remastered reissue of the 2019 album from dj yoda. deluxe edition lp featuring a bonus 7” with remixes from double dee & steinski and the still brothers.

high-energy, rowdy, raucous, longhair mississippi glam rock. that’s the sound of easy, the week’s long-awaited followup to their breakthrough album, dear bo jackson. recorded at ardent studios in memphis, easy finds the weeks doubling down on a mix of groove, grit, and guitars. it’s swaggering and sharply-focused, shining new light on a band of brothers who, although still in their mid-20s, have already logged a decade’s worth of sweaty gigs together. easy consolidates the band’s strengths, it’s driving and direct, captured in punchy sound by producer paul ebersold. “we called it easy because every time i make music with these guys, it’s easy,” says cain, who has spent more than a third of his life as a member of the weeks. “but the other side of it is, there’s nothing easy about being in a band... we have the easiest job on the planet. but it works for us.”

new 7 inch from ny’s the still brothers.

1976 the brothers were an emerging disco soul septet whose blistering arrangements and ferocious playing had earned them a cult following and a major label deal. little did they know that only a few years after the release of brothers theme that it would be a huge record on the dance-floors of nycs paradise garage and chicagos music box with both larry levan and ron hardy hammering the record behind the controls every night. the playing of the group paired with the production prowess of the legendary producer, writer and arranger warren schatz (frankie valli, dolly parton, vickie sue robinson and more) combined to make a fairly heady brew of disco, orchestral overtures and bombast that just ignites. proper disco music in it s purest form, still doing damage today! often sought after by the deepest of disco heads on a white label promo 12inch this rare ep now sees a fully legit reissue, made in conjunction with above board distribution and rca is sourced from their vaults using original materials and remastered and repressed to the highest standard for 2018 and featuring all original 1976 rca label artwork.

the utopia project, yet another one of many pseudonyms for legendary producer rheji burrell of burrell brothers fame. all 4 of the files contained within this ep bear the classic hallmarks and sounds of the burrell brothers signature style, taut drum programming, deep, melodic synth washes, bass-lines from the darkest recesses of nycs streets and dance-floors and an instantly recognizable atmosphere. like much of the brothers output these tracks are designed to be heard either very, very late at night or in the early hours of the morning and are some of the defining sounds of new yorks underground night-clubs in the formative parts of the 1990s. a true underground house record, over 20+ years old and still sounding as fresh and current as ever, file 1 is now available again for 2015, re-mastered and re-pressed with the permission of and in conjunction with the burrell brothers / nu-groove records, new york city.

its a spring thing. second strike from the hamburg city mafia brothers duo. after the great reactions of their last releases our buddys turn back with two spring prime time jackin tracks for your mood! early support comes from luciano, sven vaeth, karotte, dop, steve bug and more.

support from joris voorn, pete tong, ivan smagghe, wally lopez, toca disco, brothers vibe, blake baxter, shur-i-kan, deetron, paulo mojo, james zabeila, sasha, john digweed, nick warren, uner, butch, ... with his immortal changes album still riding high, and babiczstyle 001 in the locker, robert returns with his next ep of exclusives, the feeling ep. babiczstyle has been launched by robert as a platform for him to release some of the large archive of work that he has written for his live sets. i see the label as a platform, where i release only my own music and collaborations. i do this to have a platform with the highest possible audio quality and have a place for me and my friends to release our music. - robert babicz after the main-room wonderment s and euphoric soundscapes of the remote kiss ep, robert delves deeper and delivers three cuts of warm, elegant house. as ever each track serves up the sonically expansive yet completely intimate feel that only babicz can deliver. this is no more evident than on don t give up . its funky 90 s esq bassline is a foundation for his trademark synths and keys to work their magic upon…

this is the first deep vibes label compilation called >in the streets - the new sound of the city<, with eight exclusiv and unreleased tracks & remixes from norm talley, the beatdown brothers aka delano smith & mike clark, samuel davis (detroit), sascha dive, markus fix, johnny d., buks aka knarf skipson & baaz (frankfurt, mannheim, würzburg), ray valioso aka agnes (bogota dc) and jason blakemore (los angeles) .... already dj support : karotte (cocoon, great stuff), sebo k (mobilee), d julz (ovum), jety (circus company)

subradeon returns with another timeless record on their own imprint. >keep fighting< is the first in a series of three eps, each representing three phases of epochal change.

a comprehensive aretha franklin career retrospective on black double vinyl, housed in a gatefold sleeve. includes earls recordings, hits and previously unreleased tracks.

