with his last ep rhythm trap released on one records in july last year, rising star john dimas makes his next appearance on the label with the sensational hypnotize me with a perfect remix courtesy underground house producer and admired cult dj, nail

since his debut in 2009, loops haunt has continued to confound and excite with an output as mercurial as it is rare. toying with jungle and hip hop on zenith and outright sound design on ark, the wilderness-bound beat alchemist uses his isolation to explore and even create his otherworldly sound palate. lurking behind immaculate drums are the windswept sounds of the desolate north and mechanized textures plucked from his father s own workshop. here we embark on loops most complete work to date. exits is designed to be listened to as one continuous track, opening with ambient mood and emotion, layering outboard synths and found-sounds on the title track and trap door. an unexpected calm beginning is shattered in the second act with the pounding rhythms and industrial heart beats of howl and iiva. exits is an insight into a uniquely unpredictable talent and rare chance to be immersed in his sound.

bonar bradberry and tom thorpe make up the boogie boat that is pbr streetgang.

this is the first in a series of many coming from noir music. the series is called rmx and its basically back catalogue tracks in new clothes done by some of our favourite producers. number one in the series contain 4 superb remixes by nice7, nicolas masseyeff, the glitz and lee van dowski & dean demanuele. this remix ep leans toward the techier side of house as the remixers show their floor functional excellence and hq production skills.

techno! nothing for the softy ones. amazing musical journey thats spans from detroit to acid techno.

this return of ferox records sees an enthusiastic response from all. the label has forthcoming releases from many original ferox artists and some new recruits and collaborations along the way. this, the first release in 5 years, sees label head-honcho russ gabriel in action under his too funk guise. from the first return of too funk ep to the later hotel ibis and derrick carters remix of venus fly trap, russs too funk grooves have been jacking dance floors on both sides of the atlantic since 1995.

die einfuehlsame verschmelzung der musik von so unterschiedlichen kuenstlern und stilen, zu einem atmosphaerisch dichten gesamtkunstwerk macht die pop ambient kompilation alle jahre wieder zu einem unvergleichlichen und vor allem zeitlosen hoererlebnis.

feadz is releasing his debut album instant alpha fifteen years into his career. his music is a careful balance of urban and electronic that finds its roots in rap, freestyle, electro, techno and house, but also in more ghetto influences such as footwork, trap, baile, etc. in short, feadzs music is a quintessential edbangerian alloy.

feed me (aka spor) hat sich zu einem der respektiertesten dubstep produzenten gemausert und veröffentlicht sein neues album - nach releases auf deadmau5s mau5trap-label - nun auf seinem eigenen imprint sotto voce, auf dem er noch weitere spannende veröffentlichungen auch anderer künstler verspricht. auf calamari tuesday glänzt feed me mit 15 exzellenten tracks, darunter der brillianten kollaboration mit den crystal fighters, love is all i got, die ende 2012 zum Überraschungs airplayhit auch in deutschland avancierte.

audiolith - musical luckybag with a masterplan. ten years from now, back in 2003 the label started as musical one-man-show without any kind of business plan. a decade has passed since then and audiolith grew into a proper company with two associates, employees, office, online mailorder store and not less than 200 releases under its belt. but still some things never change, especially when it comes to release politics. no matter what ever style comes in whenever the boss likes it there will be a release. no compromise, no fear of failure that is what audiolith is all about and lars lewerenz is, has been and stays the musically approving authority, no matter if we talk electropunk, drum n bass, indie or punkrock, hiphop, trap, deep. emotin-driven house or electropop. his widely varied taste is the reason why audiolith still remains fresh and surprising a musical luckybag, but one with a masterplan. now the year is 2013 and audiolith is still loved by many - and hated by some for giving away golden gifts to fans instead of waiting for presents itself.

mole city is not in the tradition or deviating from the tradition – it is the tradition. after two decades of launching drums, guitars and pianos through the shifting interzones between harmony and chaos (moonlighting along the way with the likes of sleater-kinney, wild flag, elliott smith, built to spill and a long list of others), quasi are a genre of their own - they write songs in the style of quasi, and mole city is the quasi song book: parlour sing-alongs for the last century.
now in their 20th year as a band, and a two-piece once again, sam coomes and janet weis hand-deliver the double album/liberation cookbook/encyclopedia of kicking ass, mole city, to those of us who still care about well-built, homemade objects crafted with integrity, spirit, fire, and skill.
pressing on double 180 gram heavyweight virgin vinyl, housed in gatefold sleeve with mp3 download code included.

