deluxe lp, gatefold sleeve, download-code, printed innersleeve

lp with digital download card. selected by sky girl co-conspirer julien dechery, le raccourci culls 15 tracks from ganderas extensive cassette discography, discarded dat recordings, and split cd with lyon toy music project klimperei. while ganderas nostalgic melodies incidentally parallel with the piano key manoeuvres of pascal comelade, robert haigh and dominique lawalrée, le raccourci could only stem from the escapist desires of one eric morin.

rotterdams mysterious studio-wizard strikes on the joyful label of baltermore isle. get alleviated and dream on!

the sustainably ascending lockertmatik imprint is back with another electronic four-hole punch in which each incision makes a deeper dystopian impact on feet and brain as well.

an invitation to disappear is the debut lp by british electronic musician inland aka ed davenport – and his first release for a-ton.

this is something in between underground & commercial in a good way... patricio cabezas is an experienced musician and producer, born in chile but lives and works in sweden. after years as a touring bass player, he dedicated himself to start programming synthesizers and producing electronic music. in his music, cabezas embraces the grey zones and in-between-ness that formed him since childhood. he approaches music the same way, discovering and experimenting, almost hybridize genres and moves between live and programmed performances. in 2015 the tom ep was released under his alias this other space on tasteful nudes/argot. cabezas is also working in collaboration with dagfest (paper recordings, bearded man, melodica) and 95kbps (krater).

the sixth yarn release tohuwabohu is like a big meeting of old friends: the leipzig/berlin based duo echoton is rejoining yarn with a splashy welcome and two dope tracks called kladderadatsch and kuddelmuddel – two glommy playful fellows. the guys from roar added an epic 15 minute kladderadatsch remix on b-side with nice guitar riff accents. ending all up in three amazing tracks with this typical minimalistic impulsive yarn sound. yarn records sixth release comes hand stamped in a recycled paper bag. strictly limited to 300 copies.

supported by matrixxman, james ruskin, truncate, cari lekebusch, electric indigo, anthony parasole and many more. teksupport records is excited to unveil our first ep release. featuring one of italy s most exciting exports, marco effe, the >transients< ep is a perfect combination of rolling grooves and rhythmic synergy. offering up three of his latest originals, effe effectively offers listeners a package of journey-esque tunes that properly encapsulate the teksupport records sound. we have invited berlin based dj/producer - patrik skoog - to offer his take on effes >transient<. skoog makes a very impactful debut on the imprint.

(2x12-inch, gatefold) impresario bone grinder, justin k broadrick, has prepared a new album for release on speedy js electric deluxe label as jk flesh.

after reissuing stanislav tolkachevs masterpiece blue mood, the intergalactic research institute for sound comes back with two fresh pieces from georgian artists zesknel and irakli. following a strong start with de sounds from georgia, this new record explores a more abstract electronic music. zesknel, who is a resident of the renowned bassiani club, collaborates here with irakli on two dreamy and airy soundscapes which aspire to depict and recreate the atmosphere of the georgian capital. to do so, they asked for the help of rezo glonti who proceeded to make field-recordings in tbilisi. this work served as a base in order to create something unique and true to the city. the project is part of a sound installation which aims to blend architecture with sound. the idea of the two artists was to conceive a space where they could translate the spirit of tbilisi. inside that space will be found works exhibited by other georgian artists. and this is all part of the exhibition >lara protects me. eine georgische erzählung< at the museum angewante kunst frankfurt

only few artists have managed to develop their own distinct style to such perfection as abe, while remaining almost entirely unknown to the public ear. he dwells in minimal music, abstract structure and well-crafted melancholia. -peasants sought instead- itself is heavily influenced by modern classical music, modal jazz and world music and is at times demanding, while remaining slightly subdued. style-wise it can be seen as ambient, though abe doesn t feel completely at home in this genre, because of its emphasis on atmosphere rather than structure. recorded at abe s home in rotterdam, it is his strongest work to date and already highly appreciated by some of the most exquisit selectors around.

