henry street music classic! scotti deep with his alias fathoms, ny, originally released in 1995.

nice price deal !!! single sided coloured 10inch edition!

a double vinyl collection of timeless house classics, compiled by renowned parisian rex club.

spacey, deeper house & beats from scottish rave series headset and unknown producer dj posture.

born in a remote log cabin deep in the scottish highlands, eventual reality, the debut album from the james lÕestraunge orchestra melds jazz and electronic music sensibilities with a huge helping of heart and soul. in 2014 seasoned producer and musician ricky reid and his partner retreated from the city to embark upon a new life, in his own words Òaway from the constant, incoherent noise of the worldÓ. as he set up his studio, the clean air and spectacular surroundings began to provoke musical inspiration like never before. then, like a scene from Ôfield of dreamsÕ, a series of talented musicians from his former life visited the cabin for a series of late night jamming and recording sessions, leaving behind them hidden treasures to be discovered and lovingly pieced together by ricky over the following months. with nostalgia so much a part of the albumÕs creation, the james lÕestraunge orchestra canÕt help but appear somewhat spectral, after all they are truly the band that never was.

on le rire ep jared wilson (7777 - skudge / detroit) leads the way with a pest chicago-house inspired rework, devilishly and deliciously analog without whittling down to a mere old-school homage, a sort of us-acid-dubstep version of addison groove, with a taste of slacker jak-beat for the nirvana generation! a melodic decomposer, scottish dam mantle (warp - ghostly international / glasgow) deceitfully feigns to mellow with what could at first glance seem like an edit. however deep excavations into the intense choir of >voyage vers l harmonie< leads to a surreal confrontation between a slum village like beat and a post-industrial version of melody nelson. thundery atmospheres, slippery slopes… the best way to pay tribute to luc marianni. famous for his duo as well as his label syncom data, nukubus (bunker / rotterdam) is nonetheless an inspired soloist, as this breathtaking remix once again proves. the 11 minutes long krautrock tunnel leaves many envious of its authenticity and sheer technical virtuosity. this swirling reinterpretation of mariannis work manages to leave the original behind and come into its own. its out of respect for the original work that nukubus requested to be credited only as a remixer. if youve bothered to read the few lines above, please remember it is both easier and wiser to form your own opinion with the vinyl in your own two hands. please note that the distribution of these eps will be accompanied by some very limited original editions of luc mariannis vinyls

scottish producer, stephen lopkin is back on m>o>s deep with a great double pack of that gleaming sound we love him for! tip!

scottish producer, stephen lopkin is back on m>o>s deep with a great double pack of that gleaming sound we love him for! tip!

born in a remote log cabin deep in the scottish highlands, eventual reality, the debut album from the james l’estraunge orchestra melds jazz and electronic music sensibilities with a huge helping of heart and soul. in 2014 seasoned producer and musician ricky reid and his partner retreated from the city to embark upon a new life, in his own words “away from the constant, incoherent noise of the world”. as he set up his studio, the clean air and spectacular surroundings began to provoke musical inspiration like never before. then, like a scene from ‘field of dreams’, a series of talented musicians from his former life visited the cabin for a series of late night jamming and recording sessions, leaving behind them hidden treasures to be discovered and lovingly pieced together by ricky over the following months. with nostalgia so much a part of the album’s creation, the james l’estraunge orchestra can’t help but appear somewhat spectral, after all they are truly the band that never was.

the revenge is back at the controls for home taping!!! the scottish dj and producer kicked things off on the imprint back in 2009 with his forever in their debt release, which grabbed the attention of house djs around the globe. now he drops another timeless ep of killer house music on the imprint lost grooves part one demonstrating his musical depth and amazing production skills as he drifts effortlessly between jackin dancefloor trax, deep house grooves and looped up disco business. the result is a totally authentic and raw sounding homage to house music delivered by someone who has lived and breathed it over the last decade or so. home taping all night long!

having already released on mos recordings sub label mos deep before now, stephen lopkin is now back with a second four track effort, due for release in april. the scottish artist has been making prickly house and techno for almost a decade now, and on the four cuts here he once again showcases a serene and slick style.

