norwegian producer stian gjevik returns with his third full length album as cn with the derelict. the sequel to his 2011 concept album the expedition beyond (wil-ru records), the derelict unravels a new chapter in the story of a space traveller wandering the galaxy in his starship only to crash-land on a foreign planet and encounter new lifeforms. the shuffle of crisp airy high hats and punchy robotic rhythms lay down the framework for cn s signature cosmic sound. beautiful hardware based electronic sounds paint a colorful soundscape with blissful arpeggios and soothing washed out synth pads over groovy moving bass-lines, creating lush atmospheric listen that is as chill as it is suitable for the dance foor. ten new tracks of highly melodic motivating braindance music to get utterly lost in... this limited edition lp features cover art by adam burke and design by eric adrian lee. limited to 500 copies from weme and wil-ru records.

killer deep space electro techno on solar one music!

repress in blue vinyl !! the late french soundtrack composer (1939-1975) was one of the first to use frequency modulators on an 8 track homestudio. he was known for his melodic works mixing electronic & acoustic. his oeuvre has been sampled by many. this release devotes a posthumous work composed for a cousteau documentary which was refused, probably beacuse it was too avant-garde. on the second disc youll find different tasty style-exercises that show to what extend roubaix manipulated the modulators with ingenuity.

spacey detroit-inspired electro from new maltese producer microlith, aka rhys celeste. brought to the labels attention by the mighty dave monolith, they were instantly hooked. microlith sits well among the likes of b12, plaid and afx (analord era), but with a strong electro rhythm preference rather than the aforementioned artists 4/4 techno. rhys admits to being heavily influenced by 90’s techno

re-issue vinyl of this timeless album by jean michel jarre, originally released in 1981.

going further into techno territory, orphan swords come back with a three tracks ep called -license to desire- on paris-based desire records. following the -risk in the new age- ep (2014), this new hypnotic release is probably their most powerful so far, concentrating ebm, minimal techno gristle and industrial electronics. this ep clearly relates to previous efforts such as -caim- that has been described by xlr8r as -the grinding sounds and whirling blasts of white noise position the track directly in the realm of acts like sandwell district and richie hawtin s digressive and hypnotizing plastikman moniker.- make sure to check out the massive epic of asmoday and the textural sophistication of hooker .

2015 re:issue , legendary

june records presents concept 1210, a collaborative project between we are monsters, ratlife records, nation and june records. represented respectively by all the wild eyes (solar), credit 00, naughty wood, traxx, the pedestrian, villan x ,trenton chase and june. concept 1210 is a contemporary take on diy electronics, introducing nu-no wave made with the original rhythm machines, synthesizers and sequencers that became available between the period of late 1970s to mid 1980s. “my sin” by the pedestrian with credit 00 is a recording from a live performance in 2010 at hellerau festival in dresden. june s -the legion- is a studio recording made with a korg kpr-77 and a modular system that transits to electronic chaos. “character” is the result of the uninhibited collaboration between aficionados villan x and naughty wood offering a new demented take on diy electronics. * protection* is the outcome of the first collaboration between june and traxx resulting to riot electronics. *all the wild eyes* offers doggo with vocals by credit 00, a psychedelic - 10 minutes long - boss dr-55 driven piece. trenton chase s * prowler* is a home recording that transfers angst through a hypnotic maelstrom of noise and grainy atmosphere. limited double vinyl edition of 250 copies (12-inch pressed on black vinyl and 10-inch pressed on grey vinyl).

nice price deal !!! tadd mullinix returns to the lesser spotted charles manier avatar for the second album release on his bopside label, and the first under this guise following releases for nation and ghostly. the resulting 11 track album is mostly new material with a lineage of inspiration that can be traced back decades, from box banging ebm club trax to spectral beatless excursions. drawing influence from a variety of sources but still a cohesive, engaging listen - ‘american manier‘ is destined to become a future underground classic.

