the record cover shows a woman walking towards dusk - or is it dawn. two years after the success of night moves, a wander through a threatening nocturnal los angeles, h burns returns with a new record for twilight. kid we own the summer finds its identity between a few landmarks such as david lynch and angelo badalamentis california, the intimacy of bruce springsteens darkness on the edge of town, the relative calmness of suicideÕs second album, and the elegant melancholy of the national. in order to compose, renaud brustlein aka h burns decided to reinvent himself once again. he didnt repeat the live configuration that he used in 2013 with off the map, an electric storm recorded in chicago, with a band, in a single week, with the legendary steve albini. for kid we own the summer, the composer started working in his home studio, by gradual touches, because thereÕs no place like home. the result? a melancholy cinematic stroll across stories of misguided couples, unspoken words that end-up ruining peoples lives, the pursuit of dangerous situations, like an elegy to the end of adolescence - leading to a place were unsure of. born from a keyboard, a piano and a beatbox, these ten songs were brought to light, as always with infinite delicacy, by impeccable guests-friends strings by bertrand belin and vaporous keyboards by denis clavaizolle (bashung, murat, daniel darc) mixed by rob schnapf (elliot smith, beck) and mastered by the great greg calbi (springsteen, dylan, paul simon). noisey said of night moves that it was the perfect record for all the cold and sad months to come

the ultimate pet shop boys fanbox incl 6 180gram vinyls ! all the hits like west end girls, heart, suburbia, always on my mind... !

incl. danger mouse, ennio morricone, steven price !

indonesian hard, psychedelic, progressive rock and funk: 1970-1978

charles duff and daniel fisher have known each other since well before their respective forays into dance music. they serendipitously crossed paths at some point in the early 2010s with mutual friends in the nyc club kid scene. shortly thereafter they realised they both were keen to ditch the vapid hipster bullshit that had fueled their early careers thus far in order to pursue something pure: techno. mind you, this was at a time when it was not terribly cool to be into underground dance music. if anything, they both were greeted with massive skepticism from their peers but that didn t ultimately deter them. both went from relative obscurity to regular slots at berghain. and for two american kids musing in a pathetic bedroom studio, this was nothing short of a dream come true. a prophecy had been fulfilled. the two tried their hands at numerous attempts at collaboration over a 5 year period but nothing seemed to stick. most of it sucked horrendously according to them. but not on this occasion. the stars finally came into alignment and they were able to execute a concise group of tracks that finally made sense together. which brings us to threads. threads, an homage to the uber-dystopian bbc docudrama from the 80s, sums up their dynamic approach to tracks. it s an alienating, sinister take on techno that somehow manages to not fully lose faith in dire times. much like life today.

all praises due is a collaborative project from veteran mc torae and producer praise. the duo teamed up to create the seven song ep which highlights the best of their combined talents. true fans know this has been long in the works and was even teased on shoutro from torae’s 2016 album entitled. torae has been busy since 2016 filming six commercials, a movie and a television series with vh1. in that time he also joined diddy’s revolt television network and hosted the revamped freestyle friday with bet. all without missing a beat on his nationally syndicated radio show the tor guide six days a week. praise has also been grinding, racking up production credits with artists like pharoahe monch, bj the chicago kid, joyner lucas and more. you can even hear his hard hitting drums and infectious bass lines on recent ea sports – nba live video games.

so gerd and philipp were due to play xoyo one saturday night and the club is 6 minutes from my studio so i suggested we go there first to make tunes for a few hours. we made 2 songs that night and one of them is ‘reach out’. gerd did the drums on my 808, philipp wrote the beautiful lead part on my obxa and i did the bass in my cs80. i added the words a couple of weeks later, they are inspired by leonard cohen’s letter to his muse marianne ihlen on her deathbed. (joe goddard) including fantastic remixes by erol alkan and osborne.

edmondson first came to my attention with his lobster theramin distributed release, flamingo tripper, on his own label lissoms. or so i thought. turns out he was actually a guy who used to serve me in one of my favourite pubs in newcastle. back in those days he was a dub step / drum and bass kid, and as per the trend with all of those guys, hes now showing the house heads how its done, with a much keener feel for sound design, groove and a better ear for a sample than 90% of us lazy people who cut our teeth on a 4/4 beat. edmondson (or sean as i did know him and how i know him once again) is really one of the most exciting producers out there right now for me, and i couldnt be happier that weve reconnected and hes kindly allowed me me me to present some of his amazing music. we have love is an instant classic, and psg is a work of pure emotive art. to remix we have love, ive enlisted dauwd (fresh from his amazing album on technicolour). sean suggested him, and i jumped on the suggestion as he was one of the first people i met when i moved to berlin 4 years ago, and ive been trying to figure out a way of working with him since. he takes a we have love down a kind of more delicate and steppy route. its very pretty, but also really makes you want to dance. to remix psg i asked asok. again, i thought i first met asok about 7 or 8 years ago, when he came and played for a party i used to throw in newcastle. after becoming good friends over the years, we got chatting and it turned out that we were both in magaluf in 1998, and may have actually been involved in the same street brawl. thats not something either of us are proud of, but its definitely food for thought. i’m biased, but i think his remix is my favourite thing he’s ever done, and i love everything he’s touched musically to date, so thats probably an even bigger endorsement than it first seems. his version is big.