welcome to neo baile, a new take on the traditional sounds and aesthetics of brazils baile funk (or funk carioca) that challenges the established order to create something new, exciting and forward thinking. mr bongo is extremely proud to present the sound of neo baile compilation lp, taking tracks from the album (mrbcd114). featuring 6 unreleased and exclusive tracks from worldwide producers that re-interpret the love-it-or-hate-it brazilian baile funk sound. the compilation has been put together by two of the movements most knowledgeable players: sao paulo-based funk na caixa aka renato martins and london-based sean casey aka bumps, founder of club popozuda.

great pack with some of the best artists in the infamous planet rhythm imprint combined in 3x12 for a nice price. feat. lars klein, exium, takaaki itoh, space djz, oliver kucera & carlos rios and gunjack.

eine limitierte vinyl-auflage des brandneuen albums turbines von tunng. farbe: weiß

nikola gala (rekids, suara, clap your hands) from greece delivers straight house tracks with remixes from spn and actor one (gigolo records, kindisch)

luuk graham, the hague native drops his second release with lowriders recordings. after his recent remixes, a beattape and some digi releases finally the ep is ready for the public ear. the sound has grown in depth and strength. inspired by uk bass and uk bass and dirty south hip hop scene, he fits in the hip trap/bass culture with his more uptempo tracks but as easily links to the more head-hop in the likes off shlohmo. his sound is very much 8bit - commodore infected blent of hip hop, skweee, bass and retro-futuristic-synth-science. filosofischestilte takes you into an unknown world shaped out of arpeggios, sparkling.

zum 50. jahrestag der unabhängigkeit jamaikas startete das label kingston sounds die compilationserie *listen up!*, die sich mit diversen stilen jamaikanischer musik beschäftigt. dancehall entwickelte sich zu beginn der 1980er-jahre auf der karibikinsel. der reggae-beat verlangsamte sich und rückte zu gunsten des sängers oder deejays in den hintergrund, später digitalisierten sich die beats zusehends. *listen up - dancehall* stellt einige der klassiker der frühen dancehall-Ära vor, u. a. von cornell campbell, don carlos, johnny clarke und dennis brown. listen up and enjoy!

meakusma is releasing a 12inch compilation to coincide with their party in eupen in september 2012. four artists from the line up each deliver two tracks.

ow triple pack one contains 11 tracks from detroit influenced minimal techno to techhouse for a special price...

lost and finally repressed background records classic, made by todd sines in 1999.

thats f..king hardcore !!

young citizen from schwerin, josh, whom we already know from >ostwind limited< & >amuse gueule<, now presents his first own single on his home lable ostwind. >closing words< is the name of the vinyl and also the opener on the a1 in a fluffy josh-manner with stylish detroit techno. on the a2, josh will show us with >claiming back<, to which sound he has grown up and provides this oldschool track with a certain fresh note. with >steam trap< and >social affairs<, josh reenforces his emotional side on the b-side and knows how to persuade one with this tracks. a maximum sound experience on a minimal level, and a successful and smooth record that will bring every floor to the boil

following a world-wide rollercoaster of almost 3 years continuously on the road touring, gui boratto found himself back in his sao paolo studio in early 2011. the results are here with >iii< – arguably his greatest musical accomplishment to date. kicking off with the slo drive >galuchat< the sitar-ish instrumental embedded in the track sets a foundation of melancholic organic groove found throughout >iii<.

pional alias miguel barros ist wohl spanien am besten gehütetes geheimnis in sachen elektronischer musik. der junge multiinstrumentalist, der auch sein eigener sänger ist, eroberte die welt aus dem stand weg mit seiner debüt-maxi. die erschien auf dem in barcelona ansässigen, von seinem freund john talabot betriebenen label hivern discs. die drei tracks der >last house on the left ep< erforschen eine house-musik, die von krautrock, moodymann, miguel aguayo, caribou oder grizzly bear beeinflusst ist. mehr als nur empfehlenswert!

silky vocals, warm basslines, gentle guitar licks and a smooth melody – a perfect ode to a beautiful day. prins thomas kicks off the 12 inch with an epic 12 min long remix. eli escobar remixes night spot, a heart pounding dance floor scorcher and trap.avoid do a minimal disco remix of under the sun.

q: who are q & a?
a: q & a are quinn luke & alexis georgopoulos.

q: how did quinn and alexis meet?
a: the two were introduced by chris veltri, owner of legendary record shop groove merchant in san francisco. veltri and luke had made a pair of plunderphonic dusted disco 12 inches under the name coppa. georgopoulos was a founder of the group tussle and asked if coppa would do a tussle remix. this led to luke acting as producer on the tussle album telescope mind.

dj rekless releases another stunning bassline ep for the undisputed label.