27 classic mowton tracks incl jackson 5, four tops, marvin gaye a.m.m.

das londoner label soul jazz records graebt tiefer und tiefer in den archiven des wohl wichtigsten labels in der geschichte des reggaes. gegruendet vom legendaeren produzenten clement sir coxsone dodd, gilt studio one als das motown des reggaes, alle moeglichen karrieren nahmen hier ihren anfang, ob bob marley oder the skatalites.

classic!

g.i.disco - an 80s history of cold war s hottest music in west-germany berlin local dj heroes kalle kuts and daniel w. best a.k.a. g.i.disco have compiled an excellent 80s soul, funk, r & b and disco selection. it combines representative music of that time with informative liner notes about the german historical background (which also is an important part of 20th century s world history), international artist quotes and worldwide renowned art by berlin based photographer frank thiel to an unique history lesson and listening experience. soul, funk and r&b from the us became a worldwide dance and clubbing movement during the 70s when it turned disco. in the late 70s and 80s more and more new electronic instruments like synthesizers and drum machines were added to the horn riffs and piano licks, bringing the funk back on the dance floor while still leaving it s soul untouched

massive collaborative album from mcs drs and dynamite with an array of globally respected dnb producers.

trumpeter/ composer sefi zisling incorporates afro-jazz with psychedelic funk in this new solo project. sefi is known as the top trumpeter of tel aviv jazz & funk scene. while still attending high school, sefi performed with various funk and groove acts, laying the foundations for many more musical encounters and fruitful collaborations with other members of the ever-growing tel aviv music scene. sefi performed with bands such as the ramirez brothers, kutiman orchestra, funknstein, gili yalo, and many more. today, after fifteen years of recording and performing all over the world alongside almost everyone within the israeli music scene, sefi is taking a step forward to release his debut solo album.

matthew dear lands on hot creations under his audion moniker. the electrifying starfucker is remixed by house music veteran ian pooley and the notorious young nyc duo the martinez brothers. in true audion style, starfucker takes a series of unexpected turns and the groove propelled track is made to shake up big rooms. audion s second original need your loving is equally intoxicating, with subtle vocals and driving drums. matthew dear as audion is responsible for hit releases such as suckfish and mouth to mouth. at the top of his game for over a decade, the talented artist has also released successful albums under his original name and performed with a live band opening arenas for depeche mode, interpol and more. he also recently released the latest installment of the dj kicks compilation and an acclaimed audion artist album. over twenty years into his career and ian pooley is still releasing on the biggest and cutting edge labels, with recent appearances on innervisions, ovum and tsuba. he packs the swing into his remix and adds his signature style with a touch of class. the martinez brothers remix is bursting with energy and demonstrates the duo s understanding for how to work the big stage. an unstoppable force, the two have been taking the world by storm with their energetic dj sets, consistent output of music and running of their labels cuttin headz and tuskegee.

the master of the edits is back again with volume 2 of the highly sought after mr k edits series. limited edition vinyl press, be quick!

the formula was simple: marry bubblegum and soul to the absolute sincerity of an enthusiastic child, cross your fingers and pray for airplay. but while the youthful sums of that formula may have grown up and walked away from their illusions of stardom, their permanent records remain. by 1973, michael, tito, jermaine, marlon and jackie were as hip as kids could get—household names, with lunchboxes, coloring books, a saturday morning cartoon, and an alpha-bits cereal commercial pushing the j5 brand onto any kid with television reception. their impressive run of four consecutive #1 singles playing on both pop and r&b stations cemented their appeal to both whites and blacks, prompting mgm to launch the osmonds as the safer (read: white) alternative. and parents? well michael had that wrapped up with his impossible-not-to-love mini-james brown thing. even their song selection straddled both sides, with “zip a dee do dah” and “abc” for kids, and contemporary standards “standing in the shadows of love” and “my cherie amour” for the older crowd. this extreme marketing and merchandising juggernaut created the kid soul explosion. a decade removed from our acclaimed home schooled compilation comes a fresh batch of talent show titans. with enterprising parents, neighbors, and teachers turning play dates into recording dates, groups like magical connection, little man and the inquires, and five ounces of soul emulated the jacksons, who’d made grade-school stardom appear easy as abc. afterschool special: the 123s of kid soul contains 19 tiny tunes ranging from bilingual d.a.r.e. anthem, to james brown bio, to young love and life beyond the playground.