at first sight, *100 ep* is the most abrasive techno output of portland duo asss. following their acclaimed singles on haunted air records, alex smith and sean sumler have crafted an excellent four-track assault of propulsive drum sounds filled with industrial textures. across the frequencies of *101* to *104*, dense dynamics and unpredictable manipulation of modules reflect their own spontaneous, improvisational style into a new highly destructive release. comes with insert.

shift work are an electronic duo who have previously released on jd twitch’s glasgow label optimo. they debut on houndstooth with ‘document ii’, an ep developed from live jams on outboard analogue gear. ‘abandoned hands’ is lean and raw, an angular bassline and indecipherable vox punctuating the relentless 4/4 kick drum and pattering percussion. ‘sbfm’ is fuller-bodied, with the modulating bassline taking centre stage, draped in loose synths and topped with a deadpan vocal refrain. shift work invited remixes from their associates, with dva damas dialling down the tempo and stripping back ‘abandoned hands’ further still, whilst factory floor return to remix duty on houndstooth with a typically subtle yet infectious building groove. cut and mastered by matt colton at alchemy and limited to 500 copies worldwide.

welcome to the internet ist der passende nachfolger von der * millenium edition* ... witzig, spassig , einzigartig .... g e n i a l ...

the next project on opilec music is a fine ep produced by label boss i-robots together with the legendary piatto brothers, alessandro and davide, and comes with an unreleased dub as well as a remix by rekids boss radio slave.

nach ihrer hochgelobten conscious cunt ep veröffentlicht die schweizer nepalesische produzentin, vokalistin und labelbetreiberin aisha devi ihr debütalbum auf houndstooth. während sie traditionelle klangformate mit experimentellen techniken sprengt und aus ihren vocals stürme von geisterhaften sounds entfacht, behandelt sie thematisch die entkopplung von materie und geist in der heutigen gesellschaft, kommentiert medien und konsumismus, und versucht durch kollektiven mentalen und spirituellen widerstand den innen frieden wiederzufinden. ein hochspirituelles, darkes electronica-album, das auf cd und 180g doppelvinyl erscheint.

nach dem 6-track-minialbum math ilium ion anfang 2015 veröffentlicht der osloer produzent andré bratten, der neben todd terje, prins thomas und lindstrom, zur cosmic-disco-speerspitze des landes gehört, nun sein zweites full-length-album. gode ist ein eher dunkles werk, auf dem er einflüsse von arvo pärt, brian eno oder seinem landsmann biosphere verarbeitet, aufgenommen mit bandgeräten und unterlegt mit field recordings, modifiziertem piano, stringarrangements und sogar vocals (von susanne sundfor).

zweites album des mexikanischen produzenten cesar urbina aka cubenx, dessen minimalistische und bittersüsse electronica künstlerkollegen von agoria bis michael meyer begeistert. -elegiac- enthält 11 neue tracks mit gastvokalisten wie cyane aus mexiko, yasmin hamdan aus dem libanon und born in flamez aus berlin. das 180g doppelvinyl enthält 3 zusätzliche bonustracks einer digitalen vorab-ep, die hier erstmals auf tonträger erscheinen.

rupert clervaux ist ein musiker, komponist und engineer, der zur zeit mit künstlern wie sian alice group, new build oder alice group arbeitet und dessen credits als mixer für labels wie treader, otoroku, matchless & fataka umfassen. beatrice dillon ist eine komponistin, performancekünstlerin und dj mit compilations auf the trilogy tapes und public information. das album -sudies i-xvii- ist eine sammlung an kurzen, reduzierten und rhythmischen stücken, die mit live-instrumenten, samples von live-instrumenten und computern eingespielt und zu einem intuitiven set zusammengestellt wurden. die kompositionen sind inspiriert von weltmusik, free jazz, bismallah khan, keith hudson, xenakis, reich und pierre schaeffer.

