ny disco by amy douglas

b from e with a tasteful combination of upbeat tunes and upbeat groove.

only vinyl 2 of -glitterbox - where love lives 1-

originally recorded in 1993..

rock

funky electro

2023 repress - 1 per customer - simply an iconic track from swiss brothers mandrax and seb k aka shakedown, ‘at night’ is one of the most recognisable house tracks of the last two decades. with one of the most-hyped remixes of the year, artist of the moment peggy gou delivers with a squelching 7 minute groover, bringing in that iconic synth motif to lift the production and keep it rolling. stepping up to tackle this masterpiece with a nu-disco dance track, tiger & woods use cowbell to accent a b-boy beat, with drum machine breaks bringing it back to the dancefloor. with a sophisticated house remix with a nu-disco edge is purple disco machine, fusing a funk-infused bassline with terra deva’s unforgettable vocals. finally is a brand new version from the shakedown duo themselves, the galactic boogie mix. with saturated synths and interplanetary breakdowns, shakedown bring a carefree 80s quality to this iconic track’s irresistible after-dark charm

4 dark groovers from shlomi aber.

versatile virtuosity from haider.

strong ep incl. lauren flax and olive t remix

hypnotic techno groove on 10 inch vinyl

fede lng back on his axe traxx label with remix support from hidden spheres and baltra.

housemeister joins herbert’s ever burgeoning accidental jnr roster with an ep of definitive leftfield techno clout. lead track late at night pulsates with a piercing vocal hook whilst a remix of the track from matthew herbert offers a funkier and altogether darker edge. other offerings on the release are the acid inflected der kleine könig dezember and closing the show is the simple but affecting funk that which really speaks for itself. housemeister has never looked to conform to the genre rule book and this latest release is no different with serious execution and cheeky playfulness in equal measure.

helo. slow down. mind the gap. careful. little steps. everything is fragile. small pieces. tiny elements. some do fit. making parts. add. add. add. layer. build. ninze & okaxy with their first appearance on laut & luise, having constructions in their lightest form. no heavy machinery, no rattling noises. fine and fragile, modest but bold, like silk flying through the air. completed by a percussive interpretation from old friend and companion chris schwarzwalder on the b side aswell as sweet cheeks canson on the digital side. good to have you here, good to have you back.

(1 x solid red 12 in 350 gr colored uv varnish sleeve with black paper-sleeve with download code included) the black heart rebellion wrote an alternative soundtrack to the 2015 ana lily amirpur movie a girl walks home alone at night.

brothers black return with new york family label safer at night for a safer at night & brothers black collaborative vinyl release.

it s with two kisses and a hearty handshake that bordello a parigi welcome stalwart of electronic music: mr pauli. schooled on the west coast, this pivotal figure has worked extensively with likeminded visionaries to create iconic tracks as the novamen, matzo & pauli and sumerian fleet whilst producing his own unique works on labels like moustache and viewlexx. after such successes pauli returns as a solo producer, delivering to the bordello mansion two tracks of pure class. -at night- is big, bright and brilliant. hooks grip as soon as the needle lands. vintage vocoder lyrics, a particular favourite of this trailblazer, tell a tale of twilight romance while crisp beats snap and notes sail. the flip keeps the fires burning. synthlines are soaked in mediterranean sunshine, an italo disco influence coming to the fore, with lovelorn vocals used to balance this cheer-filled creation. golden sounds from a true pioneer.

only 200 hand stamped copies

on this record ben sun presents an old style lp format - 40 minutes of moods and grooves interwoven with an intimate story, of individuals struggling to live freely in a time of oppression. after a sultry jazz opener where the characters are introduced, the lp kicks off with a sweet and slow soul track in work again, underpinned by a rotating acid bass. third comes salty tears, the underground disco floor-filler (original limited 12 version) finding a second home on vinyl. your camera and monday usher in some moody rhythms to complete the first side. sin casa opens the flip with some minor-blues improvisation that gives way to a spacious deep house jam, where the protagonists emerge again. still missing shows deeper shades of a eurobeat style - an emotionally compelling club tune that sounds somewhere on the italo side of 1980s manchester. the story comes to a conclusion with cowardice, and the casual jazz-house sounds of mamans lover. killer album!!

local action and nts radio’s finn launches his new label, 2 b real, with a 12- of fast-paced, no-nonsense club tracks. finn first appeared in 2014 with ‘keep calling’ - an instant classic and one of the year’s best-received releases, played relentlessly by kode9, dj q, murlo, eclair fifi, scratcha dva and more. since then he’s developed a cult following as a dj, with a palette of regional us club styles, classic house and techno, grime & freestyle electro beyond his years - broadcast through his monthly nts show and his regular b2b podcasts, where he goes track for track with a dj he admires (such as uniiqu3, teki latex and conor thomas). 2 be real is finn’s new home for dance tracks high in thrills and low on bullshit. on 2br001, he draws on classic ghettotech for the melodic keys and urgent 909s of ‘late at night’ (with a more uk-indebted darkside mix on the flip), and teams up with resident swing ting mc fox for ‘lightwork’, a vocal cut inspired by detroit’s own legacy of hip house and ‘chant’ records.

back down on my knees is a raw house cut combining a pounding bass drum and clever percussion reminiscent of a late 00 s new york sound with washed synths. i m amazed offers an ambient track lead by a simple piano interlaced with a field recording taken on a subway platform in new york. on the other side rubber jam is a tough hardware jam with a floaty arpeggiated synth line. here will be blood rounds the ep out relying on percussion to drive the track with breakbeat and a heavy bassline.

