rerelease of classic wackies production w/ fantastic unreleased cut (w/ download code).

moka only has released an instrumental version of his latest lp, concert for one, via urbnet. concert for one instrumentals was released digitally on july 6th 2018 and as a limited edition vinyl on august 17th 2018. the self-produced record is packed with stand-alone characteristic beats, proving that the beats themselves have just as much story as the vocals.
“in this stage of my life there is much more reflection and contemplation, and i really feel that i was very open and unguarded on this album. as much as i love all the completed songs with the vocals, the beats on here hold enough detail to speak on their own.”

much of modern music has its roots in adventurous recordings made at westbound records in the early to mid-70s - super breaks is proud to pay homage to some of their greatest sampled tracks.

limited ddition of 750 individually numbered copies on orange 180 gram vinyl.
one of the founding figures of the jamaican music industry, arthur duke reid produced many of the classics of the ska, rock steady and early reggae eras. and when, in the mid-1970s, dub music took hold, he was able to call upon one of the most talented soundmen in the business, errol brown. utilising some of reid’s most memorable rhythms, performed by the producer’s legendary session crew, tommy mccook & the supersonics, brown created some of the finest dub mixes of the period, a dozen of which were gathered on treasure dub vol. 1, one of the most acclaimed collections from the golden age of reggae.

limited ddition of 750 individually numbered copies on orange 180 gram vinyl.
following the success of the first treasure dub album, a second volume was hastily assembled. repeating the formula of the previous collection, the set featured 12 hard and heavy dub tracks that utilised some of duke reid’s most celebrated rock steady and reggae rhythms. as with volume 1, the musicianship from tommy mccook & the supersonics and mixing skills of ace treasure isle studio sound engineer, errol brown combined to create one of the finest dub lps of the mid-1970s.

the long musical tradition of electro-disco, italo style, foregrounds innervisions newest release. bringing together five producers for a celebration of their cosmic past and future-forward present, romantico disco ep is a resolutely italian affair.

only one music is delighted to present enrico mantini feat. x woman - what you want (12-) from 1994. enrico remastered this outstanding beauty and now it s time to press the vinyl. don t sleep on this!

german producer and dj boys noize has announced the release of his much-anticipated cover version of adamski and seal’s 1990 rave classic ‘killer’ on 12&#8243, vinyl, via the vinyl factory and boysnoize records. featuring vocalist steven a. clark, the original 12&#8243, version is backed by an instrumental, both of which you can listen to below: as boys noize says: “being a ’90s kid i kind of grew up with this song which later became one of these tunes i’d play out at the end of the night. when i met steven and heard his voice for the first time i immediately thought of that track and the idea of doing a cover version was born. it was initially just for fun but it turned banging and lit the dance floors wherever i’d drop it.” adamski and seal’s original represented something of a breakthrough for both the producer and vocalist, spending four weeks at the top of the uk singles chart in the summer of 1990. speaking to journalist dave simpson in the guardian in 2013 seal explains the impact the song had on his career: “within a week, i went from being a relative nobody – this weird guy at raves, with silver bits in my hair – to a household name.” boys noize’ ‘killer’ is out now on 12&#8243, vinyl, limited to 500 copies.

simbad teams up with south african vocalist brian temba, whose previous release together come join in dropped on hi:rise back in 2011. in it’s original form take my hand is a sublime, forward-looking deep and soulful house track based around a filtering symphonic string loop, low-slung groove and heart-felt vocal. simbad has created a very london-centric vibe but with a french touch and detroit sensibilities, drawing from house heroes such as parrish and bradock, joining the dots and creating a fresh masterpiece in the process. next up we have jimpster on the remix, picking up the bpm’s slightly and loading up on his trademark deep stabs, sub-bass and spacious fx adding just enough dance-floor bump whilst leaving the vocal placed firmly at the core. on the flip side we have two smbd zulu edits which replace the more spartan groove of the original with some driving afro percussion. the first version keeps the vocal intact, the second version goes balls deep into dub territory, closing out this amazing release with an instrumental pushing the strings and hypnotic groove front and centre

phenomenal only album released by transs, a supergroup band project led by fariz rm, that came out in the early 80s. a full blend of soul, funk, cosmic disco, brazilian jazz and synth-pop. this album had a very big impact on the indonesian music scene at that time, and quickly became the trendsetter of the jazz fusion genre throughout the 1980s.