this one is for people who like the real disco tools. for dudes who love the style of dj harvey, prins thomas or todd terje. for djs that want the girls to dance. toy tonics lead honcho black loops teamed up with italo-spanish dj innocent soul in his berlin studio. do we have to introduce black loops? not really: he started his career on toy tonics three years ago. meanwhile did 5 eps on the label - including his main club hit sex (that was one of the 50 most sold house tracks on beatport in 2016). innocent soul is a young italian living in barcelona where he is a quite established kid in the nightlife scene. vittorio rinaldi his name. he is resident dj at space music garden project and resident for the modular project at city hall. like black loops he is not really innocent. at least if it comes to music. he is a huge lover and collector of disco, afro, black, raw and house music vinyl. you can hear the influences in this ep for sure. rollin. this ep is a bomb.

the artists and inventors, along with the many other notable composers present on this 2lp compilation, are the true innovators in the sounds and science of electronic music and its production. they are the ones responsible for the dawn of a much revered genre, the originators of the musical concepts that have since developed into what we now know as electronica and dance. these are the true pioneers of electronic music.
pressing on grey coloured 180 gram vinyl.

!! back in stock !! the legendary prescription records defined the 1990s deep house sound. now captured in this monumental 6x12 inch lp anthology boxset! holds numerous classics that have been out of press for years + previously unreleased tracks, huge tip! prescription: word, sound and power presents the groundbreaking chicago based house labels anthology, holding milestone songs + four previously unreleased tracks.

the ballroom basement of a hotel. the place for jack nicholsons mean encounter with a ghost or possibly the place for a cocaine laden sexual encounter with part of the media agency elite. the label worked there. and so did pablo. buying talent, slinging drinks, just a couple sneering punk kids looking towards a completely different berlin future. there was a time when rough and tumble crossed paths with diamonds. maybe it created diamonds in the rough? pablo always sent the label demos before the label was a label and could do something with them. pablo has had a string of successes since then (too numerous to point out) and the label became a label. became uncaged. time to let this relationship out of the cage. it is a long way from that ballroom basement, now time to do some thrusting, propelled, grinding, noisy, sonic shit together. house music? is it really? just in case you forgot that no one is all grim guts and clenched teeth, that wild abandon sometimes comes in the form of an ecstatic beach dance, nick höppner comes around and forces you to go out to hasenheide park for a picnic and to pick up a bag of dirt weed. >so fucking buy it<

played by : jonna (city fly / shadeleaf music), ooft!, simba (shadeleaf music), vincent inc, thatmanmonkz (shadeleaf music), javi frias, paul thornton (dig deep / reboot), marcel vogel aka em vee, eddie c, bodhi, dj p-sol, red greg, masterworks music
marcel vogel s ever-ready lih imprint celebrates six years of juicy, sassy, often illicit disco soul with some of the label s best cuts to date. ideal for filling any holes in your collection, the likes of uptown funk empire s pharoah saunders cover -freedom-, manmademusic s gospel-level -circles-, eddie c s tweaking, freaking drum funk -what it is-, stacy and peven s stuttering funk -body jerkin- still slap and tickle just as stylishly and smoothly as they did when marcel first prised them from the editor s clutches... and still will in 10, 20 or 50 years-time. proper dancefloor clobber.

the rawest, diy gospel ever resurrected. the west side of chicago was just an annex of the deep rural south for gene autry cash and his flock of recent old dominion transplants looking to cut their fiery, unadorned sounds indelibly to plastic. his jade label absorbed those god-fearing artists: family bands with wailing kids and barely amateur groups sourced from local parishes, infused with reverberations of country and western and deep soul. glinting authenticity shines from every track like a diamond in the unpolished rough—each group completely convinced that salvation comes through song.

