temple traxx is my brand new label specializing in material from the early days of techno and house. at the time i was living in nyc and ran the electronic record shop temple records and a weekly techno party called �killer� at legendary save the robots. i was releasing my music on force inc./mille plateaux, djungle fever/structure (now kompakt) or harvest/emi for europe and in the states with smile communication, direct drive, or freddy fresh�s electro imprint socket, besides my own temple records nyc, super-8, and el turco loco labels. now, 22 years later, i am excited to curate a new outlet for sleazy-machine-music called temple traxx in homage to the pioneers and early electronic music community i still call my friends: jammin� unit, dr. walker, who together form air liquide, kerosene, dj silver (paolo dinola), bolz bolz, alec empire, freddy fresh, mike ink, and bionaut just to name the closest circle. all re-edited and freshly mastered. �bad computer� was originally released in 1995 on temple records nyc and is now the first 12� on temple traxx. produced by brother jammin� unit, who also signed for re-mastering, and myself as bizz o.d. in wild pitch matters. cube 40 was always meant to be the ramones of techno by repeating the same track idea over and over. compare with �you make me function� and you�ll get the idea. currently in the temple traxx pipe-line: mass-turbator �s/t�, jammin� unit �remote car baby�, khan & walker �schleichfahrt�, 4e, and captain comatose �$100� old and new mixes.

throbbing gristle gelten heute zu recht als die wichtigsten vertreter der klassischen industrial music. die band ging aus der aktionskunstgruppe coum transmissions (ct) hervor, die etwa ende 1969 von cosey fanni tutti und genesis breyer p-orridge gegründet wurde. 1974 stieß der im jahr 2010 verstorbene designer und techniker peter sleazy christopherson zu ihnen, im jahr darauf chris carter. zum 40. jahrestag seiner erstveröffentlichung wird am 03.11.2017 -the second annual report- als limitierte edition auf weißem vinyl im original packaging inklusive downloadcode erneut veröffentlicht werden.

for anma�s fifth release, reekee aka italy�s riccardo masi has produced a classic cut of uplifting house, quintessentially jamming a thunderous rolling groove with soft jazz piano. ecstatic synths unleash their primal screams throughout before the hammond steps up and raises the bar! remixer ricardo miranda cooks up a veritably frantic electronic jungle of idiosyncratic pulsing square waves and marimba voodoo soup, before vick lavender takes over the b-side with nigh on ten minutes of organically blissful jazz and groove experimentation. vick�s mix comes rooted with percussive breaks and a solid evolving rhythm section and is brim-filled with sleazy vibes, tender electric licks and rapturous synth pads swelling us into elation! lovingly pressed on 180g vinyl, hand stamped and labelled.

vancouver based producer, woodhead, adds masterworks music to his list of accomplishments with the minty fresh 12� ep, -deeper than love- just around the corner. after making his bed with the likes of editorial, royal soul and homebreakin , it�s no surprise masterworks would be all hot and heavy over these thumpin cuts.
kicking things off on the sleazy tip is -be with you,- a mid-tempo funk number that carries an irresistible vibe, bumpin moog bassline and a chug that is sure to inspire more than one dancefloor to do the hustle. taking things a bit deeper is -i love you,- with it�s hypnotic chords, brooding sub-bass and twirling groove.
flip the disc over to catch -love so fine,- which lightens things up a tad thanks to a shuffling rhythm and layers of chords and soulful vocals. ep closer, -whenever you�re around- amps things up with a heavy dose of 80�s chunk and funk� serious business to get the party all hot and sticky.

myna music returns to vinyl again with a new series of sampler ep s. the concept is to bring together old and new producers to the myna family with a 4-track ep. to kick things off, we bring together kinky movement, matt shrewd, terry waites & nikco. between them they deliver 12 inches of deep, tech, funk and chunky house goodness! from the uk, australia and hong kong. kinky movement - everything starts the party of with an offering from long standing group, kinky movement. they re no stranger to myna, having frequented the label over the past years with both remixes and full ep s. expect chunky, underground house with hints of classic sounding house vocals - perfect for peak time floors. kinky movement s first release was back in 2004 on tango recordings. since then they have gone on to work with well over 50 various labels from around the globe and released over 200 original tracks and remixes on labels such as large music, salted music, swing city, drop music, king street, moulton music, nitegrooves, jalapeño, sleazy deep, and simma black. also, the trio has recently had their music featured on bbc radio 1 extra, presented by dj monki. matt shrewd - pump it up moving on, matt shrewd makes a comeback to the scene after a long break!