french duo miroloja is in charge of 5th release of recordeep

brand new label based in florence comes with an astonishing second release. this time they bring the sound from the talented the cyclist. a very distinct sounds, psychedelic synth warbles meet the jacking electro beats. exploring what the talented irish producer can do with different beats overladen with those warm synth tones that we can t really live without.

andrea ferlin is back on sleep is commercial with this trippy minimal ep

betrachtet man die bewegte biografie des can-bassisten holger czukay, könnte man zu dem schluss kommen, der experimentierfreudige musiker sei ein exzentrischer und unbändiger freigeist. doch czukay betonte in interviews immer wieder, dass er in seinem schaffen stets auf einen musikalischen partner angewiesen sei, egal ob in form eines konkreten gegenübers oder durch radiowellen und später das internet. doch die meisten seiner partner waren aus fleisch und blut. sein dem kino verwandtes gesamtwerk schmückt sich mit einer besetzung, die der eines scorcese-films gleichkommt: brian eno, phew, rolf dammers, david sylvian, annie lennox, jah wobble, die kollegen von can – die aufzählung ließe sich noch weit fortsetzen. viele dieser meisterwerke sind heute vergriffen, und so hat es sich das label grönland, das anfang des jahres zu holgers 80. geburtstag bereits die vielbeachtete retrospektive cinema veröffentlichte, zur aufgabe gemacht, holgers musik in remasterten neuauflagen wieder zugänglich zu machen. den auftakt machten zwei wiederveröffentlichungen mit david sylvian (japan), der als musiker so sehr zu czukay passt, wie vielleicht kein anderer – sein werk ist geprägt von gegensätzen zwischen einladender popmusik und eigensinnigen experimenten. zwei der spannendsten dieser musikalischen versuche finden sich in -plight & premonition- (1988) und -flex & mutability- (1989), für deren wiederveröffentlichung kein geringerer als sylvian selbst die initiative ergriff. czukays musikalischer erstling -canaxis 5-, eine 1968 heimlich in der nacht in stockhausens kölner studio beim wdr aufgenommene frühe sampling-arbeit mit rolf dammers, die heute bei discogs höchstpreise erzielt, folgt ende september – zusammen mit -movies- (1979), dem ersten soloalbum nach can, sowie der postpunk-platte -full circle- (1982), eine kollaboration mit jaki liebezeit (can) und jah wobble (pil), die holger zu seinen favoriten zählte. mitte oktober dann erscheinen vier weitere solo-platten czukays, die einmal mehr deutlich machen, dass der kölner musiker zu den wichtigsten deutschen künstlern der nachkriegszeit zu zählen ist: -der osten ist rot- (1984), -rome remains rome- (1987), -radiowave surfer- (1991) und -moving pictures- (1993).

after the great success of his new-classsical album voyage de la planete last year marc romboy releases a special 7inch single according to the album. and once again as he experiments with his sound pushing the boundaries between classical and electronic music to create both an emotional and atmospheric experience. the title track voyage de la planete was especially taped at the robert-schumann-saal in düsseldorf to create a highgrade recording of each classical instrument. the difference between a studio roon and a concert hall is remarkable. another highly acclaimed track, la lune et letoile comes along with an outstanding piano only version which improves once again that less can be so much more.

mythologen, aka alexander palmestal follows last year’s debut album mythologen with the 12” ep “church music”. this ep is a love declaration to londons club scenes and some of the titles are named after parts of districts in south east london. the tracks on this record are free and loose in its melodies and you hear that palmestal has worked on pure intuition in the song making process, inspired by the surrounding smells, sounds and people. as explosively impressing as the album was, is also “church music” and the airy, uplifting sound that has become part of mythologens trademark, is developed with a sacral touch. alexander palmestal have since the days of pistol disco in the early 2000’s been one step ahead of most acts in leftfield and house music and have created an own musical space to exist in - something most artist never achieve! “church music” consolidates mythologen’s position as both a guardian and an innovator of modern dance music

advanced and fresh takes on techno by milton bradley and lockertmatik. both opening with a droning soundscape followed by essential techno cuts. open your mind!