faze action return with a brand new 12 inch, teaming up with zimbabwean born zeke manyika to create * mangwana*. sung in zekes native shona, and taking influences from mory kante, south african kwaito to early house, faze action manage to create a record that harks back yet still has a modern and contemporary feel and is set to be the soundtrack to countless festivals and outdoor parties this summer.
the title track is followed by the stunning * chiiko*, featuring zekes vocals enriched by robs cellos with african rhythms floating you away to another tropical world. a vision of panorama turns up the dial with a stunning mix on the flip side. a new bass line adds to some quality keyboard work. finally the brothers deliver are more stripped out dub * paradise 89 mix* tailored for the peak time.

limited repress
after a furious release by atlantis’ best kept secret cuttlefish & asparagus entitled hang on in there, kalakuta soul records meticulously puts a new twelve together you’d want to throw your hands upon immediately. always referring to sadar bahar as one of the most influential cats to their work, the crew behind the label hasn’t stopped crying ever since they received the tracks. and although we’ve pinched them a couple of times, they still can’t seem to believe this really is coming true. can you? now it surely isn’t the first time the world’s coolest cat has released a couple of his rare edits. but you surely are still dancing and sweating to his unforgettable chicken wing edits series and have been wondering, what this guy’s been doing. well, soul in the hole’s true soul and dj’s dj sadar bahar has been travelling around the world giving everybody a serious lesson in soul music that he calls disco beatdown. some brothers would also name sadar’s ceremonies “exorcism-, which pretty much leads us back to the tracks released on this fantastic sounding 12&#8243,,,, disco single.

joey longo has had a long & varied music career since the 1980s, from regular global dj spots to producing hip hop records for krs one to spearheading the deep nyc house sound that he is most well known for. the raw shit is a classic pal joey ep, featuring a handful of his trademark hip hop & jazz infused tracks, all sample laden & with dope chopped up drums & ultra deep synth pads that occupy that sweet late night spot somewhere between the burrell brothers & maw. released in 1995 & still sought after by music lovers today the ep is the perfect marriage of house music with b-boy sensibilities, raw indeed! remastered, repressed & re-released for 2015 in conjunction with king street records, new york city.

flashback to chicago in 1985, when house music was just being born. a few kids - matt warren, miguel garcia and ralphi rosario, get together to join forces with the already established sunset mobile disco - owned by brothers alex and robert rojo - to create a new record label as an outlet for their productions. here still music presents the full story, written by jacob arnold - of one of chicagos house music best kept secret in a superb gatefold dlp compilation that includes remastered, rare and unreleased tracks from the sunset records inc. label along with lost pictures and artifacts spread in a gatefold dlp. check!

on her first ep, a.n.i.c.e. composed a track which is deep and full of emotions. >wait for me< is the official wake-up call for all the daydreamers and dally fairies. its marvelous vocals capture the listeners attention. dj le rois remix is more the four to the floor part of this ep. because of the driving bassline not even the last foot will stand still. >the dawn< is boosted by percussion elements and vocals that can only be sung by fairies underline this emotional track.
support by mathias kaden, daniel stefanik, brothers vibe, matthew dear, salvatore freda, tim green, david durango, ...

still only 20, leeds-based youandewan has emerged as one of the stand-out raw talents of 2009. he has been featured in future music magazine. and he is already receiving support from steve bug, slam, nick warren, technasia, gavin herlihy, silicone soul, brothers vibe, arnaud le texier to name a few

fumakilla launches the new year with a banging, excellently produced 12 inch from the pen of valenzuela / casarano. after their outstanding debut release >otra vida< on fumakilla, which was played and charted by numerous top djs like jimpster, luciano, brothers vibe and onur Özer, just to name a few, the two chileans now drop >aneninema< - a classical ep with 3 magical tracks. the a-side starts with >santi< and its instantly starting hypnotic pumpin groove. with >flaca< the two prove their musical talent with loads of charm and soul, besides the track flows vitally through its latin roots? on the flip with >aneninema< they combine and link all these ingredients to create a >groove deluxe< that wont keep anyone standing still in the club. feel it , play it ,love it

the end of the world is near, only survivors in the city of the future where there is no trace of life, two brothers roam the apocalyptic climate. a war among justice and david guetta has lead to the annihilation of electronic music on earth two years ago ... desert in the city is a call to remind dancefloors of the planet that techno is still the source of the digital world.