brooklyn s effective weapons return with another useful weapon for your record box, -tear gas- includes four relentless tracks bristling with techno-industrial carnage. dark s&m flavor abounds on the lead track -controversy-, a powerful- slow motion burner with super sleazy samples and ultra-heavy rave sounds. 909 workout techno makes up -dominator- which is based around an extraction from the klinik. the b side includes -bun hope!- and -take a pil- which also edit freely from industrial 80s jams and inject them with the ew flavour.

the artist known as g-23 continues his journey to the head of the gum under the schooldesk underground with this release on torn hawks valcrond video. this multi-faceted italian producer also deploys weirdo sounds under the name secret rave and strange audio dreams, often on his own label art-aud. he has also released under the alias moscow death disco on helena hauff s return to disorder. remixes of access code from valcrond affiliates decor and mr. husk start off each side. both will pound and smear club meat all over the countertop. lets pound those veal cutlets so thin you ll be able to see through them like flesh-pink stained glass. a2 brings us the sleazy slouch of bleep shots. it sure sounds like a crew of developmentally impaired bullies out to steal your lunch money, so hold on to your fanny pack. finally, the title track closes things out in a brilliantly uncomfortable way. ars trip is a headache you d pay to have.

astro chicken label boss hyboid delivers his nod to the 80s-centric synthwave craze. from catchy to new romantic, from stomping to sleazy, -wired at heart- has it all: vintage drummachine beats, bubbling sequences, dreamy analog pads and sizzling synth leads. -hyboid s wired at heart- is a synth-nerd s wet dream cast in vinyl!

summers here! ransom note records continue their search for the finest dance music from planet earth with a carnival-ready curveball of a new release the sleazy, playful ghanaian afro-ghetto-techno-pop that is brytes word-of-mouth classic i like your girlfriend. originally surfacing on a couple of youtube dance videos, the shitty quality video rip of brytes bizarro lyrics leaping over gafaccis impeccable grime-meets-afrohouse beat has been a much-loved secret weapon in the sets of djs that know for a minute now - bok bok, mixpak and gang fatale have all supported heavily. coming from accras booming azonto dance scene, where tracks are knocked out in makeshift home-built studios then swapped through social media apps on smartphones, a proper release of i like your girlfriend has long remained a holy grail. now, after months of searching, several western union transfers, hundreds of whatsapp messages and no lack of determination, ransom note have finally managed to legitimately sign the track, and are all set to give a modern classic the 12inch release it deserves making history with what is quite possibly the first azonto track to be released on vinyl. alongside brytes crazy vocal version, the release features the original beat from producer gafacci its bouncing techy minimalism carving a unique path between techno, house and uk funky that defies genre with glee. vinyl buyers get a special bonus brytes acapella, coming in at 128 bpm, is the perfect mixing tool

your lost property is ready for collection.the mysterious series of reduxes, reworks & re- versions continues. wild rumours abound on who is behind them, but it seems likely pbr streetgang may have something to do with it, that or the ghost bobby orlandos tape op, we can t be sure... the collection of oddities kicks off with the spacey titled ganu ganu , an apocalyptic sounding wrong-speeder that tensely builds a for a huge slow mo collision, crash helmet required. financial times dub is anything but economic with its use of slap bass guitar, and your all the richer for it.. on the flip things are no less funky but in an italo tinged vein with, with don t come runnin . as balearic as it is adriatic as it is boogie. finishing the quartet of curveballs is princess of persia a a hi tempo disco roller with a hypnotic groove to charm the scales of a cobra and sleazy vibe that makes you want to reach for the liquid gold & head to the downlow.. if you know then you know.. support from bicep, midland, paramida, manpower psychemagik tensnake

shanti say for the third release on peach discs, a wicked new producer from leeds steps up! his name is chekov, his rotlicht ep is the first 3 tracker on the label and very different from the previous two with some tension building sleazy cuts. enjoy!

