an all-time rave classic gets the gerd janson re-loving as he works his magic on the 1992 anthem dont go. 26 years on from it s first release, gerd takes the tempo down a notch laying out that all too familiar drum break, instantly recognisable piano line and julie mcdermott s timeless vocals. his subtle touches and added weight, behind a pounding kick, are sure to set any dancefloor alight. about as euphoric as they get - if this doesn t do the business then god help us all. on the b side, belfast s ejeca flips don t go into a heavy-hitting, rave tinged, techno bomb. his inventive sampling turns the synth stabs and vocals on their heads, making them almost indistinguishable, but no less impactful, from the original. it s over four and a half minutes till the iconic chord progression is heard in it s initial form, before ejeca throws it back into a rapid fire, industrial thumper. lastly, gerd serves up a vip dub mix echoing claps and synth lines into the stratosphere, whilst leaving the vocals at bay, save a short cry of don t go from julie towards the end of the track, allowing those anthemic elements to do the talking. a modern touch on an all-time classic from gerd with a complete reinterpretation from ejeca, this is a heavyweight release and one thats already being played by the biggest and the best out there.

for our number 013 we have label boss and founder on command. kessell delivers four slices of precise, expertly crafted modern techno. the minimum for the maximum motto works perfectly to describe this ep, nothing is left over, all the components are carefully chosen to convey sensations and say something. linear synth sequences constantly evolving, profound kicks and sharp hi frequencies, continuous arrangements and solid components, no drones, no breakdowns, no big reverbs. functional tools for the real players out there.

armand (26 jahre, synths & drum machines) und clara (25 jahre, vocals & drum machines) lernten sich auf einer kunsthochschule bei paris kennen. er schwört auf den techno des berühmten warp-labels, sie sang bei den garage-rockern cannery terror. nach ersten diy-shows stieß das hippe label cracki records auf agar agar, 2016 erschien die debüt-ep -cardan-, auf der clara erstmals ihre rolle als hohepriesterin des goth auslebte: eine art wiedergeburt von siouxsie im gewand von donna summer. stücke, die klingen wie ein diskoider schamanischer trip, dunstig und ultra-langsam, ein aufruf zu besessenheit und hingabe. zwei jahre danach sind ihre konzerte monate im voraus ausverkauft. nun erscheint ihr mit spannung erwartetes debütalbum -the dog and the future-, wieder mit dem markenzeichen von agar agar: claras hingebungsvolle stimme schwebt über makellose, dunstige slow-disco instrumentals. es ist ein melancholisches, nostalgisches und zugleich poppig-futuristisches album, das sich thematisch um die virtuelle realität, um simulationen des lebens, um hunde und um die liebe dreht, und vor augenzwinkern in richtung pop-kultur, vor labyrinthischen rätseln und opium-geschwängerten schwingungen nur so strotzt. es oszilliert zwischen granatapfel großen herzen, einem himmel aus schatten, dem dunst der erde, mystischen zuckungen und dem schwarzen leder des nihilismus der neuen blank-generation.

tel avivs hectik and asaf samuel come with a vicious edit of a drunk and rowdy wedding classic. mexicos mufti takes the maserati into overdrive with his rework of an 80s heater. international waters wont be muddied by this unity of lust and fury.

slices of life celebrates the 10th release with a two-part vinyl compilation: sol10.1 and sol10.2! for the 10th release label owner barbara preisinger is gathering seven unreleased tracks on two seperate 12inches, by previous slices of life artists as well by producers who have a relationship to the label through frindship, events and personal support. each track presents the personal unique style of its producer, but all have a feeling for warm sounding organic house grooves in common, what slices of life stands for since the beginnings in 2009. on the first 12inch, sol10.1 the mole, baaz and john tejada excite us with an extension of their previous slices of life repertoire with 3 further timeless pieces of house music: trippy and soulful (come on kid), deep and percussive (fitzy), minimal and playful (how i used to). dana ruh celebrates her debut at slices of life with out of ada20: an upbuilding sunrise track carried by a driving beat and thrilling string lines. november 9th 2018 the 2nd part, sol10.2 will follow with exclusive tracks by dj deep, cab drivers und oscar schubaq.