clikno is proud to present the second strike of dr.nojoke’s double ep “zero”. zero.two is purely audiophile electricity to twitch your body in all directions. do the clikno! again zero.two is a limited vinyl-only release pressed on transparent vinyl coming in a transparent sleeve - transparent as light, as ideas, as music and as the world should be - no borders, but freedom, peace and equality for everyone!

focus on one artist one track release ... well done! limited one sided pic vinyl!

lackrec. finally expands to the much loved mitteldeutschland, signing a 5-tracker from leipzig s jack of all trades perm. jacking 313 injected techno on the a side and 3 electro tracks ranging from reduced & futuristic to retro leaning & dreamy.

s. crosbie s dark arts has become an essential label for many of the key players looking to work more underground dancefloors, and continues to evolve with da09. things lift off with the slowly building bassline throb of cellular before the twisted electro depth of holophane glides into view. transmission 09 is a masterclass in atmospheric, glitchy dancefloor electronics. finally, the techno of anterior is a flawless exercise in lithe, funk-filled minimalism. dark arts: simply killer machine music designed to move both mind and feet. check.

the secret mystery school alias was created for the inaugural release on crash reserve records. four untitled dance tracks to get feet slippin and mindz trippin. acid flavoured house and techno to set the tone for a foreboding, futuristic reality. dystopian sounds for a dystopian age.

following a string of well-received eps on cin cin, exit strategy and get physical, belfast’s lor readies his debut, self-titled album ‘lunar orbit rendezvous’. this will mark the first release on his newly minted label lorec. a technique used in apollo lunar missions, lunar orbit rendezvous charts a journey to the moon and back. a bold album, both in concept and sound, its the work of an artist coming into his own.the title track and first single lunar orbit rendezvous prepares the album for lift off. its a track that carries the technical tension of crucial operations, with gnarly acid pulses and happily erratic synths sparring over a steadfast electro beat while vocal samples collapse into themselves. lunar orbit rendezvous comes accompanied by a video from studio creme whose design and video work has been championed by the likes of james holden, warp and simian mobile disco. using a hyper detailed black and white render of a nasa grade rocket, the video brings the optical journey of lunar orbit rendezvous to life

not much to say but please check out this release by automat. 4 tracks that will possibly please all kinds of electronic music lovers. house, techno, classic electro, everything done with a great mastery of influences, sounds and vibes. this release is just perfect

the second release on role models is a another from nts dj and apron/youth affiliate shamos. a collection of tracks recorded this year in his studio in london. bonus track included on the cassette(not available on digital format). more releases on role models to come!

inner river delivers a self-titled debut 2lp which is a 10-track journey of beautiful ambient, downtempo rhythms and otherworldly atmospheres. this mysterious dreamworld sounds complex, emotive, mystic and elegant. its a personal story that remains interesting until the very end.

amam welcomes gregorio soave for the 41st release of the imprint

the usual trio is back with the 5th release of the imprint.

kashawar & lapucci teamed up for the 10th release of partisan

to celebrate the 5th anniversary of the agency, rotate has a hefty 2xlp compilation coming, featuring its in-house artists as a follow-up to “rotations i” from 2016. in the meantime, the imprint prepared a 10- split-ep teaser, appropriately named “mini rotations i”, featuring cleymoore and loopdeville.

as a contrasting follow-up to our first single from rooteo & mahura’s metta album, the second single on made in green records keeps the format intact with entirely different results. deadbeat’s remix on part one was both respectful and subtly transformative, on part two, new york’s upcoming max mcferren, whose busy 2015 included eps on ultimate hits, allergy season, and 1080p, brings us a startling reinterpretation of album closer harmal very much in keeping with the vein of raw, aggressive house coming from brooklyn since that scene’s resurgence. the original version of harmal finishes the album in fine style, blending tablas, celestial electronics, and short melodica phrases that gradually swell with layers of vocal samples and orchestal pads before reaching a climax and slowly dying away in gradually receding layers of ambient electronics. mcferren’s remix leads off with only a bare framework of techno percussion. the entry of a sampled section of melody from the original signals a rapid transition to more abrasive territory, with sheets of metallic noise slashing through the high end, short vocal syllables stuttering, and an insistent bass pulse building up and breaking down with at least one element constantly in motion.