cult duo rework are next up on my favorite robot with a five track ep that shows off their brilliantly inventive house and tech style. the production outfit of daniel varga, michael kuebler deal in left of centre and freaky house with a mischievous afterparty slant. they have been active for more than a decade now and have credits on great labels like visionquest, items & things, meant and the institution that is playhouse. the brilliantly sleazy �talk it off� opens things up with popping drums, playful lyrics and a steely sound that is designed for wonky basement parties. �valencia� goes deeper with warm drums and synths surging along next to an elastic groove that is propped up by energetic and incendiary chord stabs. it�s a subtle but high impact track that will raise the energy levels on any floor. �think about you� has vocals coated in echo and delay and trippy synths that are lively and off kilter. it makes for a track that is brilliantly loose and undulating and cannot fail to get under your skin. final track �attractive� heads in a much more techno direction with surging drums and hypnotic slithering synths that burrow deep into your brain and seep into the night. it is trance inducing for sure, and shows another side to this accomplished outfit. this is a versatile ep stuffed with killer cuts for many different moments in the night, and each is as standout as the next.

synthicide is a monthly party that has nurtured dark synth-driven music in brooklyn, new york since january 2014. each artist featured on this compilation has performed at synthicide in some capacity and whose work aligns with the very sentiment of the party: moody, oft-aggressive, sometimes sleazy and with a heavy 1980s influence.

outsider house misfits cowboy rhythmbox, return to phantasy with a tri-pronged blitzkrieg of wildly singular tracks. tanz exotique: a pan global orgy of recondite sound sources, perhaps one of the most extreme examples of cbrb s multifarious approach to date. superlative 25th century electronic exotica. cats invasion: a stark, glacial and sleazy lesson in poise, restraint and excess. lysergic synthesizer motifs, deep breathing, and serious sense of menace ride a pleasingly rawboned rhythm. music for darkrooms on interstellar pleasure cruisers. scream: a revved-up industrial beast of a track. primal, animalistic vocals conspire with dub percussion and a sinister acidic arpeggio. a symphony of gut-level grit and abrasive alchemy.

sfsb recordings welcome mr hot mood to the stable for our second release, following his previous releases on tugboat edits, editorial, masterworks, deep sense an whiskey pickle records. side a s lets get it and lost soul head toward the deeper side of mexico s finest, with -let s get it- looping itself into an underground frenzy before releasing the crowd into a classic 1970s chant and them throwing them over to a killer organ hook, a must for 4am. -lost soul- takes you even deeper in to the realms of 70 s soul, bringing it into the 21 century with its beefed up lick - i wanna hold on, and let my love grow strong-, reminiscent of the original mark e working that helped start the movement. side b ôthe g groove- proves to be another early set summer anthem, completely heads down whenever it gets played, while -keep on dancing- does exactly what it says on the tin. the hardest track of the ep is left till last, with its -keep on dancing- call to arms for the dance floor reinforced by a destructible sax loop, it should be called martini, anytime anyplace anywhere. these tracks definitely reflect the sounds of south beach, produced with love by hotmood, curated by south beach recycling. dj support: session victim, sleazy beats, art of tones, dave allison, 80s child, disco tech, black loops,78 edits, homero espinoza, martin hayes, dj moar, coeo, osmose

the last few years have seen nathan melja really hit his stride, landing on such esteemed labels as mister saturday night, black opal and technicolour with an addictively weird update of the classic boxjam format. now he steps up to inaugurate dream real with three slices of upfront deviant business for all the sleazy dancers out there. there s no arguing with the rubbery bass tones and perfectly processed vocals on the original mix of -jerky teardrop-, but there s also the more wave-minded delights of the -blue mix- version of the track to suit more reflective situations. by way of contrast, -places we belong to- smooths out the mood on the b-side with a low riding slice of boogie that sports just a whiff of indie thrown in for good measure.

hands down proper detroit gear, timeless classic material here, if that s what you re after - look no further! coming on strong way back in 87 on the legendary kms label when we used to play is 4 solid as cuts, stripped back box jams, sleazy vocals and samples and ultra-jacking rhythms! this one s for the heads and is the first of 2 baxter 12-s that mint condition will be presenting to you! trademark deep basslines and sultry atmospheres are what baxter does best and this is one of the first, and best, examples of his unique flavour of house and techno. there have been a few bootlegs of this classic ep floating around for a few years, but this pressing is the real deal, a solid collabo between mint condition and blake baxter. an essential cornerstone of one of the most important musical scenes in dance music indeed - every home should have one!

