re-release of actual life 3

a rockin party of dance floor fillers, compiled by dj rudy.

indie / rock

coloured vinyl

album by different bristol based musician

heavyweight 180 gram double vinyl in gatefold sleeve with download code included.

hem presents more chugging grooves from the express, here with a mixture of pure sunshine and raw sounds from the underground. remixes from hems shutter and legend inigo kennedy!

hem001 natterjack: 3 pieces of playful dark techno music. sounds mysterious these days where almost everybody is busy with self-promotion, huh? support from surgon, len faki, inigo kennedy….

silver marbled 4x12 inch vinyl in full colour sleeve, download code included.

10th anniversary reissue on double vinyl.

incl. johnny aux remix

debut lp by all times now nothing incl. mp3

3 new songs & 13 classics from snow patrol reworked. pressing on 180 gram double vinyl, housed in a gatefold sleeve.

its a funny old world, and yet again, the black dog have provided the soundtrack. our fast-approaching dystopia has been envisioned and documented by the band for decades. now, the black dogs two new albums, post -truth and black daisy wheel, translate their growing horror into some of their most accessible and impactful music, translating our manufactured reality into high energy dancefloor constructions on post -truth, and reflective ambient excursions on black daisy wheel.

citzennn imparts his eagerly anticipated debut album, human interface, on crosstown rebels on 29th june manifested through technology and exploring its relationship with human condition.

every week end im going to concrete to listen the artists who are playing there. i m talking about music with them , and do the same with people sharing the dancefloor with me. i collect all these inputs and ideas, all this energy, to define what concrete music dna is. because of this variety of people, tastes, and point of views, the label can t be reduced to one and only genre. to make the music more easy to apprehend, we are splitting the label in 3 parts, 3 differents moods, or more precisely, 3 times of the day... concrete music 7am contains the kind of music you could easily listen in our club at dawn, when the light is blue and the sun starts to filter through the mi-closed shutters. minimalistic, freaky or mellow, but always deep. concrete 3pm is definetly turned to house music. 3pm is the time when smiles are on every face, when the same vibe, the same energy, is going through every stomach in the room, and the crowd becomes one same entity. concrete music 4am aims for the more techno and black side of the music we love. at 4am, fists are pumping the air, or heads are down and eyes closed. it s not about how hard or fast the kickdrum beats, but how thick the atmosphere is.

heavyweight vinyl pressing on double 12 inch in gatefold cover.

tipp!

clear vinyl lp.

nice price deal !!! tom tragos first release of 2011. this limited promo precedes his new album >iris<, which is to drop in march. for now >shutters< should keep you going. this joyful house nugget comes as main and as dub.

it’s a funny old world, and yet again, the black dog have provided the soundtrack. our fast-approaching dystopia has been envisioned and documented by the band for decades. now, the black dog’s two new albums, post - truth and black daisy wheel, translate their growing horror into some of their most accessible and impactful music, translating our manufactured reality into high energy dancefloor constructions on post -truth, and reflective ambient excursions on black daisy wheel. limited to 500 copies on 180 gram double vinyl.

long time friend of the label myler finally makes his south london analogue material debut with ‘lord of the asbo’. the ep starts with driving kicks, hypnotic wandering synths and the noisy dissonant stabs of ‘mandem’ before taking a more melancholy turn. ‘shutter windows’ slows things down with eerie echoes, dusty thudding kick drums and subtle synths before ‘whiskey & white women’ finishes the last of the originals with a drum track full of trippy percussion and masterful groove. bad boy keepsakes is back on the label after slam003 and finishes the ep with his take on ‘shutter windows’.

romansoff continues his recent stellar run with a wandering, daylight-dreaming ep for mörk. four tracks channeling light-splintered techno, looping, shuttered-blind house and even some more visceral washed-out 5am sounds on the flip side. dreamy, deep techno at it’s finest.

mr. statik is back on mos ferry with his new ep roll down the shutters. and he got massive support from sasha perera (jahcoozi). she performed the laid-back vocals on this release. remixes by dapayk and daze maxim complete the package - but enough with the name dropping. the original track shows influences in dub, but with an elegant touch.

the green series is the continuing art and music project from bleep.com, giveupart, and photographer shaun bloodworth. the project will be a series of tracks exploring techno music released on limited 12 inch with deluxe art prints as well as on digital formats. the double a-side single features the pairing of objekt and cosmin trg and brings you raw techno. both tracks were mastered by rashad at dubplates and mastering, berlin.

