4 cosmic otherworldly tracks - alluding to different spheres and inspired by 90s psychedelic goa, hard and acid trance.

tourist kid s first release for melody as truth. recorded in perth and melbourne between 2016 and 2017. though the idea of movement between two places could be a somewhat romantic afterthought, a more palpable sense of dislocated unease creeps up on the listener throughout the album.

god descended from heaven in form of a record to let the world be part of his anger.

vincenzo maurices debut ep is a four-tracker, covering the range of hard hitting & distorted analog techno including a sturdy acid tinge while on the b2 we have die roh who delivers a perfect remix to bring the record back to its shaky shaky house vibe.

heavy & analogue house cuts inspired by old detroit/techno tapes. processed through a reel2reel tape to reach some more warmness from its natural saturation and distortion. stamped & numbered.

a long term promoter and dj in sweden, patrick siechs transition to production has been a sucessful one, following a few releases for the kant label, is now welcomed aboard adam beyers long-running techno mainstay. >crude<, due to the combination of incredibly detailed (and tripped-out) edits/sound evolution and a lolloping loose bassline, is a woozy peak time anthem which doesnt quit. b-side, >bad carnival<, is a heavily percussive, contemporary tribal techno cut which takes no prisoners.

including reeko remix.

2023 reissue, 140g vinyl, remastered from the original vertigo master tapes for this edition by simon francis, original gatefold die-cut sleeve replicated in fine detail

aptly titled 4-tracker from border one for sk_eleven.

maara with hypnotizing-seductive trance music.

pal joey (aka joseph longo) came up in the heady days of new york street culture, amidst b-boying, boom boxes and an unusually entrepreneurial spirit of beat-making. beginning with crude “pause tapes”, he was soon making tracks with drum machines and sampled vocals, all painstakingly assembled with razors and reel-to-reel. working at vinylmania, where larry levan might be found shopping for records in his pajamas, helped joey’s entrance into the city’s nascent house music scene, and he was soon working with everyone from krs-one to sade to the orb, whose “little fluffy clouds” he tweaked for stateside tastes.
true to his city’s inclusive spirit, pal joey consistently blurs the lines between disco, house and hip-hop, dropping scraps of old soul and recent rap alike over his skipping drum patterns and head-nodding keyboard lines. joey’s records (under his principal moniker and also aliases like earth people and soho) have appeared on jive, epic, talkin loud, wave and coco machete. he also has run three labels of his own - loop d’ loop, cabaret and footstompin records.
limited pressing, be quick!

rezonal proudly presents its second release, delivered by the mysterious eastern renaissance. this 5-track ep combines deep grooves and relentless rhythms to push the listening experience past the regular, club oriented sound. five thematic tracks melt together as one consistent work. eastern renaissance presents his credo, which is disturbing, crude, dark and tense, but has beauty hidden deep within.

this is a debut release on vinyl for spanish based jordi navarra whose musical oeuvre stretches between “surf, hippie / space rock and crude electronic music” often different yet coated in tons of reverb and echo for “it’s final catalepsy”!
“micromundos,” needless to say for py devotees, concentrates on his cruder electronic soundscapes, incredible often ambient, drone themed pieces that on one hand dip their toes into the revered works of hans-joachim roedelius and dieter moebius, and the sky back catalogue whilst equally conjuring up a collision of spacemen 3 psych meets wire, early cabs or magazine darker more atmospheric, post punk industrial / experimental workouts.
eight abstract, kosmische fuelled pieces that act as an interesting sister release to the label’s other july offering, the more overtly “in-yr-face” synth pop themed mitra mitra lp.

deep, soulful and techy treats by maestro eric ericksson. eric has been releasing his music since the early nineties on labels like fragile and planet e. in resent times eric’s music can also be found on papa records, local talk and freerange, to name a few. an elegant four tracker that starts out with the uncompromising and crude track ”greed”, followed by ”acquiescence” with its sharp and classy shuffles, lush strings and big sounding pads. the flip side starts of with ”totality”. complete, raw sounding with morphing dubby stabs, combined with rough grooves and punching beats. the ep ends off with the pulsating, dreamy and sensitive track ”closure”. nothing is left by chance when eric shows his vision and approach for modern electronic music.