ron trent & trinidadian deep present the new label native rebel music. sonic love & compassion is expressed through the energy of trinidadian deep with the jazzy musicality of native travels, lights off & native force. deep pads, chords & percussion throughout

new orleans horror boogie duo makes their star creature debut with 2 straight boogie slappers. hardcore synth funk thatll rattle your trunk. roller rock is an uptempo boogie rager with an frightening combo feel or italo meets so cal. body is straight slammin midtempo grinder.

iraqi band babylon trio from brussels plays an electrified ravey mix of contemporary iraqi and arabic music styles, such as choubi choubi, dabke, maqam and electronic hybrids that put the dancefloor on fire. their debut album “habibi” features songs about their old life in iraq and new life in brussels, belgium, with topics such as separation from loved ones, love, beauty, honour and pure arabic party bangers. this year will mark the power of the contemporary iraqi street sound of babylon trio throughout belgium, europe and beyond.

after years of playing with the moroccan community of brussels, music maker and jazz musician luc mishalle knows every trick of the cross-fertilization of gnawa music, jazz & brass. gnawa is the northern african islamic sufi music with healing vibrations and spiritual lyrics, played by the descendants of african slaves. the album title “beats & pieces” refers to the collaborations with belgian percussionist roel poriau (think of one, antwerp gipsy-ska orkestra), tunisian electronic producer sofyann ben youssef (ammar808, kel assouf) and moroccan-belgian gnawa master maalem driss filali.

for the first time on lp, maestro morricone’s full score for the erotico-giallo « grazie zia », directed in 1968 by savatore samperi and starring italian actress lisa gastoni, on this unique soundtrack, the genius composer has created a magical and suspenseful atmosphere based on the recurrent use of the boy’s choir of renata cortiglioni including the killer theme «guerra e pace, pollo e brace» with its funny rhyme and ferocious drums. limited edition with obi strip included. remastered from original tapes.

mop mop is the brainchild of andrea benini, musician, producer, dj who has been active for more than ten years exploring a large variety of musical genres, from club to jazz music. „kiss of kali“ is the name of his second album - originally released in 2008 only on cd, now available on vinyl for the first time.

limited edition of 500 numbered copies on 180 gram vinyl.
another master of the soundtrack is francesco de masi, that, through a long carrier, has moved between different genres, giving the soundtrack to spaghetti western movies (like vado l’ammazzo e torno) comedies, and action movies like la macchina della violenza (the big game), by robert day. a soundtrack that goes from tense and nervous songs, to soft ballads with female voice.

limited edition of 500 numbered copies on 180 gram vinyl.
easily comparable to the vaste number of movies from the erotic-dramatic genre popular between sixties and seventies, alessandro fallay’s le altre - a pretty much unknown director of iranian origins - boasts an amazing soundtrack from the unforgettable piero piccioni, one of the acclaimed masters of the genre. the album moves between easy listening atmospheres to jazz and lounge, among roma and cinecittà’s summers parfumes. everything topped off with woods, hammond and guitars.

limited edition of 500 numbered copies on 180 gram vinyl, housed in a gatefold sleeve.
when you think about italian crime movies, one of the first names to get to your mind is probably franco micalizzi, the maestro behind terrific and unforgettable soundtracks like napoli violenta and italia a mano armata. through all is carrier, nonetheless, there’s room also for some less known, but still mentionable works. one of them is hold up, made up of dizzying escapes, funky breakbeat and some less frantic episode.

limited edition of 500 numbered copies on 180 gram vinyl, housed in a gatefold sleeve.
micalizzi, during the seventies apart from his classic works, has taken part and made the soundtrack also for erotic movies. one of them is adolescenza perversa. the two sexy characters of the movie (femi benussi and marisa longo) move to the rhythm of wonderful orchestrations, beat scratches, persuasive tunes and the funky beat, a real trademark of the roman composer.