australias superbreak crew return with their 2nd release this time bother j teams up with aston agassi for a funky 4 tracker. superbreak has released a number of singles on their own self-titled imprint, and have set their sights on breathing new life into dusty obscure soul funk disco and boogie nuggets. superbreak s dj style reflect their productions, the all action, diversity and the constant surprises at every turn, is where its true strength lies, combining slo-mo boogie, groove laden disco, quality house, 70s funk rock and party funk/boogie and always adept at reading the crowd thanks to combined decades plus experience behind the decks, they pride themselves on getting the crowd moving, whether they re into boogie bombs, sleazy deep house, party funk or deep house/disco.

a new my rules release from the always on-point justin van der volgen featuring two previously unreleased remixes that showcase his varied and unique style. the a-side sees him take both the original and spencer parker remixes found on the the 2016 shit robot single lose control and through editing, blending and layering of fx concocts one serious bomb of a mega mix. think classic dj bootleg remixes on legendary labels like razormaid, disconet and hot tracks. the b-side is an altogether different affair where justin dispenses with all of the original music and only keeps the vocal from felix dickinson s 2014 acid jam burning flame. what comes out the other end sounds like lee perry and murk made a tune once they got back from a sleazy ny after hours. early plays and support from gerd janson, john talabot, tim sweeney. vinyl only.

after a smooth debut on kyoku records, copenhagen-based dorsi plantar joins team better listen for a four track ep of bright, heady grooves. the a-side leans more on the afro-latin and jazzy side of things, while the flip dives deep into disco. fans of blr s previous outings and the likes of other imprints such as sleazy beats black ops will not be disappointed. dj support: fouk thatmanmonkz mike w (kolour ltd) sleazy beats soundsystem tilman kian t lee dearn (secret reels) osmose ponty mython kyoku records replika closed paradise

psychemagik are back after a brief hiatus with two solid disco floor burners, the first track gotta hold on me a 12 mins plus hypnotic, soulful disco jam that gets deep under the skin with a groove that gives no mercy. the flip wildman smacks hard with sleazy vocals and a mesmerising rhodes hook, given a contemporary twist with a subtle kick n snare, this 12inch packs serious heat! perfect late night shenanigans.

the eccentrics parties started some three years ago by will overill and mark gilbert have been a monthly staple of the eclectic nightlife in peckham since its inception, playing a very wide selection of music attributed to thirty years of record collecting. the second release of which delves into those collections to amass a veritable hoard of gold. cosa rosa: is a stunning fretless bass led boogie new age monster, with soaring vocals guaranteed to bristle hairs on the back of the most cynical of music fan, a sure fire winner here. wake up: is a dose of downtempo synth laden kraut funk urging the listener to taste life in all its technicolour glory. nar na neh: here�s something a smart dj will use to build a dance floor, a disco not disco jam that rolls along with drum machine insistence, compass point sensibilities with synth and slap bass wonder. och eye: dirty, sleazy synth laden kraut funk, heavy heavy chugg 4 rune : mystical bongo laden intro with eastern snake charming seduction builds and builds to dramatic synth stabs, cinematic, wide and very very hot

ever reliable canadian producer fred everything makes his first appearance of 2017 with a selection of choice remixes of house classics for the lazy days label. on the a-side he s taking to crazy p s -like a fool- a vocal and dub version and laying down a slick, bubbling groover that fits perfectly with the original s warm, disco-infused elements. on the flip, he takes on roach motel s -the night- and makes it into a shimmering nocturnal cut peppered with impeccable synth lines and a sleazy vocal turn. by way of variety the final track sees fred create a laid back balearic, auto-tuned version of franky selector s -wind swept dune-.

norwegian duo ost & kjex make a welcomed return to crosstown rebels with a heady club cover of princes dirty mind, with a stella remix by seven davis jr. on the flip. after label boss damian lazarus asked why they hadnt sent any new music lately, talented pair ost & kjex made it their mission to make a new release for crosstown after 8 years. delivering the goods, dirty mind is a minimalistic bomb with pulsating beats and soaring synths that lead you deep into the night. ost & kjex are responsible for the huge crosstown releases how not to be a biscuit and anthem summertime with jamie jones. the duo has been releasing music for over a decade with two albums under their belt and notable releases on solomun�s diynamic amongst others. best known for his releases on classic and ninja tune, seven davis jr. is s huge prince fan and is a fitting remixer for this cover, he delivers a sleazy take on the original with a killer bassline.