good things come to those who wait. the long-anticipated land of light debut, a masterpiece of an album and pillar of the esp institute, was unveiled in late 2012, slowly followed by the gorgeous remixed ii. since then, many have longed for the missing first half of this two-part package, the universe is kind and has finally delivered remixed i. on side a, kuniyuki takahashi (mastering engineer behind seminal esp releases, and legend in his own right) took the bull by the horns remixing flares—a piece of music so entrenched in melancholy, with such fluid performance and production, its hard to imagine anyone taking it deeper—he has unarguably triumphed. on side b, esp institute veterans tambien rose to the same challenge with flares, the bavarians taking a refreshing uptempo approach, a contrast to the swells of guitar and synth. closing the release is the seahawks blissful re-imagination of bell rock outpost, slowly and steadily setting sail into a dusky vision of the scottish lighthouse after which the song was named.

the first installment of alex agores mizz honey ep ensured the prolific german producer debuted fully on the say ahh! label. this second edition of the mizz honey series maintains those high standards and hopefully ensures the door remains open for subsequent agore output on the label run by the brotherly duo of mk and scottie deep. *x* sets the tone, looking to a salsoul gem for vocal inspiration and swamping the sample in a thick, bumping house groove spread across the a side that must have instantly grabbed the brothers kinchen. the flip pairs the finger snapping, soulful slam of *ice crystals* with the immediately infectious piano house business of *everyday (u lift me up)*.

landing just a week before his new album >fading< – dfrnt is releasing an incredibly special ep – not only is it the first ever echodub vinyl release, but it will be a limited edition hand-numbered 12 inch picture-disk!
the el spirito ep is a three-track vinyl. the a side, el spirito is one of the lead tracks from the fading lp – which is set to be released a week later on 3rd september. the first b-side >work harder< combines dfrnts ear for melody and deep sounds with a techno-based 2-step shuffle. the second b-side >homeward< is a far deeper and more relaxed journey featuring the talented scottish singer joy dunlop.

first release on scottie deeps subsidiary of say ahh! - say deep records.
support from the likes of charles webster, jay tripwire, terry francis, dj w!ld, claude von stroke, tyler stadius, mark farina, the timewriter, dubfire, matthias tanzmann, chloe fabio monesi, jimpster, james johnston, mark knight, dam swindle, elef, samann, scottie deep and many more.

with ifumes first ever release >polaroid love< ep still fresh on our decks and receiving many props from around the globe, master-hs exotic komplex de deep imprint, for their next release, turn to a far more established artist in the form of label regular, francois dubois. whilst his techno alias funk d void has taken the lions share of the plaudits for many years, lars sandbergs other alter ego has, in recent times, shone just as brightly. whilst the tough beats of fdv are firmly routed in his scottish homeland, its no doubt the warmer climate of his spanish residence that enthuses and drives the deeper and smoother sounds of francois dubois. releases and remixes from the francophile have graced such labels as urban torque, plastic city, freerange and buzzin fly.
early dj supports and feedbacks by laurent garnier, djul’,z, ben westbeech, motorcitysoul, feygin, brother’,s vibe, sasse, andy cato…, ...

back to the 90s

scottish producer & dj graeme clark aka the revenge releases his second album ‘when the thrill comes’ on his own roar groove imprint on 11th may 2018. ‘when the thrill comes’ is a demonstration of a producer achieving a point of maturity in their work, able to exercise a sense of restraint, to allow for their sound to have space. it is also the opportunity for the revenge to explore his own electronic music roots with a deeper pared-back sound more in touch with his earliest production experiences in house and techno.

copenhagen’s echocord colour returns this august with stephen brown’s ‘power factor’ ep, featuring three originals from the uk techno stalwart. scottish producer stephen brown is a name synonymous with techno across the globe having been releasing material since the mid nineties on imprints such as derrick may’s transmat, subject detroit, skudge records, ben sims’ theory and holland’s djax up beats amongst many more. here we see brown join the roster of echocord’s sub-label colour, slotting him in alongside the likes of mike dehnert, nick ho&#776,,,ppner, luke hess and deadbeat in the back- catalogue. up first on the release is ‘sandtext’, a stripped-back dubbed out opening cut fuelled by a robust kick and minute percussive hits running alongside a sturdy sub bass drive and spiralling dub stabs before ‘wet’ takes things even deeper via muted kicks, shuffling shakers and delayed synth chords. ‘back stroke’ then rounds out the release with an amalgamation of airy reverberated stab hits, rumbling low end pulsations and a thunderous kick drum to once again create an understated, hypnotic composition.