fresh electro from paris label * hard beach entertainment*

as we reach our 30th release on the label, animal farm is proud to present stephanie sykes’ first solo ep since 2016’s effort on prodigal son. those two years have seen her presence in the techno scene explode, with a flurry of appearances across europe - our own animal farm night in glasgow among them + residencies at tbilisi’s khidi and the infamous after hours jaded crew in london, corsica studios.

the next one is signed by one of my contemporary idols. his zero-f*cks-giving attitude and his aim to move forward make ascion the perfect artist to keep telling this story which two years ago was started to write. it could have been nineteen ninety two or today. it could be acid, techno-trance or even ardcore (you know the score). echoes from belgian new beat and uk’s intelligent dance music resound all along it. call it how you want and no matter when or where. this rave instrument is going to fill many epic warehouse moments. there is no way to escape: welcome to your finest nightmare. - hector oaks, september mmxviii

basic soul unit, johannes volk, late night approach and luke hess team up for the 2nd various artist ep on dolly. deep detroit rooted quality techno!

having previously released some rare solo material from ende shneafliet member hanjo erkamp aka dr. c. stein, artificial dance is now serving up something special from the cult dutch minimal wave band’s lesser-known side project, king ende shneafliet. adding king to their name in honour of original dub maestro king tubby, king ende shneafliet produced far more experimental and out-there material than their better-known big brother. they released their first cassette, dimension mix chapter i in 1981 via cult label trumpett, with batches of follow-up material trickling out on various obscure tapes and later cd-rs up to the year 2000. artificial dances first dip into the dimension mix archives a second vinyl volume will follow later in the year features selections from chapter ii (1999), which was originally recorded between 1981 and ’88. the magical, mind-altering music is raw, lo-fi, spaced-out and forward-thinking, combining effects-laden, sample-heavy sound collages and reverberating ambient soundscapes with pulsating proto-electro jams, moody minimal wave instrumentals and kosmiche-influenced throw-downs. it effectively joins the dots between early-80s, diy electronic exploration and dub soundsystem culture.

in the senses is a soundtrack concept album from fernando pulichino based around the premise of music for film. melody, ambience and mood are central to these pieces influenced by the likes of angelo badalamenti, john carpenter and johnny jewel. the result is timeless electronic music infused with bittersweet synth chords & melodies, beat less atmospherics, bubbling electronics and synthesizer minimalism.

sub club and nautilus rising present our fifth release, courtesy of love over entropy. four tracks tried and tested on our dance floor at 22 jamaica street by our beloved saturday night residents. influenced by train journeys, passing landscapes, hiking and over 20 years experience in the studio.

wieder erhältlich: das am 23. märz 1974 im penny station club in der nähe von detmold aufgenommene livekonzert der deutschen krautrocklegende harmonia, bestehend aus michael rother, dieter moebius und hans-joachim roedelius. grönland-erstveröffentlichung am 19.10.2007.

the fourth release of another earth, a small dutch vinyl only label with limited 300 pressings, has finally arrived. the a side is proper techno created by dave simon. a1 in acid we trust is a peak time acid techno track and a2 path of ability has a warm detroit feel. the b side by anders ilar together with john h is more obscure. deep weird acid techno that seems to come from another planet.

first time lp reissue from the original 1985 master tapes on 180gr vinyl. including liner notes. on iii hymne houyoux further explores the electronic instruments he also used on planètes which results in a marvelous album that in some way connects the dots between ambient, library, cosmic and spiritual music.

