architect and 14 anger are rendered.

somniac one back on prspct xtrm. the vinyl release includes a download code.

delusions, rendered and shrouds go ballistic.

limited edition of 500 copies on black vinyl.

5 industrial techno / ebm killers from black egg & rendered.

omen recordings is off running to the industrial techno races againand this third release has already been gaining traction around the globe with high anticipation and support from many respected producers and djs alike. the puppetskin ep written and produced by german and french artists rendered with remixes by american producers black asteroid and axkan is off to a great start.

selected advent deal - body theorys first guest ep from the duo rendered with industrial and ebm flavoured killer tunes.

we present the core of chaos ep by rezystor for the first twb vinyl release. two banging original tracks by rezystor for the dancefloor which are the perfect combination to create a dark atmosphere. binny (monnom black/clft) takes over for the first remix and presents a raw, rave-influenced interpretation of inner core. the second remix of inner core comes from rendered (aufnahme+wiedergabe/body theory) who converted the original into a bass heavy, pounding basement version.
analogue mastering by alhek mastering. artwork by maxime charton.

rendered is the relatively new collaboration between daniel myer (haujobb, architect) & clement perez (14anger), both veterans of their respective genres spanning early 90s ebm and darkwave to more recent destructive techno releases. this fresh offering via fleisch combines both of their signature styles into a colossal and abrasive 31 minute rhythmic barrage.

rich in ancestral flows, between ghana and europe, powered by deep, conga led rhythms and seductive warm horn riffs come jembaa groove, whose new album and newly rendered sound, reminds us that jazz, in its contemporary, soulful form is not just a london ting.

dieser 4-tracker ist die zweite veröffentlichung auf dem mittlerweile legendären label evasive records aus croydon, south london, in den späten 90ern und frühen nullerjahren. auf pyramids arbeitet evasive-labelchef rob pearson mit leonora epremian (aka autonomy) und seinem regelmäßigen produktionspartner lee humphreys zusammen.

repress - future music duo second woman’s sophomore full-length for spectrum spools further hones their distinctive fusion of shapeshifting software sculpture and tessellated footwork. shivering digital textures oscillate with and against algorithmically mapped percussion samples, smeared synthetic chords levitate in the distance, stabs of digital noise punctuate the mix in twitchy, time-distorting patterns. their anamorphosis verges on ascetic: stark, splintered waveforms rendered into unique fiber optic hieroglyphs.
multi-instrumentalists josh eustis and turk dietrich share a deep history going back to their days in the new orleans ambient electronic community, as part of telefon tel aviv and belong, respectively. even so, s/w pushes beyond their combined discographies to date, flexing impossibilities, building rhythms from arrhythmia, teasing veiled emotion from bold iterations of cold code.

after more than ten years on the techno scene, hosting vienna’s infamous meat market parties, playing dj gigs in some of the best clubs around the globe and releasing four solo eps on his very own label meat recordings, it is time to take his profile as a producer to the next level. and this is exactly what snacks will do for gerald. besides delivering some of his typical techno bangers (push, waste of good cereal, winning streak, every me) and a breaky roller in the legacy of his hit otto wagner green (fever), he has taken some considerable risk by showing a completely new side of his production in the studio: wash me and sail away are coops with viennese singers, that could quite plausibly be described as pop songs. gay dad offers some rammsteiny vibes along with some provocative, yet sexy lyrics. snacks also features two amazing remixes by christoph faust and projekt gestalten. the double 12” vinyl comes in a precious gatefold cover with a breathtaking 3d rendered artwork by jesus florez (bogota, colombia), which is, in effect, a work of art for itself.