nice price deal !!! dirty south aka dragan roganovic has risen from obscurity to become one of the biggest names in the scene in just three short years, consistently serving up devastating dancefloor bombs to an insatiable whos who of international djs, producers, media and music lovers. now hes touched down in the toolroom camp, and is shaking us to the core with the tong favourite >minority<. big, brash and dark, it pumps and cracks with intense sleazy techiness that pulsates into your brain and takes no prisoners. our single remix comes from the man himself, amping up the tough metallic beats and hurling the cut towards one hell of a breakdown

danilo braca (danyb) arrived in brooklyn from his native rome in 2011 playing around town, running sound at the output events & slowly allowing these edits - informed by many years working the floors across europe - to evolve on and off the dancefloors of new york city busted vol. 1 kicks off with something very special - a lovingly reworked, top secret, late 70 s jam favoured recently by none other than dj demi-god harvey anyone who s heard him play in the last couple of years will be familiar with the original version of this truly magical 13 minute slo-mo disco jam - it s a genuine holy grail moment ! having established that quality is of the upmost importance, busted continues with a beautiful duo of amended cuts on the flip. the uptempo, playful play me hard works the groove, hard ! while have a cake is a gloriously sleazy mid-tempo workout one hell of a 12- ladies & gentlemen !

this is the fourth ep the paris legends dan ghenacia and chris carrier have made together over the last year, and it�s just as fresh as their previous efforts with plenty of bounce, depth and funk. first up on the a-side is �the blue grass�, a deeply sensual cut with a potent low end. therein lies the groove, which is utterly captivating � made to get you writhing with glee, this one is aimed straight at the hips. alongside that sleazy bassline we have jazzy notes, swinging percussion and otherworldly bleeps and chirps. all of which makes it a great intro to this sterling ep. on the flip side, we have �blue stick�, another ridiculously groovy riddim with warped voices floating above a set of crispy beats and a raw undercurrent of emotion. minimal in composition, and the effect is deadly. lastly, to close out the three-tracker, it�s �kind of blues� (can you spot the theme here?!). when it starts off, this one is a stomper with a moody expression. the beats are hefty, the bass morose and the analogue effects strangely cosmic. more twisted vocals are filtered in the background, giving this one its weird hook. the vocal reveals itself in the breakdown midway through before the track bounds on to its finale. dan ghenacia and chris carrier deliver three firebombs, perfect dance floor material with tight grooves and killer production. would you expect anything less?! go get em�

public releases hits the lab for some aural alchemy and to turn out its first release of 2017. a four-tracker from moscow�s phil gerus, scenes�or, in the producer�s native russian, &#1089,&#1094,&#1077,&#1085,&#1099,�manages to have a makeup that�s both peculiar and magnetic. the title�s a fitting one, every track feels like a vignette in a collection of short stories. separately, they�re self-contained, but a rich narrative arch is added when they�re sewn together. if there is a theme here, it�s of viewing the future through the dusty lens of the past, and each of the songs explores this in its own fashion. the kick-off, �ohashi sky garden,� starts as a hyped-up italo space epic, pumped full of swirling synth licks and sharp, tight drums, but it mutates into something completely its own when vocal samples (90s r&b?) and warm keys (prog rock rhodes?) enter. after the original�s brisk five minutes, the legendary richard sen�graffiti guy, breaks guy, house guy, disco guy, half-of-padded-cell guy�steps in to give it a trance-y tinge while doubling its runtime and adding a dancefloor-destroying hi-nrg coloration. the b begins with �naha swim,� a crunchy funk foot-stomper that might as well be an unreleased idjut boys or ray mang ditty dug up from the noid catacombs. fiery and furious, yet utterly cheeky. serving as a sort of coda to �naha� is �kiss of a kind,� a gerus take on 80s adult contemporary, replete with sleazy sax and sensual pads. a gentle nightcap to a zigzagging, antic 12-inch

