monster track original and tiga remix ... kick the floor to the world cup

ltd 2020 repress - red vinyl

repress alert!!! the only official represses of these groundbreaking larry heard classics.

ltd 7- release with classic chicago house music >>>>
there’s a reason why so many of house music’s early releases have endured over the decades. the best of them have a quality that defies logic. early house records like heard s own -washing machine,- or the -no way back- by adonis, still have the power to stun listeners and drive clubs wild. they sound alien and beautiful, simultaneously ingrained within us and so unlike everything that followed. and few sound as beautiful, or as alien, as -can you feel it.- by 1986, heard—who was born and bred in chicago and been playing in bands as a drummer—had already proved to the world that he was a master of poignant, enthralling house. the previous year’s elegant “mystery of love,” originally released on alleviated records, had featured an insistent ascending bassline repeating under a plaintive, swooning analog synth, with a gentle, conga-led rhythm setting the pace. it was soon rerecorded in a slightly more fleshed-out style, this time featuring frequent collaborator robert owens on vocals—”there’s a moment in our lives when we all must try the mystery of love”—and rereleased on d.j. international.

chief zk bucket is back on the his very own zaun records... hammered already to death by his biggest fans :) a must have!!!

mr. fingers classics from 1986. re mastered versions from the traxbox compilation. audio restoration by arjan rietvinks digital mastering. released in conjunction with trax / harmless.

the ever uplifting sounds of the submissions back in the djs bags once again. mezmeric rips it up with his digital washing machine. brilliant grooving techno with power. special treatment by high profile artists robert natus and stigmata. try it out and you will find out why this is yet another fave for the techno djs.

marco bernardi was an obvious choice for who got to do the first album on frustrated funk. representing his most delicate compositions ranging from freaky minimalistic electro trickery to the sweetest and intense excursions in the field of what they use to call intelligent techno . we simply picked out his best moments along the line and put it all together for this brilliant presentation. with this piece of art we show again that we don t give a shit about new styles, trends and hypes. we just want to deliver a very sweet package that you will still be playing and cherish in 15+ years from now. this deluxe double vinyl album will be sweetened with hand stamped label art, hand made screen printed sleeves and pressed on pretty pink transparent vinyl to make this package extra special. enjoy!!

ultraphat electro - techhouse monster a la ghosttrack (tiefschwarz), massive huge dj support : deep dish , pete tong , erick e , judge jules, markus gardeweg , john acquaviva , laidback luke , luetzenkirchen , lucien foort ,gaudino , mike litt , disco boys

rockin electrokiller

1lp 140g coloured vinyl reissue (crystal clear diamond

reissue of the classic 1973 trojan records compilation on yellow & black splatter coloured vinyl.

dungeon dabke sounds from susu laroche - a french-egyptian multi-disciplinary artist who has had previous collaborations with klein, oxhy, blackhaine, nkisi, flora yin-wong & mica levi to name a few

bob marley classics on red, yellow & green coloured triple vinyl in gatefold sleeve.

18ß0gram yellow vinyl remixes !

produziert von lee scratch perry ! dub versionen von sun is shining & keep on moving ! 1971 jetzt auf farbigem vinyl !

2022 reissue mr. finger longlplayer! top!

continuing the series of reissues from the tresor catalogue, tresor records announces an updated version of the classic regis and female long-player, againstnature.

the new album from kings of convenience on vinyl lp, housed in a gatefold sleeve.

funk lp by surprise chef

the second album from swedens the field, is an hour of lullaby krautronica ideal for caressing abused ears. a digital trip through ambient, dance & drone, its been gently pulsating and washing over you like water in a shallow stream all day. double vinyl in gatefold sleeve, download code included.

new ep yuri suzuk from japan

half-speed remastered reisue on 180 gram double vinyl

the second album from melbourne’s intsrumental quartet surprise chef.

celebrating reggae legend bob marley with this 5x12 inch compilation in a collectors box. contains 4 vinyls with songs recorded with the wailers in kingston, jamaica in 1960-70 and one tribute vinyl with bob’s best songs performed by reggae masters.

dopeness galore is proud to work with another outburst of the warsawian gang

experimental electronics

special 10x7 inch box, limited to 500 copies. to celebrate a quarter of a century playing whatever the hell they like, they have carefully handpicked 20 tracks, and cut these onto that most wondrous of wax formats: the 45 rpm single. some of these tunes, especially the more recent ones, have never before existed on vinyl, let alone on 45.

mikron return to cpu with their second album severance . the corcoran brothers refine their critically acclaimed sound which has evolved to be more haunting than the last release. this album is a nostalgic affair with synthetic landscapes washing over you, before propelling you into the distant future. the ambient moments draw parallels with boards of canada, burial and selected ambient works vol. 2. their last album sold out fast, so don t sleep on this.