channeling that classic playful braindance feel of early afx, u-ziq and fellow acid-connoissuer luke vibert, pearl river sound (real name roberto semeraro) has quietly builded up his own profile in the last 5 years with releases on r&s recordss own meda fury, further records, seagrave and x-kalay. not another average idm/breakbeat throwback tough: here prs delivers train with no name, a 6-tracker of razor-like rephlexian science, taking inspiration from his ambivalent work with laptop & old hardware machines, yet, the magic lays down in arrangements and spaces, builded around jacking bassline swings and detuned, lush pads all melted together in powerful u-turn rhythms and genius sampling, from the moody opener elek41 to the demented vocals of cccc2 and mr continue or the straight-up acid of mono sequencer bass. occasional walls of white noise and distorted tones emerge in train 2, possibly his most tense track ever but also one that reveals new sonic solutions for a forthcoming full length that should see the light anytime next year on the label. sharing the same sensibility of fellow roman institutions like lory d or leo anibaldi to keep the acid legacy of the city alive, mixed up is proud to start a new beginning with this release. full sleeved and cut at 45.

what recordings present their new release the m-ep (what03) with the original tracks „muzic- and „mentiv-. after the what? members and label owners tobi neumann and patrick ense released their first two eps in 2017 they had earlier this year already a highly respected release „what you doing ?- in collaboration with dorian paic and legendary singer eric d clark on arno einzelkind s imprint la peña. they went back to their studio and came out with this two little gems. the track „muzic- was already played by ricardo villalobos on several festivals during this summer.

difid signs the 3rd imprint of his own label parsatik with a three minimal / deep house tracker

fracture has always tried to support upcoming and interesting newcomers, people they believe in. chevel is one of them, and in 2014 came his first ep for fracture under his alias signalweiss. he returns now for round two. in 4 years, he has managed to establish himself as a prolific and talented artist with a steady stream of records on labels such as stroboscopic artefacts. chevel is an artist who likes to mix things up, always striking an interesting balance between experimentation and more dance floor oriented tunes. with -feelings- and -forbona-, he creates quite abstract but still effective dance music. it is for the club, but it is not mindless bangers. in the hands of pablo mateo, -forbona- turns into a more mental piece of techno. all in all, this new fracture release provides great tools for the smarter selectors out there.

dj overdose is playing with matches at our local gas station. don’t forget bring your cigarettes.

for our 10th release, we have compiled a double-vinyl package featuring various artists who hail from our hometown of toronto. with music from veteran and new names in equal measure, the collection is as diverse as the city’s influences. the common thread throughout — and the ethos of our label — is dance music with a future-facing bent.

lost - minimal-synth-wave - gems have been rescued and now compiled on - nihon no wave-.

le matin, always rare and uncategorised, following the reissue of his early synthwavepop tunes on poussiere depoque and a track on the good lena wilikens dekmantel selectors 005 comp, this new ep on lost dogs ent. let you hear some of his last works. expect an ultra-cold-minimal-electro riddim, a less-mental-nearly-good-for-the-dancefloor tune with depitched haunted r&b vocals, an analog and bassy arpeggio ride on the flip side, oh my god! this is the peak-time-for-weirdo-nearly-techno tune, a blast, only for craziest djs that like broken-frustrated-uncomfortable dandefloors and to finish this well balanced 5 trackers: the are you depressed that much? its the 10th time youre listening to this ost of a dying world, this wont get any better but at least this is good music! tune. le matin is a good kept secret that prefer to take care of his kids than to travel the world of nightclubbing with drunk teens (ok thats how it is in france, that looks better in some other countries), but sometime you can hear his music on decks of some wise people and djs like call super, lena wilikens, house of traps, charles drakeford, jon k, bergsonist, body motion

deep listening, spatial imagery and floating introspection evoked by genres of ambient and electronica to enhance the immersive journey with rhythms of dub, bits of breakbeats plus erratic frequency rumbles and machine noises.

bade records launch the first vinyl release on the label, with a four-track ep by label co-founders brothers black and tape fear.2x2 series 1 is a split vinyl, showcasing the individual styles of the duos. brothers black kick off the a1 with extrasensory, a shimmering tool with luscious, uplifting pads and a looping lead. their second contribution on the a2, late night call, is a driving euphoric weapon, perfect for the early hours of the morning. on the other side, tape fear showcase their unique sound for the first time. jump system, the lead track, provides a complex blend of old-school breaks, euphoric pads and vocal samples that will be received well in any setting. turn that thing off offers something different with a fierce 808 groove and unsettling acid lead, perfect for the early hours.