inspired to bring back to life the spirit of their teen and death metal heroes, koljah & oliver deutschmann deliver the 4th konsequenz vinyl slowly we rot . as in their previous releases on vidab and konsequenz, house music is the major player here, presented in 5 different interpretations, for alternate stages of the night. eaten back to life starts the journey with deep vocals, percussions, and hooky horns. picked by sebo k as his personal weekend weapon, the track keeps diving in deeper and deeper until it sucks you in and takes you over. ed davenport s stripped remix, as in its title, is a stripped down power house, that compliments, and in a way completes the original. davenport s shutterdrop remix will be available as a digital bonus. altars of madness on the flip is a harder, more upfront evolution of the a side. techy loops and deep synths support the lead that will stay with you hours after leaving the club. the re edit is a more crisp sharp tech house track, rounding off a record that represents konsequenz right and proud. up next on the label look over feel from mojoe with remixes from daniel stefanik and marlow.

london-based producer laurence matthew blake has been causing a stir under his citizenn alias for some time, delivering intoxicating, tactile, otherwordly blends of tech-house, powder-house, garage and electronica for the likes of madtech, love fever, 20:20 vision and, most recently, crosstown rebels. here, he returns to the latter with human interface, his debut album. it s a typically fluid and quietly soulful affair, with dreamy pads, touchy-feely electronics and shuffling dancefloor rhythms the order of the day. while there are a few powder house dancefloor moments, as you d expect, blake also doffs a cap to 2-step garage, booming bass house, skewed synth-pop and, on the wonderful you are, string-drenched deep house loveliness

incl. exclusive download-code for an exclusive zombie bass eaters mix!!

uk funk

two eps from lifeguard on one record.

oceana coloured vinyl

this records is made from solid yellow vinyl!!

every week end im going to concrete to listen the artists who are playing there. i m talking about music with them , and do the same with people sharing the dancefloor with me.i collect all these inputs and ideas, all this energy, to define what concrete music dna is.because of this variety of people, tastes, and point of views, the label can t be reduced to one and only genre.to make the music more easy to apprehend, we are spliting the label in 3 parts, 3 differents moods, or more precisely, 3 times of the day... concrete music 7am contains the kind of music you could easily listen in our club at dawn, when the light is blue and the sun starts to filter through the mi-closed shutters. minimalistic, freaky or mellow, but always deep. concrete 3pm is definetly turned to house music. 3pm is the time when smiles are on every face, when the same vibe, the same energy, is going through every stomach in the room, and the crowd becomes one same entity. concrete music 4am aims for the more techno and black side of the music we love. at 4am, fists are pumping the air, or heads are down and eyes closed. slow or quick bpm, heavy kick or atmospheric this is what concrete music is all about...-

incl hadone remix

brame & hamo are back with the third release on their eponymous imprint. trants and club orange effortlessly upheld the berlin based duos reputation for dancefloor ready hits, with the latter selling out in one day. picking up where the others left off, limewire ep is a nod to their early influences channelling house, techno, trance and breakbeat. over three tracks, brame & hamo brandish the party starting spirit they are rapidly becoming known for. broken beats feature heavily alongside subtle acid licks, uplifting harmonies and sweltering synth lines. parade rain is a peak time house roller with pulsing bass, meditative pads and airy pipes that polish it off to make a fine rendition to early 90’s house. sports complex the darkest of the ep, builds an intense energy with a heavy hitting 808, shuttering reflections, a driving 303 line topped off with a trance-inducing melody that makes this into a big room bomb. the title track is a breakbeat workout honing a classy piano riff complimented with emotional synths, strings and more acid lines, a fruit for clarity. finally tuff city kids aka gerd janson & lauer round it up with a club ready interpretation of their title track, adding more drum layers, a jittering bassline and a simple but effective melody to finish it off. limewire ep finds the duo exploring a range of influences, expertly referencing various styles whilst still weighing in the sound that is now unmistakably theirs.

without artwork - standard cover / long time friend of the label myler finally makes his south london analogue material debut with ‘lord of the asbo’. the ep starts with driving kicks, hypnotic wandering synths and the noisy dissonant stabs of ‘mandem’ before taking a more melancholy turn. ‘shutter windows’ slows things down with eerie echoes, dusty thudding kick drums and subtle synths before ‘whiskey & white women’ finishes the last of the originals with a drum track full of trippy percussion and masterful groove. bad boy keepsakes is back on the label after slam003 and finishes the ep with his take on ‘shutter windows’.