2021 repress - to feel the future is to feel the fall into time. for the fourth instalment in tresor s kern mix series, dj stingray (urban tribe/drexciya) presents a device for decoding time in all directions, a sonic prism that refracts our senses into auxiliary components of a total future-rush. with a far-reaching selection that has been worked into his own unique form, dj stingray wraps our vertigo around a gritty pneumatic bump with high-velocity swing. his mixing style, prepared for hostile engagements as it is, throttles techno into counter-gravity forces. wading through a specialised cross-section of detroit s own dance-floor contagions as well as the contaminated feedback signals from across the global aqua plains, the mix can be summed up in just one word: hectic. raw, caustic, synthetic rhythm-code pumps frenzy itself through a cascading geothermal fog. never giving away the cryptographic keys, dj stingray works you harder than your heart, adapting your biology to a fractal timeline of viscous systems. discovery, or uncovering, has to do with what already exists actually or virtually, it is therefore certain to happen sooner or later with enough sweat in the club. and as kern volume 4 attests to, dj stingray has the access codes and the stealth sense to make a place of a space, and to let it fall into time. accompanying the mix is a double vinyl. the leading manoeuvre comes from the collaborative efforts of dj stingray and heinrich mueller under an exclusive nrsb-11 piece. seven more key titles of the covert assault make up this vinyl edition

limited edition of 500 copies on double vinyl.

while being best known for creating deeply immersive live psychoacoustic experiences, the london based pataphysical have allowed us to use periphera , the fruits of their debut studio work, as the label s eighth musical oblation. it would have been an exercise in futility to try and replicate the immediacy of their live performances on this record, but we feel that across these 8 disparate tracks inner worlds have been rendered real. through the careful positioning of field recordings and the creation of soundscapes somewhat reminiscent of heyday mille plateau the group have held fast to a desire to craft involved and captivating synthesis.

remixes from ansome, craow, rendered, and the horrorist.

ltd to 350 copies

tracks from aural imbalances propagation of light album versioned and rendered for wax. just breathe gets spotlighted on the a-side with two remixes. first up, maps of hyperspace grafts his brand of dubby ambience to simon’s instrumentation for trippy chill house goodness. off land strips back the beats and ups the ambient bandwidth on his version to close out the side. the b-side kicks off with soul solution, one of mr. huxtables trademark lusicous atmospheric house tracks. adriano mirabile brings his techy production stylest o the desk on fall of stars to wrap things.

experimental ebm techno ep

manchester s ourtime music return with something of a electronic masterpiece ! after a 14 year hiatus, salford s elusive cosmic composer returns to his sonic insomniac guise with a debut lp of the finest underwater electro & crisply rendered electronica as always, super limited !!

osaka based producer 7fo. having previously released a cassette on rvng international, and a 7inch single on bokeh versions in 2017, this is the japanese producers debut full length vinyl release. the tracks, recorded between 2012 and 2017, have been tweaked, remastered and recorded to vinyl for the first time. the mysterious figure recorded the tracks at home, processing guitar sounds, using a sampler, synthesizer and junk equipment. following in the footsteps of the ambient giants of his native lands, 7fo’s music continues this illustrious heritage whilst offering something fresh, modern and beautifully rendered. he describes his own sound as gorgeous sustained tones and dreamlike oscillations that drift through the inorganic/electronic world reverberating through our subconscious creating sonic fables in our minds. the 12inch comes with artwork designed by label head & visual artist jack hardwicke. to accompany the release greek filmmaker george kountouras, who also collaborated on the artwork, has directed a gorgeous video for the title track moment

vibraphone records continues to deepen its contemporary repertoire by inviting andrew soul into the fold with a vocal contribution from house music legend robert owens. slipping into darkness is a beautifully rendered deep house gem with expressive piano work, rubbery bass synth tones, but in some ways the minimalism of vincent floyd s remix gives owens vocals a chance to take centre stage. as you are is a crooked, broken beat exploration on the fringes of deep house, and owens voice sounds resplendent in the more experimental surroundings before nick anthony simoncino comes on board with a 90s flavoured, darkside remix of the highest order.

akumandra is the mexican imprint of sainte vie. the label promotes the exceptional artists riding the sub current of multicultural electronic music and, after 3 years of sharing its music for free, it s about to release on vinyl for the first time. sainte vie s music is a prime summary of what it means to hear in a post-genre universe. as trends are quickly rendered obsolete, the accumulation of culture debris is becoming more significant in relation to the producer the ability to create a nostalgic blur through a composition of artifacts and interpretations. paying homage to this, estacion inmortal (sainte vie s first ep) produces the afterglow associated with an auditory epiphany. the combination of mellow interludes, earthy chord progressions and acoustic-synthetic equilibrium have the capacity to conquer both communal space and solitude.