driven by a vicious and visceral soul, the buttshakers are known for their fierce and fiery music. yet after nearly a decade of touring and recording, it was with a different musical vision that they approached sweet rewards, their first collaboration with underdog records. accustomed to the raw, primitive sounds of 60s garage rock and the crude sexuality of premotown soul music, a sound they could have continued to dig into again and again. instead, they decided to take another route: a creative shift, a return to a style of soul music that no longer has to rely on pure energy alone. exceeding the limitations imposed by their tight yet powerful six person lineup, they opened up this studio session to fully accommodate their ideas and concretize their musical ambitions: a larger horn section creates a richer, scintillating sonority, a touch of slide-guitar opens their creative universe to the open spaces of the far west, the organ vacillates between psychedelic drapery and heartfelt gospel tones, all of this supported by the wicked groove of a percussionist driving the beat on. their sultry and soulful frontwoman, ciara thompson, is here for the first time supported by backing vocalist. an occasion for her to indulge in a few call and- response chorales, a reverence to a gospel background instilled in her from her native st louis (missouri), a still vibrant heritage from the city that cradled jazz, blues, country and folk music. ideal for a sound that never lets down yet remains intuitive to the gradual rise of emotion each song demands. with each new listening, sweet rewards reveals something new to the listener: another dimension, a hidden layer.

with a crude quartet of evolving arrangements urgent’s producer deego fresh stays true to his namesake. shifting baselines roll between a medley of percussive reverb and delay, creating a fluid symphony of dance floor grooves geared for any time of day or night.
from warm and easy to peak time pressure urgent 004 delivers in all aspects. this ep takes no prisoners, so prepare to be moved.

two tracks from times past crude cuts complete with krispy krackle a pair of edits remembered, rescued and revived. new world wonders sliced and stitched in the cold north. a norseman works in newark. a norseman boogies in nassau. a true zafari of zound in remembrance of a fallen friend.

a dusty tape of six tracks unearthed beneath the pinkman broken dreams division. nothing is known about this unnameable artist apart from his sound. a legion of hiss marches across the cassette, a blighted beat bites into lancing synthlines that bellow and writhe in their pitiful attempt to escape. strings are left to howl in turmoil in tracks born out of a crude joke and wry smile. mick wills offers no condolences, the stuttgart man lashing away any humanity with his embittered edit. found in the pit, made for the pit. *** digital download code included ***

after the long awaited and acclaimed return of the notorious manie sans de&#769,lire on june records, one-half of the group, trenton chase, returns on the label with a bold solo lp marking his departure from the sound of his previous releases on the imprint. for his first album attempt, trenton embarks on the search for everything and manages to encapsulate the whole essence of the june records ethos within 43 minutes of music. although initially not planned as an album, deadlock was conceived organically as it only took a few months for its completion during the artist’s most abundant 2017 studio spring sessions. this body of work transcends formulaic attempts to showcase a very refreshing and uncompromising take on synth music. chase followed a crude approach to songwriting, rehearsing and improvising live until the best take would eventually become the final track. artwork by florent mazzocchetti.

90 degrees is the outcome of a collaboration between dsx and sid lamar. 4 crude newbeat-tinged instrumentals accompanied by sparse, yet direct vocals blend into urgent proto-wave with a sharp body music approach.
mastered and cut by matt colton at alchemy mastering, london.

nice price deal !!! eine gelungene fortsetzung der 003 mit fast gleicher besetzung. andomat3000, der seit seinen releases auf cadenza usw. jedem tanzwütigen ein begriff sein muss, hat sich auf dieser scheibe mit einem neuen pseudonym, nämlich heinz-maria kubitschek, verewigt - und das mit einem kracher, der den glücklichen, die seinen liveacts lauschen durften, bestimmt in guter erinnerung geblieben ist. dazu gibt es wieder the crude guy und trainer aus dem hause pristine. bei ersterem hört man auf jeden fall den frankfurter einfluss raus, es hört sich teilweise an wie der junge väth, zwei sehr Überzeugende stücke die er da abliefert, für den dancefloor und auch die heimische couch bestens geeignet. and last but not least, das minimal-treibende kunststück vom trainer, wie auch schon auf den letzten releases zieht er seinen ganz eigenen styl durch und das ist auch gut so!

limited edition of 300 copies, hand numbered.
“danse ep” is the first extended play of the german band bleib modern whom have surprised last year with one the best cold wave albums of the european scene, “all is fair in love and war”. 4 tracks have been remixed / re recorded specially with a “danse” approach for this magical release. the evocative guitar lines among crude but very seductive vocals plus an excellent production transports the listener immediately to an altered state of mind. the sound of the band can be perfectly compared to any of the all time big names of the cold wave and post punk.