cool house tunes by gloor

fienst deep and jazzy influenced house 4 tracker

the flamboyant and off-kilter title track from rones latest album, mirapolis is one of the last solo tracks that the producer composed in the spring of 2017: its one of the rare tracks on the album for which i thought about the live performance. while putting the final touches to it in the studio, i imagined myself at festivals via memories of previous tours. i wanted to record a festive track, which completely stands by its funfair vibe. with this new four-track ep (including three remixes), combined with a new video by aurélie castex, rone extends the carnival of electronic cultures of his latest musical citadel to the dancefloor – and our screens. johannes brecht, shadow craftsman of the hamburg label diyanamics studios, offers a refined reading throbbing with cerebral pulsations. appropriating the main theme in a subtle way, coated with multiple harmonic layers, his textures alternate white noise with organic basses that builds up to a delightfully classical cello outro. german-based figurehead of the south american scene, comeme label boss and founding member of the late closer music project, matias aguayo, has never ceased throughout his career to set off little revolutions on the planet of demanding dancefloors. playful and wild, aguayo sweeps in with a ritornello of chiptune sounds and orchestral arrangements, washing it over with a huge wave of analog synthesizers that destroys everything in its path. french techno scene boss laurent garnier embraces the original piece in all its meticulousness and its psychedelic lifeblood. a hypnotic and mischievous loop infiltrates itself without warning into the reptilian cells of the listeners brain.

before the explosion of the poney ep - including the hit la rock 01 - in 2001 on international deejay gigolo records, vitalic had a previous artistic life under the alias of dima. today, pascal arbez-nicolas is reactivating the dima on his own label, citizen records... also big for fans of *amphetamine* (drax ltd ii)

joe powers is from edinburgh, far outside the network of the grime capital of london. his caffeinated productions as proc fiskal are faster than usual, with many clocking in at 160bpm. ‘the highland mob’, his 2017 debut ep, opened up his music to open-eared footwork and drum’n’bass fans as well as the grime crowd. after following that up with a jungle-inflected ep on cosmic bridge, ‘insula’ switches the feel and intention towards a personal, and melodic music with one foot in grime, infused with often comic, often wistful recorded moments from his environment. he says ‘i wanted to be aware of where the music is coming from, referencing things i’m presently experiencing, like making grime, my radar radio show, phone addiction, alcohol, my surroundings, girls, depression, positivity, being unemployed, being employed and hating it, my friends etc. trying to be true to myself instead of relying on other peoples’ nostalgia, and focusing on now.’ the record is a huge leap in vision, with delicate, pointillist melodies and intricate edits reminiscent of grime producers such as terror danjah. it also resonates with japanese video game music like that recently explored on the ‘diggin in the carts’ compilation. ‘i think i probably make tunes to get out emotions i don’t express in day-to-day life. i used clips of my friends talking, drunk folk, and general scottish life to preserve and represent what my experience is like right now, like a time capsule. social media notification sounds are designed to release serotonin, which is what i’d like my music to do, to make me, and other people happy, and in using these manipulative noises in a positive way, i like to think i’m taking back the power of the manipulation.’ proc fiskal is adventurous and thoughtful as a producer, and at the young age of 21, his debut album is very advanced in its ideas and execution

‘pat thomas introduces marijata’ is a seminal ghanian album that fuses highlife, reggae, folk, funk and soul, from legendary vocalist pat thomas. originally released in 1976 on gapophone records. ‘marijata’ was a group made up of three members – kofi ‘electric’ addison on drums, bob fischlan on organ and nat osmanu on guitar, hailing from ghana. pat thomas career began in 1969 with the ‘broadway dance band’, leaving a year later to join the ‘uhuru dance band’. he then played with ebo taylor’s ‘blue monks’ and finally formed the ‘sweet beans’ in 1973 where he really made his name. the group released ‘false lover’ in 1974, split and then reformed as marijata, releasing ‘marijata’ (also available on mr bongo) and this album, ‘pat thomas introduces marijata’. thomas career spans more than 50 years and he still tours regularly across the world. replica original artwork, official mr bongo reissue. licensed from gapophone records courtesy of george prah.

a year on from luigi tozzi and label head dino sabatinis collaborative manticora ep, outis return with a striking, singular solo work from tozzi. ecate ep sees the roman producer bringing three distinct slices of techno, each with its own set of subtleties and the crystal, adept sound design that defines tozzi’s work. spanning the a-side is ecate. this title track is rolling and hypnotic, with muscular, percussive bass. throughout the track, angelic chords come and go, washing the listener in euphoria. alongside, we hear a disorienting melody, grounded by the lightly swung four to the floor kick that gives this track an infectious groove. the flip opens with leto, which immediately defines itself as a club track with an unbroken but evolving set of percussion and a weighty kick. its around this kick that other elements build. we hear long, ringing, resonant string sounds, and a bell like melody morph and unfold as other percussive components come and go. the track falls away into atmospheric eeriness, which perfectly sets the stage for the eps finale. esperedes swung, panning drums give it a disorienting feeling of otherworldliness from the get go. this is before youre greeted by an alien, slightly dubbed out melody and a hanting backing drone that feels like a reference (perhaps in opposition) to the angelic chords of the eps first track. its on this closing track that tozzis delicate, expert sound design best shines through, and really has to be heard to be understood.