ptwiggs brings the surrealist violence for brand spanking sydney imprint deep seeded. taking an erratic hairpin turn after dsr001s off-piste techno, purge comes off like a tragicomic thriller, swerving between saccharine sensitivity and brutal ultra-violence in the blink of an eye. shit is rough in ptwiggs towers, dishing out relentless tyson jabs to the head on day of wrath with holly herndons inverted poltergeist drifting about between the blows, while lara dies seems to execute your favourite video game character a trillion times per second just for laffs. but it s not all blood and guts rendered in vivid hd. coil-axis twinning of demonic and angelic energies course through yyyy and drift below the surface of the more berserk pieces. not for the faint of heart but life s probs beaten the feeling out of you at this point anyway.

cindy appears again in memories of cindy pt. 2, a passage of five plaintive cuts, concisely rendered with spineful percussion, succinct melodies and textures that evoke classic acid house and the new beat scene of the late 80s / early 90s. featured on pt 2. are several songs among the collection s non-club oriented tracks, transportzone mee- and forever afslutidijk, both meditative, atmospheric exercises interspersed among the ep s higher-bpm takes.

arthur russell epitomised the spirit that defined downtown nyc in the 70s and 80s. yet his inability to complete projects resulted in limited output. be with now present the reissue of event horizon, an album arthur did finish with his cult group the necessaries. criminally neglected for 35 years, its scarcity on vinyl has caused it to evade his most diehard fans and its relative obscurity has rendered it largely unknown, even amongst arthur acolytes.

special request returns taking no prisoners with a fierce battery of snarling, belligerent, machine-funk of the highest order across a 6 track ep. atoms are smashed, vapour clouds sent into the ether, chaos is controlled, tamed and rendered in 6 different shades of wrong… also features a deliciously spannered rework by peder mannerfelt to close out the ceremony

vinyl only - 300 limited copies no repress)
bologna s increasing influence on dancefloors across the world continues as hotly tipped lo-fi house duo nas1 drop their first release on their home town label, sorryforthis records and is sure to be a big moment for their burgeoning reputations. it s an eclectic, multi-layered 4 track ep that pushes the boundaries of what is possible with such minimalist kit to the extreme and includes a remix from sound signature legend marcellus pittman. vino cheenese, as the title suggests, is a leftfield rumbler that, once finished, leaves you unsure how you got there - but sure you enjoyed the journey. oriental synths flutter over a pounding bassline, taking you from gloriously lo-fi, serene moments to being inundated with beats provided by a simmons sds8 and akai mpc1000 that puncture the surreal atmosphere. the pittman remix removes any pretence of serenity and has more of an eye on the dark end of the dancefloor. the bassline is rendered more ominous and the beats more relentless and distorted, while keeping the leftfield vibes in tact. ag pini brings in a lower tempo, with punching industrial yet melodic synths coming in and out of sparse rumbling beats it feels like a kraftwerk track if they had grown up in detroit. the springer is the hardest tune on the e.p – with layers upon layers of crunching beats surrounded by howling, swirling high end synths, looping in and out of each other, putting almost an entire history of dance music in one brutal track.

the second remix ep from maps of hyperspace’s “superspace” cd sees the ambient dynamics of “a sense of unity” emphasised in the versions rendered by off land and arjen schat. elwood throws in his reinterpretation with a superb minimal deep techno take. adriano wraps the excursion with a smooth dancefloor remodel of mikael’s unreleased “sky”.

naveed akhtar is truly one of the unsung heroes of manchester s ever vibrant music scene. under his freak seven & sasso aliases, naveed has enjoyed support and acclaim from hordes of dancers and discerning dj s alike. his expertly crafted productions speak for themselves, and we re more than happy to present the debut release on his newly minted northern life records label. the a side houses day come through a ridiculously uplifting, but bitter-sweet hymn crafted from the bones of detroit techno and the soul of deepest nyc, via the rain-soaked streets of downtown manchester this wonderful ear worm is already attracting deserved plaudits and ecstatic reactions. on the flip largo is a crisply rendered, heads-down jam, shot through with the heavy production dynamic, but melodic light touch a hypnotic delight. finally raspberry toast featuring the handsome guitar work of begin is a beautiful homage to the sun-soaked mediterranean, which has inspired so much of the manchester music scene. an incredible debut, we re sure you ll agree!