with grace cores luminously warm debut ep, krsna, the artist has offer up a hi-energy provocative style blended with possessed chanting, modern pop, post-rave and hypnotic trance. these elements have come together to occupy a remarkably weird place all its own. taking cues and hint from pop-inspired releases, krsna slowly progresses from atmospheric and dreamy uplifting melodies to increased tempos with powerful, lilting synths and addictive, pounding and relentless drum kicks. it showcases a deconstructed panoramic set of tracks that shimmer with confidence and wonder created by the unique inner logic of grace cores sound world. finally entering brainspaces this fall, the result is a records that sounds both focused and coherent, flowing with a conceptual ease that leaves the listener completely fulfilled and open-jawed.

jemek jemowit moves between old-school rap, southern trap and ebm.

freaky and seductive club studies from nyc producer via app, following up last years *dangerous game* cassette release here on 1080p with a five track 12 inch. disparately-sourced vocal samples, twinkling synths, and creeping basslines dialogue and tangle on the the table of apps demonic feast. club kicks and twisted-up models of more recognizable dance formats hold together disjointed parts on the brink of collapse and knock them into hard grooves. 7 headed rides low and rude, ripping down the backroads at 125mph, only ever stopping for brief reprieve before thrashing right back into infectious, blissful mania.

null+void recordings launches with a new release from london based producer shinra neatly following on from his contribution to balkan vinyls mutant city acid compilation earlier this year. here he presents a four track ep of space age, acid laced and rephlex resonating electro. a music blog for five years and radio show for eighteen months starting out on rinse fm in 2014 and now monthly resident on leeds kmah radio, null+void has been a space that gives platform to techno, electro and experimental electronic sounds. early dj support from fabric resident craig richards and dont and super rhythm trax boss jerome hill.

mehr clubfutter von drew lustman aka faltydl auf ninja tune. vorliegende single beinhaltet zwei unveröffentlichte tracks und kommt im kultigen ninja tune disco bag sleeve!

a masterfully composed ep catering to both the gleeful romantic and the affectionate incendiary.

comes with exclusive cut out gatefold sleeve and download code of the album.

very original and special - even for the huntleys & palmers label - synth-folk music.180 g vinyl

swedish electro profile visit borft for a -end of the year- release. deep old school tech & electro. limited to 300 copies. handstamped labels and sticker...

delft label-boss la-4a returns with electro and acid-tinged hardware jams.

fresh , freaky analog / bunker styled electro

infamous for his part in glasgow’s dj duo optimo and the production partnership naum gabo (speicher / kompakt extra), j.g. wilkes is an esteemed music producer with a catalogue that has been building since the turn of the century. the ‘jaxon’ ep is j.g. wilkes’ first widely available solo 12” release containing four exquisite cuts exploring the ethereal boundaries of electronica. taken from a limited edition mini album box set entitled ‘german pizza party’ (vf111), j.g. wilkes’ ‘jaxon’ is the only track from that collection aimed anywhere near a dancefloor, in which rich and potent rhythms collide with foreboding frequencies. cologne’s barnt isn’t afraid to let the elegance of space and chaos into his heartfelt rework, solidly cementing the koln-glasgow freundschaft. the ep features two further productions from wilkes, the melancholic, beatless and occasionally ruthless ‘bathing beauty’ in its original form and ‘useful tool’, given a turbulent rework by naum gabo.

ltd nice price, last copies left... m for music and m for moguai. he has been a leading figure in the electronic music scene for more than a decade, setting new standards in production. no introduction is needed for ramon zenker, after having released already successful cuts with their own mark ,now this great new combination. on the two originals diamond back and ray we received 3 such great remixes, that nobody wants to miss one of them on the vinyl. we present here part 1 of a two vinyl set, containing andrea doria and pierce remixes

debut album from acid washed founder & member andrew claristidge on his own label. releases on record makers (sebastien tellier, kavinsky, midnight juggernauts). limited to 150 edition lp on yellow yinyl, includes insert to request download. insert will explain that if listener posts photo of the record on social media and tag artist, he will receive the free mp3 download link. the artwork was created by océane moussé.

