“The album is significantly less 'jazz' than past collaborations with Byron Wallen and Trevor Watts,” explains Mishalle. “It's based on gnawa songs I transcribed and arranged together. Half of the songs contain vocals, which makes it more radio-friendly.” There are also fragments of Beninese traditionals and which bring us to another thread through the album: trance. You can find it in gnawa music and even more in Benin, the cradle of voodoo. “Trance music aims to create obsession through constant repetition. We kept the essence of that music, adding jazz and brass colours,” Mishalle finds these musicians in Brussels, and together they search for the sound of this city known for its hyper-diversity. “Brussels' context is unique, in Belgium and beyond. Our metropole has quirky vibrations. To catch them, you have to fully submerge.”