incl polder remix !! the blueprint ep includes two highly fashionable dirty and driving tech house tracks blueprint and dirty life that perfectly show that jürgen still knows how to tweak his machines, plus the highly acclaimed polder remix of “signal”, which was releaseddigitally on electribe recordings and will finally see the light of day on vinyl. played by 2000 and one, d’julz, shlomi aber, gregor tresher, brothers vibe, shinedoe, paco osuna, toni rios, stephan bodzin, oxia, slam, emerson, dan drastic, danny howells, phonogenic, oliver klein, milton jackson, jussi-pekka, phil kieran, alex flitsch & more…

big with: josh wink, gregor tresher, agnès, jimpster, djulz, alex attias, brothers vibe, sebo k, 2020vision, 3channels, lauhaus, davide squillace, nic fianculli,... simon flower, who since his first release on curl curl left his mark with productions on poker flat, moon harbour and recently railyard, now releases his second 12 on curl curl: still here, still there. while residing a world away on the idyllic isles of new zealand, here he makes a heavy nod to the detroit of the early 90s. he mixes it with his own deep hypnotic style, resulting in a release which sounds uncoventional yet combines the multi-layered repetition of an almost timeless techno style. the key to flowers unique sound is the influence from his well-honed and organic live set, which has lead to growing bookings across europe. both parts of still here, still there match funk and dancefloor pressure, and have been integrel to his live set for years.

the legendary club u60311 in frankfurt has opened up a brand-new hotspot for minimal right in the heart of the city, going by the name of 311. paired with this, an affiliated label - dreielf recordings - has also been launched. the residents michael kohlbecker, one part of the saafi brothers, and frankfurts newcomer peter eilmes are releasing the fruits of their cooperation in their home studio, and putting an already-established scene hit onto vinyl with - tabasco. the original of the record impresses with its anthemic character, which may have been due to the fat bass-line and the striking trumpet. despite its monotony, a real jewel for every record case and just the stuff to get happiness dripping from the club ceiling. the remix by alexi delano, on the other hand, is somewhat deeper and more melodic at the same time, but still contains all the ingredients necessary for a proper shot of tabasco. sonic monogamy or fat kick basses make this remix unique. the dominant trumpet and the scraping percussion of the berliner andre crom make this remix an absolute guarantee of ecstasy. tabasco is hot and burns like hell!

the legendary club u60311 in frankfurt has opened up a brand-new hotspot for minimal right in the heart of the city, going by the name of 311. paired with this, an affiliated label - dreielf recordings - has also been launched. the residents michael kohlbecker, one part of the saafi brothers, and frankfurts newcomer peter eilmes are releasing the fruits of their cooperation in their home studio, and putting an already-established scene hit onto vinyl with - tabasco. the original of the record impresses with its anthemic character, which may have been due to the fat bass-line and the striking trumpet. despite its monotony, a real jewel for every record case and just the stuff to get happiness dripping from the club ceiling. the remix by alexi delano, on the other hand, is somewhat deeper and more melodic at the same time, but still contains all the ingredients necessary for a proper shot of tabasco. sonic monogamy or fat kick basses make this remix unique. the dominant trumpet and the scraping percussion of the berliner andre crom make this remix an absolute guarantee of ecstasy. tabasco is hot and burns like hell!

its been a big year for the attias brothers. their first release nebukai on still music is still shaking a lot of dancefloors wordlwide. attias is the project of brothers alex and stephane attias. based in lausanne switzerland, the duo have been djing all over the world and making records and remixes for many years on a diverse list of labels ranging from compost to talkin loud and their own visions and freedom soundz imprints. nebukai has been licensed by tom middleton for his next mix cd (and countless other comps) and featured on dj mags cd last summer. after a release on carl craigs planet e and on isoul8s reincarnation, attias is back on still music for another mindblowing opus. aquilo and okada are reflecting how fast stephan and alex matured as a duo and is demonstrating with no question their grasp on techno and house. deep dubby techno is the way for aquilo while okada is an epic deep tech house tune and make up for a stunning release.