tommy rawson releases are sporadic but always high quality. as a former member of the souled duo who ran the excellent fresh minute label hes been around the more tropical end of uk house and broken beat for many years and this, his first full release for bergerac ushers forth a new level in his sound. this whole record is a masterclass in post bruk, forward thinking, shining, bright uk dance music. unmatched in emotion and vibes. deep blue is quite simply the sound of the summer. sun drenched, euphoric and soaring. broken but not broken, 4/4 but not quite housey. jazzy, soulful yeah. it was the highlight of red rack ems olive grove closing set at love international last year when it provided the most halcyon of moments. live trumpet from vicky flint and a whole bag of vibes from tommy rawson. this is a classic. trust. past tense is a super tropical african tinged house stomper which shows tommys love of sunshine vibes once more with acres of space, insistent chants, dubby pianos and a tinge of jungle roller bass. the final track into the future takes us into almost blade runner-esque orchestral emotion but with a kind of balearic feel tucked in there too. beautiful, lilting, emotional memories. you can feel so much love in this track. such a special record. buy it. love it. treasure it.

the year is 2018, and human concrete block has finally emerged from the ever-growing london underground scene. helmed by dj and lobster distribution operative nettles, hcb is an international syndicate dedicated to saving the future of dance music as we know it. for its first offering, hcb delivers a packet of absolutely blissed-out serotonin kissed sunrise rave material from california’s caffeine worldwide aka dylan chase. the “trinity ep” follows after caffeine’s sharp debut on french press lounge last year and hot on the heels of his “universal theme ep” for third try records, bringing more of his signature take on euphoric hardcore, cheeky idm and ambient downtempo meditations.

since 2010, buyepongo has led a steadily growing los angeles underground movement that combines the vast influence of traditional tropical sounds with the streetwise edges of the latin american diaspora. much like their name implies (translation: to cause a ruckus), their hybrid style is focused on the celebration, an infectious, energetic vibe that is universally and rhythmically connected. it ll get your feet moving, and much like many of the records from the golden age of cumbia, these two offerings demonstrate an updated and adapted reverence for the roots that is truly distinct to their own unique place and time. for the group s latest single, that place, the sprawling latinx scene east of los angeles, met head on with the east coast hot pot of brooklyn. recorded and produced in collaboration with names you can trust during the band s serendipitous 2017 trip to nyc, this new release takes two of buyepongo s most fan-favored and party-tested original songs, two that had yet to be recorded, and combines them with the nyct forty-five ethos: a stripped-down, warm analog recording that perfectly captures buye s live, bring-the-ruckus style in the room as it happened. por la vida romps over the a-side, a modern-day classic in the making whose lyrics (how beautiful is life, always full of surprises) compliment a sunny, easy-going house party vibe, while miri on the flip evolves from a loping, almost reggae groove into a transcendent journey through caribbean feel-good sounds.

the latest on lobster theremin white label comes from the canadian-based british up and comer dust-e-1. coming hot on the heels of his dust in the dance ep on collect-call records, dust-e-1 offers up more of his signature sun-drenched, percussive jungle workouts. on his latest offering the lost dustplates ep, dust-e-1 layers wistful dub motifs atop propulsive breakbeats and driving subs. fuzzed out, hard hitting drum and bass breaks are scattered throughout, fused perfectly onto hard steppin riffs and shifting rhythms evoking early 90s london days and deep-in-the-dance warehouse nights.

ingenious sw’s signature blend of atmospheric detroit techno & timeless chill-out pulses

wonderfully spaced out, subtly pulsating classic chill-out & ambient techno schooled album (download card included)

for his new release on nona records brooklyner max ravitz changes the formula again and delivers five spirited acid electro tracks. the ep will be out at the end of august supporting his european summer dates. for the past several years ravitz has been keeping up his production of house and techno music via different outfits like inhalants, masks, or pulpo and most notably patricia with his last year’s release – an epic 3lp record – ‘several shades of the same color’. his recent effort called ‘free lunch’ explores one of the directions presented on the album, however this time adding more color in the palette.