jami bassols has been a close member of hivern since its beginnings as one half of aster. now, following the release of noche/ templo, his two acclaimed edits for nvh, he returns to the label with his solo debut as jmii. in thrills, the barcelonian producer displays a sound that s equally raw and lively, with a very personal sense of quirkiness. the title track is jmii s most expansive production to date. an uplifting house number built around an elastic bassline and sprinkled with a bubbly arpeggiated melody, echoed vocal snips and ravey pads. bailar is a sort of lunatic take on chi-house, with a crude bassline, psychotic organ chords and feverish percussion coming together to form an ultra-infectious groove. tightbrass follows a similar path, but conducted by frenzied synthetic horns that bring to mind a marching band of manic robots. in his remix, comeme s christian s. brings the track to a darker territory, reducing it to it s core elements and focusing in a nasty bassline that will for sure cause serious damage in the dancefloors in the upcoming months.

crash course in science are a post punk band that formed in 1979 in philadelphia. the band members, dale feliciello, mallory yago and michael zodorozny, met while attending art school, where they began to experiment with crude electronics and off-beat lyrics. ccis avoided conventional instrumentation by using toy instruments and kitchen appliances to augment the distorted guitar, drums and synthesized beats.

wax pistols - a young, hanover based diy label which stands for simple, authentic house influenced music. aim is the principle of simplicity, to create handmade music released on a catchable medium. the label combines classic ascendancies and passion for analogue music apart from any kind of digital as well as technical capabilities. basis is to keep simple things as an aesthetically feature in its purest way and lastly: crude, honest and danceable. the debute 4-tracker by wax pistols owners dub jamz , is introducing first impressions of what you can expect from this imprint in the near future.

crude noisemaker..... i like the glow that flashes red like our krypton sun. but not this irritating noise. make way.

your favorite foil faced machine heads, frak, on lux rec. big tip! nordic woods are a dangerously primitive place. fueled with madness and induced delirium frak land on planet lux. three slow, acid numbers with a barbaric, crude attitude. relentless drums. fierce, hypnotic synthesizers that get you lost in your own mind. suddenly sinister, disastrous images populate your consciousness. and then one last strange, twisted wave track. new places, new adventures

celebrating all that s ear-piercing and techno, p.e.a.r.l. surges through with an emanating soundscape of near, far and leftfield embodiment of energy. following on from the well received ground fault interrupt, p.e.a.r.l. brings his spanish stamina and berlin influence to the table in biblical amounts. abrasive and dancefloor-focused -desolation- is no stranger to the harder sounds of percussion. with a subtle ghost, and ever tense, this track rides through red traffic lights, and begins at the end of your comfort zone, techno at its best. evoking a visceral reaction, -in space- exerts its crude, unearthly series of paranormal techno sound from the get go. a long drawn tool of the trade, comprising of little more than drone and percussion, this gives way to be adapted into any mix in the right hands. -flame on earth- doffs in salutation to the afterparty. with a constant identity of beep and bleeps - continually growing from somewhere from within itself - this track leaves a trail where no path lies. cascading between dark and light, this is a release of effectual techno worthy of any record bag, regardless of your sub-genre preference - a real weapon of profession

käse kool s fifth release, the friends n no ends ep, is comprised of 5 berlin-based producers, each of which brings his own unique sound to ep. a1, appearance, comes from the face behind crude wax, vincenzo maurice. this tune comes with a rough attitude of sheer analogue house. a2, wismut, comes from the man with the plan, nick beringer. this track speaks for itself with its punchy bass-line and direct groove. b1, visions, comes from a newly formed duo who goes by mode7. this promising duo hits it home with their newest track visions as its sweet and sultry pads play with the drive of bass and drums. lastly b2, system is wack, comes from a producer who goes by the name of aurhythm (aka dennis sekyere). this track speaks for itself, as being very rude with it s rough drive but still keeping its own delicate stems

the first release on the platform will be from the mighty welsh producer called harrison bdp. harrison bdp is set to share his magnificent craft with his appreciation for house music. the ep will feature a remix from the label founder -­&#8208,, myself aurhythm (last seen on crude wax). the focus of his ep is purely to provide an enjoyable experience for everyone who shares the love of this music. whether it be on the dance floor or in someone s bedroom. the goal of this wonderful ep is to make you move your body and feel good.