since summer 2016, ‘keep on’ has been doing the rounds in the house music community, with support from some of the biggest names on the circuit playing the track on a week-by-week basis. initially made off the cuff as a tribute to chicago’s ghetto house sound and inspired by the dc10 terrace, the track went onto become something of a monster that the young scottish producer never anticipated. after 6 months after constant requests the track will finally be publicly available. upfront high and energy drums combine with brash vocal samples to make the track a dance floor weapon for a peak time dancefloor. on the flip ‘antonio’s keys’ takes things deeper, the track works percussion into more thumping 4x4 kick drums whilst the hypnotic lead line pushes the track forward into the early hours of the morning. limited to 300 hand stamped copie

one of the best mid-tempo disco raritys (and we mean rare) to come out the deepfunk scene. when keb darge first played party & get on down in the early 2000s in soho it put a few noses out of joint as it was such a departure from the deepfunk driving take no prisoner sound. true to kebs scottish stubbornness and like any real dj he stuck to his guns and created a dance floor favourite. athens of the north bring bab to 12inch for the first time, not only that but its a nice wee extended cut transferred direct from the master tapes. no brainier if you got class.

dref033 sees the return of two long time label friends and contributors, the scottish deepbass and the italian ness. despite the fact that both of them are prolific enough solo acts as it is, once in a while they combine forces and deliver a co-produced masterpiece, to which the outer limits ep is no exception.

filippo blasi foglietti returns to third ear for his second release, the copy principle, following his well-received debut, the john nixon memorial ep. djs, notably ellen allien and peter van hoesen, and many others continue to play this deep and trippy record. the copy principle is a more urgent, more stripped back proposition than john nixon memorial ep, but is identifiably filippo blasi foglietti, at his deep and trippy best. the copy principle is one of scottish philosopher david humes best known ideas. hume (born 1711, died 1776) states that our ideas come from our impressions. he wrote, all our simple ideas in their first appearance are derivd from simple impressions, which are correspondent to them, and which they exactly represent

hidden traffic comes with its first reference matching with massa’s debut in the techno scene. two original tracks together with a great remix from the scottish producer deepbass define this ep. support from: claudio prc reggy van oers ness exium tensal tetsuo takaaki itoh angel molina paula temple slam regal krenzlin thomas hessler laurent garnier synthek donor wunderblock mas teeveh marco carola kike pravda and more.

mysterious scottish producer otherlover is out for revenge with this tasty 10inch slice of deepness on razor-n-tape reserve! the a side works an obscure steve winwood sample into looped perfection, building slowly to a synth boogie climax, with the b side dubbing things out a bit more. you need this one - no backchat

lanthan audio is back after their debut ep that featured edit-select now with their sophomore release from deepbass, scottish dj, producer and label owner of informa records. for this ep deepbass delivers one original cut, alto which has been remixed by aegis, reggy van oers and ness. uniform to the deepbass style, alto is an ethereal atmospheric track with a punchy, rolling bass, which takes you on a voyage through the cosmos. aegis, on the other hand, takes the tracks potent bassline and adds the aura of breakbeat to the elegant atmospheres. on the flip side rvo adds a hypnotic energy to the track as the elements continue to build to the crowning point letting you down nice and smooth. for the final take ness adds his own style as the punchy bass lingers he is still able to keep the mood serene and delicate. all in all a captivating way for each artist to express their own style on one ep. pressing on translucent dark blue and smokey marbled vinyl.

after making a great impression with its first ep, giant records serves up a second hot helping of house music from boss man grant dell, complete with fresh remixes by scottish techno stalwarts silicone soul. dell, also known as chicago transit authority, has been doing his do for 25 years now. as a dj he is at home in clubs in ibiza and barcelona as well as around the rest of europe, and is someone who always prefers to push his own brand of widely infused and influenced music than his own profile. once again here he comes up trumps with the emotive, glowing house cut ‘in your mind’. with a neat bassline and mid tempo house drums, subtle but effective synth smears add warmth and colour to the groove, whilst soul fuelled vocals add a real sense of personality. this is sure to get people grooving at any hour and comes with grant’s own space echo remix. as the title suggests it’s a more dubby and reverb rich affair with cosmic signifiers and sci-fi vibes pervading from start to finish. silicone soul need little introduction having been at the heart of real deep house and techno for decades on the soma label. their first remix is a darkroom dub - named after their own label - and is a seductively slo-mo and lazily unfolding house cut with languid synths that really suck you in. their lush hypnohouse mix is then a twinkling, late night bit of melodically rich deep house with starry skies twinkling above sombre chords. this is a patiently served but hugely alluring ep that is stuffed with plenty of tender feeling. one again then, both grant and giant have come up with the goods.

