300 copies only

24 classic hits from the early 80s as celebrated by the famous bbc radio 2 show on double vinyl.

24 classic hits from the mid 80s as celebrated by the famous bbc radio 2 show on double vinyl.

i feel love inspired driving radio slave remix

diese ep ist besonders, sie repräsentiert die essenz des electro-stils, minimale beats, roboterstimmen, melodien und einen destruktiven groove.

2019 reissue, limited edition 8x12 inch vinyl in a collectors box.

ltd 300 copies vinyl only - no repress

high quality pressing in vintage silk screen sleeve.

high quality pressing in vintage silk screen sleeve.

high quality pressing in vintage silk screen sleeve.

repress! the long-awaited repress of the first radio maritko 45 oriental shake, featuring habibi twist and albas shake. exotica and twist mania from the greek and italian sixties that shakes all dancefloors! with a brand new layout

impressive collection of diverse house sounds on the next too rough for radio release.

only 300 copies

the masters for this classic were lost long ago. we have carefully restored them from mint vinyl and had remastered at subvert central mastering. check out the you tube videos for a taste of the quality achieved. remastered and recut by music preservation society

chateau: o you singer, solitary, singing by yourself projecting me, o solitary me, listening nevermore shall i cease perpetuating you,never more shall i escape, never more the reverberations,&#8232,,,never more the cries of unsatisfied love be absent from me,&#8232,,,never again leave me to be the peaceful child i was before what there, in the night,&#8232,,,by the sea, under the yellow and sagging moon,&#8232,,,the messenger there arousd the fire, the sweet hell within,&#8232,,, the unknown want, the destiny of me. o give me the clew! (it lurks in the night here somewhere,) o if i am to have so much, let me have more!

matt edwards launches stranger in the night with his first solo material since 2017. the rekids offshoot will release regular music by four artists, namely radio slave, king britt, anthony rother and fred p, who will each drop three eps over the next year. “with rekids being 100% focused on releasing music for dance floors i felt the need to create a new platform to explore a wider musical vision and invite some of my all-time electronic musical heroes to be a part of the series,” says matt edwards. both numbers near the 12-minute mark but each track portrays a different aesthetic. opening with precision drums and crystalline notes, ‘ground control’ makes a nod towards the hi-tech soul sound of detroit and drives forward using a sultry bassline, erratic chords and the occasional icy stab as an array of contrasting sounds operate in unison. on the flip, a syncopated rhythm lays the foundation for ‘last communication’ whilst a tantalising melody joins poignant synths, constructing a profound and hypnotising journey.

bangin prime time berlin techno

nowhere, in any city of the world, stars shine.

dj suppport: roman flügel, archie hamilton, maceo plex, joseph capriati, tiga, nicole moudaber, richie hawtin, claptone, kollektiv turmstrasse and many more.

the berlin future radio

limited and numbered pressing on transparent green vinyl.

tracks and remixes by: baile, dubspeeka, ejeca, frankey & sandrino, fur coat, gheist, henry saiz, john monkman, kate simko, locked groove, max cooper feat get people, radio slave, sasha, tevo howard, thermalbear, vonda7

hunderte von herzen, manchmal schlagend, manchmal in harmonie singend, alle erstrecken sich über den horizont, jeder glücklich oder traurig in seinem oder ihrem viertel. quadrantes!

fantastic 4 electro tracks..

incl gifted & blessed, suzanne kraft and benedek. tip! ranging sounds while exposing the roster of deejay collaborators.

pure electro longplayer .. like it!

dies ist die 10. veröffentlichung bei riot radio records, einem unabhängigen, in schottland ansässigen techno-label.

this is the 6th release on riot radio records, an independent techno label based in scotland. for more than 15 years the cannibal cooking club has been bangin’ out the shizzle with its rough and varied cuisine. not only cooking for the german locals but for their larger international clientele with a unique selected palate of ingredients. these two chefs satisfy even the most demanding of guests with their special technoid recipes. the menu for this release includes two original tracks by these crackerjack cuisiniers and two exceptional remixes by their chef de parties, subhead and dj ze migl. this is the 1st of many release to stem from our 5th release ‘stay tuned sampler – vol. i’ whereby each artist on that compilation will be getting their own individual release. ccc poured us the most devine ‘romulan ale’ on that one for starters ……….. this is the main course. so get your forks n’ spoons n’ dancin’ boots at the ready for this sumptuous bangin’ repast.