prime are delighted to welcome chicago house legend stacy kidd to our roster, and with him is club busting label house 4 life. stacy, cousin of another chi-town legend (if you didnt know already), paul johnson, has been delivering bombs on wax for 20 years on seminal labels like dancemania, peacefrog, dust trax, ken lou, and yellorange, and house4life continues that trend of raw, stripped down, looped up, jacking chicago house that we all know and love. disco feet is a perfect ep to kick things off with 3 discofied jacking mixes from the man himself along with a remix from another chi-town favourite, this time female dj/producer sundance. supported by a plethora of the chicago massive and charted by maurice joshua.

hip hop did not develop in a vacuum - its roots can be traced back to the earliest afro-american music, and the folks who were influenced by these sounds along the way. this lp compiles some of the great recordings that showcase the spoken word and street culture put forth from the 1920s through the 1960s that would go on to influence the entire rap music genre. the themes will be familiar - religion, politics, black experience, badass gangsta rap, speed, sex, drugs and rock n roll. lets listen to the lessons that the hipsters of the past taught the rappers of today.

orre releases a 12inch mini-album by the inimitable avrocar. cited by radiohead as a prime influence on their kid a album, they also did an acclaimed session for the radio show of the late john peel. the eight songs here are improvised sketches, referencing the psychedelic side of krautrock, harmonious sixties pop and lethargic post-punk. combined with a modern feel of rhythmic progression and production, avrocar effortlessly comes up with songs that are moody, but yet fit many moods. without pretension, straight to your heart and mind, avrocar is a band to be cherished.

did you see that reckless kid sitting next to rebolledo at the wheel of a convertible, racing around the mexican countryside while chanting things about revenge and seduction? it is also him being the handsome gadabout restlessly rushing through the streets of barcelona, claiming that he gives nothing. and there is a possibility that maybe last weekend that very same boy bewildered your local dance grotto with hyperactive vigor. talking about monterreys daniel maloso and his fabled comeme collaborations with rebolledo (including the much acclaimed desierto ep), his colossal solo debut >hijos de jose< and his reputation for highly intense live action.

here at the exprezoo headquarters we like to keep looking forward and to search for new and undiscovered talents, but we also like to go back to the sounds of our roots and, its not a secret, we are in love with neapolitan techno. blend these ingredients, stir for a while, and voila the fourth release on our catalog, by rio padice. actually, the kid isnt really a new one, since he s already had releases on welt,mosaiko, metroline limited and exprezoo digital besides being half of the new and hyped horacio project along with massi dl, but hes part of the new generation of neapolitan producers who keep going down the path started by marco carola and danilo vigorito. the a-side, don dragone, has a techno mood that we didnt feel for some time and that takes us back to when hardgroove was leading the dancefloors, updating and actualizing its sounds, while on the b-side elm street is made to satisfy the classiest tastes, taking the atmosphere towards a good-for-every-purpose dub techno. the last track on the ep, leviatano, keeps up the feeling we fell in love with on question and zenit, with funky percussions and sunny, warm synths.

in 2008 strip strip surprised clubs with his first bnr release of oldschool-new school disco-filter-house. since then a lot has happened for the kid from bordeaux: he did remixes for r&s records and modular, an epic 9 minute remix for nycs fixed guys dave p & adam sparkles and played many cool club shows all around the globe. in 2009, the year of classic house music revival, strip steve (22 and now based in berlin) presents his vision of disco rockin house-music of 2010. imagine ian pooley being young again and ready for the world where everything is possible. 5 new banging and diverse tracks start with the obvious smasher >breakin< and >children<, ready to destroy. on the flip you get >dancin< that samples a soulful vocal hook >feel like dancin< plus a burning rollin bassline. >am/fm< is a super funky acid universe.

french clibbing young duo julien hox and didark made a fuckin slammin prog tune that keeps building up. including a nice dusty kid electro version, this is an awesome release.

the kazey & bulldog picture disc is followed by the first d2s release from our hero rod lee - a baltimore legend in his own right and in our eyes the no. 1 club producer, bar none. this super aggro dude has serious issues. he just needs to open his mouth and kids cry flames. for his first d2s release, rod commits re-mastered versions of two of our favourite cuts produced by the man. we first heard >understand< when we scored a bunch of scottie bs ebay auctions, and to this day its one of the best baltimore tracks ive ever heard. you can play this sh*t anywhere and the crowd just freaks out. hip hop heads love it, techno heads love it, even your girlfriend loves it. we coupled it with rods simple but ultra effective remix of the eurythmics classic, >sweet dreams<. when the catch an attitude tour dropped in on our club in glasgow, a-trak dropped this beast for all of 30 seconds and people went nuts. bannanas even. you could argue that the eurythmics remix thing is overdone and outdated, but if you did so, wed know for sure you hadnt heard rods version. anyway... we tracked it down and got it on the flip, so really this is more like a double a. both cuts are re-mastered (but still raw like the day they were made) and cut loud on heavy 12inch vinyl