(12inch embossed cover with printed inner sleeves) ravaged and warped breakbeats haunted by wailing euphoric noise, vivid and graphic reflections of fractured post-industrial hardcore, moments of poetry flashing within a thick impending fog. this is our soundtrack. a unique and visionary achievement a wholly original future of beauty and despair: brutal, gritty, alive and urgent, blooming in the ruins, spiraling and raw, howling with life.

second introduction to weather rec with another va compilation featuring cuts from russian producer swoy, the multi-faceted spanish artist dakpa, hund’s italian duo dubfluss and rounding up this multinational release, one of japans finest, shintaro.d head of init tokyo. limited press. 180gr. weather-proof sleeve.

noise tool is a pair of techno cuts, each almost breaching 10 minutes and custom fit to the dancefloor dedicated sound maeve has become known for.

dutch duo deep dimension debut on rekids with a stomping vocal cut entitled ‘so 1992’ featuring a collaborative remix from label founder radio slave and rising star p.leone. jeffrey hek & jimmy van de geijn have been actively djing for over two decades. the pair paired up as deep dimension in 2015, combining their talents to form a signature techno sound comprised of deep basslines and powerful kicks. launched earlier this year, their vinyl label named gen x has instantly picked up overwhelming support from the likes of radio slave, tommy four seven, benny rodriguez, kobosil, and many more. they now continue their upward trajectory by arriving on matt edwards’ respected berlin based imprint, rekids. thudding kicks are joined by rising synths as pitched up vocals come into play in ‘so 1992’– the result is a rave inspired techno monster designed to throw crowds into frenzy. on the flip, radio slave pairs up with rekids regular p.leone for a cavernous reimagining complete with rolling percussion, off-beat hats and eerie atmospherics.

currently fizzing up summer crowds on his european tour, the argentinian renaissance man is testing his wares, as he prepares to unveil his third artist album at the turn of 2019. set for release on the martinez brothers perennial cuttin headz imprint, it will herald a fresh jacking chapter for the artist who famously refuses to sit still. an instant statement of intent, ‘so dope’, the first taster from the forthcoming long-player, lives up to its name with a thumping nyc swing, loose twanging slap-bass pops, trippy vox overlays, springy rhythmic elements and all essential conga rolls. with its concrete-thick groove, ‘so dope’ commands an equally robust remixer rollcall. which is exactly what the martinez brothers have recruited... the bossmen themselves get elbow deep with a warped and twisted bassline that snakes around the stately jacking beat, gradually becoming more warped and wonderful as the track progresses. djebali follows with a precision contrast as the vocal shots wrap themselves tightly around a timeless 909 beat and subtle tracks of venomous acid while heartthrob flips it into an all-out rolling techno experience. dope ain’t the word.

berlin-based house and techno wizard emanuel satie brings together a plethora of talent for addis ababa on crosstown rebels. ninetoes, mowgan and matador all join the party to complete this epic ep.

the new album from matthew dear as splattered double vinyl in glossy embossed jacket with download code included.

lithuanian based label sodai started its journey in 2016, making it a label still in it’s infancy but making a big impression. owned by artist gardens of god, who started the label to create his own ‘no limits’ plat-form for his experimental sounds and projects. while at the same time a platform to give other artists the chance to also have freedom with art and music. with releases from raxon, few nolder and third son under their belt, the label shows no sign of slowing down, next in line is italian producer alex schaufel (suara, diynamic) who is welcomed to the label with a his heavy hitting four track ep entitled ‘roots’.

spacin 4 track vinyl , incl bliss remix

a 1996 classic from the californian hardkiss camp.