two new tracks by burial, rendered in his singular ambient style.
total running time of seventeen minutes and thirteen seconds.

first release and sensory trip into filmmaker and dj producer paulo chinatown s mind. an hologram of the berlin crash experience rendered for your ears, eyes and heart.

kepler. makes the second contribution to silencio s catalog with “planetary systems i”. with refined ethereal elements rendered from what is surely an eerie origin, “186f”, is truly engaging. this track is fueled with a seductive synth heralded by haunting vocals that effectively whisper over its steady, punchy bass line. meandering in the background is the type of idiophone sound one would associate with a hand-percussion triangle instrument. its particular effect provides a complex, rolling rhythm that vibrates in a beautiful tone until its objective has been achieved. on the b-side “452b” is a great track to open up a set with, gentle yet still energetic in how it introduces itself to the audience. it begins with a series of echoing sounds that rise and dive throughout, seemingly reflected off the surface of one’s subconscious, in a satisfying manner. accompanied by a deep pulsating bass line that accents its driving drums, this track will set the tone time and time again. imagine the dawning of a realization formed from an inspiring event in nature. the second track, “luzon”, features a laid back tropical tempo and samples that feel transported from a lush, rhythmic rainforest. kepler expresses this vision within the confines of a catchy groove, utilizing subtle bird sounds and rattles that resonate over layers of atmospheric synth. this is emotional music meant to move a crowd or manufacture a sincere moment of clarity.

the first release by parisian iconoclast joakim for his friends and european colleagues at dj tennis life and death records is a miniature nocturne for dance floor meditation, a cascade of unfurling fizzy moods and introspection, finally tuned and expertly rendered by the electronic music maestro. -i met manfredi (tennis) through luke jenner (ex the rapture) in nyc. when manfredi has a few days off his busy touring schedule, he comes to my studio to work with luke on their collaboration project. we usually talk about synths, food, dj gossip and complain about espressos in nyc. about 6 months ago we were eating korean fried chicken and manfredi asked me if i’d like to do something for his label life & death. at the time i had a bunch of club tunes i started working on and somehow had a feeling some of them could be a fit for life & death so i played those and manfredi very quickly picked one, daemon. i thought putting out something on life & death was at the same time kind of odd (and if you didnt notice yet, i like when things are unexpected) and totally appropriat

after several tracks and remixes 4 hands worked with sonartek, gabriele carasco and bion, the label founder francesco passantino drops the second solo ep on his own label rqm. 4 stunning and various tracks ranging from a groovy bounced minimal to a dark micro house. mastering rendered from the code studio gives the cherry on the cake to this dancefloor killer pack. enjoy!

modern love very rarely reaches out to artists outside of its immediate surroundings, it’s happened just a couple of times in the last 14 years. but there’s something about philippe hallais that compelled the label to ask him if he wanted to do something together. philippe has released music on a bunch of cool labels (l.i.e.s., the trilogy tapes, delsin, in paradisum), but hearing the first tracks recorded for lighthouse stories, it was obvious philippe was hitting on something new: a kinda weird slow/fast dance music that sounded like a footwork variant sewn up with an exotic production style that was impossible to pin down. these tracks eventually splintered off into different directions, held together by a strong sense of narrative and motion harking back to a teenage obsession with turntablism, detroit electro and ghetto house, and eventually juke and grime. although he’s spent the last few years focusing on more industrial dancefloor variants, for lighthouse stories philippe turned to these foundational influences, as well as his love of mixtapes and sound collages full of unfinished ideas, skits and experiments, all things that inform the flow of this new album. lighthouse stories captures a sense of nostalgia well, but is also a futuristic vision full of that exploratory, vibrant spirit that’s so hard to find in electronic music these days. frames of reference are hard, but in places it reminds us of the dusted swagger of anthony shake shakir, the acquatic drexciyan movements of ultradyne, a loose-limbed take on shangaan, and of actress at his most submerged. but ultimately, it’s an album made by a producer looking to his personal history while forging new ground, pushing ahead with little regard to convention and ultimately ending up with something completely unique: a kind of intimate journal rendered in bright colours and odd shapes.