high quality lp with download code included. 1st of 4 different cover prints.

high quality lp with download code included. 2nd of 4 different cover prints.

high quality lp with download code included. 3rd of 4 different cover prints.

high quality lp with download code included. 4th of 4 different cover prints.

mega tape release for fans of electronic music also availablle on vinyl

radio slaves reissue label, r-time, returns with an in demand re-release of his timeless remixes of peace division’s legendary blacklight sleaze (ft pleasant gehman). originally released on nrk in 2006, ‘blacklight sleaze landed at a time when peace division (justin drake & clive henry) was lauded as one of most bankable acts in house music having notched up a truly remarkable catalogue that helped define the genre from the late 90s onwards. later that year, the pleasant gehman spoken vocal led cut was treated to a series of remixes from radio slave, another act who had firmly developed a similarly revered status in the scene. these futuristic remixes, now fully re-mastered and sounding better than ever, take blacklight sleaze to another level with thundering kicks, a pitch-perfect arrangement and tightrope balance between foreboding house and bone-shaking techno. a huge anthem at berghain, these remixes have been a favourite weapon in the record bags of many techno djs, not to mention a regular fixture in nina kraviz and rodhads sets now seems the perfect time for more blacklight sleaze

warm and groovin tech house

betrachtet man die bewegte biografie des can-bassisten holger czukay, könnte man zu dem schluss kommen, der experimentierfreudige musiker sei ein exzentrischer und unbändiger freigeist. doch czukay betonte in interviews immer wieder, dass er in seinem schaffen stets auf einen musikalischen partner angewiesen sei, egal ob in form eines konkreten gegenübers oder durch radiowellen und später das internet. doch die meisten seiner partner waren aus fleisch und blut. sein dem kino verwandtes gesamtwerk schmückt sich mit einer besetzung, die der eines scorcese-films gleichkommt: brian eno, phew, rolf dammers, david sylvian, annie lennox, jah wobble, die kollegen von can die aufzählung ließe sich noch weit fortsetzen. viele dieser meisterwerke sind heute vergriffen, und so hat es sich das label grönland, das anfang des jahres zu holgers 80. geburtstag bereits die vielbeachtete retrospektive cinema veröffentlichte, zur aufgabe gemacht, holgers musik in remasterten neuauflagen wieder zugänglich zu machen.

der begnadete afro-futurist auntie flo aus glasgow fusioniert elektronische club-musik mit weltmusik-rhythmen und wird gerne in einer reihe mit daphni, four tet und romare genannt. nach zwei alben auf dem glasgower label huntleys & palmers erscheint sein drittes werk nun auf gilles peterson’s brownswood. mit -radio highlife- gelingt ihm seine bislang ambitionierteste arbeit, an der befreundete musiker aus aller welt wie laurie pitt (golden teacher), der senegalesische multiinstrumentalist mame ndiack, uk-produzent/sänger andrew ashong und der kubanische percussionist yissy garcia teilnahmen.

record compilation (10inch ep+mp3) dark tango, mysterious twist and psychedelic cha-cha-cha! record compilation (10inch ep+dl) - dark tango, mysterious twist and psychedelic cha-cha-cha! nothing you would expect from a sixties egyptian soundtrack. romanticist and artistic all-rounder abd al-rahman al-khamissi stands out with this absolute timeless musical production for his 1969 movie -respectable families . four abstract instrumental dances to express poetry through music!

too rough 4 radio debuts their vinyl compilation with an electric assortment of soundscapes comprising of florian’s glittery disco tune with a tangy twist on ‘keep on’, littlelake’s lush transient deep house number on ‘lionel’, clocked devices scattered drone zooming across the cosmos on ‘intergalactic’ and all rounded by lootbeg & blinds crunchy heady-topper on ‘fuzzylogic’ .

