despite a discography that stretches right back to the late noughties, little is known about turkish producer ali kuru. perhaps he�s publicity shy, or simply wants to let his music do the talking, either way, the music he makes is magical, and undoubtedly worthy of wider acclaim.

finnitus is back with its first 12- release! spanning the entire a side, superkind, consisting of rulefinn and kim durbeck, delivers a driving disco bass line, epic strings and screaming laughter, which the glue dubbed as the weirdest thing we ve heard in our entire lives . on the flip, rulefinn drops just try , a nine minute slow jam, slowly building to a climax worthy of finishing your perfect night at the club, and let the ok music play , an intense disco drum tool in his favourite bpm range(130s).

cassette !!
the footloose lp by expanding universe is a young musicians attempt to drag himself out of one of life�s little dark holes. 24 year old dutch producer kevin huizing turned to music as a way of providing a much needed sense of positivity in the world. the result is an accomplished mixture of modern electronica, classical and world rhythms all composed by someone firmly outside of their comfort zone. the overwhelming theme that holds these contrasting influences together is emotion and a desire to make things better. natural and heart- felt. poignant and inspirational. it�s a masterclass in transforming a negative situation into one that�s magical and full of hope. melodies that will stay with you for ever and compositions that truly over ow with feeling and vibrancy. the eight tracks combine to form a wonderful journey of intergalactic escapism worthy of any movie soundtrack. taking science fiction as inspiration if each song where its own unique character they would undoubtedly fuse together transforming into one giant laser beam wielding robot destroying negativity and saving life�s across the galaxy. each track is great but together as part of the album they are unstoppable.

few nolder has created a fitting second ep for gardens of god�s sodai label, spotlighting the cream of electronic talent coming out of lithu&#8203,,,ania. �&#8203,,,ace of space� confidently delivers three original tracks that build upon an already solid reputation. �&#8203,,,showing a steady upward trajectory, few nolder has established himself as an internationally respected &#8203,,, dj-producer�sosaid&#8203,,,xlr8rofhisrecentwork.h&#8203,,,isopeningtrack�&#8203,,,balance�isthemostunexpectedtrack linas strockis aka few nolder &#8203,,,claims to have done in years. he is particularly surprised with his approach, discussing the �&#8203,,,deep percussion and long tail cowbells together with windy tex&#8203,,, tures, and lush hypno feel�. while �&#8203,,,teaser�, which gardens of god played during his back to back with &#8203,,,b.traits &#8203,,,on bbc radio 1 recently is contrastingly unrelenting. �&#8203,,,the m&#8203,,, elody evolves into a monster�, he says of the record, which can be heard in the metal snares and enchanting flute.&#8203,,, on title track �&#8203,,,ace of space� nolder wants you to imagine �&#8203,,,stars passing by in their intergalactic travels &#8203,,,whilst the drops are like a return from an uncharted nebula�. this is an ep based on big melodies and endless spaces, and a worthy fit for the burgeoning label. few nolder has been creating music for over a decade with a steady succession of releases on ghostly international, planet mu, connaisseur recordings and needwant recording

ondon-based duo jamka return with inter alia, the latest evidence of their patient, intimate relationship with their analogue machines. from the start there�s a sense of event � we encounter clear, interlaced electronic textures, powerful analogue drones and well-placed beats. the tracks aren�t soundscapes so much as fertile electronic soundfields. patemp continuously expands in an incredibly subtle but powerful way and shows that jamka�s technical skills don�t preclude an emotional touch. on the tight and minimal anazmo, the coiled energy bears traces of minimal techno and radical electronica, but it�s beyond either of these. while the album passes quickly, it�s full of detail and the thoughtfulness and craft that have gone into it are evident. dwa offers the chance to appreciate the flow and the sheen of its analogue textures � the modernist romance of the power line hum and its promise of technological-cultural progress. jamka are known for their dynamic live performances and this energy is almost tangible on derazor. the stately igora is a strong, bold close to the album, offering surprises right till the end. the sharp, metallic details ripple through the mix and an anthemic sequence shines through. inter alia makes clear that jamka are worthy inheritors of slovakia�s proud late modernist traditions of radical architecture and electronic music. this is a work of craft that demands respect and repeated listening.