limited vinyl only - 200 copies

barotti is a musician and contemporary multimedia artist based in berlin. after years of working on urban sound installations, performing arts and experimental music, he is now releasing his debut album. a soundtrack for fantastic futuristic fairytales. epic and symphonic - with a deep electronic base. armed with iconic analog gear of the 1970s and 1980s, a hand-picked group of high level classical string and horn players and the whole imaginary world of his absurd fantasies, barotti is opening up a new dimension in the vast field between contemporary classical and electronic music.

last trasmissions from solaris was inspired by the stanislav lems novel solaris, a journey into techno-soul emissions explored by the talent of passenger. it combines a subdole sci-fi atmosphere with solid techno approach and scientific electro incarnation. here you can find a direction if your soul needs an utopian vision of the future. the closest thing to detroit we have been able to produce over the years.

for the fifth installment in the common thread series we are launching our series of various artists eps called *knives replace air*. for the first effort in this series we have the likes of chinaski, mangulicafm, 33.10.3402 and gitchell moore cooking up stuff. expect an odd mixture of genres all sharing a common thread in terms of feel. maybe not the most dancefloor friendly record but definitely some kind of miniature soundtrack in its own right.

the next release on paul rip s specimen records is by god of the machine, the brainchild of deep house and techno maestro, derrick thompson a.k.a. drivetrain. the ep kicks of with the original, a powerful slice of jackin tribal techno, its bleeps, tones and chants sitting atop a tight percussive groove that s infectious from the first beat to the last drop. next up comes hijacker s electro workout. its beats are old school yet the attitude is set firmly in the future with its square wave bass line, trippy noises and swooping scikfi pads. santonio echols takes it back to detroit with a simple yet driving tech house rendition containing sublime melodic chords, eerie pads and a hypnotic pad stab that sends tingles up your spine. mr.c finishes with one of his typically infectious acid workouts, where he adds a cheeky bassline, haunting pads and cowbell pings to blend and morph into the twisted effects of a psychoactive substance.

the second 7inch of käften is dark energic synth tones from claus fovea that will make you dance your socks off.

an ultimate dj? a fusion between maoupa mazzocchetti, dj coquelin and pd cloarec...

acid pa svenska is a remake of the legendary jazz pa svenska record from 1964, a classic jazz record, now re-worked with an acid twist, inspired by the iconic sound of a roland tb303.

polands father and son records and tapes presents another stellar release from the man das komplex

new kangding ray album. great follow-up to -solens arc-

from sci-fi to lo-fi lod presents a journey inside analog machines and science fiction movies. two producers from different countries had split the release with their sounds and their musical attitudes. lost soundbytes is a brussels based young producer that develops an haptic music, diving sometimes into cryptic and anxious foggy areas through analog materials experimentations, as drum machines & synthetisers like poly 61, acidlab bassline 3, wardolf blofeld. sebastian swarm comes from glasgow his three tracks are full lo-fi acid music, imprinted by a cosmic sight and chicago house quotes. enjoy the trip!

croatian ice queen and style icon popsimonova hits hard and relentlessly with brokedown palace, her first solo album and her first release on electronic emergencies. its sound is deep and dark, ebm with a touch of synth wave. the 11 tracks on brokedown palace will lead you through popsimonova s state of mind: fighting, dancing, loving, destroying and rebuilding a strong self. this album is not for the faint at heart!

12 brand new egyptian lover tracks that will take you right back to 1984. back to the future!

*agraphobia* by la synthesis is considered by many as one of the most beautifully crafted string-driven techno tracks of all time. originally released in 1994 it has received somewhat of a legendary cult status. 21 years later it is now time to breathe new life into this essential track and make it available again for a new generation of electronic music enthusiasts. together with de:tuned, la synthesis handpicked some of their favourite producers to rework the original and the results are mind-boggling to say the least.