originally released in 2005!

first extract from the forthcoming album >dreamer are you sad< to come out soon, produced by peter deimel (deus, the kills). limited edition 7 inch full of electric breaks and noisy guitars bullying the apparent wiseness and light melodies, calling on pretty convincing influences like can, robert wyatt, radiohead, or sufjan stevens...

vinyl limited to 500 worldwide!!! r tracks gives you more than enough killer material to satisfy. soft gentle synths and warm pads bounce away over plucky tight beats whilst fast arpeggiated leads rush you through the various compositions. this is a must have album for fans of ceephax, boc, ziq etc.

released in 2008! feat george clinton, chuck d and introducing t-k.a.s.h.!!

dj support by: richie hawtin, ricardo villalobos, josh wink, john selway, john acquaviva, onur Özer, pascal feos, martin eyerer, florian meindl, ascii disko, dj emerson, dr motte, tom wax... teaming up again, thomas and andreas took their safari hats, went deep into the dark machine-djungle and brought with them these three little nasty tunes ! mosquito opens up with its itching fat beat and its stitching nasty melody, soon to be heard on the expeditions throughout the disco-djungle on this planet ! mosquitofalle is the next trap you will soon be falling into and safari takes you on a lovely lasting trip... but beware of the big animals

incl mark broom remix

brand new album from alec empire on his new label, eat your heart out. the golden foretaste of heaven finds the unmistakable energy, political savvy and aggression still intact - together with the industrial sounds, the barrage of electronic distortion and the throbbing beats a.e is known for. firmly more electronic than on previous albums the sounds are rounded out with a sublime melodic quality. the golden foretaste of heaven presents original electronic sounds of new berlin in 2008.

huge remixes by dubfire & liquid soul !! >space bird< is the first of the two jam el mar collaborations on the new album, and straight out the trap is man of the moment, dubfires, excellent minimal trance and brooding tech house remix.

delete strikes with 4 perfect tracks to get caught by his music. on a1 bobby trap is a huge piece of click techno with a dub deep bass subtle darky sounds and a heady grabble distord melody giving an incredible tension on a2 whos the big boss is a minimal darky tek track deep and groovy check out this delete crispy melody b1 is black mamba with the sublte use of flang’ fx on heady melodies in a dark atmosphere and to complete this ep a rollin funky tech house piece brilliant!

this release shows the gratitude to one of the legendary labels and techno artists, ferox and label owner russ gabriel. the first release on this highly influential label was back in 1993. after listening to the infamous mixmag cd by richie hawtin, pariter label owner yossi amoyal was hypnotised by the way these ferox records sounded. ferox was one of the first uk techno labels. their sound was inspired by detroit techno but what they created was something completly new

finest harder techno tunes by rhythm technologies and hyperloop for fans of driving uk techno

christian martin joins the production ranks of dirtybird along-side his well established brother, justin martin. on the a-side, >stoopit< conjures up images of princess jasmine stripping f or lil jon in a lush arabian tent. on the b-side, >venus fly trap< tackles more serious issues, f ollowing the f inal journey of a simple house fly. these two tracks hav e a rare f lav or that will cross ov er into dj sets of all kinds. the martin brothers have taken elements from latin krunk and techno swing to make something fresh and wild

do you like to dance tzatziki? can you feel the bass of kalamata olives? do you feel feta sometimes on the dancefloor? this are all questions our 2 doctors from athens can t answer you. the only answer they know is how to make the boopie shake. this is what they say. you need to proof? do it. boopie trap is a classical piece of malaka house music that will be reinterpreted by everybodys darling dario zenker from hometown munich and the so called boss popnebo himself. what else? their ghosts are also in da house. we hate to write about the music, because how do you want to say in words what the music should sound like? difficult. not really.

aussergewöhnlicher elektro von der insel. sehr vertrackt & immer eine spur drüber

mark & john = mark o sullivan & john dahlbäck! an extra-fine ep including three amazing tracks. the titletrack most dangerous animal in the zoo is a banging acid-techno track which will set dancefloors on fire with its punching kickdrum, dark synth-lines, distorted vocals and the hammering hihats. trap 2 builds slowly into a more minimal acid track with a floating melody while last chance to see is a very dark track with a speric atmosphere, manic whispers and a spooky melody

nasty jazz flavoured jacking house on this hot 3 tracker a jam on a side with slick guitar work and george benson styled vocal scats flipside for the floor banging crowd

ultra harder kickin techno ep!!

mega strong techno 3 tracker!. plays: dj rush,dave clarke,paul langley

limited backstock on this timeless compilation, released on andy vaz background records in 2003.