gerardo frisina goes back to the roots of the sound which has made him famous worldwide: the latin sound of classics like >descarga< or >the latin kick< (both previously released on schema). >moderno primitivo< is an ep about the encounter of the ancient afro-cuban tradition (the core of frisinas artistic dna) with a refined electronic taste. this component enriches drums and percussions and gives more edge to the whole production with details like pads and effects. in >moderno primitivo< the latin ensemble headed by frisina takes us into a jam session where percussions, piano and trombone play happily. the latin house mix is a club version where the rhythmic element and the groove take control of the mix. the melody is broken and a hammond plays over a ostinato bass. the flavour is definitely tribal. >cogele el ritmo< is a trip into frisinas latin world. slower than >moderno primitivo<, still has a solid hook to the dance-floor and is a triumph of joy and colour.

endless flight happy to announce talented young producer in vienna roman rauch. i listened the demo at the flat of friend in vienna and asked him to contact to roman immediately. all i need on a side is super cool detroit house sound. its musical and simple and massive on dance floor. feelings on b side is bit slower and melancholic. its not new sound at all but simply good music. you cant miss it.... roman is going to release another 12 inch on philpot in the summer, so he is going to be new star.

dubbed the godfather of french electro by i-d magazine and considered to be royalty of the french electronic music scene, joakims diverse and trendsetting musical tastes have earned him a pretty damn big global rep. on the labyrinth ep you can catch joakims darker dj friend extended mix, a lush analog slow burner from canadian duo and domino records regulars the junior boys, an even slower - borderline chopped and screwed - melodic mix from uk producer lone and a dirty arpeggiated beast from deadstock 33s and stopmakingme. future classic have been working with joakim in australia for some time now - touring him down under, partying and hosting shows together, trying to get him to go surfing with us and even getting him to put some club touches on future classic alumni mitzi. what a record!

a: dexterism - a real groover, brilliant funky bassline and a good dose of brass. cool little looped feel going on.
b: motownology - much slower on the flip, focus is on the vocals. simple percussion really accentuates the vocals. keys and quite a dark feel to the track.

shibuya shibuya - really sweet, slower electro funkgo$$ip - very avalanches in sound, with the background chatter and looped sample...excellent stuff

>rastaman vibration< is a roots reggae album by bob marley & the wailers released in 1976.
it captures the last moments of marleys tenure as jamaicas folk hero before he developed into a worldwide superstar. to those with their ear to the ground, he was already a giant, but it wasnt until the following year that those slower off the mark were to latch on to his energy.
the 180 grams vinyl is housed in a gatefold sleeve and

known primarily in the drum & bass world as mode and having released on esteemed labels like exit ingredients. mode aka until silence is no newcomer to the scene. under this alias we see him take a slower approach with styles taken from house with steady 4/4 patterns and dancefloor styles as seen on jackin.triangle sets a more idm feel with its warped spoken word and quircky, boards of canada-esque atmosphere.

free to be is a monstrous, house-submerged affair, as low-slung as they come and in a classic murk vibe. berliner hunee delivers a spot on remix on the title track and brings it into deeper territory reminiscent of early prescription releases. he is transforming the original mix into something fuller, warmer and almost epic. down to nothing is another slow pumping house nugget. with its soothing and soaring synths, ebb-and-flow arrangement, inviting melody and vocals, this is another bomb fitting every house set. things get even slower with why dont you. a great house tune with a sensuous vibe.

on the a-side we have the cheeky >24 hour party sausage<, where garry takes us back to the sounds of the early 90s uk rave scene. its a peak time old school vocal affair with a raw, analog bassline, stuttered drums and chopped up stabbed vocals. stepping up for remix duty on this future classic is the mole who flips the original on its head and creates a dancefloor creeper for those darker club moments. winding the bassline and metallic beats between the rawness of the original groove and imparting his trademark spooky percussion, rhythms and eerie vocals. b-side >vacation in sunderland< is a love story with a firm salute to the classic down tempo us house of the 90s. its time to dust off those shell suits, high top sneakers and cazal shades and get ready for another slung back, funked out garry todd house jam with growling, rolling bass and seductive vocals and keys. on the remix front fellow illusion family members death on the balcony step up with a classic house masterstroke that compliments garrys slower and sleazier original. here dotb pick up the pace in a brilliantly original rework that accentuates the vocals and piano hook to create a summer house anthem - a stylish finish to another diverse installment from the illusion crew.