very worthy 180g 2x12? pack - limited and only once per year, immediately sold out in the last years! collectors watch list: the standout tracks of the second year of heist get remixed by the label artists of that year.

white label - hand stamped - vinyl only - limited 300 copies pressing.
oops, he s done it again!&#148, titonton duvante is coming back to soul research with a second volume of work entitled recapitulate. the american producer, whose sound was born between detroit and chicago in the early 90s, loves to mix motorcity techno with the windy city s house vibes. recapitulate, part 2, is the worthy conclusion to his first ep: dry and addictive beats, synth and pad directly from detroit. get a glimpse represents a dancefloor soul with stunning basslines. the ending of the ep is melodical in take me down: an ethereal voice and the ideal atmosphere for soul searching ...

repress 2016 ...1 split release from the black market archives with tracks by larry heard and the it (with a main role for larry heard too). 2 amazing tracks which actually 20-25 years later still sounds more futuristic as many releases nowadays. spaced out jazzy keys on the mind blowing black oceans with trademark larry heard melodies. flip side takes things to the darker chicago jack territories with the great endless flight track by the it (also known for classic tracks such as donnie and gallimaufry gallery ). this is one of their overlooked and more obscure tracks! worthy re-issue on one of uks coolest house labels. tip!

fideles is the joint moniker of italian duo daniele aprile and mario roberti, who have carved out a niche for their distinctive brand of deep, techy house on noted labels such as defected, be as one, and marco resmann�s upon you, among others. here on their first outing for poker flat recordings, the duo cook up four courses of lean, focussed tech-house for steve bug�s seminal imprint. �detuned� starts the journey - an edgy, tense groove exhibiting the boy�s masterful sound design and use of space to create a thick, intoxicated atmosphere. �i�m rude� is more direct - a thumping bass drum introduces a low slung bass groove, slowly evolving and mutating into a true party-starter. �worthy� uses similar building blocks but delivers a different vibe altogether, revelling in a minimalist production aesthetic and cheeky bass riff. �ran baran�, the title track, is another lesson in great production - each element perfectly balanced to create an atmosphere of controlled mayhem - which is exactly the response this entire ep aims to instigate on dancefloors.

derek carr is a name known by few and far between, with only a handful of vinyl releases in the early 2000s, he built a worthy but unfortunately not widely-spread reputation for putting together stunning deep techno. originally pressed in finite numbers, the records have recently found themselves in demand on discogs, and rightly so, derek�s music is in a class of its own. having been a big fan since his releases on then local (to label owner ben) leeds label geek records, for those that knoe has dug deep into the archives to put together a sizeable selection of dereks back catalogue, with some unreleased gems dotted amongst the classic must-haves, spread across three eps

farr has a diverse catalogue, with three well-received releases on turbo as well as records with dsnt, leisure system and power vacuum. few producers can claim to have remixed tiga and been remixed by truss.
though farr has an extensive history with bloc., this will be his first outing on the label, a release that incorporates sounds that both bloc and joe are famed for.
the first track, �rpm� features prominently in the bloc festival trailer and is the soundtrack to the 2016 weekender. hissing high hats and an atmospheric baseline quickly develop into an explosive anthem designed to get feet moving. �rolling and thatching� conveys an immediate punch of 90�s acid, followed by techno heavy �workout three� with crunching beats and an unremitting delivery worthy of the berghain dance floor.

