incl. florian kupfer remix

limited to 300 copies with printed paperinlay

ground is an osaka native, but his soul is truly that of a nomad, traversing the planet, befriending kindred spirits found in humans, animals and plants. he is exceptionally receptive to the beauty in everything that surrounds him the incidental music of a city street, the orchestral chaos of a scrambling radio, the syncopated grace of migrating birds, the simplicity of an isolated hand clap—and as his roadmap continuously unfolds, he accumulates a vast catalogue of visceral tools to musically recount his experiences. sunizm is a cross section of the artist’s process—an array of complex microcosms overlapping to comprise a thematic whole—gathering field recordings, found instruments, jagged electronics, synthesized chanting, and weaving all into a dense narrative that appears obsessively constructed yet divinely improvised. logos is the first of two singles surrounding the album and is complimented with a monster remix by bartellow (a fellow esp artist, collaborator and good friend of ground) as well as a secret weapon b-side entitled discopazzle, which is exclusive to this single release. attention all humans, animals and plants, ground and the esp institute present, sunizm.

needs (not-for-profit) is a nonprofit record label & collective lovingly curated by bobby pleasure. we believe in people. the concept of the label is to use music as a medium to spread love, unity and the idea of giving back. promoting harmony and togetherness rather than isolation and estrangement, each release and accompanying event will act as a support stream to various issues within society such as mental health, homelessness and equality. for the third release we have tracks from lord of the isles, mehmet aslan, petwo evans, bartellow & nick gynn. five artists from different countries of the world who all have the needs factor, and have very kindly donated their music to the dancefloor. all profits from this release will be donated to help refugees charity. everybody has needs

first pressing comes with limited 24x36 sized hand folded poster and silver sticker.last years svs residency took place in budapest at 4dsounds spatial sound institute, where svs artists from la, ny, osaka, seoul, berlin, london,tel aviv and munich worked for 10 days preparing a showcase on the 4dsound system. during rehersals for the showcase, bartellow alias beni brachtel met grun alias daichi furukawa during three long nightshifts, the tracks emerged out of a continuous great vibe. always joined by several artists from the svs family, it became the soundtrack for a very special event. first pressing comes with limited 24x36 sized hand folded poster and silver sticker. exclusives sales on april 1st at the independent label market in london-early support by renaat from r&s and confirmed reviews on tsugi, thump + more to come

bartellow has long been associated with the esp institute though tambien, a trio formed alongside bavarian cohorts marvin and valentino, who have released seminal dancefloor material over recent years. with his debut album panokorama, we are invited into a completely different world of bartellow s creation a place where influences become a melting pot of mood, nuance and texture, and where instrumentation is abstracted from a variety of cultures, including those that exist solely within his imagination. bartellow has found a way to merge primitivism with retrofuturism, identifying their point of intersection and reveling in their union across ten songs. while his academic background as a jazz musician certainly informs both his progressive approach to composition and non-linear production, it is his obsession with electronics and synthesis that shape his current musical climate. the title panokorama stems from bartellows visualization of the album, a surreal landscape with a foreign presence centrally embedded, a panorama punctuated by a ko, although a hybrid word that reads as nonsense, it somehow feels and sounds just right.

having featured international house heavyweights kez ym and andres on their previous release its no surprise that the late night blue sound ep was a monumental success with demand outweighing supply and a repress sought

following the wild success of a tune called >miezekatze< the viennese duo ogris debris now teams up with munich based academic producer and guitar virtuoso bartellow for a split/vice-versa feature ep. bartellows opener track >the thrill is gone< calls its home the kenny dixon jr. house territory while its funk feelings remind us of soulmates bootsy collins and george clinton. then the so called >rethrill< performed by ogris debris drives the tune even further into a pumping house excursion going crazy on a euphoric vocal chorus cryin out loud: thats why we party all night long!

high limited, incl. kornel kovacs

techno, midwest trap, grime and breaks synthesised? this may sound like a rather experimental combination. nevertheless the outcome of leibniz latest innovation is a very dj friendly 4-tracker called quake. the artist is co-founder of the hundert label, half of the projects dj ok and dj bwin and responsible for releases on shtum, ratlife, ortloff and fourth wave. orbb almost dodged jays rocket. mastered by beni brachtel aka bartellow. artwork by paul bernhard and arthur poitevin.

inclusive ben vinces remixes

théo spécial brings you the ultimate heat for this summer, including a bartellow remix. fire!

another compilation on svs records. this time, cosmos 1. early feedback by dj heidi lawden (manager of dj harvey) lovefingers public possession

city flys previous release was a feature in every discernible djs set showcasing the mercurial production ingenuity of munich marvel bartellow complete with remixes from the inimitable ugly drums and deep house deity fred p. next up they bring another german-based producer into the mix via scotland and the m1.

second part of the tambien project series. released by public possession / under the influence. three carefully selected tracks that got reinterpreted by tambien, which is a collaboration between bartellow and marvin & valentino.