part 1 is a oldschool jackin house track with some minimal touch. a peculiar bassline, some good hi-hats and hypnotic vocals. danceflloor bomb! part 2 is a deeper mix of part 1, based on the same bassline. it has a slower groove and a softer kick. amazing second chapter for the supercharged story. nuit blanche is a down tempo track full of surprises. totally killer!

another well produced reeko ep on planet rhythm. this is dark angry techno music that should be played only at loud volume. the title track >bad connection< is a raw nervous track on a somewhat slower pace that will definitely get people dancing. especially for all those raves that last until 7 in the morning this is one for the peak hours. >look at me< is a jumpy non 4/4 techno rhythm with cool effects and chords, the rising synth at the end of each loop is a nice look. >in a different world< and >restart< are both tracks that fit perfectly in this new prruk record. good producers know how to build an ep in a way that it feels like chronological soundtrack. reeko knows exactly how to do this.

after inigos deeper & slower excursions on his 2 previous eps >the shard< & >the darkest valentine<, he now returns to his dirtier, more energetic tricks. as usual, i have been sitting on these tracks a while and both of them have been thoroughly road tested. >revenge< can rip up any dance floor peak time, while >scatter< explores idm territory, almost in afx fashion.

early support : laurent garnier, funk d’void, miguel migs, jimpster, danny krivit, lovebirds, matthias voigt, phil weeks, lee curtiss, grant nelson, nick holder, luke solomon, rob mello, roberto rodriguez, jef k ... the title track life live is a gorgeous deep house number, in pure shur-i-kan tradition. you can really hear toms amazing keyboard skills and great musical legacy. lastly, we have one10, a slower track with a balearic feel to round up what we think is one of the best record we heard so far this year.

with private golds newest offering the inimitable cologne producer martin beume has really taken a huge and achingly beautiful step in his songwriting and production. some might know him from releases with connaiseur or brut! records, but this record is miles higher… wisps of detail adorn each song like edible gold flake on a luscious chocolate ganache cake. synths flutter and glide like summer butterflies and even the percussion is precious and clean. this is not to say it is only good for home listening. lead off track solid rubber has a tough and sexy deep house sway with echoes of brazilian bossa nova laid over its more traditionalist chicago house and jazz. lsdeep, has the full dirt stomp necessary for a forbidden tryst, but sneaks in smart samples and emotional filter washes to add unexpected depth. at 105bpm, you might not expect wip catch to fucking groooooove the way it does, but trust me kids, things are getting slower as we are getting older. and it feels great. soaring orchestral strings married with perfectly cut vocal samples are sure to get the more adventurous djs hypnotizing dancefloors like musical svengalis. and when you thought it was all over, axel boman turns in an amazing remix in his instantly recognizable non-traditional style. this dude is a lothario. all hip shake and cooing come-ons, its a reduced house gem that slinks its way into your pants.

troy pierce, marc houle & magda team up to present their first ever trio release on items & things, >down & out vol 1< - which takes its name from their newly created party series - events that are based around the dark & intimate, off the radar, and under the ground. troy pierce starts things off with >majikal<, introducing the eps dark magic with a climbing bassline, scattering, almost anxious percussion and buoyant sound effects panned throughout. ominous atmospheres and weighted textures produce a cinematic accompaniment to surveyors of uncharted terrain. building a continual tension-and-release cycle, the track is a lucid whirlwind of sonic imagery and trickery, balancing visceral sounds with the otherworldly. magda teams up with suade, a producer & friend from newcastle that we are sure to see more of, together they bring forth a true builder, a creeper, the type of track that reveals itself more with each layering sequence. a masterclass in dynamics, >fixation< is a dark groove thats haunted by a chilling vocal, wavering synth vibrato, unexpected melodies, and juxtaposes of funk. angular drums hit alongside swells of percussive echoes but, the focus of the track revolves around the bassline’s movement. as catchy as it is esoteric. marc houles >slowpe< ends the ep with a slightly slower pace, but in a disconcerting way: taking it down a few notches this one that transports the listener to the strangest dimension yet. filtered melodies start the tracks ascent, sounding like a trumpet thats been bent out of shape and played from the void. with dark textures compactly knit into a condensed wall of sound, a low-slung bassline trades places with eerie chords and sparse percussion