2018 re-issue of the legendary 1979 greatest hits album (#1 us billboard charts, double platin). pressing on coloured double vinyl (1x pink, 1x lavender), housed in a gatefold sleeve

radio slave enlists two heavyweights remixes from dixon and underground resistance, who reimagine ‘trans’ - the twisted, bass-driven cut on radio slave’s excellent inaugural album. first up, innervisions co-founder dixon offers an inspired retouch containing an amalgamation of cosmic synth arpeggios, each one unfolding in a unique way as the track develops, supported by a prominent vacillating bassline. on the flip, detroit techno pioneers underground resistance provide a ‘hamtramck’ remix features crunchy modulated synths and heavily delayed vocal slices that duck in and out before funk influenced guitar licks resonate alongside a plethora of dark effects.

no introduction needed, kink gets the remix treatment from matthew herbert, josh wink, dusky & radio slave… two volumes cut for maximum impact., part 1 with dusky & radio slave

(lp+dl) re-issue of this ultra-rare oriental psych monster from the organ king of casablanca, combining traditional rhythms with spaced out modern sounds. first part of abdou el omaris nuits-trilogy. part 2 and 3 will be re-leased in the next few months.

radio slave’s colossal ‘the revenge’ track now gets expert remix treatment from klasse wrecks label head luca lozano. luca has also released on the likes of optimo, sex tags ufo and unknown to the unknown and brings a raw, acid tinged sound to his beats. as a performer lozano’s versatile dj sets span between raw house, cosmic disco and dynamic breakbeat selections, which is why he’s become a regular at key clubs across europe and tasteful festivals like houghton. his ‘how bow dis’ remix’ is solid and features wild old school flavours in its huge drum breaks, a monstrous bassline and dark filtered vocals. it bangs for seven superbly heavy minutes with plenty of twists and turns along the way, and will transform any club or warehouse into a writhing, sweaty mass in seconds. on the flip, his ‘how bow dah’’ version is based around elastic drums and rumbling bass while a loose synth line darts about up top. some distant synths bring a sense of serenity to the madness and so despite the physical impact of this one, it also has real emotion to it.

amidst destruction on the mainland, the two locomotives minør and pionér transported wagons full of rock and gravel to the icelandic seaside during the construction of the reykjavík harbour in 1913-1917. the two metallic giants ushered in a new age in iceland. however, soon after construction ceased the two trains were parked and have never driven&#8232,,,,,,since. minør is on display near the waterfront and pionér stands lifeless in an outdoor museum on a hill. they are the only trains ever to have graced the icelandic landscape. now they only serve to remind us of the grandeur of a bygone future. at the dawn of the 21st century – again, tumultuous times – we allow ourselves to dream of new minørs and pionérs capable of pulling the tremendous weight of the past strewn all around us and putting it towards constructing an ambitious future.
limited edition of 300 umbered copies.

rekids special record store release features two extraordinary dj koze re-edits of two recent radio slave tracks, from his recent feel the same album. seriously hot and a must for all radio slave and koze fans.

jonah sharp & dj spun pair up as the loose control band to drop a punk-inspired single on rekids with remixes from label founder radio slave and shut boss ryan james ford. having released a large body of work as spacetime continuum (astralwerks) or alongside david moufang as reagenz (workshop), not to mention significant collaborations with the likes of terence mckenna, haruomi hosono and bill laswell, jonah sharp is unquestionably a highly respected producer. his seminal label reflective played an important role in the experimental ambient and techno scene during the ‘90s, whilst as a remixer he’s worked with music by nine inch nails, meat beat manifesto and matthew herbert. meanwhile, jason drummond has long been a commanding force within new yorks electronic music scene, such as running his prestigious warm up music series or his all night rong parties with regulars like dj harvey. hes also been djing and producing as dj spun for two decades, appearing on golf channel recordings as well as his own illustrious imprint rong music, which used to release music collaboratively with dfa. i dont understand sees a raw and uncompromising side to both artists as they layer a cacophony of murky bass, twisted melodies and mind-bending bleeps whilst drummonds turbulent vocals bellow throughout the mix. staying faithful to the original, radio slaves remix incorporates a heady rhythm with its rolling beat as screeching effects join a moody bassline. moving into techno territory, ryan james fords akihabara remix features rattling percussion and crystalline synths whilst his hope remix is built on an intricate drum sequence as soaring pads and echoing keys contrast with the originals piercing vocal.