we stick with our concept for the second release. putting some of our own and some of our good friends music on a v/a ep. this time we have bartellow, a dedicated musician with several projects and bands. spirits combines his disco-affinity with raw deep house sounds and an ecstatic vocal sample. lewy l is the pseudonym for collaborations within our very family. getting rid of limitations this is the name we put our jam sessions results abigail brought a collabo track with nubody from melbourne from the time he spent living in australia last but not least its einerweniger, long time friend from munich with his typically groovy approach on house music. there will be more of him in future productions.

das label svs records wurde von beni brachtel und daniel hermann-collini als unterlabel von brachtels schwester projekt selbstversorgersound (svs) gegruendet. svs nimmt verschiedene kuenstler aus ihrer gewohnten musikalischen zone und konfrontiert sie mit einem style, weit weg von ihrer gewohnten umgebung. es entwickelte sich eine perfekte plattform für einen intensiven sozialen und kreativen austausch. die dritte ep des enorm vielversprechenden neuen münchner labels svs, agiert zwischen lupenreinem techno, dub und electronica agiert

zweite ep des enorm vielversprechenden neuen münchner labels svs, das zwischen lupenreinem techno, dub und electronica agiert. die fünf tracks dieser ep kommen von günther lause (karlsruhe/berlin, crosstown rebels, paradise now!, laut und luise, svs), larkin & the sky (london/munich, paradise now!, goldsmith, svs), bartellow (munich, pollyester, tambien, columbus, gta hoffmann, svs) und konrad wehrmeister.

it is neither a new computer game, nor a novelist - but most certainly the tightest live formation that jazz & milk has to offer to date! gta hoffmann sips out of your ear, sways your hips and bypasses the vessels of your awareness, 120 times per minute. three musicians, experienced in diverse and manifold musical areas, play their own and unique creation of live dance music. beni brachtel, aka bartellow (guitar), lukas rabe (keys) and gabriel hahn (drums) operate their instruments as armatures of turning knobs, sliders and effect pedals and pave their way through earthy rnb grooves, wooden house and analogue elevator-minimalism. as improvisers and composers they love to play with shapes, moods and all types of sounds. the result is pure energy, which inspires deep listening, immersion and dancing. what appears to be an artificially produced electronica record is in fact the live sound of a trio, which levitates through space and time - far away from any musical categorization - while sonically complementing and reorganizing earthly pulse.

marvin & valentino started a project called tambien in collaboration with munich based producer bartellow from munich. this is an official repress of the self promoted 12 inch that came out in spring 2012. three carefully selected tracks that got reinterpreted by the trio.

neues label aus muenchen, das um das projekt selbstversorgersound herum entstanden ist. die polyrhythmic series widmet sich techno zwischen dub, kraut und lsd-trip. die fuenf tracks der ep kommen von günther lause (karlsruhe/ berlin, crosstown rebels, paradise now!, laut und luise, svs), larkin & the sky (london/munich, paradise now!, goldsmith, svs), bartellow (munich, pollyester, tambien, columbus, gta hoffmann, svs), zaquoir (alias matthias groß, leipzig, svs) und lukas rabe (leipzig, gta hoffmann, svs).

the smugglers inn is an independent radio show/podcast which is produced and presented by daniel berman !!

last time out, much love impressed djs and record buyers the world over with a sought-after 12 inch featuring tracks from james johnston, bartellow, roman rauch and label owners alkalino & alphabet city.
for the label s third release, much loves bossmen take a backseat and hand the reigns over to a quartet of emerging and up-and-coming production talents. the results are, thankfully, every bit as intoxicating as previous releases.
four tracks, four hot talents, four killers. much love all round.

for over a decade, ray lugo has crisscrossed the globe bringing his punky afro grooves to countless audiences as leader and singer of new york powerhouse kokolo, a mainstay on the global music scene through their extensive discography and consistent touring.
in 2012, the ever-prolific lugo debuts his first solo album, >we walk around like this<, welcoming the sounds of bahia, lagos, kingston, san juan, and harlem all under one umbrella and echoing lugos eclectic tastes. the bahia love ep gives us a tasty preview of what the album holds in store, with two tracks destined for replay on your system.

die neue fabric-ausgabe kommt von roman flŸgel, einem seit Ÿber 20 jahren elementaren mitglied der frankfurter elektronic-szene, der unter aliases wie alter ego, acid jesus oder sensorama auf labels wie playhouse, ongaku, klang elektronik, cocoon oder dial (club-)musikgeschichte geschrieben hat. und auch sein fabric-mix ist geprŠgt durch seinen langjŠhrigen, charakteristischen stil: abstrakt, idiosynkratisch und dicht, dabei aber immer warm und einladend.

for over a decade, ray lugo has crisscrossed the globe bringing his punky afro grooves to countless audiences as leader and singer of new york powerhouse kokolo, a mainstay on the global music scene through their extensive discography and consistent touring.