repress 2017 , allez! as the curtains come down on another crazy summer of love, apollonia drop their latest release courtesy of io mulen - the ukranian rude boy who appeared on the label at the beginning of the year with �unknown to the unknown�. he�s back with a hefty six-track package which is sure to please his fans, and win him a whole new army of supporters. we get straight to business with the first track, �rdm37�, one of those trusty apollonia bouncing bombs. skittish beats work off a sublime groove, while io keeps the background full of interesting sounds, boings, cheeps and all manner of whimsical effects, introducing more and more as the track progresses. by the midpoint you�re so gripped by the track that your whole body is moving uncontrollably, super glued to the rhythm. next up, it�s �xdt54� coming through with a deep, persuasive bassline that jigs around in the low end luring you into its web. simple, polished percussive elements keep things moving at a pace while subtle keys and barely-there vocals add further layers to this catchy little number. the third track in on this lengthy ep is �mpc13�, a walk on the sensual side. vocal snippets are interspersed among sultry pads, skipping four to the floor beats and a sleazy b-line to create a delectable slice of dance floor naughtiness. this one flirts with you as it writhes around, taking you ever deeper�four tracks in we have �zgb41�, another alluring cut that has all the hallmarks of a deep house classic. those shimmering pads, a bassline that feels like it was born in nineties chicago, diamond-cut beats and a general feeling of what we would call �true house music�. there�s soul, there�s funk and there�s realness, what more can you ask for?ypt58� keeps us locked in to that hypnotic groove with an insistent b-line holding things down - together with the infectious rhythm cultivated by the drum arrangement, it�s a killer combo. put those together with the smooth atmospherics plus synth lines staggering in and out of the background and you�ve got yourself a roller. last but definitely not least is �zxy22�, a wistful slice of technoid funk which has a delicate melody at its foundation. as it develops we get sucked in to layer upon layer of beauty, from the analogue low end to the electric guitar riff � each layer complementing the other and creating a symphony of sounds that acts as a perfect way to close out the ep and will no doubt end plenty of dj sets, when it�s released. so monsieur io (mulen) returns to apollonia with an instant classic, make sure you snap it up right away. magnifique!

ready for some disco?! here are two psychedelic, hypnotic and downright sleazy jams from dan ghenacia and the martinez brothers. designed to enter your mind, travel down your spine and get you movin� oh so fine, these fresh cuts from the boys have been road tested all summer long and have been approved with a 100% success rate. the result of two jam sessions in a new york studio, this is an instant classic two-track slice of vinyl�disco jam 1� will have your backside bouncing like a basketball going beserk, a killer groove and ultra crisp beats settings things off nicely. �disco jam 2� is a more �heads down� and moody, but also works off a seriously addictive rhythm. two expertly produced dance floor cuts from a team of professionals, tried and tested around the globe throughout the summer season and now ready for you on a fresh slab of black gold. catch them if you can!

for our first release of 2017 and number 023 in the fina catalogue, we are super happy to welcome finnish producer saine to the family. saine has been on our hit list for a number of years and we are delighted to finally be releasing his aptly named mint ep saine delivers 3 classy cuts brimming with hip-hop fused, organic house sound that have always grabbed our attention in the past on labels such as sleazy beats, black ops, voyage, odd socks and quartet series. the mint ep continues in the saine vein(see what we did there) with obscure sample wizardry, thumping straight-to-the-bone beats & wavering analogue synth textures which do not disappoint. it is with great pleasure that we kick off 2017 with a bang & present saines mint ep � this ep is a must!

this release - a collaboration between ali x (alphonse from azari & iii) and mexicos theus mago - turns the heat up all the way to on and just leaves it there. the lyrical content of the title track would lead many to use descriptors like sexy, sleazy, and steamy like you wouldnt even believe, and while the music also bears that out its important to remember not to stigmatize something that almost everyone does at least a couple of times a week. vision, meanwhile, offers the perfect b-side accompaniment, a sci-fi techno workout where you dont even have to think about sex if you dont want to. the ep features dub versions of both tracks for more stripped-down club sets aimed at people who understandably have problems with the sound of the human voice. it also includes a remix by curses, whom we recently bumped into (he says cornered) in berlin and asked if hed provide one of his trademark eerie downtempo excursions. long story short: he said yes.

people must jams limited collectors cuts offshoot launches with a stunning edits suite from the ever on-demand albion !!
earth
the african king showing out with some full on sleazy afro disco glory.
water
riviera walk - the sun of year 1979 is setting alongside promenade des anglais, where we will spend all the night in the continental discotheque.
fire
fire dance - a boogie funk burner so tight it transcends the dance floor straight to mars in a ufo.
wind
midnite magic - proto-house cruiser that sounds like patrick cowley blasting through red light district with the sirens on.
limited 180gm pressed vinyl.