nice price deal !!! the third release on boogie originals is another genre-crossing musical excursion from deep space orchestra and james johnston... with a remix from voyeur rhythms ben sun. title track chrome hands clockwork space android sound rolls out perfectly along the deeper plane of the label, whilst ben suns remix lifts us up with added layers of percussion and super emotive synth work. on the flip james johnston treats us to two entirely different slabs of the sounds that inspire him. faces and traces works the slower groove for the earlier dance-floor, and sunshine stars bringing out the purely epic. all the tracks are made for the dance-floor, mastered separately for vinyl and digital release, and will be in all the usual music outlets soon.

edition without picture sleeve but with a new printed insert. blackest ever black return following tropic of cancers recent hit (blackest003). blackest ever black is proud to present in a syrian tongue: karl o connors first solo ep as regis in ten years. on the a-side is >blood witness<, is sleek, predatory techno for sex workers and serial killers, on the b-side a slower, noisier live edit of the same track by o connor and mick harris (aka scorn) that accentuates its rugged breakbeat architecture, and then >blinding horses<, a suitably pummelling, punishing hymn to desert conflict ancient and modern. across these three tracks, regis showcases a sound that delivers the industrial intensity of his vintage downwards work, the elegance and swing of his sandwell district contributions, and a seemingly new ingredient: something powerfully, irreducibly blackest ever black. blackest ever black is a london-based label home to releases from raime, regis and tropic of cancer. this is regiss second contribution to its catalogue, following his remix of raimes >this foundry< (blackest002).

first 500 pieces only in limited printed sleeve - first come first served. second edition repress will ship at the same time without picture sleeve but with a new printed insert. blackest ever black return following tropic of cancers recent hit (blackest003). blackest ever black is proud to present in a syrian tongue: karl o connors first solo ep as regis in ten years. on the a-side is >blood witness<, is sleek, predatory techno for sex workers and serial killers, on the b-side a slower, noisier live edit of the same track by o connor and mick harris (aka scorn) that accentuates its rugged breakbeat architecture, and then >blinding horses<, a suitably pummelling, punishing hymn to desert conflict ancient and modern. across these three tracks, regis showcases a sound that delivers the industrial intensity of his vintage downwards work, the elegance and swing of his sandwell district contributions, and a seemingly new ingredient: something powerfully, irreducibly blackest ever black. blackest ever black is a london-based label home to releases from raime, regis and tropic of cancer. this is regiss second contribution to its catalogue, following his remix of raimes >this foundry< (blackest002).

jem stones unique take on any genre is always compelling and highly individual. he made an impressive and memorable contribution to the early days of electro swing with the break-beat, dance-floor-filling flavors of his debut release on freshly squeezed, the electric circus ep (2010). now jem returns with a perfectly timed and unexpectedly fresh twist on a sound that has sometimes, in less skilled hands, become formulaic in its swift rise. the perpetual lotion ep raises the bar once again and opens up many new possibilities. this record will change the future direction of electro swing!
here the 1920s and 30s samples arent just backed by a house beat, but given such a distorting twist the whole has become something else entirely. the ep is slower and darker than before with brooding bass and deeper production that adds a vital contemporary edge.

sampler 12inch from degos (4hero) forthcoming cd on 2000black >a wha< him deh pon? a1: late night fright - heavy track, growling synths with quick percussions and a deep kick drum piercing through. big! b1: love & hate you - slower beat, with a hypnotic synth line. awesome vocals and a funky, deep bass!! brilliant! b2: not in my disco - again with a hypnotic synth, funky and super deep bass! drums and percussion are excellent, shuffling throughout the song with feel of garage about them

here comes the eighth release in the line, pressure cooked by christian wunsch. three slices of fine modern techno, but with strong roots on tradition. buried mistakes opens fire with clean drum programming and punchy beats. spacey arpeggios and subtle drones are the makings of this movie. on the flip side, complete surrender uses similar rhythm coordinates, clean percussion sounds programmed with extreme taste, constantly evolving until the strings come in, creating a sci-fi futuristic mood, perfect for techno travellers. inevitable war is the last piece slower tempo, intelligent drone work out, dark atmospheres lying on a single kick, growing to make a complex beat as the minutes go on. they call it deep techno out there. a departure from the hard edged sounds on behalf of a mental way of understanding techno.

