cashmere cat, very favorite norwegian of contemporary music, mixing electronic music, minimal and rnb, released his first ep *mirror maru* on pelican fly records in last october. in collaboration with pelican fly, ed banger records releases a new ep where you can find remixes of the tracks *mirror maru* and *kiss kiss*: four new versions of this two tracks by feadz&kito, g vump, canblaster, and busy-p. digital download code included.

ltd to 300

ltd 7 inch

collaboration of planet asia and a plus tha kid

der new yorker heems (himanshu suri, ex-das racist) und der londoner riz mc (riz ahmed) sind die swet shop boys und -cashmere- ihr debütalbum auf customs. das neue transatlantische, indo-pakistanische duo - beide mit aktivistischem hintergrund von trump bis brexit - verschmelzt dabei so unterschiedliche klänge wie bollywood-streicher, sitar, schlagwerkzeug, harmonium und westliche synths problemlos ineinander. als produzenten konnte man den londoner redinho gewinnen, dessen letztjähriges debüt props von mark ronson, jessie ware und hudson mohawke erfuhr.

if the parquet album saw them delivering a unified vision of dancefloor purity to massive acclaim, cashmere now takes elektro guzzis signature man-machine sound up a notch!

der new yorker heems (himanshu suri, ex-das racist) und der londoner riz mc (riz ahmed) sind die swet shop boys und -cashmere- ihr debŸtalbum auf customs. das neue transatlantische, indo-pakistanische duo - beide mit aktivistischem hintergrund von trump bis brexit - verschmelzt dabei so unterschiedliche klŠnge wie bollywood-streicher, sitar, schlagwerkzeug, harmonium und westliche synths problemlos ineinander. als produzenten konnte man den londoner redinho gewinnen, dessen letztjŠhriges debŸt props von mark ronson, jessie ware und hudson mohawke erfuh

tkay maidza drops the final part of her “last year was weird” trilogy. pressed on black vinyl, cut at 45rpm.

the fourth album from kalipo (1/3 of frittenbude). regular pressing on black double vinyl.

the fourth album from kalipo (1/3 of frittenbude). limited pressing on unique and random coloured double vinyl.

gold coloured vinyl

2lp + 11 track mp3 download

the 2nd album from rita ora on white coloured double vinyl.

140s freshest innovator, cartridge, sizzles three cutting-edge styles into one eclectic record.

the second album from ariana grande, originally released in 2014, is back on vinyl.

late night tales presents the 3rd album from ash walker.

the third album from ash walker as limited and numbered edition of 1000 copies on teal vinyl.

for our 8th release in the series, we ve invited another crazy motherfunker from the other side of the ocean. dj gene aka gene g-spot siewing besides being a crazy scratcher on the 1 s & 2 s and a brilliant radio show host for the liquid love show on cashmere radio, he s also a lifelong friend of our very own delfonic and oye records. gene presents a batch of classic disco re-edits, plus a lovely spoken-word introduction by the man himself. feeeeeeeeeeel his pleasure and never forget: if we can dance together, we can live together. and don t let nobody tell you different.

new boat-house attire from your favourite fashionistas favourite fashionistas. recorded using 100% analog chinos, roland boat shoes, 1 bottle of old spice and an old cashmere rugger jumper slung over the shoulders. casual as f*ck m8. featuring 2 original cuts from london based new comer, sports casual, plus a super grazy dj fett burger remix on the flip. vinyl only. hitting record shops very soon.

chad valley ist ein außergewöhnlicher songschreiber großer popsongs mit farbe und freimütigkeit. der engländer kehrt nun mit einer erweiterten vinylversion seines bislang erfolgreichsten releases, der “equatorial ultravox ep”, zurück. gegenüber dem viel gestreamten digitalen release, enthält die vinylversion zwei bonustracks und einen cashmere cat remix des highlights “shell suite”, welcher im blockbuster “warm bodies” gefeatured war.

