cinematic reissue

coloured vinyl lp pressed on eco vinyl

reissue from 1995

reissue from 1995!

tipp

frankel & harper back on time is now, with bakey in tow.

heavy fusion sounds from frankel & harper on heavyweight vinyl.

frankel & harper with a bass heavy 4-tracker for breaks ‘n’ pieces.

bass-driven explorations from frankel & harper.

frankel & harper kick off council work with remix support from instinct. 2021 repress on 180 gram vinyl.

4th council works with 2 originals from frankel & harper, remixed by leon and zerofg.

jacques renault, keita sano, kristy harper, laroze!

uk garage vibes from kylin tyce, tom frankel, dayne harper and anania plus io mulen remix.

third council works installment by frankel & harper, with remixes from fabe and jack michael.

frankel & harper with the 2nd council work release, backed up with a massive garage flavoured remix from seb zito.

supported by auntie flo, black loops, art alfie, jacques renault, horse meat disco, eli & fur, shadow child, melon, roger sanchez

frankel & harper kick off council work with remix support from instinct.

great chicago classic tracks, check mix 3

25th anniversary limited translucent red vinyl

orange vinyl, picture sleeve + download code insert

double vinyl in gatefold sleeve.

dominus joins the time is now family with 4 weighty bass driven cuts, backed with a dayne harper remix.

various artists ep on banoffee pies incl frankel & harper

urban/soul/blues/r&b/gospel

2 x lp, gatefold sleeve incl mp3 download card

piers faccini keeps on crossing musical and cultural borders on his 7th studio album.

soundtrack from the hbo original series on vinyl lp with code for high quality digital download included.

** limited **

phat new uk garage

phreaky breakish remixes

16 northern soul classics, remastered from the original tapes and pressed on audiophile 180 gram vinyl.

hot sauce committee part two is the eighth and final studio album by the american hip hopband beastie boys, released on april 27, 2011. the album received critical acclaim upon its release and was also a moderate commercial success, debuting at no. 2 on the billboard 200 chart. the release was supported by four singles – -lee majors come again-, -too many rappers- featuring nas, -make some noise-, and -don’t play no game that i can’t win- featuring santigold. pressed on 180g vinyl.

having given us a taster of things to come back in september 2016, with the pressing matters single, the cyclist returns to hypercolour with a brand new, full length album. and as the title suggests, sapa inca delirium leans heavily on south american mysticism, not just musically, but in the visual imagery that the eleven-track album paints so well across its various tempos and rhythms. from the tropical burst of mood setting opener, go back to the steamy and pacey percussive flow of inhale/exhale which features regular collaborator tanaya harper on vocals, the cyclist’s fourth long player is crammed full of intriguing atmospheres and soundscapes. antiexist, with its down-tempo rolling snare fills and ethereal gregorian chanting segues effortlessly into a blind girl drinks ayawaska, a suitably discordant and hallucinogenic skit that ensures the album flows into the more rhythmic cuts like skateboarding in the jungle and mirrors (the second album cut to feature harper on vocals). even the traditional jazzier vibes of when we all break down featuring joni are kept rugged and boisterous, with heavyweight bending bass, choppy breakbeats and fx’d ambience amongst the smooth jazzy chords and sweet vocal delivery. sapa inca delirium is one of those albums that will reward on repeat listen, such is the diversity of style on show here, and the detailed and wide eyed curiosity offered up across the long players fifty three minutes.

apollo proudly presents the debut from haramia tapes, a new mysterious side project from renowned hungarian electronic music producer laurine frost. more usually known for his refined techno sensibilities, frost has packed pfunk with deftly programmed rhythmic structures and infused it with low slung bass and jazzy textures that make for a sumptuous, enveloping listening experience, ideal for fans of nonkeen, jazzanova or leftfield. pfunk contains seven unique beat sessions - smooth funk, crossed with unique broken rhythms, live drums, bass and found sounds - shot through with cinematic melancholy. from the elegiac piano of opener i am you to the twisted drunken breaks of pfunk to the cooled out percussion and spaced atmospheres of hail, or the moody spy-movie atmospherics of farewell four - this is an album that traverses a variety of moods and textures, effortlessly fusing traditional instrumentation with modern electronics and a perfect addition to apollos beguiling canon of mellowed out grooves.

vom house-talent zum songwriter-genie: emotionales indie-dance-album.

for it’s 6th release modelmaker welcomes maddermodes who deliver an ep with 4 quality raw and deep techno cuts. this is the first original material from another artist on the label after a series of berkson & what releases and high profile remixers guests such as dana ruh, cesar merveille and franck roger. maddermodes a.k.a. nic ford and andy harper forged their musical relationship in the post-industrial, sound-heavy world of manchester, uk, where their shared vision for their sound is leading them deeper into atmospheric and melodious techno.

new output by the cyclist - incl robag wruhme remix

for their tenth release, voodoo down has again chosen to debut a new act to add to their label roster. andy harper and nic ford have been making music together for over a decade but began releasing in earnest under the name maddermodes in 2014 on their own label, shift coordinate points. they have since put out records on the labels millions of moments and night drive music. their handful of releases have already drawn support from top names like move d and nick höppner, and its clear that the duos sound is only getting more refined with each successive record. the ep entitled emprical evidence is a wholly cinematic piece of work, spread across four tracks that unravel slowly, unified by a theme of pumping syncopated rhythms under sprawling pad and string progressions. its easy to get lost in the thick arrangements, and the inventive use of samples and melodic elements invite repeat listening. equally suitable for early morning hours, ultra-deep techno sets, or quiet home listening sessions.