after his last ep on stil vor talent in 2009, born-and-bread berliner sascha braemer is now back with three fresh tracks for the spring of 2011. in the meantime, his funky minimal jump-up tech-house has led him to release on labels as prolific as kindisch or dirtybird. things kick off with >belle<, a ferocious attack on your groove muscles and dancing bones. this tune glides as softly as the wings of an angel while shaking you around like a giant would a dwarf. the up-beat groove is based on a great cut-up vocal sample and some animating synthesizer stabs. sweet! then, >felicitous<, which is considerably slower than the previous two tracks. still, the vocal on this one and the deep electronic body come together perfectly to form a deep and dirty suckerpunch to your euphoria synapses. last up is >people< keeps the effected vocal approach and that really makes this tune. imagine a super deep bassline, some wonderfully syncopated hi-hat trickles and a constant groove to underline the power of the vocal. this track is club pop - so deep and yet so magic it will run shivers down your spine on the breakdown. sascha braemer seems to have put all his experience of peak-time club moments to early morning afterhour visions into his own transcript of signature sound. this is not be mistaken, this is simply on-point

and here it is: the second vinyl ep of niko schwinds album >good morning midnight<. it features some of the unique tracks that niko has created together with some of berlins hottest production talents. on the a side are two tracks that feature the clicky tech-house boys that are channel x, where things kick off with >back from the bar<. it sounds as the title suggests: a little wobbly, a little drunk, a little crazy, but also pretty magic. quite clearly this is an homage to one of berlins not-to-be-forgotten clubs that is unfortunately history now. but things continue on here at least with >dont turn the lights on<, a more straightforward dancefloor track, with a trumpet as the main protagonist. this is one of those tracks that keeps leading up to a real arms-in-the-air-moment if it wasn’t so damn housy at the same time. on the flip the magical connection between niko and label daddy oliver koletzki can be heard on >master of ceremony<, a chopped-up house track with epic dimensions. when things get to the piano breakdown, they get very musical and colossal before dropping back into a great house track. the stark contrast between the piano melody and the groove on this really make it. last but not least then, the original album opener >good morning< that features the singing of fran. it works great as a great album opener, but also perfectly as a slower and more thoughtful addition to a great ep

big with: chris carrier chris lattner, chris wood, nick curly, jimster, luke solomon, varoslav, mr. statik, tini, technasia, steve lawler, robert dietz, retrac, osunlade, dan drastic,.. our second imprint on >deep series< features an up-andcoming artist from moscow. as a studied pianist kammerton knows the fine art of funk and soul, which serves him well in writing mesmerizing deep house and dub techno. his dj-sets have been compared to the likes of moodyman or theo parrish, giving you high quality unapologetically. on the a1 you will find >take off<, a funky house tune founded on subsonic bass-rolls underneath gently tweaked sequences. this groove to make you move will get any floor going with its characteristic live arrangement. >infuse< on the flip is somewhat slower at 110bpm and surprises with broken beats, chords and vibras - the real funk. the b2 >fosters hats< has shown its full potential in the club, with a steady build-up of drums and chores. this peace of black gold belongs into every house-dj bag!

debut release on clone royal oak by morning factory. two tracks that turn every party into a house party! two tracks that go somewhere between the old and the new school with phat bass lines, filtered stabs, blissful keys and joyful piano and a cheeky vocal on the b-side cut. all that combined with slightly slower pace, powerful production. two killer tracks that makes the most stubern raver move his ass!