22.02.85 is the new album from bastien keb. initially conceived as a concept album about a stripper lost in the city (like a straight-to-video follow up to showgirls), 22.02.85 has a distinctly nocturnal edge to it. the city at night, lost in a crowd, abandoned petrol stations, empty kebab shops, broken florescent lights. like a half-forgotten dream, familiar yet unnerving. he says all the songs are all about girls apart from two about a big lug. you may catch a phrase here and there but the context is all in the feel: there s a melancholy edge, but i don t wanna depress people. sad but hopeful? if that s possible.

shortly after aussteiger s successful debut on dub disco we knew exactly that we wanted our long time friends s&w on board for our second release. these guys have been a huge influence on us for a long time now. first we fell in love with their eclectic and powerful dj sets and when we heard the demos of these hardware nerds we were truly blown away. when we asked them to produce our second release they handcrafted this ep full of lovely analogue sounds for us. it surely stands in contrast to the first record and by that underlines exactly what dub disco is about: a journey through the vastness of electronic music.

belgian producer joris biesmans (aka cashmere* and benn lian) delivers a counterweight to the fast food music that ram-raids its way into todays mainstream consciousness, with a project named tve - the virtual escape indicating his urge to escape from todays data-saturated, musicas mass-industrial-product environment. musically, tve aims for an aesthetic ambush incorporating strange & self-made hardware instruments, tape machines, non-standard structures, atonal abstraction, noise, distortion and randomness - openly embracing imperfections instead of smoothing them out with calibrated presets & templates. to this end, tve has brought two masters of this approach on board for the labels debut ep and with creme organization alumni legowelt and asok bringing forth their own inimitable style on remixes of biesmans delightfully askew original productions. keep an eye out for more engaging oddities on future tve releases to come. early support from: massimiliano pagliara, tim sweeny, ambivalent, lando

repress - badbadbadnotgood is the talented young quartet of matthew tavares on keys, chester hansen on bass, alex sowinski on drums & leland whitty on saxophone. they formed and became inseparable friends at humber college’s music performance program in 2011 and have been on a critically acclaimed, rule bending musical journey ever since. bbng took the music world by storm with their 2014 lp, iii, a brash yet refined record of angular jazz improvisations, lush ballads, kraut rock, & futuristic hip-hop tinged rhythms which led to a couple years of touring the world & collaborating with some of the best and brightest artists around the globe.

freak out mit den ruffcats. the essence vol.3�g ist ein krautfunk masterpiece von deutschlands hardest working backing band. non-stop auf tour sorgen die ruffcats bei so unterschiedlichen kunstlern wie flomega, miles bonny, ivy quainoo oder georgia ann muldrow fur den guten ton.

feadz is releasing his debut album instant alpha fifteen years into his career. his music is a careful balance of urban and electronic that finds its roots in rap, freestyle, electro, techno and house, but also in more ghetto influences such as footwork, trap, baile, etc. in short, feadzs music is a quintessential edbangerian alloy.

following dj qs vinyl-only brandy & coke local actions second release of 2012 comes from slackk – one of our favourite djs and producers.paul lynch has been one of londons best kept secrets for years, he founded the pirate radio website grimetapes, and produces as both slackk (releases on numbers) and patrice & friends (last years cashmere sheets album featured high on fact and the wires best of 2011 lists).raw missions is his most substantial statement yet – a tribute to the widescreen grime of producers like ruff sqwad, wiley, oddz and alias, all massive influences on both him and local action. its heavy with a tinge of longing, and full of power.first pressing comes housed in an album-style sleeve with spine

the second edition of the mosso series adheres to its archetypal plan, as alejandro mosso leads us forwards on his musical trek and through the grooves carved onto this record. for this new number, alejandro mosso decided to delve back into his archives and take a closer listen to some forgotten, unfinished pieces. some listeners will surely recognise certain bits of this record as they were part of mossos live performance years ago. this is however the first time they will be edited and see the light of day. on the a-side, aconcagua is a festive theme on which a magnetic marimba riff turns into an escalating melody, surrounded by a forest of ascending percussions - characteristic of mossos production – lightly floating around it. cashmere, the flip, was conceived while airborne on a flying carpet, half way above the indian subcontinent and below the countles gleaming stars. perfect instance of alejandro mossos talent, it is a subtle blend of hovering winds and crystallized textures. the bansuri flute and the clave go hand in hand to form reassuring horizons, the soundtrack for a longer moment of hope, greater perspective and spiritual transformation.