position 12 inch is a story telling record inspired by the childhood of romain azzaro, aka rouge mécanique. one introduction and two dance pieces extracted from the crude reality he had to experience at an early age. the evolving sound of this ep throws its listeners into the dark and violent places that belong to his past. the childish melody of the intro suddenly opens on an intense break beat and ends with vimory, a brutal and profound track.

ether003 is a four track release by helsinki based dj/producer kitkatone. the release includes two original tracks with two remixes by techno masters woo york and attemporal. starting off the release, a1, oppressor, is a slightly old school tune - raw and beautiful blend between house and techno. the following woo york remix turns the track to a ruthless techno beast with a hint of industrial vibe. b1, remainder, presents a darker atmosphere with crude and fierce banging and mid-winter gloominess. the closing track attemporal remix brings in a deep and spacey brooding, bonding the release into an extremely sterling techno pack.

swedens bleak is fast becoming an essential part of his countrys techno new school. through releases on deeply rooted house, sudden drop and traut he has emerged as a producer of funky, loopy techno a la countrymen skudge.

voiski (one of polar inertia) & ever seen on contruct re-form is now on syncrophone recordings.

played and supported by luke slater, dvs1, laurent garnier, adam x, marcel fengler, samuli kemppi, inigo kennedy, jeroen search, truncate and more. asr is a record label with a strong inspiration in cosmology, physics and science fiction. with one foot in detroit and one in birmingham, asr is getting the techno in its original form beyond fads. we are believers in the true conception of electronic music as artistic expression and as message. our first release is also the first volume of the series vla, named in honor of the radio telescopes system in the very large array of new mexico (usa). radio transmission true to the sound of detroit and influenced by idm and the birmingham scene, radio trasmission presents a crude and analog sound, sometimes simple and sometimes twisted, synthesizing unconventional elements of the dancefloor with complex sounds and structures. the first track,grote reber, works around the omnipresent tr909 and the classic dx100 solid bass sound, building a powerful and effective track. in interferometry, a heavy and deep sub bass, leads the track around dub and post industrial ways. cyg x-1, is the only track that isnt 4x4, with noisy and punchy stabs all around, this works perfectly late in the night and in more uncommon sessions. the last track,vla is more melodic and relaxed. it is the perfect end for the whole record.

strut records, in association with fania, are proud to announce the 40th anniversary edition of the landmark feature film that captured new yorks legendary early 70s latin music scene at its zenith,our latin thing (nuestra cosa).filmed around a live all-star concert by the fania all-stars at one of promoter ralph mercados fantastically popular thursday night jams at the cheetah, the film transports the viewer right back to a heady night on august 26, 1971. at the time, there had been little documentation of the burgeoning salsa scene in new york, despite its massive popularity. video was still crude and film was expensive to shoot. however, fania founder jerry masucci had a vision of taking new york latin music from the barrio to the world, and put the money up to make the movie.

container is a recent moniker of nashville, tennessee resident ren schofield who has been actively shifting about the u.s. playing shows and releasing cassettes on his mysterious i just live here imprint for a long while now. known primarily for his god willing project, a disjointed, confusing, maze of crude oscillator, tape, and guitar, ren has established himself as a staple in the east coast underground.
here we have a new experiment in electronic beat oriented music. this is no standard fare, however. it glows with a vision all its own, completely isolated and separate making it difficult to place in the awkward world of the genre. the sounds are a thick stew congealing new ideas and naive experiments into something in the ballpark of the new super weird wolfgang voigt 12 inches, abstract and minimal in nature with time stopping tendencies. take those 12 inches and send them thru the garbage can, tape loop, reel to reel experiments of ake hodells >220 volt buddha< or that weird track with lawnmower by charles amirkhanian on the first slowscan volume and we might be getting closer.

it really is an unbelievable honour for us that we may release this fantastic track by von spar, a track that might as well be found on their outstanding album >foreigner< from 2010. maybe it is because we are such a big label and this crude, elegiac, and emotionally mighty sound of these guys fits just perfect for us. and whoever would like get out of this tunnel of infinite deepness should rely on the remix ada comes up with. trust is good-but no doubt, control is better.