in fact, >in a hole<, the a-side of their latest 12 inch, is even more dream-steeped than its predecessors. relying on vintage (and in some cases, home made) gear, simon and tsai have constructed a song that is syrupy in pace. darkened tones mingle with floating percussion and vocals processed to nearly melancholic depths. >cant feel my knees< picks up the tempo, and feels slightly sunnier in comparison (>perhaps a result of practicing for the first time in a place with windows<, according to simon), with rippling keys that give way to an open, spacious sigh and an almost playful interlude of warmth and bass punctuations. the two have said theyre interested in the meeting point of house and noise, and thats particularly apparent on the two remixes that appear here. >in a hole dub< is slower, more bare-boned and ghostlier than the track from which its derived, while >cant feel my knees dub< is filled with white noise emissions and hissing electro shocks.

the definitive soulful house track of 2010, crazy by black coffee featuring thiwe, reaches the final stage in its constant evolution, progression and reinterpretation within the house world. crazy, which topped the traxsource singles charts for 2010, received the accolades and praise of the house world’,s most revered names for its unadulterated and soulful passion. black coffee, the master behind crazy, is the most notable name in south african house music, and is one of the most imperative and admired names within the house world. recently completing a 60 hour charitable dj set, and a with constant culturally minded output, black coffee’,s fiercely passionate and ambitious musical ethos is venerated worldwide.

surprising release by gerd on the basement series with an old classic themed techno track he found on a dusty dat tape while archiving some old recordings. somehow a traditional techno track with metalic basslines, stellar string sounds and retro futuristic vocals with a classic theme... time & space. the original slower paced version did get an reshape/makeover that gives it a 2011 update that will be a standard record in the box for many! remixers on duty are rotterdams duplex duo who are back in business and deliver two remixes. timeless tracks that will stand out between all dj tools!

a1: get cha - beat down funk feel with ltj written all over it! super vocal and a killer bass line as ever. coming at cha! a2: funky luv - again on the slower beat, properly done. the groove is awesome. a gentle track with lots of percussion, keys and a cool little vocal. typical ltj at his best! b1: the party - a more upbeat, housier number for the b. this track has real nice groove to it, again heavy use of the percussion elements. a long, evolving synth and super low end.

miguel is a new man on the block from czech republic, playing techno along with progressive and anything with a groove. here he presents a great idea along with sky flowers, 2 very sexy slower techno tracks that ooze quality. to accompany this great idea of tracks yin yang asked 2 of its more established remixers - mikatech (dj mika) from the former yugoslavia, well known for his hard groove tracks, mika is now making a huge name for himself with a slower but very sexy techno sound. vincent mallvile the parisian that does not hold no punches. french techno, yes please! vinny boy has also done the deeds with his remix. again another excellent package of techno from yin yang. will fit in any techno djs collection. be it from warm up to end of set (if you play the slower sound of tech). played by cristian varela, pedro delgardo, paco osuna, anderson noise, jermome baker, trevor rockliffe, lars klein, wyrus, scott project, dj felipe, mark sherry, ruslan mays, vortechtral, reaky, dastin, roman zawodny + lots more!

so what is the sound of progressive disco? well it captures the insane rhythm and the unforgiving driving beat that is instantly found in the funk of the early seventies but real disco music also had a formula that would guarantee the hottest djs success if played at the right time. that formula was a blend of up-tempo rhythm sections laden with south american percussion mixed with soulful vocals and orchestral strings - a symphony of sex, lust and love. we change the formula and focus on the rock, electronic and dub elements - slower, sleazy and fun.

following up his successful foray of sampling on otp party breaks, andy ash finds himself diving head first into the darker outer limits of big room dance music. >another world< nods its head to technos yesteryear, more specifically detroit. imagine a slower version of the motor citys soulful chord pulsing sound and youll find yourself in the right ballpark. add to this andys finishing jacking touch and the result is golden. this time around otps remix work finds italian man of the hour nicholas, from no more hits (label) fame and otps very own marcos cabral

jan driver “gain reaction : you might know jan driver from his famous techno life in the 90ies or maybe for his label grandpetrol, his extraordinary skills in german folk music, high quality mixing for siriusmo, jesse rose and modeselektor or last but not least also from his wmc 2010 #1 hit “tellyfoam” which was featured on the bnr miami noize sampler. here is the first maxi of berlin multi-action-talent and friend jan driver, presenting a selection of 4 tracks including “gain reaction , a good fun heavy bass bleep champ, “cs40m , a slower powerful jam that creates an energetic build up of pink noise and 303 sounds for the very special atmosphere, >hornetbeef<, a tech-house at its best and >mecafunk<, darker techno, big sounds, the right track to close this magnificient production of these 4 tracks. what more do you need

