival nicht klingen könnte.
the new d-floor release is from malandra jr. who boasts previous releases on labels including click records, diynamic and cocoon.
incl rmxs from claudio coccoluto & riva starr
killer roots on both sides, perfect companion to his sings songs- album! double sided heavyweight roots 10inch from the late gladdy anderson. made around the same time as his killer sings songs for today and tomorrow lp (now back in stock, click here!), here again are two killer tracks with gladdys sweet vocals over hard riddims from his band the roots radics. the a-side made the rounds as a dubplate first, then the vocal and dub ended up on different albums, while the b-side saw release as a single and an album track in extended format.
thomas schumacher is finally back on noir music with another outstanding 2-tracker. over the years me and thomas have become great friends as we click on so many levels and share the same taste in dark, melancholic and emotional music. i have been a big fan of thomas’ music for many years and i am still a great supporter of his productions today so obviously i am honored to release his music on my label again. on these 2 tracks thomas has recorded 2 authentic and raw tracks with a no holding back, zero bulls*** attitude. you can hear the “no formular” approach on both and i love that. we had an honest and creative back and forth a&r process on both tracks before and after testing them in the clubs and this has given both a unique and fresh techno sound. this is thomas schumacher’s natural rhythm.
nice price deal !!! aron friedman, member of le click (together with julien chaptal and noah pepper) and resident dj / founder of the famous amsterdam crackhouse parties, teamed up with jason lanox to bring you >heavy romance<, a cut up funky disco track to burn the floors!flip it over and you will find >jazztalk< by the babies from gong (a.k.a. 2000 and one and sandy huner), a deep, floaty houser with cool vocal samples.
repress. both hip-hop and boot camp click purists alike have long recognized and appreciated sean’s commanding delivery, powerful voice and clever verses (exemplified by monkey barz playful leadsingle onion head). with ayatollah, agallah, 9th wonder, nottz, & khrysis contributing beats as well as guest appearances from the boot camp click’s core members (black moon’s buckshot & 5ft, smif n wesson’s tek & steele, o.g.c.’s louieville sluggah and starang wondah, rustee juxx and sean’s heltah skeltah cohort rock makes two cameo’s) the bcc collective was fully in-tact and operational for sean price’s 2005 solo-debut. monkey barz was named independent album of the year by allhiphop.com and was the first release from duck down records 2005 “triple threat campaign”, followed by buckshot & 9th wonder’s chemistry, and smif-n-wessun’s smif ‘n’ wessun: reloaded, with many believing it was the most acclaimed of the three.
editor extraordinaire, sneaker welcomes you to marvel at his midas touch. happy disco or chirpy funk edits these ain t. instead the rat life man unearths three dark obscurities and further blackens their already sinister sounds.
from his early days in 90s collective kmd to his reinvention as a masked supervillain leading the indie hip-hop revolution, mf doom has consistently pushed the boundaries of hip-hop in new and unexpected directions.
this is the special blends vol. 1 & 2 standard 2xlp vinyl format.
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