alma negra is a swiss collective that consists of four musically driven friends, the figuiera brothers dersu & diego whose roots are established firmly in their cape verdian heritage, dario with his half and half portuguese/italian mix and finally mario with spanish roots. they are all passionate diggers who love playing music from all over the world, something that s evident in their productions as well. encompassing jazz, african and latin sounds to soul, funk, disco, house and even techno. as far as inspiration goes they mention donald byrd, fela kuti and theo parrish. their creative output has led them to release on such fine labels as sofrito, highlife and most recently basic fingers. fans of alma negra includes gilles peterson, ben ufo, axel boman, dam swindle, africaine 808 and tim sweeney. now they are back with digger s workout, a fresh and exciting instalment in the basic fingers catalogue - divided into three seperate 12 s with remixes from esa & santuri, osunlade aka yoruba soul, rainer trueby & corrado bucci present truccy. digger s workouts, part 1 contains three original cuts and one remix from esa & santuri with spectacular basswork worthy of funkadelic. if you re looking for rattling percussions, irresistible basslines, melodic synths and vocal chants that interweave and do a delicious dance with each other - look no further. this first part of the series is a sure-fire way to send anyone into a near shamanic state. .

enter 2016 - fresh out of the midwest keith worthy (detroit), jamal moss aka hieroglyphic being (chicago), and steven tang (chicago) bringing some of that notorious midwest d.n.a. on this deep acid banger! this limited quantity release is sure to be a collectors classi

in 2015 musician, producer, dj, record collector and tigersushi head honcho joakim played for the first time at mareh festival in boipeba, brasil. like many before him and many since, he found the experience a transformative one. and why not? so many like-minded souls gathered together on a remote island in bahia listening to the sounds of amazing djs while dancing barefoot in idyllic coastal settings all night long. what s not to like? it s quite a concept. in the moment of that experience, joakim vowed to head straight to the studio on his return home to try and recapture that magical vibe, which he did. and true to his word he offered it back to mareh for release on their imprint. a musical gift from the heart. the wonderful percussion and drums characteristic of joakim s productions drift in and around the mix and sit gently alongside the sound of the waves. beautiful arps reach out and capture the glittering stars at night and the first glorious sign of light at sunrise as the party continues. underneath everything the bassline continues to punch through, blending primeval carnival vibes with an electronic sensibility. lovingly mastered and beautifully pressed onto 10 inch vinyl in manila covers, this limited edition release is worthy of any record collection. it also represents a little piece of the magic that is boipeba, and will certainly fit perfectly into those balearic and adriatic settings too.

album produce by joern elling wuttke (acid jesus, sensorama), remixes by tck! moscow domodedovo remix e.p. moscow domodedovo is the largest of the three moscow airports and the first single released from the current woog riots album alan rusbridger. next to the original version of the song the single includes two remixed versions by the appraised producer duo tuff city kids. tuff city kids aka gerd janson and philipp lauer, who are deeply rooted in the techno and house music scene, stripped down the woog riots song moscow domodedovo to a club worthy electro beat by adding a dark and creaky bassline and a classic 808 drum sound.

the second release in this series starts with the heavily supressed and hypnotic energy of efdemin�s spiegelkerker remix on side a. creating a dreamlike atmosphere, the track is carried by a slowly developing beat that keeps you totally engaged as it floats along. as a contrast, psyk�s remix of miscellanous pt.7 on b1, with its classic 909 drum appeal and engrossed pad harmonies, creates a very deep classical vibe worthy of a black dog reference. the final track, a remastered version of morgenstern�s return of the living deaf presents its pleasantly over-funked snare programming and build-ups that forge �true techno� eclecticism and dance floor functionality into one mighty laser sword of a track. limited to 300 copies

derek carr is a name known by few and far between, with only a handful of vinyl releases in the early 2000s, he built a worthy but unfortunately not widely-spread reputation for putting together stunning deep techno. originally pressed in finite numbers, the records have recently found themselves in demand on discogs, and rightly so, derek s music is in a class of its own. having been a big fan since his releases on then local (to label owner ben) leeds label geek records, for those that knoe has dug deep into the archives to put together a sizeable selection of dereks back catalogue, with some unreleased gems dotted amongst the classic must-haves.