schwarzes 12 inch vinyl in bedruckten innentaschen in bedruckter kastentasche (4 tracks), inkl. download-code (5 tracks) ... die -collapse ep- ist aphex twins erste neue arbeit seit der -cheetah ep- aus 2016. das klangbild aus hyper-editierter electronica, durchsetzt mit seinem typischen acid-sound, spuren von footwork und schwerem bassbrummen zeigt den zwilling von seiner modernsten seite seit seinem meisterwerk -syro- (oder vielleicht auch seit -druqs-). parallel mit der offiziellen ankündigung erschien auch ein atemberaubender videoclip seines langjährigen kollaborateurs weirdcore zum opener -t69 collapse-

following induction’s liturgical hymns remixes ep, ravage is proud to announce the next release on their white series. it’s a various artists release, containing tracks produced by artists who are very close to the label. hence, it’s title: familiar affairs.

the sheep s fall ep is the latest result of dahraxt s freaky mind keeping that path of harmonic doughty techno rhythm with 90s nostalgia, already shown through previous releases on his own imprints jtseries and picnic34. the release seeps a clear message: the most dangerous thing in life is an incompetent that has been given the chance to rule the world.

07042016 (live at st.paul s anglican church, athens) is the debut album of modal analysis, brought by the greek experimental band of mmmd (also known as mohammad). nikos veliotis and ilios are currently performing as the mmmd duo, with further focus on deep monolithic sounds, low frequencies, inter-modulations, dark textures, and distant folk nuances through custom made instruments (cello & electronic bass) and software. the release carries parts of the mmmd live performance at st.pauls anglican church in athens, recorded on the 7th of april 2016. the concert was hosted by fasma festival, on the opening day of its 2016 edition.

very cinematic, tunnel visioned & on-going arpeggiated synth-techno in two versions by stiletti-ana (half of jesse from last years twotinos lp on keys of life). a-side with steady kick and feedbacked percussions riding through a deep, analogic, cloudy and live drummed landscape. b-side highlights the scope with no drums, except the ever lasting cymbals.

tech-droppers fronts a coil of six acidic, harmonizing, well programmed, whizzing and straight to the bone dance punchers. the string of snappy snares, rainy cymbals, steps of cuts & drops, as well as the sequenced balance of high flying chords, rolling rhythms and solidly sectioned stabs keeps all tracks absolutely straight to the point.

first lp in new series from finland, this subdue jazz drone album has the quality of dusk, but is never darker than the nordic summers. atonal & forceful at times, still padded and invitingly warm, it has 4 classy pieces that enjoy being on the fringes while slowly capturing the ear when organs drone, the tr-808 thumps, the percussive double bass and the saxophone layers fog of melodic growing waves of groove.

deeply rooted & slowly explosive, estonian andres lõo slides from loud guitar skanks to rumbling toms, all capturing periods of dub, jazz, folk music and the drama of an orchestrated band surrounding the estonian seto peoples musical background. b-side carries a generously beautiful xylophone, played, recorded and manipulated gently. both sides highly polarizing his debut album skeletons on rock (laton, 2009).

fromtheoldtothenew was originally released in 1996 and is the second full length on peacefrog from steve ‘stasis’ pickton. growing up as a teenager in east london, break-dancing and writing graffiti with b12’s mike golding, steve pickton’s musical education moved along a familiar path, from hip-hop to electro and onto techno. schooling himself in music theory and purchasing a sampler pickton set about making his own music.