limited edition of 1500 copies on white with orange swirl double vinyl, housed in a gatefold sleeve.

currently fizzing up summer crowds on his european tour, the argentinian renaissance man is testing his wares, as he prepares to unveil his third artist album at the turn of 2019. set for release on the martinez brothers perennial cuttin headz imprint, it will herald a fresh jacking chapter for the artist who famously refuses to sit still. an instant statement of intent, ‘so dope’, the first taster from the forthcoming long-player, lives up to its name with a thumping nyc swing, loose twanging slap-bass pops, trippy vox overlays, springy rhythmic elements and all essential conga rolls. with its concrete-thick groove, ‘so dope’ commands an equally robust remixer rollcall. which is exactly what the martinez brothers have recruited... the bossmen themselves get elbow deep with a warped and twisted bassline that snakes around the stately jacking beat, gradually becoming more warped and wonderful as the track progresses. djebali follows with a precision contrast as the vocal shots wrap themselves tightly around a timeless 909 beat and subtle tracks of venomous acid while heartthrob flips it into an all-out rolling techno experience. dope ain’t the word.

born in cameroon, vicky began banging the drums at the age of 9. by 13 he had moved onto bass and within a couple of years he was playing every night from 10pm to 5am in the castel douala cabaret. at the age of 19 vicky moved to paris to study banking and commerce and cram in even more music. he took classes at Épinay-sur-seine conservatoire music school and it was here that he met bandmates of his dikalo project. word spreads and he soon becomes one of the most sought after bass players in the afro arena. his session work features on many scenes stars, manu dibango, eko tala am, kemayo, sammy massamba, toto guillaume and many more. a chance meeting with the gibson brothers also see him play on two of their hit albums. in the 80s vicky moved to the us for spell and excels as a session bassist and touring musician. we pick up the story in 1981. with his stature as a musician and bass player riding high he takes a detour to nigeria to record with the afrodisia label in lagos. the thank u mamma album is the result. it is repressed for the first time, here in 2018 on the revitalised afrodisia label. musical proceedings open up with the heartfelt ode to his mother thank u mamma, smooth pop meets afrobeat boogie. marina driv slows things down with its smoldering jazz. side two opens with its not serious a catchy vocal number underpinned with funky guitars and striding basslines. stormy rain is lazy guitar jazz swansong. we close off the album with the ever so funky you. slick funk grooves powered along with a dose of slap bass. as a side note vicky actually plays left handed but with a upside down right handed bass. this upside-down precursor making his effortless slap playing even more impressive. vicky went on to record a two other albums and still tours and plays as an ever-in-demand session musician.

16 of the biggest soul hits from the iconic motown label. including the likes of marvin gaye, the supremes, stevie wonder, michael jackson and many more.

a true balearic classic. one of a handful of records that can comfortably boast this title, elkin & nelson’s 1979 classic jibaro sits in the canon of selections that enlightened the ears of the jet-set and globe trotting music fanatics in the heady and much storied years of the white isle in the 1980’s. the colombian brothers javier and leon marin velez brought their own rustic brand of folksy-rock-psychedelia to the listening public in 1974 with their debut lp angeles y demonios on columbia records. the brothers had relocated to spain, snared a major label deal and ran with it. the first of 3 lps it proved a big hit in later years with adventurous dj’s and selectors. a cult record you might say. of course, this lp featured jibaro in all it’s forms, but it is this 1986 reissue 12” promo pressing with its iconic, distinctive jacket that was the coveted slab sonic adventurers were seeking. fully sanctioned and legitimately remastered from the original sources and packaged in its original columbia promo sleeve jibaro is back on the shelves, still an incredible record that gets pulled by the most discerning selectors across the globe. a true classic, featured here in its long and short versions as per the ’86 release. absolute top-shelf stuff here, essential, must own and classic.

dive released a vast amount of productions and remixes on high class labels such as cocoon recordings, tsuba, freebase, deep labs (balance us), raum musik or stir15. the cocoon artist still runs his own label deep vibes with great success. deep vibes brought up some outstanding music by sascha dive and his „house-mates like brothers vibe or robert dietz. welcome sascha dive with his trippy dark tech house track child of sorrow at the aras family. aras label head andré galluzzi has been a vinyl dj for 25 years. with residencies at tresor, ostgut and berghain and releases on labels like ostgut, cocoon, cadenza, plus8 ,ovum, music man ,ongaku, taksi and bar 25, andré can look back at quite a history. 2017 has been another busy season for the artist who additionally presenting his berlin based eventy series we play vinyl regulary. bambo is a mysterious club tool with a breeze of darkness. this signature tune stands for open minded sound as galluzzi always does.