with his third release of the bella avgvsta series, daniel bortz shows that augsburg offers more then its famous puppet theater. the opener don�t forget your sword provides crystal clear techno, discreetly interrupted by accented fades of an exotic theme. with rolling dub sequences, decent recurring swishes and a peacefull breaks jump in the water describes the impression to dive into the humid element. lonely soldier then provides more power again. the basic theme which is dominated by a minor tone displays an inner unrest created by the unknown that is daily lurking out there for us. the beautiful deep dub-track hide from the sun finally plays with the change of shimmering heat and chilly shadow. who does not know the feeling on a hot open-air-afternoon to take an occasional time-out from the merciless burning sun. overall this is the most personal and deeply emotional release and as we think a worthy highlight and conclusion for the bella avgvsta series.

no longer one of denmarks best kept secrets, holtougs talent is firmly out of the bag as he touches down on hafendisko with the yearning �stay in love - a tune worthy of comparison in feel and tone to Âmes smash 2012 remix of ry & frank wiedemanns �howling. marrying the drive and energy of dance music to the singer-songwriting sensibility of his indie roots, its a delicious mélange, intense yet featherlight, booming yet ethereal: an intricate and playful soundworld characterised by breathy pads, deft percussive flourishes and a swooping, swooning bass that basks in all its glory on the accompanying instrumental version.

celebrating all that s ear-piercing and techno, p.e.a.r.l. surges through with an emanating soundscape of near, far and leftfield embodiment of energy. following on from the well received ground fault interrupt, p.e.a.r.l. brings his spanish stamina and berlin influence to the table in biblical amounts. abrasive and dancefloor-focused -desolation- is no stranger to the harder sounds of percussion. with a subtle ghost, and ever tense, this track rides through red traffic lights, and begins at the end of your comfort zone, techno at its best. evoking a visceral reaction, -in space- exerts its crude, unearthly series of paranormal techno sound from the get go. a long drawn tool of the trade, comprising of little more than drone and percussion, this gives way to be adapted into any mix in the right hands. -flame on earth- doffs in salutation to the afterparty. with a constant identity of beep and bleeps - continually growing from somewhere from within itself - this track leaves a trail where no path lies. cascading between dark and light, this is a release of effectual techno worthy of any record bag, regardless of your sub-genre preference - a real weapon of profession

bouldaz from mj cole marks the second release on disclosure�s newly minted method white imprint following the inaugural release from jonas rathsman and his heady cut �wolfsbane�. the label continues to assert itself with upfront and engaging club tracks and with bouldaz, mj cole fulfils his status as a garage legend, turning in a bass-heavy stomper worthy of the track�s namesake.

first release of the year on echovolts regular catalaog comes by the somewhat mysterious ex ireland and now australia based artist l neils. after his superb debut on baroc label, neils returns with four stripped down and uncompromising cuts forming a worthy sophomore release!

amsterdams house music master of insanity steps up to the mic to deliver some lust inspired poetry. old school chords and a groove worthy of a nyc shelter ep crafted with san by two cynosure regulars� mike shannon and andrea fiorito. an instant party classic.

now living in warsaw, donnell knox was well known, along with black nation s jay denham for forging a tough, distinct kalamazoo techno sound in the 90s. his label, sonic mind, put out some very coveted, underground wax that still sounds unique, extra rugged, and fresh. well d-knox is now on a bit of a comeback mission it seems, with some really inspiring new material, and �africa calling�. the first version, created to donnell�s much loved �spirit man� alias, is a soulful trek through layers of pads and emotive synth work. the simple, but uplifting, vocal snippet really gives it an organic and spiritual feel, the tempo is driving and quick, but the overall vibe is laid back and deep. remixes come from the likes of brooklyn based titonton duvante, who maximizes a synth pattern to a form a beautiful, reaching, version, while canada�a rennie foster channels his futago traxx style to present a full on tribal, drum based mix with added vocal pieces. also, detroit transplant, now living in canada as well, j garrett goes in with a very emotional, warm, string laden take. the ep is capped off with another version from donnell that could stand as it�s own track really, a totally different, but equally as strong, version featuring a driving baseline and detroit style string vamps. a really nice release, worthy of your support, from a well loved veteran of the techno underground.