ernestas kaušylas aka brokenchord is a music producer and composer born and raised in utena, a small industrial town in lithuania. kaušylas was quickly picked up by black acre, releasing both a 7inch single and an ep, after an exclusive mix of his was aired on bbc radio one’s experimental showhosted mary anne hobbs in 2010.
endless transmissions is the brainchild of kaušylas who single handily (bar two tracks) wrote and performed the entire album. the only collaboration was with jazz drummer, augustas baronas , who he encouraged to play as mechanically as possible. the lp pays homage to creativity and the ability topush the limits of technology with the physicalness of a human body. kaušylas explains “machines that mimic human grooves is boring but the other way around it becomes quiet interesting”.

this new compilation of old kirchin material comes as a result of the free cd i produced for hull 2017 city of culture. there was a basil kirchin “weekender” this february, three days of talks, music and events based on the life, music and world of basil kirchin.

medical records returns to france for the reissue of the very rare and sought-after video liszt lp. ektakrom killer was released in 1981 and had never had never been reissued or repressed. the artist behind video liszt was xol, a french journalist and musician. commanding a multitude of analog synthesizers, moog modulars, an ems vocoder, and an apple two computer, xol crafted a very diverse album with styles ranging from sci-fi synth soundtracks, prog, space disco, and all the way to more accessible electropop.

year zero is a first release on post scriptums own label and in a sense it is a manifesto defining it s musical identity. no space here for a sound targeting the current techno mainstream. there is dirt, and the pinch of imperfections, very characteristic of avant-garde electronics and industrial well known for the quite nearby past. on the a side, there are compositions appearing like shutters from experiments conducted in the secret laboratory. the rhythm is giving the appropriate weight, while the rest is a musical conglomerate of sounds and synthesis building up a feeling of anxiety. a swarming energy, a modulation, an uncertainty and lurking somewhere danger are surrounding us.on the flip side are remixes constituting the lighter counterpunch. motor eurhythmics bringing to life the old good detroit techno definitely of a dance-floor character, making this material ideal for an interesting set.

"zon - palace since more than ten years close friends and metal heads phillip tielsch (von spar) and mario katz (cologne tape) met for guitar sessions, trying to - nd the essence of their favourite metal records* and digest in their own sound“. quite ambitious but without any release plans so far... magazines jens-uwe beyer found out about their project and pushed them to produce an uncompromising condensate of their raw material. beyer cut here and there, contributed some additional production and also got john stanier (battles) in the boat for the drums. so zon became a band and -palace- became the most intense and sharp edged instrumental metal set you probably heard in years! crato s b-side counterpart, a 27min drone ambient interpretation of the zon material, completes this literally thrilling album and makes it – wrapped up by john harten s unique artwork series – another magazine release at its best. mastered by matt karmil. - 45 min playtime - endless loop on side a; b-side cut inside out"

manchester-based duo shield patterns return on september 2nd with a new album entitled mirror breathing. released on band member richard knox’s own gizeh records label, mirror breathing follows on from the critically acclaimed debut album contour lines in 2014 and 2015’s violet ep. where it’s predecessors took a more stark, electronic and processed approach, mirror breathing is an altogether warmer, more cinematic record.

nice price deal !!! new years deal - alleviated records is proud to present the first edition of underground files . we hope to introduce you to new artists/producers/technicians with this series. this first edition includes selections by 2 memphis-based dj/technicians/producers, adam arthur and michael kuntzman. side a features arkansas native adam arthur starting off with rogue intent . if you re looking for radical-pumping house, look no further to get your crowd going crazy on the dancefloor. next, we change the flavor a bit with flamenco for when you need some downtempo warm seductiveness. side b features 2 selections from memphis dj/producer michael kuntzman. first up is shutter with a bumping sci-fi-house flavor. then we have mondane with a pumping abstract-tribal-surreal tone.

traumer aka romain reynaud has been plugging away of late with a string of fresh material surfacing in 2014, much of which has seen the blossoming producer pick up support from the likes of mr.g, franck roger, and doc martin to name but a few. here we see romain join the roster of loco dices desolat imprint. across the double pack we see traumer skilfully explore a range of styles, opening cut hoodlum eases us in nicely with a bass-driven, funk-infused groove fuelled by jazzy melodies and gritty drum sounds.

is it his love for details that made him known as the micronaut? at least the atmosphere of his productions evolves from a multitude of intricate elements. these little bits and pieces might be of very different nature but together they complement each other in perfect harmony, creating the big picture, the panorama of a soundscape that is one of a kind.