nice price deal !!! micronost aka david donohoe serves up four tracks of obsessively tight, compressed rnb grooves built from fragmented microsounds, clipped percussion, sleazy infectious basslines and synthlicks. lztd restock

dubbed out disco edits made with love! dj play: tensnake, horse meat disco, pete herbert, crazy p, faze action, kza, justin strauss, fingerman, sleazy mcqueen, dj rocca, sancho panza, pontchartrain, get down edits, ooft, 80 s child, jkriv, michael the lion, dave allison, javi frias,

for his latest release, dirt crew and quintessentials favorite ponty mython has linked up with washington, dc-based imprint better listen for a five track package of globally inspired groovers. the house for sale ep maintains the sample-based production aesthetic of better listen s debut record, and draws heavily from rare african funk and disco sources. the vilnius-based producer s trademark eclecticism is injected throughout the record, with the a-side leaning more towards wonky, left-field house cuts and the flip hosting more disco-like arrangements. dj support sleazy beats recordings mike w. (kolour ltd) thatmanmonkz aaron dae (razor-n-tape) admin rabo & snob the last trip to gandahar sol power all-stars napoleon folamour secret reels peter croce (rock steady disco)

for the fourth edition of slow motion�s soundtrack serie we welcome heinrich dressel, better known as one part of minimal rome. space shaft is three tracks of dreamy, sleazy space-funk delivered with a light touch across expansive musical horizons. backed up with a brace of marcoantonio spaventi versions � both �disco� and �chill� space shaft is a record for movie fans and dancers alike.

take a voyage to disco paradise with the last trip to gandahar. the last trip to gandahar (of city fly records) comes correct with his first solo ep after turning some heads with r136a1 earlier this year. echoes of paradise is four tracks of sample based disco smoothness. danceable, jazzy, and pensive all at once. dj support: thatmanmonkz lee dearn (secret reels) mike w. (kolour ltd) osmose (smokecloud records) peter croce (rocksteady disco) pontchartrain aaron dae (razor-n-tape) meistro (sol power sound) dorsi plantar jonna (city fly records) the silver rider sleazy beats recordings ethyene

meda fury welcome back oakland resident damon bell for another accomplished ep of rugged cosmic grooves and tribal pressure. bell is riding a rich wave of form with a killer recent release on don�t be afraid, and even more fire on the burek label, not forgetting his impressive debut last year on his regular home, the mighty deepblak - he�s a proven master at fusing afro-centric rhythms, rich keys and off-kilter pads into an urgent and contemporary form of house music that deftly eschews cliche. �akebu-lan� commences the ritual with a gospel vocal loop over pumping 808 kicks and tranced out swollen pads, giving way to ecstatic fender rhodes chords and climatic piano, reminiscent of robert hood - is this bell s fastest bpm track yet? loose/live jazz keys riff throughout �ether� creating a warm rich miasma of sound against the distressed percussive gyrations and sinister drones. hypnotic synth riffs tumble over the powerful drum-track in �altered visions� creating a deliciously hypnotic chug. drawing the ep to a close, deepblak and pan cohort african sciences joins bell for the sizzling �kinetic energy�, a sleazy, skronking cut of slurred moog bass and atonally pitched toms wrestling with thumping kicks and whispered vox pummel the listener

editor s kutz proudly presents its first official re-edits 12 inch, officially licensing two beloved tracks of the legendary pino d angiò. -okay okay- gets a remastering on its original version, a nu-disco re-edit by sleazy mcqueen & vinyladdicted, on the flip with have a disco-house version by lillo carillo & deaf kick. -hey ciao tu- gets the re-edit treatment by the reflex & guido minisky. pressed on 180 gram wax, in a full picture sleeve. limited to 1000 copies!

marquis hawkes sound ranges from club-ready weapons of slamming and sleazy to swinging and acid-laced, beholden to vintage us house music and jacking dance floor jams. after the monumental success of his debut album social housing, a recent live boiler room appearance, resident advisor mix and a 9/10 album review in mixmag, marquis hawkes returns with an absolute beauty of a package alongside the indisputable queen of rnb & soul, jocelyn brown. the release also includes two remixes from producers at the top of their game, house legend paul woolford and close friends, polish duo catzndogz, each tackling the crystal clean house anthem im so glad turning in monumental dance anthems which will be heard across dance floors for some time to come. cut and mastered by matt colton at alchemy mastering.

marcel vogel is back with this 8tracker including remixes by label mates reginald omas mamode iv and dear earth. lowslung grooves for an evening in front of the fireplace with your lady (or man), this ep was created in an collaborative effort by berlin singer khadija, keyboardist tim jules, guitarist jair wix and written and produced by marcel vogel. outstanding tracks are the sleazy moonchild and the title track human being.