sweet valley is nathan williams (wavves) and his brother kynan, two bongwater-soaked beat geniuses making rap instrumentals that feel like melted playstation games. mndr is a one-of-a-kind artist and songwriter versed in britney and breakcore in equal measure. put them all together with producer peter wade and dance 4 a dollar is the result, a darkly catchy cali masterpiece. sv chop up strip club 808s and woozy synths like they are reclaiming trip hop for the dj mustard era, while mndr explores the underbelly of radio songcraft, finding the creepiness inside champagne anthems and coating tales of teenage nihilists with rihanna-worthy ear candy. decay never sounded so sweet.

its winter in detroit and fit siegel has given us * carmine*, a moody techno classic perfect for the lonely season. subtle, low-key and thumping, the title track revolves around a bittersweet piano lead, elegiac 303 and blade runner string swells. its a high-tech driving song in the tradition of model 500s low-key classic * pick up the flow* and fit sounds more assured than ever. * first found* is mills-ian jigsaw puzzle techno imbued with breathy and addictive humanity. stacatto, free-jazz informed piano solos lock into ping-pong synths -- eventually, a female vocal emerges over a bed of arpeggiated bass. loose yet robotic, * first found* is first-rate detroit techno mysticism. the record as a whole is a worthy entry into the motor citys storied canon from a leader of the new school.

the tribe of secret squirrels continues to grow as the mighty predators of the night mix down yet more seriously heavy dance floor tackle that will drive you absolutely nuts!anonymous, dangerous and worthy of a government healthy warning, these squirrels may seriously damage your health by making you dance all night long. you have been warned. cut loud and built for maximum club use. dance floor devastation is guaranteed!

inspired by the success of last summers retrospective on poker flat, steve bug takes up his traffic signs moniker once more for a fabulous jam that more than merits the 10-year wait. the uncredited tunes that first came out under this name were classic jack tracks that devastated dancefloors - and cookie jar is a more than worthy successor. this is stripped-down house, chicago-esque, direct and determined to make you move. berlin legend jake the rapper adds downright dirty humour with a spoken vocal fit for an age of internet sextapes and celebrity photo hacking.

transit records kyotos 4th vinyl is here. it includes two different types of floor killer tunes from japan. the a side track is composed by well-known japanese producer hiroshi watanabe, also known as kaito. the track has very beautiful melody that was made by the artist live in tokyo, japan. the b side track is by ryoma sasaki who runs this label. also, he did djing at world-famous clubs such as tresor berlin, has excellent dj techniques. the track is an unique uplifting house, suitable for peak time.
supported by fabrice lig, julien chaptal, keith worthy, laurent n., lex, phil weeks, rennie foster, satoshi fumi, scotty a, slok, tagträumer²�

fresh from the new and note-worthy axe on wax stable, this various artists ep has a bit of bite. aow has been turning heads with previous releases - from the likes of rhythm operator - they have been pushing that chunky and powerful house sound that is meant to keep you dancing well into the small hours, their music is a mixture of the raw and physical with the deep and texturally interesting.

phil moffa is an accomplished audio engineer who has worked with nile rodgers, seth troxler, anthony parasole, the martinez brothers, kool keith, roc marciano, and many others. we are honored to release his first solo effort for plan b recordings, a quartet of tracks made from the various machines in phils butcha sound studios. from the hypnotic *warm wave* to the berghain-worthy *premonition*, this is modern machine music for dark dance floors.