catch recordings return with their 13th release, this time from dj najaora. hes an emerging talent from the ever growing techno region in georgia who s mature, fully formed sound is showcased here across three innovative left-field techno & electro tracks. the excellent night dreamers takes the a1 spot. its an analogue electro cut throughout. with forceful broken drums accompanied by electric lead lines that provide a powerful energy for the dance floor. space call is a more cerebral and less dance floor affair that has you day dreaming amongst the meandering pads and classic detroit electro vibes. a soft acid line runs throughout, while the whole cuts creates nostalgia of old warp records last of all simulaq which takes the b-side has wide and vast rubber kicks alongside booming bass. making this side a merge of bass and electro. trippy stabs and dark energy pervades the whole thing, making it track for the late hours. while 13 is an unlucky number for some, this certainly doesn t seem to be the case for catch recordings.

!!! 2018 repress !!! of nu guinea’s outstanding ‘world’ ep – the neapolitan duo is set to release new material on tartelet later in the year as part of the labels 10 th anniversary. the beautifully dislocated bougainvilles live lays out some warm analogue textures across a live percussion base, while the vocal edit of title track nu world ploughs a similar furrow to obscure 80’s afro-disco, with rich musical synth work over a pacey afro groove and undeniable jazz-funk flair. the flute mix passes over the vocal refrain from mix one and just gets down and wigs-out on those solos - an absolute killer! exotica dance club sounds like herbie visited the salsoul studios with his banks of analogue gear and jammed out into the small hours, as we head home on the beatless outro, all synth washes and lavish ear candy.

following hivers excellent ep, let recordings again welcomes american dj and producer jon hester to their imprint. currently based in berlin but with previous spells in chicago and minneapolis, he returns to the label for a second ep following 2017s communication ep, and other outings on the likes of rekids and dystopian. his adventurous drum programming and high speed techno style kicks things off with radiance, a manically melodic track that takes you on an energetic trip. impermanence is a deeper, more cinematic piece that features rueful pads but still a driving drum line, then stratospheric has huge, hammering kick drums and squelchy synth sounds as well as dancing keys that bring warmth, groove, and soul. last of all, this high class excursion is completed with horizon, delivering barreling drum patterns and edgy pads that trap you in suspense as it races on. all four tracks deliver a high impact techno sound that very much looks to the future.

fabian kempes productions under the name of korridor have consistently presented a foreboding and striking assembly. previous appearances on northern electronics have taken in stuttering percussive works as well as tense minimalist designs. his debut album end of cycle applies a breadth of expression to a wide palette of mesmerizing and intense fit-outs that corrode and fortify in equal measure. end of cycle is born of a deeply personal set of experiences to have marked kempes life. shortcomings and tribulations that have prompted spirals back to starting places and beginnings have informed the mood and missive that his debut album seeks to portray. taking in themes that stretch from despondency to paranoid elation, kempe has developed an architecture that lets austerity scream. stark and synthetic ambient plains lead us out of conditions for communal experience, yet its these passages that enable the sharp and brooding dancefloor works to deliver the barbed disturbances that they transport.

limited edition reissue of the four owls’ 2011 debut album. pressing on translucent yellow vinyl with black & white splatters.

too $hort’s legendary 1992 effort “shorty the pimp” is back in effect on vinyl thanks to the hip hop preservationist at get on down. though many don’t consider this to be one of too $hort’s strongest releases, the project did move well over 80.000 in its first week of release landing at number 6 on the billboard top 200. taking the title from the incredibly rare 1973 blaxploitation film, too $hort does what he does best on shorty the pimp: funk beats, oastful braggadocio, a few conscious rhymes and layers of straight up pimp talk. the lyrical content can certainly be considered comical and entertaining. “shorty the pimp” is also a stand out project for producer ant banks who did many of the beats for the project, his first works with too $hort with many more to follow over the next decade. oddly enough, one of the best comments on “shorty the pimp” comes from a random guy on the internet who commented on his experience listening to the release, “i ran my car into a tree after listening to ‘it don’t stop’ definitely made for cars with the booming systems!”