leave your preconceptions behind because ital tek’s brilliant new album ‘hollowed‘ is his best and most rewarding yet. created from new beginnings, it’s a journey through the naïve exploratory methods with which alan myson started to make music over a decade ago. the record is dark and maximalist but at the same time the huge sounds are minutely detailed and elegantly rendered.

mastermaster kicks things off and drives a shifting sequence through a lo-fi break, plodding piano notes and a clipped, lively vocal hook before -bruce wayne- melds spring reverb and squelching flangers to treat guitar riffs and more 80s drums. eerily wobbling synths shimmer over head before -hornet green- drives a sprung kick under tense, soundtrack synth tones and a sandy shuffle as a cinematic pursuit is rendered. -valium- then sets sultry vocals floating through more hazy drum breaks and softly shifting chords. rhythmic variation and more vintage effects wade in and round off off a refreshing package of rich and intriguing gems and another fine addition to the charlois series.

nach seinem sensationellen comebackalbum syro in 2014 (inkl. grammy-nominierung!) und der computer controlled ep anfang 2015, knüpft der soundtüftler nun an seine acid-zeiten aus der mitte der 00er jahre an, als er als afx mit der analord-serie auf seinem eigenen rephlex-label den dancefloor unterminierte. die zusammenstellung orphaned deejay selek enthält komplett unveroeffentlichtes material aus den jahren 2006 2008, auf dem das genie seine liebe zu weirden acid-grooves auslebt

repress 2015 ... phil souths now universally celebrated label has continued to evolve and push the boundaries with a claasic and collectable series of cult releases now in their late teens, the label shows no sign of slowing down, or toeing the line! stepping up to the plate once again, the unstoppable vandervolgen generator, with the latest in his try to find me series another duo of obscurities, reworked and rendered in glorious 21st century technicolour the a side houses a fierce, camp and snare pounding mid-party banger, while the flip carries the balearic gem >needs ending< which has been the subject of much interest after a few choice airings from phil another amazing 12!

after his debut album on stilleben, komarken electronics drops his first vinyl release on solar one music. deep and unique electro featuring an exaltics.

paxton fettel intrinsically invites you to the very core of his soul with mana, a heart wrenching ode to suave and unassuming house music. real instruments and penetrating decisiveness serve an emotionally rendered piece of the blues, perpetually enticing mood binding empathetic maneuvers. paxton orchestrates feeling with musicality well beyond the average clique, despairing yet hopeful, slickly jazzed and upfront drumming produce a mad example of what he is capable of pulling off/straight out of copenhagen we get treated to yet another fine instance of a paxton fettel classic with they go unseen.

new years deal - incl lerosa remix, brill 80s inspired electro - disco... chicago rooted

*** first available via decks.de ***
with sa012 dadub carefully collate legacies of philosophical thought and transpose them into a brilliantly deep ep. the vinyl opens with >perseverance< a slick slice of bass that writhes and twists around a syncopated core. on a2 >temptation of maya< seizes at the act of perception and what is captured is perfect for the mellow confusion of a sunday morning. on the flip side the search for transcendence goes further with >beyond the veil< which crackles towards a sense of enlightenment. the ep closes with a golden moment of contentment, >moksha<. the track titles hint at the search for revelation, which is rendered in countless experimental layers and finely wrought details. sa012 is a peek into the conceptual framework that dadub engage with to create their vision. and just as their central image, maya, is intangible in the perceptible universe, the tracks seem to erupt from an equally mystical place: molten, dark and fathomlessly deep.

heavy austrian dub mechanics from group niob aka phlox conspirators gerhard potuznik and martin sovinz. this is their 2nd release to date, a dedicated follow up to last years >vector ep<. opening track nexus takes dubtechno one step further down the road to the lowlands. it manages to keep the atmosphere dread and melancholy but balanced with light skipping percussion and whispering snippets over a four to the floor beat, creating an uniqe kind of bass music. second tune aldo glows with warm chords over thick and dreamy rhythms, rendered in spacious minimalist dub style. side two starts with a vocal drenched acid-rework of nexus by no other than tin man. the words >doesnt matter who your are< will settle down deep in your subconsciousness and refuse to leave for some time. already an anthem and that kind of tune that should not be missed on future dancefloors. the ep ends with a fierce and forward shifting, floor shaking nexus-rework by londons bass cadetts dark arx