fans of the berlin based nils frahm are by now familiar with his beguiling live shows where more often than not fellow touring artists are encouraged to join frahm on stage – the likes of rachel grimes, rob lowe of balmorhea as well as label colleagues peter broderick and Ólafur arnalds have all obliged with fascinating results. it will come as no surprise then that nils frahm, an accomplished composer and producer who signed to erased tapes in 2009, has extended his collaborative live musings to encompass the recording studio, working for the first time with noted cellist and fellow berliner anne müller to produce 7fingers.
with their first collective release frahm and müller have built a world where modern classical and electronica collide creating an intoxicating and delicious collection of songs. primarily a pianist nils frahm provides evidence with 7fingers that he can effortlessly turn electric throwing in loops, samples and glitches to accompany and showcase müller on cello. anne müller, a renowned musician noted for her work with the wolf-ferrari-ensemble, phillip boa and recent tours with agnes obel, proves an amp musical partner for frahm.
the vinyl release includes a download code.

the first release on standards & practices since the widely acclaimed remixes of talker’s “battle standards” ep (by surgeon / regis / broken english club) from late last year, “live from frankfurter strasse” represents the first recorded collaborative effort from jonathan krohn (stave, also 1/2 of talker) and jan grebenstein (downwards, horo).
limited edition on white vinyl.

ismo laakso s very well produced and spaceously mixed ofelia (from 1996-99) is a blend of industrial, avant garde, modern classic, bleeps and clicks. the narrative of this album sometimes undefinably blurs the lines between recorded material & samples, and also juxtapose the main grooves with highly psychedelic sound effects and (beautiful) melodies.

techno interpretations by the label newcomers and the artists you may already recognise.

phat 90s laurent garnier styled techno

a new ep from amsterdam based producer daniel jacques, titled last jaar, will follow up the exclusive ep from mysterious japanese producer shinichi atobe from 2016. last jaar will be released on jacques’ own jadac recordings record label and on this ep, he is bridging the gap between house, techno and r&b music.

omega , new freund der familie album comes with a great musical range ... from ambient soundscapes to dubtechno .. massive tip , it s (o)mega

jude greenaway joins analogical force with e.oneseven ep . some might already know scanone from past releases on combat recordings and yellow machines. intricate breakbeat treatments with crisp electronica melodic edits, twisted future hardcore and london-bred basslines...the sound of scanone in 2018. on the b-side the conner brothers reappear after a long silence as bitstream, to twist re-turn into the darker dystopian side. fans of solid underground music take note

gost zvuk continues its journey to the depth of today s russia experimental music scene with the debut ep from infx, yet another emerging artist from country s capital moscow. young muscovite prefers to work on the margins of popular electronic music genres, using the complex broken rhythmical architecture to create his own kind of introverted club tracks for highly observant and thoughtful listeners. the resulting music is an ever-changing, multifaceted and polychromatic living organism with a constantly mutating structure — a truly unique piece of art that should not be overlooked.

hello leif mueller on shtum. pleased to meet you. especially with such a strong debut release. everything is starting with the no-nonsense-techno track teleshop which is designed for big room pleasures. on wo ist meine playstation 4? things get a little more psychedelic without losing the straightness you need to get lost in the dance tunnel. cairo is a lesson in keeping goose bumps alive with its up and down galloping synth stabs. to cool things down, the stuttgart based producer drops nightcleaner, a quietly starting ambient affair that evolves into a little acid monster.

another year on the hitd calendar, another stunning new solo release with brian case plays paradise artificial. this third album somehow manages to compile and condense the best bits of its predecessors, and the magnificent viridian, glacial universe developed by case since the beginning of his solo ventures is brought to the forefront. the chicago artist centres his elusive, dehumanised compositions around two simple, minimal elements. using just vocals and synths, he has created a simultaneously modern and post-apocalyptic soundtrack, where music exists as the final traces of the footsteps of humanity. pressing on translucent yellow vinyl.

hq art with gatefold+graphic novel label project from russian dj and rhythm composer julia govor. jujuka is a multidisciplinary art project and record label that involves rhythm composer and dj julia govor and london-based illustration duo le.blue. the project is about music, short narratives, true stories, comics and illustration, where the artists behind the project want to go beyond what the conventional record label offers. every piece will be unique, told through music and stories composed and written by julia, accompanied by artwork and comics illustrated by le.blue.

cosmic vortex opened by spearhead of techno minimalism formerly &#8721,,,, - killer