from the knowledge gained on our expeditions, we are able to track down the jets fired during each unique eruption and share them with the people of this majestic orb.
the first squirt led us to the yard in hackney, where ross from friends performed live for one of the first few times in his already sparkling career.
>from the performance came a track called ‘champagne’, a wave of sax washing over you accompanied by plinking guitar and of course those fuzzy hi hats that go right to your head.
this track could previously only be experienced by seeing the trio play live or by watching our documentation of the performance, until now.
we’ve printed 300 copies only of this vintage moment from the summer of 2016.

amsterdam based artist nthng continues to have a busy year. following up an album on lobster theremin and ep on transatlantic, he now lands on delsin with three tracks that touch on driving dub-techno and dreamy ambient. oralage opens with upbeat drum programming and gliding hits that make for a smooth flowing groove. distant pads add some spacey atmospheres and the production is effortlessly warm and driving. a souls search takes time out to drift in the cosmos, with waves of muted euphoria washing over you as you sink into clouds of ambient bliss. lastly, turn to gaia is a dubbed out techno roller, with long legged drums looping down low, reverberating chords adding weight and distant bell sounds charting the whole thing in a harmonic glow. it rounds out a super smooth and seductive ep.

killer ron allen and hayden andre release!! originally released in 1991, and the first release on their soon to be cult imprint strobe, metamorphasis is a strong statement of intent, across six tracks allen and andre lay down a plethora of styles ranging from the deepest house sounds to more warehouse leaning bleep style tracks, deep sub bass, dreamy washing pads and taut drum programming are all the order of the day here and boy are we all the better off for it! this is essential stuff for all house and techno lovers out there, the real deal indeed! essential!

dusky present the latest 17 steps release with the cold heart ep, a four track package that cements their ability to craft a unique range of house and techno soundscapes. having spent last year releasing their outer lp, as well as delivering their second acclaimed essential mix and touring a new live show, the cold heart ep sees the prolific duo return to their roots in textured house and techno with four powerful dj tools. with a nod to vintage new york house through a carefully sourced vocal sample, lead track cold heart is a blissed out, atmospheric house epic that blends crisp percussion, soulful hooks, washing pads and a hypnotic lead organ melody. a favourite from the duos recent dj sets, psychic life coach shuffles with dubby grooves, skippy drums and ethereal vocal cut-ups, before bowed offers a high energy dose of cosmic disco and ravey techno flavours, rounding things off, closing track balfour betty is built around warm, swirling synth textures that meet at the intersection of detroit techno and vintage progressive trance.

as for the second release, the versatile newbeat can be, the versatile this release is.
it kicks off with kfactor. a brazilian ebm-artist, bringing a strong sounding newbeat track. on the edge of military rhythms and cheezy acidlines, and an unmistakely ongoing beat.
vv303, also an ebm artist, give us more then just pure acid. 303’s snorring and humping the dancefloor on fire.
ascended man is the pseudonim for olivier abbeloos, know from t99, quadraphonia,... joins us on this release with a masterpiece. the track connects modern underground electro with the strong and dark newbeat. another floorfiller.
-washing the machince- is the closing track, and a reference to the classic house sound of the warehouse and other early traxx, and still fresh and very newbeat.
as the first release was a huge fresh improvement of todays dancemusic, this release makes the statement clear. fenixfirerecords is here to stay. newbeat is here to stay.

ltd coloured edition
from his early releases as lusine onward, jeff mcilwain’s electronic explorations make up one of the more diverse discographies of the past decade and a half. effortlessly blurring the lines between techno, electro-pop and experimental composition, the texas-raised/seattle-based producer’s arrangements are meticulously constructed, but also filled with emotion and soul. with an introspective turn that’s hinted at in the record title, lusine’s fourth album for ghostly sees mcilwain diffusing the pop-leanings of 2013’s the waiting room with opaque, brush-stroked melodies washing over these new buoyant productions.
the double vinyl release includes a download code.

two floor-smashing highlights from the gnarliest corner of the spectral sound library get a welcome reissue on the first limited addendum 12” to the dope jams nyc volume 1: 2005-2012 compilation. first up is futuristic acid banger “poison dart” by 2 am/fm, the double-headed beast of ann arbor’s d’marc cantu and james t. cotton. beginning with an eerie synth coiling endlessly around a shuffling, anxious beat, the track unexpectedly blasts off with one of the nastiest acid basslines since “washing machine.” commanding, otherworldly, and freaky to the core. on the flip, cotton flies solo and tosses listeners headfirst into his chaotic and terrifying “bizarre carnival.” pounding kicks, blown-out bass and frenzied synths relentlessly collide with one another, creating an endless nightmare of a world on the verge of machine-induced annihilation.