andy hart launches a new series for voyage with two dubbed out club tools. neutron capture is a chuggy acid number with crisp drum programming, glitched out synths and a weighty 303 line. on the flip lftr offers up a hypnotic roller complete with reverberating stabs, crunchy hits and expansive textures. if this is a sign of things to come for hart s new outlet expect a string of club ready, dancefloor orientated cuts from australia s golden boy.

tropical disco records are back with their fifth release of the year, bringing you four killer edits from the tropical disco volt. moodena introduces volume 5 in fine style, mustering another spellbinding composition with gils groove. sounding as swagged out as ever, its evident form & flair comes naturally to the artist. td comrades moodena & sartorial present their first collaboration on turn it up, neatly entwining their distinct styles, rolling basslines, cascading guitars and sultry sax. the result is a piece of pure energy, its hard not to do exactly what the track tells you. the disco wizard, sartorial continues his ever growing solo output with 6 million, a righteous slab of soulful dance music that can make a dancefloor bang, as well as weep. feel the heat rolls effortlessly with a lush vocal that melts the loins and lays out a sonic smorgasboard of what epitomises tropical disco records - soul!

hot on the heels of the well received dirty channels vs danny russell watchin out/ frazelle today is the day (linkwood edit), we bring you more twelve inch heat. this time in the shape of an unreleased nugget from funk and soul legend, bobby boyd, the founding member and lead singer of bobby boyds congress - who metamorphosed into the lafayette afro rock band, after bobbys departure in 1971. on the a-side, producer and engineer extraordinaire bob blank - whos worked closely with the likes of arthur russell, taana gardner,sun ra, larry levan and kid creole - turns out a mix that hits the sweet spot between boogie and proto-house with a hint of latin freestyle. whilst the flip sees darting synths and swirling pads layered over a tight machine groove, as bobby reminds us of the simply joy that dancing can bring.

boogie café enlist the expertise of goshawk & erik rico to provide the goodness for the next instalment in their boogie café black series. the home e.p. houses four versions of the title track with side a serving up a piano vibe mix, alongside a dub mix for good measure. the vibe mix layers a bassy, bumping piano line & erik s rnb flavoured vocals behind a shuffling beat before a soulful flute line takes centre stage. on a slightly different tip the dub mix drops the flute in favour of echoed out stabs for a sparser and tougher aesthetic, readymade for the dancefloor. flip it over and the percussion vibe mix adds in some choice congas and bongos, combined with sustained organ-style synths and jazzy piano chords, creating a more summertime soul style to the track. the fourth and final dub mix sees goshawk use erik s vocals in short but sweet snippets, adding extra atmosphere to the track but allowing the piano and percussion to lead the way.

instalment three in the minor notes recordings journey sees baltimore chop provide four cuts of hard hitting house. moving is straight out of the gate with an acid laced, pumping jam resonating those vocal cries right around your mind, before deep in your soul cruises in with a bustling, low slung, deep house jaunt, sweeping synths behind a hypnotic vocal refrain. on the flip, again & again is a summery, synth laden, garage house groover with the closing track, a remix of deep in your soul, rounding off the ep in style switching the low slung dynamic to a bassy, club ready bomb.

erstmals vollständig auf vinyl: das legendäre debütalbum der australisch-britischen d&b-formation pendulum, die damit 2005 aus dem stand in die szene einschlugen. mit sämtlichen 14 tracks der original-cd plus dem bonustrack “blood sugar” (einem späteren 12” track aus 2007). limitierte triple-lp-auflage auf 180g heavyweight vinyl!

limited pressing on red vinyl. including riso printed lyric sheet. over three years after the release of his latest record, belgian singer-songwriter bram vanparys finally returns with breathtaking new music. silent days comprises both classic songwriting reminiscent of the old masters such as leonard cohen and bob dylan and on the other hand dark, complex arrangements that refer to late talk talk and even radiohead.