slow futur was the name of the live soundtrack of zombie zombie for a juggling company. an add project that we decided to release some months ago, consisting in 4 tracks of 15 minutes. we were suprisingly sold out very quick. so we decided to give that record a longer life having some new mixes of one the track : hyperspace. tolouse low trax is all around the place at the moment. the amazing resident dj at salon des amareurs in dusseldorf provides a kind of sleazy remix here,that never really starts but subtlelly evolves while i:cube brings it in the dub territories, in a lush mood. enfin, gilb r provides a little reprise,putting the percussions in the front for a tropical effect.

escorting sarah hit the ground running with �elephant in my box�, its low slung cavernous kick drum making a serious statement of intent before the the track�s grimy synth pushes forth to serve up some deliciously sleazy warehouse vibes. �pov� ups the dirt considerably, metallic shards of phunk permeate, their edges rubbed raw with distortion whilst �spank� offers up a sleeker, but no less deadly, slab of techno weaponry.

given the underground acclaim heaped on marie davidson s previous albums - ultra-stylish affairs that blend elements of minimal wave, dark italo-disco, off-kilter electro and moody ambient - it s little surprise to see her popping up on minimal wave offshoot cititrax. the album s nine tracks are largely sharp, rough and fuzzy, with sparse-but-dense drum machines rhythms underpinning bouncy, delay-laden synth lines, thrusting electronics and davidson s sleazy, spoken word vocals. it s an attractive combination that guarantees thrills throughout, from the almost claustrophobic throb of -denial-, to the mutant electrofunk bounce of -good vibes-.

french artist kool vibe is back on his own paris-based label kv records with a new 4 track ep. true to the mission assigned to the label, this release brings us back to the early 90s through basics sounds and elements which have defined deep house since then : fat syncopated rhythms, heavy and groovy basslines, warm chopped vocals. there is something raw and genuine about this record. basics and back to the reala definitely emphasize the minimal and raw side of deep house. tribute is humbly dedicated to the legendary todd terry, whose ultimate knowledge of the art of sampling contributed to shape house music in the early days. at last, sleazy joint (touch it, suck it) closes the record with a nasty and sexy touch. anyway, the whole ep is meant for the dancefloor and the simple pleasure of partying.

tale of 2 cities (or t.o.2.c for short) is the culmination of what was just a whim of an idea from label owners mike & justin. it s the first of its kind for us & anyone who knows anything about kolour ltd should know that we shall leave no stone un-turned on a release of this magnitude. this 14 track, 3x12 vinyl compilation is a smooth journey throughout the realms of deep house, mid-tempo grooves, funk/soul, with an edit (or two) for good measure. disc 1 features the incomparable talents of jimpster (under his franc spangler alias), admin, ugly drums & lady blacktronika, henry wu, and the hue ft. kissy asplund. disc 2 features the fouk boys, frank booker, vincenzo de bull & halve soul, & inkswel. disc 3 features the talents of eddie c, napoleon, sleazy mcqueen & vinyladdicted, patchworks, and leblanc. 3 x lp in a trifold sleeve & poster.

after succes releases on labels such as tsuba, slow down, sleazy beats, rose records, and much more, german luvless is ready with a strong release on danish label deso records - you should is a strong deep house track, with a beautiful hookline, that will make troubles everywhere is will be played. on the remix, we got the mannequins back on deso - this remix is supported by jimpster to name one, deep house when it is best. limited solid white vinyl. this ep is supported by names like: mike w (kolour recordings) lo shea (phonica) nacjtbraker (dirt crew) jimpster (freerange) onsulada (yoruba) and much more! get your deep head on!

special remarks : 12 inch with printed out deluxe sleeve, included 4/0 cmyk innersleeve limited edition 500.
- catapulted into the public consciousness by beth ditto, kiddy smile seeks to spread the retro love in his beats - all of which he produces, sings and sometimes even raps over himself. deeply influenced by the sleazy, lazy feel of 80s and 90s house music and the fabulous legacy of the ballroom scene, he has performed live alongside the likes of hercules & love affair and the gossip. through his own music and performances, kiddy has kept the nostalgic sounds of the dancefloor very much alivebio : via his extravagant persona and good music, the parisian producer kiddy smile gets great coverage in the music world, but also fashion (he s the sound designer for balmain, and spins for the like of alexander wang, balenciaga shows etc.) and queer community.it s impossible to dissociate his music with what he represents today in the gay and voguing community and many filmed / photographed features celebrating diversity have highlighted kiddy smile in them.