pressing on cucumber green coloured vinyl.

lp, includes a 16 pages booklet with an original text and drawings by arto lindsay, plus an essay by thibault walter, curator and senior lecturer in sound studies.

new album from gotan project mastermind philippe c. solal on limited vinyl.

black vinyl reissue of the 2004 debut album from lindsay lohan.

jonny nash (guissian curve / melody is truth) and firecracker s lindsay todd get barefoot and turn out a stunner of an lp. over the course of twelve compositions we find the pair utilising their recordings in a whole host of ways, avoiding the well-trodden cliches of the exotic and instead attempting to achieve a personal interpretation of the flora, fauna and climate of the island. spending time amidst the insects, rice fields and scorching sun, the pair gathered a library of found sounds which were then taken back to a studio space to be stretched, mangled and manipulated alongside a variety of electronic and acoustic instruments. the outdoor studio itself became a living instrument, with the duo setting up multiple microphones for durations of up to 12 hours around the space, layering and processing the results in tracks such as fauna mapping and a series of small frogs

“cuidado madame”, arto lindsay’s first full-length album of new material since 2004’s salt. the album is titled after an infamous 1970 julio bressane film about oppressed housemaids revolting against and brutally murdering their mistresses. the literal translation is “careful, madame.”
the album is produced by lindsay. it features melvin gibbs, paul wilson, kassa overall, patrick higgins, ryu takahashi and thiago nassif.
candomblé (spiritual rhythms revolving around possession and trance) served as the foundation for the record. the process began with recordings of atabaques in brazil. lindsay wrote melodies and lyrics over the rhythms in the studio in brooklyn.
the album is an exploration of the cultural nexus of afro-brazilian spirituality and western modernity.

the dj-duo-team johnas belardinelli & vincenzo busceti are known for their fantastic soulful house partys in switzerland & they always have the right choice of the musically selection during their dj sets. but this is not their only talent as you can hear in this production. «my way» is featured by the fantastic voice of carlos santanas singer tony lindsey, who brings the track to the right level for a purple release

slamming filtered disco vocal house !!!

polygamy boys (bunker, nl) debut on lasergun > retro - electro trax

c’mon tigre, the innovative music collective known for their genre-blending compositions, releases their highly anticipated fourth album habitat.

orange indie edition + poster ! the original motion picture soundtrack from quentin tarantinos “once upon a time in hollywood” on double vinyl, housed in a gatefold sleeve.

first ever vinyl pressing outside of brazil. a modern electro-acoustic masterpiece of acoustic guitars and voices feat. arto lindsay.

one red and one blue vinyl!

red vinyl

strong 2lp electro compilation

pop

limitierte 140g light green vinyl inklusive downloadkarte

the original motion picture soundtrack from quentin tarantinos “once upon a time in hollywood” on double vinyl, housed in a gatefold sleeve.

when commissioning remixes, the best labels think outside the box. that s exactly what firecracker s lindsay todd did when seeking out producers to rework tracks from linkwood s excellent expressions album. on this second 12- in an ongoing series, that faith has paid dividends. whereas the original version of ignorance is bliss was a warm, woozy, sun-kissed deep house affair, healing force project has reinvented it as a stargazing chunk of 21st century space jazz, complete with twinkling chords, low-slung double bass and reverb-laden drum solos. the musephased interpretation of love lost by kimochi label head area sticks closer to the ultra-deep, melancholic vibe of linkwood s original, but adds a frisson of excitement via bubbling, detroit-influenced electronics and hypnotic rhythms.
• healing force project & area remixes
• strictly limited vinyl
• silkscreened artwork by house of traps & al white
• custom, unique obi-strip artwork

a unique, rhythmic and psychedelic offering from sunny balm. strongly recommended artwork by murray collier & lindsay todd silkscreened by house of traps

an all-star tribute to the who, featuring iggy pop, todd rundgren, ian paice, rick wakeman, knox, sweet, 38 special and many more.

next up on the ever-eclectic xvi records, a shadowy figure steps into the spotlight: enter the mysterious captain over, whose dark yet soulful bruk-infused tracks soundtrack the next stage of their voyage towards the sun. for his debut outing, captain over calls on the abstract vocal stylings of the legendary trim (roll deep, 1800 dinosaur) on opening track sick. showcasing why hes one of the most iconic and forward-thinking mcs to grace the mic, trims dulcet tones twist through a jungle of shuffled beats and subterranean sub-bass, an eerie child-like melody drifting overhead. clack clack and no one ever really flies inhabit a more dancefloor friendly space, their unique syncopation, fierce instrumentation and relentless energy open up the dancefloor for some real get loose moments. on the remix, they hand the controls over to xvi homestay books (following on from the success of his previous feel it in my bones and high praise edits vol 1 releases which won praise from the likes of the black madonna, moodymann, gilles peterson and seven davis jr) books expertly crafts a cosmic footwork jam, full of his trademark soulful chords and eerie midnight saxophone licks. as he prepares to launch his forthcoming ep no-one every really flies into the cosmos captain over is beginning to cement his place as one to watch in the uk underground a sequel ep featuring grime upstart nico lindsay is scheduled for release later in the year, with several more collaborative works in progress.