*** check b2: !!! *** bath-come-london party purveyors, origins, take to channelling some of their creativity into the creation of their own origins label. at the helm for the debut release is bristolian up-and-comer tommosini. having heard move d unleash the beauty of another dimension at freerotation last year, origins knew they had to find out who the mastermind behind this deep house gem was and the rest, they say, is history. another dimension transports you through the galaxies via a combination of dreamy pads, crisp percussion, full-bodied bass and those sensual deep tinged vocals. future classic in the making. the a2 i dont stop carries on the u.s flavoured deep house with a vocal house track that wouldn t be out of place coming from the shores of chicago masterfully intertwining a bumping bassline, soft organs and those introspective, luscious vocals. flip it over and you re treated to two interpretations of another dimension. first up fellow bristol bass badboy, hodge, serves up a signature remix, chopping the vocals and layering them behind a pounding kick and machine gun percussion to give that bass heavy flavour hes become so well known for. deadbeat steps up to close out the ep with a heavyweight techno rework of the original, complete with hypnotic bleeps, phased hats, and intermittent sub bass goodness, all tied together with a driving kick to give a real industrial feel to the remix.

mika visited the moog sound-lab in april 2015. he made one his last known solo studio recordings in the form of two vinyl sized side long pieces. entitled “lydspor” - danish for ‘soundtrack’. mika worked almost exclusively with the lab’s moog modular system 55.
this uk sound -lab instrument is the sole protoype model (containing several golden filters) of moog’s recent sold out reverse-engineered edition (55 units only) recreating the 1970’s classic.
on completion of his sessions mika announced ‘i could work with this machine for the rest of my life….i would need nothing else”.
a second moog session was planned but tragically mika died in an accident in april 2017, shortly after he had approved the vinyl mastering.
pressing on translucent vinyl.

london based artist doppelate is next up on x-kalay and debuts on the label with a four tracker of detroit house inspired club jams. having initially caught our attention with his records for our friends over at lets go swimming we’re super excited to provide the platform for his next release.

not much to say but please check out this release by automat. 4 tracks that will possibly please all kinds of electronic music lovers. house, techno, classic electro, everything done with a great mastery of influences, sounds and vibes. this release is just perfect

lkr records returns in 2018 with “affinity” a split ep from two of the label’s favourite australian producers. bleekman aka rings around saturn and daze take a side each in crunched out techno jams and brain tingling electro on 300 copies.

apollo welcomes ambient legend bvdub aka san franciscan brock van wey for a new album drowning in daylight .
van wey debuts on apollo with his stunning new album drowning in daylight, exploring cavernous soundscapes on a grand canvas that throb with a delicate intimacy. a stalwart dj and promoter of the halcyon 90s san francisco rave scene, van wey fled to china in the early 2000s to escape the curdling of his musical dreams as the scene became more commercial. since his return he s been incredibly prolific in his creation, etching out peerless ambient works that have captivated listeners with their delicate melody and fascinating textures through releases for the likes of echospace, kompakt and styrax - 2018 s a different definition of love marks his 30th bvdub album to date. classically trained in piano and violin as a child, van wey s symphonic approach to ambience is truly remarkable, epic in it s scale with each of it s 4 tracks clocking in around the 20 minute mark, drowning in daylight envelops the listener in swathes of nostalgic pads and nested layers of distortion, strings and haunted voices. drowning in daylight could well be van wey s crowning achievement to date and a testament to the power of instrumental abstract music to emotionally engulf the listener.

having previously released some rare solo material from ende shneafliet member hanjo erkamp aka dr. c. stein, artificial dance is now serving up something special from the cult dutch minimal wave band’s lesser-known side project, king ende shneafliet. adding king to their name in honour of original dub maestro king tubby, king ende shneafliet produced far more experimental and out-there material than their better-known big brother. they released their first cassette, dimension mix chapter i in 1981 via cult label trumpett, with batches of follow-up material trickling out on various obscure tapes and later cd-rs up to the year 2000. artificial dances first dip into the dimension mix archives a second vinyl volume will follow later in the year features selections from chapter ii (1999), which was originally recorded between 1981 and ’88. the magical, mind-altering music is raw, lo-fi, spaced-out and forward-thinking, combining effects-laden, sample-heavy sound collages and reverberating ambient soundscapes with pulsating proto-electro jams, moody minimal wave instrumentals and kosmiche-influenced throw-downs. it effectively joins the dots between early-80s, diy electronic exploration and dub soundsystem culture.