!! vinyl only !! incl hector moralez remix & locked grooves

limitierte nachpressung als transparentes vinyl! sam prekop ist als sänger und songschreiber von the sea and cake vielen ein begriff. darüber hinaus ist er auch fotograf und maler. er veröffentlichte 1999 und 2005 zweil soloalben, die pop-songs mit afrikanischen und brazilianischen einflüssen enthielten. auf -old punch card- geht er nun ganz andere wege. er hat songstrukturen über bord geworfen und sich von music concrete und elektonischer musik beeinflussen lassen. den bbc radiophonic workshop, nuno canavarro, raymond scott, david behrman und freie improvisationen nennt er als einflüsse für sein neustes album. -old punch card- enthält keine stimmen, keine gitarren und keine beats. die limitierte lp enthält einen mp3-download-coupon und die cover sind ebenfalls handgemalt.

when looking for music to be released on magazine, our guideline has always been energy. the key question remains the same: does the artist have something important to say? does it have a sense of urgency? alex played us these tracks while visiting the magazine studio in cologne earlier this year and we were consumed by unadulterated rage. this is anything but a conceptual release, alex has not released this kind of music before. a side of alex manifests itself through these techno tracks, that most might not have known before. brutal yet beautiful, furious yet fragile. a berlin native who shaped his sense for techno by striving through his hometown and its infamous raves, alex is now one of the prominent protagonists of that scene – not only when regularly playing at berghain. the ep harnesses this experience perfectly, fully preserving the energy of the creation process by recording directly to tape. most productions may have suffered from this primitive method of locking sound into position, but not these tracks from a techno master.

phaedrus is the monikor of dutch dj and producer joris kamma who currently resides in seattle. drawing from multiple techno and house influences in the early nineties, joris developed his own unique aesthetic best described as deep and quirky sounds always combined with a strong groove. for this special transfusions release, joris has crafted 4 minimal yet powerful techno weapons that are sure to bend the minds and heighten the energy of the crowd in the way that only perfect techno can. simply put, this is classic techno at it s finest!

medical records presents the eleventh release in our transfusions 12- singles series. guilt, the collaborative project of new york city based artists, oliver chapoy and nathaniel young, is the result of 2 recording sessions during the spring of 2017.

following their debut release with danse noire réelle releases their second album entitled ghamccccxc vrr, expanding upon the painterly melodies and ornamental sound design of kissing myself. rather than focusing upon deep psychological aspects of schizophrenia, ghamccccxc vrr explores key moments before and during réelle’s first schizophrenic psychosis as well as the lateral state of mind caused by this condition.

following sterling entries from derek carr, john shima and mihail p, distant worlds reaches out to perseus traxx for a demonstration of the emotional heft and utopian optimism that classic techno promises in its most compelling moments. this is relatable, familiar territory, but executed with finesse beyond the reach of the average producer. a new mystery is bathed in swirling synth tones as elegant as they are moving, while simulacra places a bold square wave riff front and centre for an impactful deep techno meditation. circumstantial reframes the same rich melodic approach in a frantic chassis of snapping beats darting around the grid with playful glee, and then the map is not the territory applies the same logic to a mystical but rhythmically charged trip into the netherworld of machine soul.

6 tracks from techno to dub house

an absolute neck twister that majestically blends acid house, uk bleeps & west coast style hip-hop with refined, delicate & grimey production techniques. it s a smile & groove attracting cross-over fit for house/techno as well as r n b/hip-hop floors. b-side takes the tempo up, electro-fying & advancing beat programming, while portioning dark, well harmonizing & climaxing sections of melodies. simply an ace & elegant sex tags mania power move.

sichten 1 new on raster

los lagos ist das siebte soloalbum von thomas fehlmann, sein viertes für kompakt nach seinem berlin-album gute luft von 2010.

nikolajev hits hard with his new 12 inch release retta on päästevest. tallinn lekker club co-founder robert nikolajev channels raw grit and pulsating energy in retta (dance mix). the flip side houses an internal dialogue of unnerving tension. limited 300 press. all tracks produced by robert nikolajev. mastered by alex gordon. pressed at deepgrooves.