right after the success of his massive crude ep on adam beyer s famous drumcode imprint, patrick comes up with the titletrack dome - and boy what a follow-up it is! over ten minutes patrick keeps the tension high, teases us with the raw force of dome over just a few little kickdrum pauses until the track goes through the roof in on hell of a break! on the flip we have hot mess, another primetime weapon, and this one patrick produced together with per hammar, who made a name for himself with releases on great stuff, starlight and kant over the last year, but it was especially his track el salvador on mija rec. a few months ago that introduced per to a bigger audience, causing quite a stir on dancefloors worldwide!

after a longer gap than intended, part two of the cage & aviary remix series lands with a bang. truck are an enigma of a band, only forming when the astral alignments deem it appropriate - the next is due in 2012. cage & aviary take the brilliant vocal into proto/acid house territory with a killer bassline ready to move any dancefloor. crude vocal cut ups add to the 80s remix feel, while guitar licks, god pads, and all manner of prophet warblings come and go in a patchwork of angled sounds. sinister strings cut through at the mid way point before the superb outro vocal takes you home. for the dub, ape into jam & leo zero put their heads together and push the track into more of a dancefloor place, employing arpeggiators to keep the cut and paste elements rolling along. leo is a man of many excellent edits, productions, and remixes - watch out for an exciting new vocal project coming from him soon

asd008 sees the return of alex krueger and a welcome one at that! this oneÆs 5 tracks deep (including a digital exclusive) and includes a pair of fine remixes from londoner-in-berlin, mark henning, ôblasted bitchö is tigerskin at his best. the title cut is a feast of sonic trickery, with sounds playing off each other beautifully to create a wide, dense soundscape which, paired with clipped percussion, clever dancefloor arrangement, evil laugh & crude vocal sample this one delivers tough. henning, a man known for his abilities with sound design himself, takes a darker route with his interpretation which, while still driving, is more of a heads down late night affair û riddled with oddball delays and some unnerving vox efx. ôwhat theö takes a turn to the darkside, moody, sharp, reveb laden and pulsing, the track is real heavy business watch out for that unholy belgian hardcore synth riff a la ômentasmö, thereÆs a real æmomentÆ in there. to round off the original cuts. responseö continues seeing tigerskin provide a straighter groove but one which displays some sterling keyboard work and strong break. finally, henning provides another remix of the title track as the digital only addition all too important these days. futuristic deep, tech-house is about as close as a description anyone needs for this superb final piece of an equally superb package.

recorded at the bands own illegal combatant studios and the world renowned blasting room in ft. collins colorado, supporting caste is the fifth full length release from winnipegs political punks propagandhi. crafted in collaboration with bill stevenson (black flag, descendents, zeke, 7 seconds), this twelve song collection of boundless power and depth is a 50.000 watt forward thinking tip of the hat to giants such as voivod, rush, snfu, sacrifice, razor and guilt parade, that have gone before them. legendary and unrepentant residents of humankinds ideological peanut gallery, propagandhi does not disappoint with supporting caste, launching crude rockets into the heart of the prevailing order with meditations that range in focus from the humane slaughter and consumption of non vegans in an elaborate 18 course banquet (with wine pairings) to the apparent confusion of turning on the tv to watch a simple hockey game and having to wonder whether or not the nazis actually lost the war after all. supporting caste: 12 new laments, reveries and extrapolations from 4 visibly aging prairie skids who still cannot believe that of all the gin joints in all the galaxies in all the universes, they had to be born on.

wer auf pumpende beats und allgemeine duesternis steht ist hier genau richtig !! obendrauf gibts ein track vom cadenza act andomat3000/tip

following fondations first release - danton eeprom - these eyes/strictly erotics, cheerfully welcomed by djs, radios and press across europe - is the first ep of brwn shoes. this newcomer to the electronic scene played for long the role of observer, in the sweaty basements of london and valencia, before getting to djing and music production with panache, brio and attitude. brwn shoes sound is based on dirty, insistent monosyllabic basslines and superpositions of subtle notes and minimalistic gimmicks, providing moody, stripped-down pieces meant to drive the crowd and its dj corpus mentus. zeugma and tigers dont sleep are two perfect examples of this new breed of sound hes developing. crude, raw and sexy.

joakim delivers here a very energetic remix, not unlike the dancefloor killer, come into my kitchen. an electro beat, a crude bass close to ' los ninos del parque ' by les liaisons dangereuses (ever used by carl craig on fragile). an appetizer before his upcoming album, scheduled to be released in 2005 by versatile records of course ! side b, two instrumental versions

cool minimal techhouse funker !!