scubas phenix triptych reveals its final panel. a bite-size story in and of itself, and a fitting end-part to the greater sum, 3 feels like the latest acme of a diverse career. this is traditional beginning-middle-end story-telling: silence s call-and-response foretells of a blue funk ahead - funk in the figurative - as nineteen eighty transposes old chicago into an ad rem context. the disquiet continues on the other side, with plateaus exacting techno pulse underscoring astral synth work. tempo and temperature are pushed to an extent worthy of the resolution fade provides with its informal pace, acoustic disposition and celestial chimes

mos ferry vinyl 73 named gravity drive ep is patrick vanos third release on the label and a worthy follow up to his 2013 album the other side of me.

having made a nice splash for himself with his recent outing on delusions of grandeur and recent string of quality releases on his own imprint, shadeleaf, we are proud to welcome in thatmanmonkz for our next release on kolour ltd. he serves up three immense cuts of deep, underground rhythms with that infamous touch of soul that is quickly becoming his own trademark. remix duties were laid upon someone weve had our eye on for quite some time now - glenn astro. his unique musical vision & precise execution is on full display with his remix of remember and the end result speaks for itself. needless to say were very excited to have him in! altogether its an exceptional package of tunes more than worthy for the 16th slot in our kolour ltd catalogue!

this 5th release consists of three tracks made by the twin duo manic brothers, one edited by petter b. they have during their relativity short career proven themselves as worthy keepers of the swedish techno heritage with big releases on drumcode a.o. what they bring to bond on this release is their signature big room sound but with a much more simplified approach than previously heard. on the a-side there are two great tool tracks with lots of space for creative interpretation for a dj. on the flip there are a long and epic track with a massive vocal breakdown. groove based but yet with a big and strong hook.

the 18th installment from aesthetic audio brings together four deep architects to form a collective that methodically articulates a symphony of sublime textures, lush chords and unique musical visions. keith worthy (detroit - u.s.a.), miruga (japan), jose rico (spain), and michael zucker (orlando � u.s.a.) are the unusual suspects, and they are here to remind us that it is okay being labeled as unorthodox � it is okay to move to your own rhythm � and in fact � it is okay to applaud the unusual.

back in 2009, exactly five marches ago, culprit began its journey. 5 years of existence is a significant mark for a label and worthy of some introspection. with its new release, the los angeles­based label celebrates one of its most recognisable elements, the standard hotel rooftop, the site of the labels signature parties for the past 6 years: its been more that just a location � the rooftop has become the essential ingredient of culprits philosophy. inspiring a successful three-part compilation series, above the city, which has united some of the best young production talent around, the series has showcased a particular brand of warm summer­time sound, modern yet timeless. each remix is a culprit debut for all of the remixers. yet, each of them is part of the extended group of friends of the label, a like­minded tight­knit collective

elegant & diverse new three-tracker from dorisburg where he further refines his special nordic house aesthetics! worthy follow up on his recent smuts 12inch on bossmusik. recommended!

shortly after the dust under bridges ep was released, henri sent us nine tracks which he had previously recorded to tape, not thinking that they were worthy of release. on the contrary, these are nine tracks of beautiful, brooding, leftfield house and techno, and we decided immediately that they ought to be available to the public, and that they formed a perfect appendage to halvtraks debut 12 inch release, dust under bridges, written, as they were, during the same period.

affi is a glasgow based producer, dj and resident at the cult sunday circus, a collective infamous for throwing their long-lasting, day-after-the-night-before affairs. he regularly makes his presence felt at the most credible club nights and parties in and around the labels home town. as with the imprint he breaks ground for, koman has been making music for the last ten years with two previous releases already to his name. drawing inspiration from hawtins de9 - closer to the edit work with regard to the deconstruction of previous productions, the reassembling of intriguing new forms dominates his modus operandi and leads to this latest offering. the champagne breakfast ep puts forward the titular track on the a-side, ably abetted by in love and its dub remix love dub on the flip. an uplifting track which keeps on giving, the new release has already been subjected to test runs in the critical environs of a packed sub club and has proved worthy of the plaudits so far received.