kindred phenomena marks mattheis debut album. after two cosmic eps on nous klaer and a mini-album on tape for ecstatic recordings, he now returns to nous klaer for his first full story. an album shaped for every occasion: driving from the city to the island, dancing in the living room, or raving at sunset. on kindred phenomena mattheis picks up where he left off: swell serves as another episode of the prisms, the modular synth excursion of bit fragments pushes his arpeggiator solos a step further, and album standout ben_m provides his most beautiful dance of melodies yet. the album consists of eight tracks and comes as a double 12 inch for deejay convenience, and for the ultimate experience: go see mattheis perform his album live on the road.

akkord return with their first original music since june 2014s hth020 ep. obelisk is a study in rhythm and frequencies, suspended in space. on the minimalistic monolith, a single element is moulded into a 3-dimensional sound sculpture, an aural illusion of a lead weight that floats away into the ether. in contrast, megalith has a pulsing gravity, drawing in laser-guided blasts of bass, broadsides of pitched-down jungle, and echoes of distant birdsong and telecommunications as it journeys through the static of space. presented on heavyweight 10inch vinyl. cut & mastered by matt colton at alchemy.

shed liefert mit -dark planet- pure techno-power, die mit geradlinigem 4/4 beat und zerhackten vocals jeden dancefloor in den trance-zustand versetzt. seine freunde von modeselektor wiederum ersetzen den 4/4 takt mit dröhnenden broken beats und big breaks und eskalieren den track zu sub-bass-geladenem wahnsinn.

zwei meister des sounddesigns vereinen ihre kräfte auf dieser split-12inch: anstam mit seiner wunderbaren dolores, und monolake mit seinem experimentellen techno-track vt-100, mit dem er seinen einstand bei 50weapons gibt. beide tracks repräsentieren die experimentelle seite von 50weapons.

bad animal animal is a label devoted to underground house and techno with an approach that welcomes experimentation but never loses sight of the dancefloor. set up by alland byallo and kenneth scott it has already released music from influential producers including smash tv, xosar, mosca, dop and varoslav along with many others. now on its tenth release, label boss kenneth scott scott marks his second appearance on the label with this new ep consisting of two tracks. one original track entitled if the rain stops these ruthless acts plus a remix from benedikt frey.

während roberts musikalische handschrift stets erkennbar bleibt, ist *hypermoment* eine stilistische weiterentwicklung seines sounds. mit seinen warmen, analogen klängen, seinen fields-recordings, den satten klangwelten und üppigen pianos, erlaubt dieses album noch mehr einsicht in sein innerstes, während es gleichzeitig die erste veröffentlichung ist, auf der roberts auch selbst singt (care, serenade, fernwood). die field-recordings nahm robert auf trips nach new york, berlin oder joshua tree in kalifornien auf, ebenso wie in seiner neuen heimat in silver lake, l.a., wo er unablässich an seinem album feilte. *hypermoment* featured einige alte bekannte, wie den in l.a. ansässigen künstler schwarzmodul, der auch auf *tsuki* zu hören ist, ebenso wie delhia de france, die auf roberts kürzlich erschienener *california dreaming* kollaboration zu hören ist. aber es sind auch einige künstler vertreten, wie z.b. uks fassine, mree aus new york oder stephen henderson aus kalifornien. *hypermoment* ist roberts bisher persönlichstes album.
das doppel-vinyl erscheint im klappcover, downloadcode inklusive.

the long awaited album on skudge! the pig on firing form here! we expect this on to go right off, double vinyl set. the lp features more pacey excursions while the additional 10inch features more experimental and ambient material. big tip!

while jamming and improvising, their way of working invented itself: programming and playing everything live while recording directly to 5 minute audio tapes. the whole post process of mixing and editing is cut out and the results are vivid snapshots of improvised live tracks organised into little stories. combining these stories results in an electronic trip through a galaxy of sound, experienced from the front seat of an old russian spaceship with a view to kill.

nice price deal !!! osakas koshiro hino steps up to the plate for the next journeys by nous disques with an oblique experiment in syncopated, gritty-textured, deep-hued techno with a heroic dash of industrial malevolence.

dj nephil first solo debut ep on gravitational waves. techno, electro, analog, deep.

first volume from obscure label go music. wicked evocative melodies and weird electronics from mysterious collective.