in the beginning the was a dream, a dream to become part of the living womb of good music. a dream of being real, true to myself and i set this dream to fly high. days and years passed by and i didn t seem to find response but one day in the arkest hour came the light and then i knew i had to hustle it s a song about my determination to express myself widely whitin the realm of good music, won t be selling my soul, won t be taking the easy path, its all about what is real, training harder and harding until i get what i want: the pure sound of goodness for the dancefloor, for my life and the whole world. that s how i hustle. abicah soul confuzed well this track started as another track but i took the sounds from anohter track put with this that how i came up with the idea confused .i started listening sounded good i stuck with it.onw word deep stephen rigmaiden jeepin basically jeepin was done and i was listening to acapella s for like 2 weeks trying to find the right vocal snippets. my thoughts were how was i going to get franck s interest? i knew the track was done but for him to pick it up it needed a vocal. then i came across the perfect vox. i used a montage of a few different vocals, some hip hop elements, some jazz elements, some gospel elements, ill leave up to you to decipher. i knew i wanted a raw, kinda hip hop type of feelingas well, something you can get on the dance floor and go uggh!, that s my shit!! or damn i gotta get in that circle and show em whats up! i made it for the dancers out there, b- boys, house dancers , or jus ya regular club kids. trying to get the crowd hype is always my intentions , i feel this track does jus that. now get on the dance floor and recognize the sound!

coming up with a mixture of drumfunk elements, dubstep vibes and old school sounds, martsman is the new kid on the block that will prove you wrong if you thought youve heard it all in drum & bass. >kontamin< is a journey back to the good old days when jungle didnt have the obligation for constant climax that is found in most drum & bass tunes today

>active agent< is the new groundbreaking composition from harthouse - highly epidemic and instantly causes addictive behaviour. the wisely assorted collection of artists is a clue for how high the bar has been raised and you can look forward to the adverse effects. phil kieran amongst others released magnificent stuff at soma with funk d void. his latest production comes on novamute and announces the second half of >active agent< with a wonderful playful minimal track. kiddaz fm labelowner holgi star and miro pajic fly the berlin flag and polish the dance floor with an excellent minimal techno track. you cant miss hardfloor at a harthouse compilation. the all time heroes spread their message: acid will never die! ..and prove that they take their business serious! axel bartsch runs his own imprint >sportclub< and shows his talents at kompakt and spielzeug schallplatten. he presents minimal house at a deeeep level for the second coup of >active agent< huge track!

supported by djs like punks jump up (kitsuné), munk (gomma), radioclit (uk) after releasing hyped 7inch singles with klaxons and kleerup ft. robyn risky dazzle is very proud to announce the release of this harlem bomb. harlem is a stockholm duo that consists of johan skugge and martin thomasson, they have previously released records on gramme and service and have been championed by tiga among others. this techno acid anthem is one of the most defining dancefloor 12inch singles of the moment. genre destroying, fierce and rocking, >cat scratch< is a pumped up 303 stomper with a demented acid line that hauntingly stalks the listener as the relentless beat is built up and broken down. much in the same way as mmms >donna< did in the late 90s, >cat scratch< takes back dance music to its raw, dirty basics. on the flip side, >kidney shot< pushes the noisy whereabouts of the a-side one step further. technoid and funky, it is bound to set the dancefloor in motion

have you ever been >motorcitysouled<? matthias vogt and christian >c-rock< rindermann form the deephouse syndicate motorcitysoul. after their debut (did you expect it? / infracom 2004), their mix-cd (back up / infracom 2007), and their last studio album (technique / simple 2008) the two djs and producers present their first selection of remixes that have been released between 2004 and 2010. the >remix< is one of their favourite dishes so its no wonder that more than 30 artists or labels have asked for a motorcitysoul remix treatment since the duo joined forces in 2004. all of their remixes have been regarded as high quality by the media and djs worldwide. so far artists like chez damier, ian pooley, abdullah ibrahim, brett johnson, solomun & stimming, and johannes heil have ordered the extra motorcitysoul polish. motorcitysoul remixes have found their way to labels like cocoon, dessous, freerange, liebedetail and junior boys own/defected. creating a remix is a versatile production practice built around various philosophies - what is the remix meant for? how should it sound? should it be an addition for the club heads or a musical adventure that takes the listener on a journey? every motorcitysoul remix has its own vibe and is meant to respect the idea behind the original track. motorcitysoul merge their trademark sounds and styles with the original track. vogt and rindermann communicate in a musical way with the original artist.