safer at night returns late january 2017 with the vinyl only release of the deep end , featuring two original curses cuts and remixes from ian blevins and holy ghost! safer at night founder curses launched the label back in 2014 and it has since gone to play host to material from eli esobar, walker & royce, jagerverb and of course the label founder himself. here we see curses re-release his composition the deep end marking the ten-year anniversary of its former releases on institutes in 2007, while enlisting ian blevins and holy ghost! on remix duties and stirring in a new original of his own as well. the original mix of the deep end takes the lead and offers a chance to revisit the decade old curses cut fuelled by wandering bass and lead guitar licks, dropped-tempo crunchy rhythms and murky piano chords all instilled with a gritty new york electro feel. holy ghost! then rework the original with the funk-laden feel via bright chord sequences, elongated delay swells and an amalgamation of 80 s synth leads, hooky bass lines and sporadic vocal lines. on the flip ian blevins offers up his interpretation of in shadows employing stuttering vocal hits, choppy arpeggios and droning bass leads to create an emotive and hypnotic number before curses original mix of in shadows closes on a cinematic vibe with an 80 s sci-fi soundtrack feel to perfectly conclude this vinyl only 10 year celebration.

population one delivers a stripped down auditory urban narrative full of the city s industrial internal conversations. haunting, compelling and raw, looming in the darkness.

vinyl only, limited to 100 copies.

ltd warehouse found! at night was originally released by shakedown in 2002. later on, acts like alan braxe and mousse t. produced remixes. the chab deep mix was a digital- only release via panorama records in 2008. a friend of 200 heard the song at a hawaiian sail rave and posted it on facebook. 200 records fell in love with the track and decided to release a vinyl version. this release also contains the epic martin buttrich dub mix which was originally also released in 2008.

limited 2015 repress
heavy support from zip and dixon !!! *** vinyl only release ***

lee webster s soul reply ep kicks of the year for iutsan with two contrasting, yet seemingly connected tracks. on the chocho side you ll find soul replied - a low slung love song with moodymann-esque sampling and swung-out drums, dipping out occasionally as the female vocal comes in like a lullaby. in contrast on the culo side, you ll find devils avocado - an ibiza terrace style jam that builds from the cutting synth line into a crescendo that finally drops into a total dc10 weapon. an strong start to the year for barcelona based i used to sleep at night.

it has been too long since private gold has seen fit to unleash the audio dragon to dropkick our listening holes. but unleash they finally have, in the guise of ex-cologne enfant terrible, daso. daso is a longtime associate of the private gold family, and it was only a matter of time before he poked his head out of his new berlin cave to spray the landscape with some much needed fire

fine choice records presented by fantastic man. an imprint focused on releasing a series of limited 10inch records for the discerning vinyl collector.

dj support from the likes of: paul woolford james lavelle jimpster m.a.n.d.y. audiojack, omid 16b, dave seaman nick warren.

an energetic infusion of deep house, uk garage and old-skool vibes come together in four expertly crafted gems.

coup de foudre (love at first sight)? thats the best description for rené bourgeois (supdub, lordag, deich) debut ep on shaker plates. another proof that this guy is growing to the top. completed with remixes from dan caster and umami.

something for dance electro techhouse lovers...incl 2 jaques raupe remixes

huge booty action on prohibited feat club reworks of the hits gramaphonredze and >sunglasses at night< not to be missed!

over its brooding, swelling chord rattles, what sounds like a flock of hihats each pushing every possible combination of rhythm to occupy the high frequencies of your hearing range.

schöne string - detroit tracks, die an den frühen l.garnier bzw den 90 detroit platten erinnern. runde sache !

1996 release with remixes by dj duke and nate williams.

alan abrahams, the man behind portable, emerged out of the ruins of a post apartheid south africa. growing up in an impoverished cape town township, tagged >beverly hills< by the locals, abrahams was always immersed in his sisters ritual of getting ready for a night out to a soundtrack of 80s soul, hi life and hip hop. inspired by the first batch of chicago house records, the foundations were laid for his future in music. experimenting with ways of combining traditional african rhythms with the 4/4 sound of house,abrahams completed various projects in south africa. most of which gave a commentary to the political turmoil of the country at the time. abrahams inevitably became frustrated by the geographic isolation of the country and relocated to london in 1997. in the uk abrahams went on to complete various releases for internationally recognised labels such as context and background records before starting up his own label, süd electronic in 2002

ricardo villalobos playlist!! the endless white of the far north. the opening melodies of adam marshalls >north at night< can be heard faintly over the whistling wind. a small black dot appears at the centre of the distant horizon. at first it appears to be still, but gradually we recognize movement. over the next few minutes the shape begins to grow until it has defined the image of a man walking towards us. as he approaches, the music grows clearer. like the warmth of the first sunlight >rose mountain< radiates its glow through the use of a flurry of rhodes electric piano chords. adams signature percussion permeates the dub and binds its elements into an infectious groove. >mfb flex< is the counter balance to the organic flow of the other cuts and molts the warmth into a techno roller designed for the long player mix. marshall said… >ive long been intrigued by that incredible tapestry of tundra and taiga which constitutes the arctic and sub arctic of our country. ive read about it, written about it and even pulled up my parka once and gone there, yet, like all but a very few canadians, ive had no real experience of the north. ive remained, of necessity, an outsider. and the north has remained for me a convenient place to dream about, spin tall tales about, and in the end, avoid<

big with derrick may, carl craig, technasia, chateau flight, stacey pullen, laurent garnier, ben klock and dj deep