180 grams audiophile vinyl 2x12 inch lp + bonus 10 inch.
included in this music on vinyl edition is a 10 inch with the hit >cant knock the hustle< (fools paradise remix ft. melisa morgan) with an instrumental on the flip side.

don your deck shoes, carelessly knot your cashmere knit and slip into some chinos, chromeos electro-boogie duet hot mess ft. la roux is ready for action. comes with a remix from armand van helden as duck sauce

supplement facts records continue their rich run of form by handing a label debut to detroit-native lee curtiss. the >and we all fall down< ep has been one of the most hotly anticipated from the israeli label and is set to become the soundtrack to the last echoes of summer. we continue to dance, as the days grow short our nights become longer and lees ep is the perfect accompaniment….>i can hear you arthur<, a tribute to one of lees long-time music heroes, arthur russell, is an emotional escape. with russell being a direct sound-inspiration for the release, we are treated to a longing for a far away love. with waves of sound that build and cascade, accompanied by pillow-talk whisperings, all creating eight minutes of rhythmic, warm grooves. arthur never sounded better. after the body-swaying vibes of the a, side b brings the perspirec-electronic throb and hip-grinding action of labor of love. after yearning for arthur, we are more than appeased with the beautifully sultry and ever so intimate vocals of stephanie selvaggio. with its rhythmic guitar opening belying its true intention, labor of love develops into a sensual dancefloor cut with stephanies vocals floating effortlessly with the acidic beats as she drives us ‚crazy, and we all fall down is a perfect example of an artist at his most vunerable. its brutally honest sound invites the listener in with open arms and wraps itself around them like a warm cashmere blanket. as the brutal realisation that summer is almost over starts to sink in…its worth taking comfort in records like this, that make the transition that much easier.

l kubic is the berlin based producer lars niekisch. already in the 90s he was playing keyboards and writing songs in various bands. he also did his first producingsteps working as a programmer and co-producer at a music studio. later he and his good friend alec trick founded their project trick & kubic. on his journeys around the globe, inspired by all the impressions, he collected lots of musical ideas. based on these fragments l kubics first solotracks were produced back home in the studio. his first solo project was signed to buzzinfly, berlin label blackfoxmusic followed straight away ...
big with: nic fianciulli, matthew hoag, andrew grant, david west, jay lumen, einmusik, jaxson, pierre deutschmann, cashmere ...

two of the biggest chicago house classic ever, still ruling the floor: mike dunns >god made me funky< and dajae/ cashmere >brighter days<

redshape returns with another strong delsin release. after his impressive debut, again three deep house tracks. -misc usage- on the a side brings dark acidic deep house, with an irristible bassline. -cajmere- shows the warmer side of redshape with the beauty of melody, along the lines of ame material. last track goes -dem young sconies- on acid, dark, and highly effective!

tipp

the fourth album from kalipo (1/3 of frittenbude).

lets start with the italian ilario alicante and his dj-mix to get the immediate scoop of what makes this guy so special: we cannot describe it other than saying this mix rules! strong but relaxed at the same time with a good variation and xxl deepness in the selection makes this mix a great house-excursion. this is the sound of hot summer nights and happy people dancing til the morning. you can imagine this very special summer party vibe while listening to ilarios mix which incorporates the right elements such as emotional piano-breaks, cool vocal-samples, kicking house-beats and hypnotic basslines.

der dubstep-pionier mixt die 22. folge der rinse-dj-reihe. der produzent kode9 gilt als einer der pioniere des dubstep

there will always be a bass drum making people dance, but it will rarely sound the same. techno and house are in continuous flux. there will always be people celebrating. and each year new kids join the scene, hungry for pleasure, for beauty, for ecstasy - for life.

g.i.disco - an 80s history of cold war s hottest music in west-germany berlin local dj heroes kalle kuts and daniel w. best a.k.a. g.i.disco have compiled an excellent 80s soul, funk, r & b and disco selection. it combines representative music of that time with informative liner notes about the german historical background (which also is an important part of 20th century s world history), international artist quotes and worldwide renowned art by berlin based photographer frank thiel to an unique history lesson and listening experience. soul, funk and r&b from the us became a worldwide dance and clubbing movement during the 70s when it turned disco. in the late 70s and 80s more and more new electronic instruments like synthesizers and drum machines were added to the horn riffs and piano licks, bringing the funk back on the dance floor while still leaving it s soul untouched