erdbeerschnitzel makes his debut on 4lux records! mr schnitzel is rapidly making name with his intense and funking house tracks that always seem to be looking for new directions. here he comes with deep slower paced electronical tracks combined with dusty house grooves. >suave< flows straight into the air. combining a fat and dirty infectious beat with crazy synth lines that reach and reach and develop in their own unusual way. the same goes for >360< and >ultimate margot< but in a more beat driven way. the sounds build and rarely get extinguished just to build nearly from scratch again. one for the real connaiseurs!

numan khan from manchester is a new artist for planet mu with an original musical style that mixes dubstep and grime influences with an idiosyncratic take on rhythm to great effect.
this four track ep showcases his styles from the a side with the lush melodic accordian and snes melodies of >race against time<, to the slower, disco influenced >photograph<.
the b side starts with >voodoo<, which combines grimey bass and strings with offbeat drums to odd, driving effect and finishes with >xx< which sounds like a long lost golden era 8-bit grime instrumental but with deft production tweaks and fx that keep it interesting and effective.

worthy follower on the first release of this new label from rotterdam (which was cat#00). philogresz is expressing himself with 2 well crafted and lush house tracks. deep, bright and crafted with care! dependance of distant us also some as sinner dc remix on the a2. lowrider on the flip is a heavy slower paced modern sub driven house track with a lot of tension thats slowly builds and builds. seriously good!. just a small run of a crazy 150 copies coming on nice silver vinyl and silver labels. check!

a first collection of on this new us label that is dedicated to bring contemporary edge by up-and-coming producers from chicago: garo, lokua, slava. and thats what they do here. a sweet collection of 7 solid tracks. given the locale, there is an undeniable house presence. its spirit spreads far and wide and permeates a great variety of styles of both slower and faster tempos. this album is as much for the club as it is for the tranquil home-listening environment, the deep synthesizer textures, ever-changing rhythms and rich melodic content will speak to you independent of setting. limited and well produced release! check!

the brothers are back! miche & mirzinho strike back with two monster tracks on their new imprint reverse recordings!
funky, groovy, retro, disco, >reversed< track brings you all of this spiced up with techno sounds specific to miche & mirzinho. a peak time track indeed!
>momentum< - turning to the dark side with this one, dark and hard but groovy, filled with saw synths and buzzing elements. this one will surely turn you over and flip you around the dance floor. swedish techno master pratap brings you the remix of >reversed< with his usual groove now in a slower and more minimalistic but still funky edition.we must not forget the spanish funk-man fer br, bringing you the funkiest track on the release, the light side of >momentum<!
all in all, a release you should not miss! this will rock you and your world.

technopassion presents a single from george le nagelaux that is a musical stroke of genius: >das dunkel spricht< (the darkness speaks), a lovely composition of dreamily-dark synthesizer sounds which meld perfectly harmonic with a contemplative vocal. the austrian master remains true to the techno spirit and combines the ensemble with a irresistible, hard as bone bassline and a solid pumping groove. the original mix is the perfect tune for turning the dancefloor into a boiling pot during the prime time. the dub version is slower, but not less driving and will enjoy great popularity among the devotees of smooth sounds.

the phenomenal handclap band out of nyc dropped a brilliant debut album last year and first single >15 to 20< was a stand out track. hector works label founder anthony mansfield got the opportunity to remix the track and was so into the tune that he rinsed two versions. while these versions got widespread exposure and distribution from both friendly fire and gomma, anthonys remixes were until now digital only. we want our records! the disco mix is a slower funk version using the catchy vocals over a helping of sweet disco dubûthe punk funk mix uses all the elements of the track and points it for a dance floor!

royal oak with futuristic house sounds from one of hollands longest running house producers gerd. some gorgeous warm rhodes driven tracks with interstellar melodies. two tracks that sound like a stream of fresh air. friendly fire has an incredible drive with its warm rhodes chords and a deep sub bass. unique track that gives the traditional house ingredients a twist. vibration on the flip (which is actually a studio jam with the friendly fire parts) goes in a slightly slower house pace and is combines bleepy melodies with a deep powerful drive that reveals its nature once played out loud.