we welcome back subjected for his debut ep on sleaze records! the berlin based artist has been on fine form of late, releasing on esteemed techno labels like electric deluxe, polegroup and of course his own vault series imprint. this is subjected at his best, featuring 3 quality original tracks and a great remix by new scottish talent deepbass.

edit-select is the project of scottish dj tony scott and one of the pioneers of deep driven hypnotic techno.

the ep has already gained huge support by james johnston, tomorrow is now kid, kid mark, oli furness, scottie deep, jamie trench, lucas rawculture, sem marini, kool vibe, jeremy underground, tunde adams caspa, bryan agent pepper, skylax records, washerman & more!

detroit house at its best. amazing high tech jazz influenced 4 tracker by orlando b. after hearing orlando bs 2 full eps on germanys yore records, ric mcclelland & sean grieve head hunted the scottish producer for their seven music label. orlandos first outting on the belfast imprint was at the start of 2012 with a remix of giorgio luceris >one more time<. not content with just a remix, seven music asked orlando for some original works and here we have the >city life ep<. 4 tracks of chicago and detroit inspired goodness! the scottish producer and dj started making music at the age of 15 using an atari and notator sl. inspired by artists such as jeff mills, the advent, dave clarke and ian pooley, orlando began his career making techno. fast forward to 2012, orlandos studio is predominantly analogue based and his sounds have progressed to a deeper and more retrospective house sound. with 4 original tracks (1 of which is exclusive to the 12inch vinyl) the >city life ep< is arguably orlandos finest work to date. timeless yet forward thinking electronic music with soul and a record that deserves a place in any discerning djs collection!

early support: hell, josh wink, ame, laurent garnier, raresh, dixon, jimpster, terry francis, ... ribn return to the mild pitch camp with two fresh tracks and a stunning remix by the revenge. >no place< is a deep diving funky house jam, that combines fragile soul samples and buzzing electronics, reminiscent of old playhouse or matthew herbert records. on remix duties here is no other than graeme clark aka the revenge. the scottish man-of-the-moment transforms the original into a straight and sizzling club roller that makes great use of the original samples and strips them down for maximum dancefloor impact. turn over to the flip side and ribn take it back to their dubbed-out deep techno trademark sound on the epic >save me<. punchy beats, driving chords and bright synth carpets make this track a prime example of what youve missed if you havent had a chance to check out the duo live yet

following his wicked remix of the revenges forever in their debt, home taping welcome back the maverick dj and production talent that is red rack’em. red is the force behind the much loved smugglers inn radio show and has had releases on top imprints like tirk, untracked and deep freeze for which he has received props from the likes of gilles peterson, mr scruff and greg wilson amongst others. in his first outing for the imprint red decides to fuse two very different sides of his musical repertoire. the first cut, pressure is an early 90s inspired banger that draws from his teenage experiences of house music and captures the spirit of those end of festival dj sets when the dance floor is really going off. flipping over to the other side, back home is an expertly crafted slo mo collage of sounds which was written back at his parents home in a scottish fishing village and is all about reds feeling of being at home and sifting through his dads record collection looking for inspiration. also on the flipside, is up and coming japanese producer and red rack em favourite kez yms beautifully deep detroit inspired rework of pressure. put house back into your life and ease the pressure with the sounds of home taping! two top workouts that will rule the floor! press play and feel the rhythms!!

new numbercult! the third in this ultralimited series of scottisch techno artist collaborating on a small series of releases which are available in only 250 copies each! first part sold out immediately. brilliant deeper techno and a must for fans of b12, blackdog for the hidden symetry track. splinter is a amazing darker techno track that reveals its beauty and power when played out loud. check!

in the middle of deep, minimal & ethnic sounds - massive tune!