repress with new cover print! handcrafted and remastered 2lp edition of move d s seminal masterpiece. originally released on source records in 1994, reissued by ava. records in 2018. all tracks recorded by david moufang at resource studio in 1994, except: -sandman-, recorded at the blue room in 1992, -trist- recorded at future planet in 1994, -seven- recorded at resource studio in 1993. armchair photographed by gabi kaiser, lossen foto heidelberg. arrangement and variations by move d, cebra and env. artwork re-creation by damiano von erckert for ava. records. thanks to juri bader, patrick forgacs, dve, götz gramlich, denise, dan, louis and pete.

the latest release on francis harris scissor & thread is another exercise in subtlety and restraint, brought to us by the emerging talents of nadia khan. with little known about the artist, this release lets the sublime music do the talking. title track ‘in gleam is a beautifully evocative drift into ambient textures - rising pads and occasion bass tones combine to set an exquisite scene. ‘local visit is a collaboration with label boss francis harris, and features some of the trademark submerged rhythm and textures the label has become known for, unfolding its deep structures over the course of the track. ‘restless sees label regular alex albrecht aka melquíades (whose previous ep on s&t was received warmly) provide the last bells remix - again muted tones and rhythmic complexity glide under ethereal piano fragments and slowly evolving pad washes. ‘sorting through finds its groove early, a deadened kick unfolds into an urgent percussion creating a thick atmosphere of melancholia. ‘sunburnt rounds out the physical release - ending how it started - with dreamy, smudged tones, and warm pads.

label stalwart jubei returns to the label alongside long term friend tyrone for ‘the arcane ep. taking its name from the club night where they first met, ‘the arcane ep is partly a follow up to 2015s ‘out of sight with the duo now delivering a full 4 track collaborative release which has garnered support from goldie to chase & status and shy fx to break, with loads more in between. jubei & tyrones concept for an ep was triggered by the creation of ‘stabs, which since its inception has undoubtedly become one of the most asked about metalheadz tracks of recent times and was an obvious choice to headline an ep full of energy and accomplishment.

this limited edition 180 gram vinyl contains the complete 1956 nashville rca studio b masters. bonus outtakes and alternate recordings included. all tracks recorded january 10th / 11th and april 14th.

for our 12th release we turn to local friend and rising star on the underground scene, ray mono. with a string of recent releases catching the ears of people like ben rau & enzo siragusa, ray’s signature groovy sound is in hot demand. for remixes we ve turned to julenn who’s recent blind vision ep sold out in under a week. holding up the tail pathway boss niko maxen delivers a stripped back remix of identify crisis.

for over 18 years, spectral sound, the dance music imprint of ghostly international, has thrived at the forefront of techno and house. it has been a source of support for numerous djs and producers during that time, from matthew dear and benoit & sergio to avalon emerson and hieroglyphic being. now, spectral brings the past alongside the present with its latest release, a compilation that offers a vibrant cross-section of the current moment in underground dance music. despite the wide-ranging selections on spectral 139, a throughline of classic style and infectious energy emerges from the up-and-coming and established artists alike. rising talents such as minimal violence, russell e.l. butler, and earth trax x newborn jr. bring unique perspectives to their hardware-centric productions. veteran producers bring their own edge as well: d marc cantu blows the roof off with the outsized funk of regularly people, and nigil caenaans januarys end, a low-key detroit classic from the late 90s, closes spectral 139 with a whirlwind of manic rhythms and sedate synths. gunnar haslam opens the tracklist with his acidic mindbender, versione antica. and ghostly regulars like tadd mullinix, who drops a lush jtc remix of his new x-altera alias, and matrixxman, who collaborates with riccardo limiti on the cavernous inferno, tie everything back to the label s roots. the double 12 compilation, as well as each individual single, features original work by los angeles-based artist nina hartmann. her designs have appeared on releases from labels such as ascetic house and big love, and the pieces for spectral 139 continue to develop her cryptic aesthetic. the marriage of hartmanns striking, high-contrast symbols with such bold dance music speaks to a collection that aims to stand out.