roots vocalist barry brown has an inimitable style that has long made him a favourite of reggae enthusiasts. drawing from the popular phrasing of horace andy, but morphing it into his own delivery through the kind of wordless slurring that occasionally resembles the sound of a quacking duck, brown found his way into the jamaican music scene through the many amateur west kingston talent contests of the early 1970s, along with fellow aspiring talents such as johnnie clarke, sugar minott and the african brothers, and the mighty diamonds. he also honed his vocal skills on local west kingston sound systems such as tape tone, together with other young dancehall-oriented youth such as barrington levy, sammy dread, roy taylor and tristan palmer. there are still conflicting claims as to who was the first to record brown, with production veteran bunny ‘striker’ lee and sugar minott among the contenders, but in any case, during the late 1970s and early 1980s, he produced a range of captivating work for various producers, much of which is rightly coveted today. ‘ital rock’ appeared on barry’s 1983 lp i’m still waiting, issued by rocktone international, a spin-off of sugar minott’s black roots outfit, based in queens, new york (with a further branch in toronto), the b-side has dean fraser’s previously unreleased electrifying saxophone cut, rescued from dub plate obscurity by jah fingers.

since its release last year, the grammy nominated album louie vega starring…xxviii has reached unfathomable heights, after 8 single vinyl releases and two full triple set album releases, we still have one more up our sleeve. today, here we are in the third and final installment of the louie vega starring…xxviii vinyl album release series, this time taking it to another level with unreleased and lost mixes. when making an album there are usually way more than the number of songs allocated for the project. in this case there were over 50 songs and tracks created for the louie vega starring…xxviii album. vega has selected 14 unreleased and lost tracks from the recordings and put together dj friendly versions with these super talented artists involved: funkadelic, nick monaco & soul clap, kenny bobien, cindy mizelle, maphorisa, berita, wanda baloyi & kabomo (south african top talent), roberto roena (of the fania all stars), brutha basil, jesse jackson (blues rock artist), sara devine, luis salinas (argentinean guitarist), duane harden (song/hitmaker), & 3 winans brothers featuring the clark sisters. the packaging is lovely with an open gatefold huge picture of a mural painted by none other than richard wilson uk artist. mastering by the great walter coelho, for sonic perfection & pressing manufactured by optimal in germany.

suction records is thrilled and honoured to announce the reissue of d arcangelo s self-titled debut ep for rephlex, the legendary uk label run by aphex twin and grant wilson-claridge from 1991-2013. d arcangelo are the italian duo of brothers fabrizio and marco d arcangelo, active in the underground electronic scene under various aliases since the early 90s, and still going strong today. released in 1996, their rephlex debut -d arcangelo- was one of the first releases to make a firm connection between contemporary idm/electronix and the sound of 80s synth pop. the 3 tracks on side a are ripping, industrial-strength electronix, as fierce, crunchy and menacing anything aphex twin himself had released at the time. in sharp contrast, side b s 3 tracks are playful, clean and melodic instrumental synthpop, with clear synthetic references to bands like depeche mode and omd. it was a sound that was certainly not in fashion at the time, and helped the ep stand out in 1996, for that very reason.

180gr pressing, ltd 2x12 inch brown vinyl
incl mp3 dl,
incl 16 page booklet
full, unedited and uncensored concert at folsom prison

cosmic club 17s in the house, and for this one skylax have delved deep into the mystic universe of the ultra prolific photonz with a four track ep quite simply out of this dimension ! photonz is the artist name of marco rodrigues, a london-based dj and producer who s been championing the new sound of portuguese house and techno worldwide since the early 2000s. he has done tracks for various labels such as crème organization, unknown to the unknown, hot haus, the -cult- dissident and many more. his first cut -memories of burma- that gave the title to the ep is an infinite groove that builds and builds with arabic synths, a perfect crossover between balearic & old school jackin house. -baronrevxp- & -agape- moves into the same territories with some sharp clap, hi hats and some big retro vintage sounds. while -stealth predator- catches him at his most experimental, upping the tempo and unleashing an ambitious techno juke roller, think about drexcya, 1990s techno, plink plonk and you re not even close ! photonz music sounds extremely big for the big rooms, and still very large indeed for the smaller ones.his music is praised by the chemical brothers, jackmaster, optimo, ivan smagghe, daniel avery, james holden, ewan pearson, auntie flo, tim sweeney, just to name a few. ”memories of burma” ep is not just a cosmic experience, but a voyage into the realms of a producer in a world of his own. must have. essential item. skylax records 4 ever