for those not in the know mater suspria vision are one of last remaining first wave of witch house, proceed without prejudice, msv were a truly bizarre one of a kind group. combining cosmic style with early krautrock experimentation, bootleg vhs and a wild sense of humour, msv have been one of our favourite groups for a long time. we’ve taken their last lp antropophagus and run it through the giallo disco filter, featuring remixes by xander harris, parasols aka ali renault, antoni maiovvi and vercetti technicolor. mastered by alek stark, art by eric lee and cdx

canadian lunatic taylor hoodlum stevenson makes his giallo debut with these freaked out dancefloor bombs. think foetus during his ebm phase raising a lovechild with italo weirdo mike mareen with babysitting duties by fad gadget, you’re getting close. three vocal tracks (one vinyl exclusive) and two future horror disco instrumentals on the b-side, perfect nightdrive city slime time bangers for rome 2025. art by eric lee.

part 3 in the modern warfare series. limited to 750 copies.
the release of the modern warfare eps also see xl recordings continuing to reconnect with the spirit of the labels early days. xls early reputation was built around a series of underground, club-focused, outsider rave 12inches from the likes of the prodigy, sl2, awesome 3 and jonny l. special request harnesses that spirit and brings it right up to date in 2015.

this is the first record on slow motion’s sister label, wrong era. wrong era takes the name from our monthly berlin party and has a focus on international artists who are dealing in all things electronic and discoid. the first release comes courtesy of kruton aka milo smee (bintus, power vacuum), who brings four tracks of mechanical funk and tweaking disco. included in the package is his remix of friction by gold blood, a track that has long been a secret weapon for a few select dj’s. there are also three brand new original tracks of heavy ebm jams that are guaranteed to keep dance floors moving all night long. wrong era arrives in a physical format with a bang!

the release of the kontrol ep sees xl recordings continuing to reconnect with the spirit of the labels early days. xls early reputation was built around a series of underground, club-focused, outsider rave 12inchs from the likes of the prodigy, sl2, awesome 3 and jonny l. hugo massien harnesses that spirit and brings it right up to date in 2015

chris alexander: musician, director and former editor of fangoria presents this, his first album in quite some time, remastered and rejigged for vinyl by us here at gdhq. the soundtrack for your bleak midwinter. dark as space, drugged-out helltracks for paranoid dreamers and night-fantastists. spooktactular art by eric lee, mastered by alek stark. the vinyl lp includes a download code.

the meant label really is on a fine run in 2015, and now offers up its 3rd release of the year. this one is a brilliant, club ready package from rework and features excellent original material alongside carefully clickbox remix.

enter 513 is the first ep of the french duo uvb 76. four tracks of an abrasive and warlike techno. from the space race sg1 to the industrial thorn, through the warrior anthem uwe – the maxi combines analog blasts, metro smells and agressive steps influenced by noise and industrial music. enter 513 is a first cinematic essay where mechanisms and textures superimposed. both club and radical, the result is dark and visceral.

shortly after his first ep on dnuos ytivil, sub-division of bristol imprint livity sound, simo cell, neo-parisian and nantes native, puts his second release out on fragil musique. on this one, the young producer asserts his bass-tainted electro influences. highly skilled and very technical dj, but above all open to bridges between genres and eras, the record feels like he conceived it for his own club usage. on the a side, two subtle twin tracks, -reading rashid- and -soko ban-. cycling melodies and hypnotic pads sketch two bass outlines, as simple as effective, that seem perfectly fit for switching from a stripped down techno track to an old jungle weapon. on the flip, hit track -meteor racer- is surprising. a rawer and more stripped down electro piece that lifts the veil a bit more on the young producers talent. those four brilliantly crafted track definitely place simo cell among the french newcomers to watch closely.

grey marbled vinyl in reverse board sleeve with artwork sticker.

pressing on translucent, smokey marbled vinyl.

with bespoke artwork by berlin artist carsten fock, the first release from new label alden records consists of 3 original tracks by cocolores which will be available exclusively on vinyl. the release will be limited to 300 copies.

