this is a color version of kf279ij, featuring the classic track from ray keith news at 10. this ep has the original mix and jumping jack front remix, both of which have been remastered for this limited repress! as such, we only have very limited numbers.
this is a limited color repress of the enormous anthem, the shy fx remix of rsay keiths the chopper. this track was inescapable for years as a dancefloor anthem, and remains one of ray s most sought after jungle classics.
this is a limited repress of one fo the biggest tune in the history of jungle ray keityhs seminal classic the terrorist. lovingly remastered and available for a short time only on this color repress!
mit der adrian snell lp collection auf curtea veche (cvltd010) zeigt tommy vicari jnr einmal mehr sein gespür für detailreichen, experimentellen house mit analogem charme. auf zwei platten entfaltet sich ein vielschichtiges klangbild zwischen verspielter rhythmik, rohem drive und hypnotischer tiefe – ein echtes sammlerstück für kenner des underground-sounds.
der alte, erschöpfte schwedische produzent sean dixon ist mit einer neuen 4-track-ep zurück, dieses mal auf dem brasilianischen label massa. inspiriert von den klängen aus chicago und detroit, liefert sean eine vier-track-ep voller roher grooves und warmer analoger synthies. die ep verbindet klassische house-elemente mit einem modernen touch und fängt den geist des genres ein, während sie gleichzeitig dixons raffinierten produktionsstil präsentiert.
experience the timeless sound of death cab for cutie’s transatlanticism on this 20th anniversary reissue. limited clear double vinyl edition with download for the full album and all original demos.
third album of swiss dj and producer nvst, filled with oil is a deep minded project made of breakbeat, dub influenced industrial, acid and intelligent techno.
salfords cong burn drop the latest in their ongoing 12inch series feating entries from regulars chekov, perfume advert & lack, with newcomer tonto making their debut.
cong burn continues to exercise one of the most promising instincts for future-minded music on this, their third release. it s surprising they haven t done more previously, considering the maturity of their curation, but either way the quality remains at an all time high here, leading in with some light and liquefied 4/4 sonics from chekov before pirouetting into one of duckett s illustrious abstractions around the techno blueprint. label regular lack is back on side b with the stern and punchy -track 3,- and then haddon finishes the record off with -anabiosis,- a densely textured, slow creeping trip of a track.
arkvs are well known faces to us and have been shifting gears throughout 2017. this year will be no different as they deliver yet again with “texture ep”. four easy going techno tracks that bring in the vibes just right along with some spacey synths.
on the a side bftt and lack follow on from their debut release on the fifth cong burn tape. bftt crafts a peak time sub heavy techno weapon which beautifully collapses in on itself before its final ascent. lack layers polyrhthmic splashes of shackleton-esque percussion over dubbed out bass growls. flip it over and you ve got chekov following up his ace debut on shanti celeste s peach discs with electro 808 patterns and swells of low end weight. howes lowers the tempo with a low key bubbler that further explores the textures laid out on cong burn s first 12inch.
there was a time when to die was something slightly different from what it is today. back in the last days of the middle age, some hidden monk was concerned about how to die properly, according to the catholic standarts of that era, so he wrote a book that was a cornerstone in that period. this has been the leitmotiv and inspiration in the concept that drives this album, the ars moriendi book from 1415, a book that gave some clues about how to die properly, avoiding lack of faith, despair, impatience, avarice or spiritual pride, all those actually track titles in this compendium.
barker & baumecker and ivvvo remix 2 original tracks from the groovement catalogue and contribute with exclusives for the “10 is not enough” compilation to celebrate the label’s 10 years journey. these 2 reworks are dense, dee023p and rhythmically strong. being distinct, the tracks complement each other giving this 12” a coherent authorship. already being played in clubs such as berghain (berlin) or lux (lisbon) this release marks the label’s longevity and also its connection with the main music cities of the world
played by tim sweeney & dj nature
detroit has been stretching its influence over creative lisbon in recent years. helder russo, a newcomer, reflects that underground evidence on his debut 12 inch for groovement. you ll hear that inspiration manifesting not only throughout his musical output but also embodied on the b side remix, delivered by the iconic and legendary motor citys producer niko marks, long time artist at planet e . i dont know ep has been in the making for a while but its finally complete, containing 3 original tracks and one remix by the great niko marks
mark knight returns with his miami vices guise another superb ep. 3 well known tracks get the makeover treatment this time taking his inspiration from some classic hip house moments and bringing them bang up to date sure fire winners as ever!!
aka troy pierce (minus), enemy love ( cover y our face ) is a collection of dark eerie and sometimes twisted minimal techno tracks. all the tracks sit together in a similar v ein, but all shine indiv idually and the album walks the ambigious line between dancef loor hits and af ter hours jams. tunes like the anthemic grace (anxiety ) with its almost post-punk v ocal and hy pnotic, twangy melody is sure to send dancef loors ov er the edge. ref lected and leav ing take y ou down a darker path of introspection with the help of gibby millers dark, brooding v ocals. this album will push and pull y ou through a tripped-out laby rinth of sounds, sad and heavy-hearted at times powerful and full of grace others
adam gibbons (lack of afro) has amassed an extensive and varied body of work. from his own recordings, featuring his multi instrumental skills, to producing, dj-ing and of course, remixing tracks by a huge range of different artists.