the advent & industrialyzer bring you another dance floor monster. doing what they do best.. serious intense techno with slower bpms that keeps the true soul of techno alive..

wow... keith worthy is coming with some deep juicy detroit tracks! slower paced as we ve heard from him, but drenched in this intense sound that only american pressing plants seems to generate. beautiful strings are layered on the metalic basslines and tight machine percussion. both rockit science and now thats house are equaly well executed house tracks that are essential for every serious house and techno lover!

mathematics label presents a new series based on a slower, seductive side of house music. three slow dance compositions and electronic love songs in recall tomita, art of noise, paul hardcastle, and franck roger. tracks by mayo souloman, the exaltics and florin buchel. intriguing and unique.

side a: features “depth of my soul” soulful and deep house blend in this down tempo jam. but slower bpms only add style and atmosphere to the track. side b: where is the compassion - the soulful component is still pretty strong yet. it designs a journey through feelings, typical of a warehouse rave. again echoes of a recent past, still very poignant. vibes reveals a more jazzy/boogie ambient. to many ears those vibes shared are not mysterious at all in the origin. still this is a very cool, current adaptation to the dancefloor. massive release!!

passion sound (inner beauty) is designed to exemplify the inner passion of an individual, while maintaining the outer crust of a chicago sound. it is well true that tevo howard found it necessary for this artistic track to make it to vinyl. he has said that the tracks elegance is the perfect potion for a bgr vinyl release. while inter tribal is slower paced, and somewhat crosses bands of what one would expect to hear from the machine drums used to create it, inter tribal as a track is also meant to even out the energy of this conceptual vinyl piece as a whole. dreamers reason is simply the title track to tevo howards first full scale album, which will be released in coming months. on this particular vinyl selection, bgr 7, a bonus mix titled, (deep reason mix), is included, whereas it will not be included on the full scale album.

naum gabo is a project of jonnie wilkes (optimo) and james savage. this 12 inch shows the slower side of dance music with links to german progressive rock or more psychedelic music.
>black lab< is a slow cosmic dancer, while the remix by japanese nu disco artist discosession is deep and gorgeous slowhouse. >torus< is like a pre-techno sound which came from progressive rock.

following in the shadow of the jisco music reedit series comes a new home for original music. under the shade hopes to promote new and old talent groomed from the disco underground. first up is new boy chambochÚ growing up sandwiched between the coast and the valleys of coastal mid wales, nature was sams first love. this taste for the epic, organic passages has been fused with pop sensibilities from an 80s childhood to shape a unique musical outlook. regular dj appearances at nottinghams stealth combined with residencies at some of the most forward thinking electronic nights in the midlands saw him develop his taste for the groove. the hooks of producers such as todd terje, toby tobias, lindstrom and ?me soon began to take hold and turn his hand towards crafting slower, more melodic grooves. after completing a series of tracks, which caught the attention of gerd janson and mark e and then road tested with success at londons seminal plastic people û chambochÚ was signed to under the shade with a string of releases in the pipeline. with additonal strong remixes by production team of the moment the revenge and pete herbert this already got huge support from tim sweeney, gerd janson ( running back ) or the horse meat disco crew

the debut 12inch from finnish duo hannulelauri! first up is glittering night, conjuring visions of 8 bit videogame soundtracks applied to the dancefloor, or an alternative theme to the movie robocop (which lauri seems to have a strong affinity for), with shimmering electric synth chords washing over a commodore 64 groove before a peter hook soundalike drops a lovely bassline, making new order comparisons inevitable (a good thing!). perfect late night machine funk. next is sally 2000, a more introspective piece with insistent digital strings providing the foundation for a childlike toy chime melody, pulsating bass and more as layer upon layer builds to a fuzzed out, pixelated yet beatless climax. finally, the late night vibe continues as sally 2000 gets a version from finlands techno/house master jori hulkkonen who works the tracks pleading strings into a more dancefloor friendly mix, adding perfectly tuned drums and a nice, fat kick but keeping the synth melodies intact and the tempo slower than your normal electrohouse jam. adventurous djs looking for alternative moods need look no further! another strong flexx release.