outcast oddity deliver their first 12 inch. a hard hitting various artists ep channeling blown out techno, off the wall acid bangers and heady, ethereal electro. a complete melting pot of styles all coming together to form one, formidable debut.

only 100 copies! in the cast tradition, includes 4 far reaching and artist signature tracks from axkan, pinion, dolgener and iformat.

vinyl only lp. onur Özer and binh team up to release the second from treatment.

a distant shadow of a woman with jet black stringy hair glistened through the nearby shrubbery. was it her, or was i again lost in my own dementia? how in the living world could this be? i sipped on my medicine and fell into a deep sleep. i awoke days later to see her sooty eyeballs rolling over my entire body. her black wings seemed to stretch over a mile wide. they ever so subtly fluttered from the slow wind that was creeping in from the north. i startled when i realized what was happening and sprung up from my chemically induced coma. i grabbed her by the neck as tight as i could, only to realize that i was holding a black birds tail feather in my hand.

la nature malade brings along a brand new album of analog electronics for 2015 from a well known uk producer operating under a new alias, aquariun. eden and after is a 9 track album on a limited hand numbered pro dubbed blood red cassette in an edition of 100 worldwide. crossing styles and opening with the sub aquatic funk of title track side one takes you through banging electro on energy in constitution, the dark dub techno of to the letter of my oath and leaves you disappearing through a black hole on the path of helium rain. on side two a slice of dark, heavy instrumental hip hop gets things started with where is that perception? next we get into some straight 4/4 club techno with cut up drums and bumping baseline of mi dominante before moving through some blissed out detroit vibes on earth looking inwards, aliens talking through fm synthesis on collected stills and finally closing out on a rough as you like tr606 driven electro groover. look out for more to come from aquariun in 2016.

elevating ep from breakbeat-techno adventures to big room techno trips.

remarkable industrial techno killer ep.

finally after 3 years season 1 comes to an end. the birth of concept that has led to the evolution of who we are today. we’ve had the pleasure of working with some incredibly talented artists that have been an inspiration to us helping us shape and form a part of our identity. that is because several reasons is not just about the music, it is about the experience, the exploration, the collaboration, the up times and the down times, the good times and the better times, for the journey… closing off the first season made no other sense than to seal it with a special collaboration from the owners of several reasons, dubit & mynude. an ep that that truly provokes and challenges boundaries of the stereotypical label of “music”. covering all aspects of ambient, atmospheric and experimental types of sounds, the release really an experiment of psychoacoustics.

bubble clocks opens with the sublime talking proud beautifully built around a vocal sample from one of jazz s undisputed greats, nina simone. the title track bubble clocks is over 9 minutes of dream psychedelic bass music. turn on, tune in, bliss out. punchlines is a rave/bass crossover peak time bomb, and output, the closing track is 10 minutes of totally individual vision, taking a convoluted idea and teasing it out in all its permutations. a major talent in the making who has been showing promise, delivers on this ep.

we re very happy to announce the re-lauch of klakson, the legendary electro/techno label run by steffi and dexter! klakson was one of the major west coast labels during the second wave of dutch electro/techno heydays at the beginning of the century, releasing several classics such as dexter s i don t care or fastgraph s systematic . now the time is right and a return in style it is... without mercy dexter drops four of his trademark razor-sharp sci-fi electro p-funk bombs that will make dancefloors explode worldwide... listen and learn ya kiddies!

the final chapter in the trustxv trilogy once again brings together an elite crew of electro programmers. tracks by the exaltics, plant43, adapta, and epy x micromega conclude the fate of interstellar mining outpost 61 cygni e. full color sleeve by dextro.org, 150 copies in colored vinyl (randomly packed!).

ltd nice price greener records double vinyl pack , with andres zacco and psynote...
mastered by cbg at dubplates & mastering , berlin
pressed on heavyweight 180gr vinyl

rare self produced tape from 1993 - lp including free bonus cd, limited to 500 handnumbered copies.