in the end, we re nothing more or less than traces of space. let your mind wander deep, high and wide on a timeless journey through sound and back. this is the debut album of eric os.
this is the sound of the physical space between one destination and the next.for this, the second space trace record we go deeper, darker and more open minded. four moody cuts, made to be played loud at whatever time or place you may end up in.
dj trace & hlz present mavericks, a synthesized odyssey of precision drums, savage basslines and dark cinematic atmospheres that hark back to the golden era whilst setting a firm course into the future. pressed on grey marbled vinyl.
as a true reference cultural media, trace completes its musical offer with a first collection of 3 vinyls! find the cream of afrobeat selected by trace and journalist osman jr. with manu dibango-ebo taylor-shina williams...
as a true reference cultural media, trace completes its musical offer with a first collection of 3 vinyls! find the cream of salsa selected by trace and journalist osman jr. with tito rodriguez-setenta-the alegre all star....
as a true reference in the world of cultural media, trace completes its musical offer with a first collection of 3 vinyls! find the cream of zouk selected by trace and journalist osman jr. with: kassav--perle lama-admiral t...
dj trace’s retox lp gets the royal remix treatment from four of the scene’s undisputed dons. mark system, j: kenzo, bungle and hlz deliver timeless techstep pressure. limited pressing on dark red marbled vinyl.
dj trace’s retox lp gets the royal remix treatment from four of the scene’s undisputed dons. mark system, j: kenzo, bungle and hlz deliver timeless techstep pressure. regular pressing on black vinyl.
supported by: kaiserdisco, chris liebing, marcel dettmann, alex karakakis, drumcomplex, carl craig, marco bailey, joseph capriati, steve mulder, ilario alicante, slam, franco bianco, ame, paula temple, randomer, subjected, 2000 and one, paco osuna, angy kore, dj emerson, gel abril, dj whebba, slomi aber, spiros kaoumenos, diego alvarado, luigi madonna, charlotte de witte, derek plaslaiko, arnaud rebotini.
saturne is the new project from asc & sam kdc. it came to life a few years back, as a non-specific genre approach to writing music. the first outing from the pair under this guise focuses on grey area compatible deep hypnotic techno cuts. trace elements shows the pairs intent to deliver intricate, atmospheric, genre-fusing tracks of a standard that has come to be expected for their output over the years.
using his 2014 opal tapes opus ‘holo earth’ as a jump-off point, jimmy billingham aka holovr lays down an expansive 5 track mini lp for edinburgh’s firecracker recordings. deeply atmospheric and functioning in multiple realms, trace realm is a collection of drawn out acid and ambient textures with nods to early uk rave and no wave electronics. essential celestial, new age dreaminess, battered acid and fried techno. • unique 5 track ep from holovr • strictly limited vinyl • silkscreened artwork by house of traps
what a year for lake people so far. apart from several excellent releases and remixes, like his outstanding interpretation for chymeras classic >caprica burning<, the leipzig-based act is busy playing gigs around the globe. earlier this year, he had his first south-america tour, north america is following this summer. his lowkey and touching live-performances obviously work excellently. we are now more than happy to present the next lake people ep. four tracks, no remixes and each of them a pearl on its own. >into< goes a bit in the direction of his hit >point in time< on krakatau, while >stepwise< and >come over later< reminds of the timeless electronic approach of acid jesus or soylent green releases on klang elektonik
nice price deal !!! melodies and words are in faccinis bones and his finely crafted songs resonate with traces of his ancestry. if his songs were maps they would stretch from the english moors to the saharan dunes via the parched plains of the mediterrannean before spanning the atlantic ocean all the way to the mississippi delta. for piers, recording albums means surrounding himself with old friends, people he can talk music with, true accomplices, fellow souls who share a common vision. a soulful and expressive singer/songwriter whose music fuses folk, acoustic blues, and west african textures, piers faccini was born in england to anglo-italian parents, and moved with his family to france when he was five years old.
includes cd-version of the full album.
vinyl only !!! after the sucessful >join the resistance< series on philpot tim toh enters the ornaments family with a nice deep and soulful summergroover which he did with the vocals of his sisters lisa and jasmina. everybody wants sisters like that ,-) on side b you will find a space-dubby-remix-trip of manuel tur.
julen y la gente sola s debut is one of the most remarkable uruguayan albums of the last decade. the ten songs included here trace a path that unites twee pop with indie rock, filtered by clear influences from montevidean singersongwriters. their lyrics narrate, with a bittersweet look at mundane details, acid humor and honest sentimentality, stories about what it means to be young and lost in a small country.
SPECTROGRAPHIES MUSIC FROM THE MOTION PICTURE BY SMITH (LP)
12 Inch LP Pre sale
during one long winter s night in a neon-lit paris, a restless young man wanders around to let himself be found by something that most people otherwise try to avoid: ghosts. and the night is full of unexpected encounters in this ultra-chic film, which is neither documentary nor fiction, but rather an adaptation of the idea that jacques derrida defines in a guest star appearance on the cinema screen: that film plus psychoanalysis is equal to the science of ghosts - ie. a form of spectrography , which the french artist smith in her self-ironic, self-conscious, science-fiction essay of a film, conjures up with thermal infrared and in the dialogue s mosaic of quotes of rambling french philosophy, from breton and barthes to merleau-ponty and derrida himself. hyper-modern and rich in (retro) references.
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