paper recordings ben davis takes off his flash atkins cape and mask to launch a new project exploring things left of centre and balearic. in these disposable times, stubb will celebrate community and diy with a limited run of 300 vinyl screen-printed kraft card sleeves of commissioned illustrations by artist rachel johns plus hand-drawn labels by hebden bridge s the egg factory. we are launching is a journey in to psychedelic balearia with one of the most exciting artists of recent years, jane weaver her mercury music prize long-listed album modern kosmology was described by the guardian as -a lean and thrillingly addictive slice of unearthly pop-. the stubb collaboration is a sublime head trip to the deep reaches of space and electronica with hallucinatory guitars, burbling synths and arpeggiators that are beautifully set off by jane s ethereal vocals. mike lindsay is founder and producer of folktronica pioneers tunng and his distinctive tones sing the praises of doing nothing on boring days, which is psychedelic leftfield pop at its finest. the track is locked down by a nagging fifth bass with vocal pops, hand claps, muted afro guitar, washed synths and arps that build before the choruses hit in a wave of analogue keyboards and fuzz guitar. after that, a gloriously stretched outro takes you straight to the mediterranean. there s also an edited instrumental that brings out the sunshine...

for this album, ebo joined forces with 12-piece band ‘the pelikans’ — from the cape coast region of ghana — led by bessa simmona, with rhythm guitarist fifi orleans lindsay. a genuine ‘holy-grail’ of ghanaian music and one of ebo’s most saught-after.
the album was released on the small abookyi label. named after a nightclub they played in called pelikans, and sung in english and fante, this was the first album where ebo sang on tracks, such as the classic ‘come along’, on which he also plays keyboard. this song clearly defined a new direction in highlife and has become a ghanaian funk anthem. ‘come along’ formed the basis of sadat x’s ‘remember that’ hip hop jam from 2011.
this official mr bongo re-issue is packaged in our new & improved heavyweight ‘tip-on’ sleeves, printed in japan, pressed on high quality vinyl, audio restored to the best of our ability, with label designs and artwork as per the original release.

a cold cell in bangkok will be released on a single sided 12 inch single with a silk screened image on the other side lovingly designed by lindsay todd, the remarkable and acclaimed scottish artist and runner of the firecracker, sacred summits, shevchenko and unthank record labels. this record is dedicated to the memories of jhon balance and peter christoperson whose music has brought so much joy and light into my life.

wunderschönes neues album von sam genders aka diagrams in kooperation mit der 90(!)-jährigen poetin dorothy trogdon aus washington. auf der basis von folk-inspirierten songs setzen sich zwei generationen über wissenschaft und natur auseinander. die produzenten kristofer harris (smoke fairies, clock opera) und mike lindsay (tunng, speech debelle, low roar) geben den songs ihren warm-analogen bzw. leicht elektronischen touch.

new year - new artist keeping it freaky and strictly sponky! irelands kalla makes his dabj debut with four killers that we have been sitting on for a criminally long time (sorry mate!). we are extremely happy to finally get these out on wax so everyone else can enjoy popping their woofers and tweeters as much as we have over the past 6 months! limited to 300 copies, hand stamped labels with love from glasgow. props to lindsay todd from firecracker for the sweet stamp designs!

the last couple of years have been huge for pomo, going from a relatively obscure canadian producer to releasing his debut ep on hw&w, remixing for the likes of janet jackson and mark ronson, producing am i wrong? on anderson paak s debt album and touring the globe with disclosure as their opening act. bastard jazz has commissioned pomo to be next in line for the fourth volume of their tempo dreams compilation series, following on the heels of the hotly contested soul clap compiled vol. 3. as with other tempo dreams records, pomo has curated a slick and well polished album full of exclusive tracks from friends and collaborators such as lindsay lowend, aloka, exmag, syre, daniel crawford, fvlcrvm and more. touching on the shimmering nudisco sound, plodding deep electronic vibes, funky instrumental hip-hop, and even a hint of drum n bass, tempo dreams vol. 4 takes it s rightful place in the series as one of the most forward thinking compilations showcasing emerging young talent.