sold out on pre-sale 100 copies only. comes on blue transparent vinyl. mastered by helmut erler at dubplates & mastering, berlin. the next releases on eotrax will round off a busy 2018 for the label and set out an exciting proposition for a future way of working and releasing music. in what will be an ongoing, curated collaboration series artists will be invited to make work together for the label, without restrictions on genre, style or aesthetics. an open environment of collaboration and experimentation which will then be released by the label. to launch this series label head eomac teams up with four different artists over four slabs of vinyl, to be released sequentially over four months. the collaborations are improvised and composed, wild and emotive, unexpected and expected and all of them resulting in music that would never have been made by either artist individually. first up is a two-tracker from techno powerhouse and self confessed noisician paula temple and eomac. on the a-side the synth heavy gestirn takes inspiration from autechres classic eutow, driving forward with a broken beat while celestial melodic lines reach skyward to unknown realms. the b-side introduces a wilder beast, with the ferocious, pummeling techno of kralle

after the initial label launch in 2016, desroi has been working insistently. debuting on labels such as henning baer’s manhigh or shifted’s avian, the young artist has worked his name into the scene. this time, desroi returns to his own imprint with “eutheria”. with an unadorned focus on percussive drive and rugged atmosphere all three tracks invite to be played out in a dark but hypnotizing warehouse rave. his ability to shape-shift from experimental sonic explorations right up to pure and straight-forward techno cuts reiterates that desroi is someone to keep an eye on.

we are glad to introduce this release by it. ivan iusco, the artist behind the it moniker, has been running minus habens records since 1992. its disturbance sublabel has been responsible for releasing forward thinking techno and experimental releases from a range of well known artist such as marco repetto, aphex twin, speedy j and atom heart among others. here we present three tracks that have previously been released on his era vulgaris cd album. the ep ranges from techno to more abstract broken beats on the flip side, displaying the versatility of it as a producer and encompassing the sound of the first years of disturbance.

so here it is vol 6, with 6 trax, yes 6 trax, hows that for value for money. track 1 , kicks off the e.p with a monkey infused acid rolla from the he-men ,aptly named rolla, really deep acid rolling track for you head nodders out there , then track 2 comes courtesy of new family member bufo bufo, who already boasts releases on ritual poison and egd, his track is a real four/four breakbeat extravaganza, moves along lovely with breaks and bleeps, very excited about this track and a very please to have him in the tdo family. djpc returns with track 3, his track called danger man, and believe this is dangerous, proper old school sounding warehouse rave with wicked pianos and baselines .good to have him back. then flip over and boom side b, hits ya with dawl track party till the a.m , great advice and a great track from dawl, back to his proper full on rave breaks and bleeps to kick off side b the way only he can. then track 2 we welcome another new member to the tdo family, although he has mastered several e.p s and digi trax for us , this is the first track craig bratley has ever made for us, over the moon to have this man on board - craig has earned a solid reputation from a series of curiously erratic releases, releasing records across the spectrum of electronic music on labels such as futureboogie, suara, throne of blood, bird scarer, tsuba, instruments of rapture, claremont 56, leng, to rack and ruin and is it balearic and as well as his own magic feet imprint. the recent discovery of a box of old dat tapes in a house move has allowed craig to revisit some of his earlier attempts at making music in the 90 s. the re-sampling and editing one of these tracks has provided the basis for craig s contribution to tone dropout volume 6, back from the dat . from the dat really is a hats off tip to the rave generation, thank you craig proper got this right for our label. then finally track 6 , is bonus track , tones breaks part 2, a full on pow in ya face rave banger, a little feature we will be doing now on e.p s a nod to the legendary bones breaks of cours

wow, how time flies. i can’t believe i am putting out record number five already. this release comes from star of the future adam pits. i have known adam for a long time as he was a few years below me at school and then proceeded to go to uni in leeds like i did. he is from the same crew as breaka, and there must be something in the water up there because these guys and the rest of their mates are producing the best shit in town right now. it is a privilege to put out adam’s first piece of wax because these two tunes are dynamite from start to finish. all three tracks are produced and sculpted for the club. they want big sound systems and dark rooms. close your eyes, hold hands and experience transcendental space flight...