nice price deal !!! frak are björn isgren, johan sturesson and jan svensson, a trio of synthesizer lovers from sweden. the band was formed when svensson and isgren’s older sisters were best friends and they introduced their little brothers to each other. inspired by severed heads, daf, human league, devo, skinny puppy, the boys began collecting analog equipment and started studio styrka. while the band were still in their early teens they released the first frak cassette album in 1987 on their own record label börft.

limited to 250 copies.spain s alex font inaugurates his new acme imprint. on the a side, sound on canvas is deep and percussive minimal house with a rolling bassline and trippy sound design that is typically suited to awkward and paranoid afterhours shenanigans. the rhythm gets up more on the deep house tip, still keeping the exotic wooden percussion grooves with organ stabs and dreamy, swirling keys that fans of the mountain people or agnes and quarion will appreciate. on the flip into the flux is a sweaty, peak time people mover, using the same reliable elements like on the other side but with a swing fuelled groove and a hell of a lot of funk that fans of sascha dive or brothers vibe will no doubt dig.

for the first time ever, the ives brothers cult debut album is reissued, here in remastered format. spread across 13 folk electro-acoustic pieces, an english love ode mixed with a melonconic darkness that transcends any simple happy-hippy pigeon-holing to offer much more. emotional rescue is delighted to announce welcoming the enigmatic, electro-acoustic duo woo to the roster.

sometime prime numbers, still and wolf music producer, be, drops invisible heaven on hudd traxx this march comprising three original cuts from the manchester based producer. be has been bubbling away on the underground circuit for several years now with a solid catalogue of releases on reputable imprints alongside the likes of motor city drum ensemble, trusme, move d and fred p a sign of the uncompromising quality instilled in his music.
dj support: brothers vibe, tristan da cunha, mehdi, neville watson, jori hulkkonen, norm talley, ralph lawson, franklin de costa, phil asher, james johnston, andy ash, ali herron, stu clark - wolf music, jimpster and many more.

charted by audiojack, supported by dan ghenacia, sam russo, james fox, jon dasilva, norm tally, julian sandre, james johnson, sake shakir, michelle owen, jesus gonsev, audiofly, brothers vibe, davide squillace, m.a.n.d.y., dj terry.....deep edition recordings 2nd wax pressing welcomes a newcomer to the label in the form of acasual, a secretive producer, artist and designer originally from luxembourg and now based in germany, has been heavily influenced by the citys underground house & techno culture. acasual is a project focusing, among others, on music production without any limitations or specific genres, taking its inspiration from art in general. his sound is melodic and very expressive and always searching to keep it simple. the blue ep lays down 2 very cool deep house tracks with a great selection of vocals and grooves.

never ones to stand still dons rainbow marks a quantum leap for seahawks, the first release on new label ocean moon and the first recording from the invisible sunrise sessions. invisible sunrise is the forthcoming album from seahawks and the first to be recorded with live musicians rather than a hard drive full of dusty old samples. the results are stunningly original, not least on this track with new york head autre ne veut. anvs debut album last year on olde english spelling bee was an incredible rush of warped r&b, 80s synths, amazing songs and what has to be one of the most innovative voices to emerge in the last 5 years. since then hes released a great ep on hippos in tanks, played some mind bending live shows and guested on the ford & lopatin album. dons rainbow sounds like michael mcdonalds sweet freedom crossed with nite flight era walker brothers. a fantastic piece of hazy avant pop with jan hammer pulse wave synths, yah mo b there drums and fuzz drenched spirals of soprano sax and guitar colliding with the sound of soul from outer space. on the flip the dub takes the track into a world of shadows, where smeared washes of sound swim in an ocean of decay. as always with seahawks releases the packaging is beautiful. heavyweight vinyl in a full colour sleeve, with full colour labels. the last seahawks release sold out in days, we expect this one to do the same, so get your skates on!