limited to 200 copies! blooming soul strikes back with a very special release that certainly has its roots in the motor city. k-alexi shelby, rennie foster, rob belleville, laurent maldo and dave-g joined forces for a 4-tracks va ep full of expertly crafted techno funk that will undoubtedly raise the temperature on the dancefloor, and bring a smile to your face

finally a worthy follow-up to the devastating goldberg variations double pack on l/b. the mad russian brothers gancher & ruin bring the terror on the a-side and the goldberg variations strike back on the flip. hard!

still music presents the second volume of the in the dark: detroit is back series showcases a wealth of the motor city taken including marcellus pittman, delano smith, rick white, amp fiddler and many more.

limited edition of 1000 numbered copies on high quality virgin vinyl, download code included.
brian leeds produces electronic music under the name huerco s. his debut album for software is titled colonial patterns. on colonial patterns, leeds treats his kansas city region as a universe worthy of its own electronic music. to that end, leeds deconstructs midwestern techno and house tropes. the pieces are corrugated, rough, and decompositional. working cheaply, leeds conscientiously uses low-end software, synths and cassettes so as to subvert the gloss of so much urban dance music, giving tracks an impressionistic, emotive feel. the result is uniquely midwestern: there is an expansiveness to each piece that suits the open space and the storied past of its inhabitants.

reading purveyor of chrome-plated cosmic funk and berlin-resident heartthrob returns on his newly minted isninst imprint to deliver three futuristic jams worthy of only the sleaziest of intergalactic parties.

the star eyed condition is chameleonic effort in the impossible to pin down trajectory of loden s career. the belgian-based producer and musician has already proven his facility for glassy disco and droning ambient on his 2005 debut valeen hope, and glitchy hip-hop via his work with sole and thirsty fish.
on his new album, koks goes even further beyond his already drawn boundaries. there is a touch of robo-electro to tracks like *optimist never cries* and *sanesserarian* (a play on the phrase *ça ne sert a rien* or *it is useless*). he brings the ghostly sounds of german electronic pop into the dirtiest of hip-hop beats. and on his collaboration with rhymer doseone, *future confetti*, he gets lost in a psychedelic wilderness worthy of dj danger mouse.

analogue mapping sees meanwhile founder robert lawrence return to production duties as bovill in requisite fashion after a four year absence. in this time lawrence has focused on establishing the london label as a worthy outlet for the deeper echelons of techno with material from murmur, sven weismann, bvdub and conforce. spread luxuriously across two slabs of vinyl, the six tracks allow bovill to make room for soothing, dubby moments that ease you in as well as productions characterised by their driving drum and chord arrangements. see the spine tingling opener so it goes for evidence of the former whilst neap and hunt or herd? provide perfect examples...

with local talk release no. 30 we are moving further into territories of straight up no fuss dance floor action. already having releases on dirt crew recordings, murmur & hypercolour elef knows a thing or two about delivering jacking tracks. wake up call comes in two versions. the original version is a kick & snare pattern driven monster track with heavy arpeggios and deep pads. on the flip brennan green doesnt hold back either. the main melodic pattern together with percussions is unleashed straight on and as the tracks evolves he adds tr-303 lines making the track even more epic. as elef described the remix as perfect for a panorama bar set. the remix is worthy enough based on that one side alone.

londons dogmatik label return with remixes of duskys massive flo jam ep. 4 remixes coming on 2 eps. part one comes with a heavy a side with eats everything under his mange tout alias remix flo jam, whilst the flip sees numerical getting the remix treatment from the extremely talented kris wadsworth!!! worthy remix ep on one of 2012 biggest club releases!