mcdonalds long-standing relationship with firecracker boss lindsay todd – dating back a decade to their joint residency in edinburgh has seen lord of the isles records appear on both unthank and shevchenko, whilst he also contributed to the scotch and field recording shenanigans of last years mac-talla nan creag album. now, mcdonald will now graduate to the main firecracker label for a full lord of the isles debut due in december under the name parabolas of neon. taking shape as a six-track 12inch, the record features glacial techno and downtempo, cinematic melancholia, a fitting tribute to peaks conquered, whisky-drenched travelogues, warehouse parties, long drives and fried afters.

three track ep with tracks taken from the rare 1980 disco /boogie la walk album from estiban lindsay from canada. come to me has had recent wider exposure from dj hunee who has been caining in his dj sets causing the value of this rare album to rise over 3 figures.the tracks have never been available as a single in their own right and have been officially licenced for the very first time. limited edition 180 gram vinyl ep

lmtd nice price , last copies left, supported by spektre, namito, patrick lindsay, andreas henneberg, dubfire, mihalis safras, john acquaviva, joseph capriati, wehbba, ziel 100,jaxson,max cooper, alex capelli, electric rescue, citizen kain, frank kusserow, edgar de ramon, marco bailey, stephan bodzin, microtrauma

we are proud to announce the double lp edition of echospaces phase90 project, lovingly remastered by bazza (abbey road studios/thom yorke) @ alchemy mastering, london. features unreleased new material and beautiful silk screened metallic sleeves and art direction from the very talented lindsay todd of firecracker recordings & house of traps. the entire album was bounced down to 1/4- analog tape prior to remastering to preserve the integrity of the masters. this project was deeply inspired by the possessive quality of supernatural textures, field recordings and found sounds conducted at the calvary cemetery. there is something quite haunting in the underlying tone of these recordings, an ominous feeling not for the fainthearted. -illuminati- celebrates the progression of the soul, a concept which stems from metempsychosis. the material on this album can be interpreted as sinistral--dark, heavy due to the hardware and its currencies emitted by its source--the phase 90. an acidic dream of transliminality, this is the first phase90 project to materialize in its essence, until now. limited to 500 numbered copies.

inspired by a journey of a man, who is not afraid to leave everything behind and travel far beyond the stars, vakula sets off for the exploration on new sound magnitudes. written by david lindsay in 1920, a story of a fearless traveler who is exposed to sublime energies and unknown spheres concurs with vakulas perception of reality and his personal voyage to unknown dimensions. claimed to be a soundtrack to a voyage to arcturus, the album is an attempt to expend beyond conventions of the modern house music and dedication to daring ventures.

special triple pack for all you voltage lovers out there - contains three classic releases:
- vmr 10: sneak thief - body militia
- vmr013: andreas henneberg - ask your druggist!
- vmr 44: the glitz - all the ladies

neues album des mehrfach praemierten, kanadischen indie-folk/alternative-country-trios elliott brood aus toronto, das bereits mit wilco, blue rodeo, corb lund und den sadies auf tour war und mit days into years seinem ruf als vertreter des death country wieder mehr als gerecht wird.

following the extraordinary outings of his 2010 debut 12 inches on phantasy sound (summertime our league / havai), and an album and mini album in 2009/11 respectively (weekend / preparing a voice to meet the people coming) on perdizes dream/glue moon, sao paolo based babe, terror returns with knights ep his visionary take on modern sampleapsychedelica or wdm (wrong dance music) as he describes it, composed under the influence of the cadence of life. this heady stew of unsettling aural landscapes and lush, cinematic stories, have earned him the admiration of the new yorker, said the gramophone, the guardian, coke machine glow and uncut as well as the likes of arto lindsay, four tet, james holden.
this isnt your average piece of vinyl as well as >five killer tracks of skewed house / hynogogia<, it features etched illustrations around the edge and in the centre. oh, and listeners have to play it from the inside out – i.e. the stylus needs to be placed in the middle of the record…

nice price deal !!! excellent split vinyl with fine house music

supported & played by: kiko, markus kavka, huntemann, bodzin, dubfire, mihalis safras, pascal feos, henneberg, pelle boys, steve bug, ascii disko, patrick lindsay, xpansul!!! amazing groovy daniel steinberg remix and a huge detroit string infected original

fourth and final ep from the series of radiohead cover versions osunlade takes everything to the brazilian dancefloor with congos unsteady trumpet and deep slabs of synth the cinematic orchestra comes with a more global orientated mix with a clear hip hop edge telefon tel aviv have removed the defining guitar riff to this deeply melancholic poem to place their unique personality on this cover adding the detached chanteuse musings of laltra vocalist lindsay anderson coupled with their elegantly complex brash electronics guitar and piano ambience