techno in the classic british tradition of surgeon, christian vogel, regis to name a few. simply put, beautiful, other-worldly, hypnotic, brilliantly functional. sam watson is virtually unknown outside the freerotation festival cognoscenti, where he is a resident, and his dj sets are legendary. this ep for third ear marks the start of a concerted effort by sam to put his name out there by releasing his tracks. chec

‘neverending story’ opens with ‘a dimension reflected’ and its introductory mixture of keys and beats. the beat is built upon piece by piece, while slippery synths fill in the upper registers. the second track, ‘planet texture’, opens with a blossoming pad which is soon joined by a steady kick and some bouncing synths. before long an adventurous bassline joins in and puts the track into full groove mode. there’s a twinkling synth floating above it all, sometimes present, sometimes not, making you wonder if you’re really hearing it at all. next up is the first track on the b-side, ‘old problems’. filled with little samples and microsounds, the track uses its beat to push through heady and sometimes disorientating array of colours that swirl across the track. a wide synth enters affairs a third of the way in and helps push the track out onto the dancefloor. ‘neverending story’ comes next, featuring a skittering beat and atmospherics that seem to come from far away. a low bassline pops in and out of the track here and there, while pondersome some keys complete the mood. the ep closes with ‘algorithm’, another scrambled, unpredictable track. the track opens with a rainbow of keys and synths, darting between your ears in their affected manner. an almost glitchy ambient track, it brings to a calm close a fantastic release.

inits music has the rare quality of transforming bleakness into a soothing experience. in the duos new ep, wildcard, this mechanism is more intense than ever. and that might be because of the particular circumstances that surrounded its inception. two years ago, nadia dalo and benedikt frey decided to move from darmstadt to berlin. adjusting to a rough area of a big city when coming from a quiet town necessarily brings a change of perspective. for nadia and benedikt, that meant experiencing the city life as outsiders while trying to figure out what they wanted from it.wildcard is the sonic result of this process, and proof that changes always bring growth. recorded in their new home studio during winter, the six tracks on the ep are as haunting as their previous lp for hivern, but with a rawer approach and enhanced power. take cover and solver, an approximation to the kind of moody psych-techno they display in their live-shows and two of the most dance floor oriented tracks init have recorded to date. but its the title track which best expresses the mindset of this work. with its skeletal rattle and undulating synths, wildcard feels as desolate as a berlin street in a winter night, but possesses the kind of focus that turns uncertainty into hope. in a similar way, cuts such as copycat or half baked perfectly capture the sort of estrangement -daunting yet hopeful- that comes when moving into a new place, with its slow tempos mirroring the cautious pace of a foreigner and the intoxicated atmospheres calmly distilling the essence of a new environment. nadia and benedikt describe this new habitat as small kids on big bikes, eating dry instant noodles, playing with whats to find on the streets, static aircraft traffic closely over our heads and constant running engines. listening to the music that arose from it, its obvious that, once again, they&# 39,ve been able to overturn apparently hostile elements into a place were youd want to stay forever

circle of live is a brand new, live act only event series concept and record label curated by sebastian mullaert to honour the values of spontaneity and improvisation. for the inaugural release on the new circle of live imprint, sebastian mullaert presents a joint ep with long time collaborator eitan reiter. the duo previously met on the 2014 album reflections of nothingness, (mule musiq) borne out of a week long jam spent together at sebastians tranquil rostanga studio. following the albums release, they arranged two live shows at ozora festival in hungary.

the maghreban returns to r&s for a new single following his dark debut album 01deas, perhaps with an icier sound. monster vip is a reworking of a double time rap track from the maghrebans strange u side project he added breaks and rolled it out. end level bosses lurk. beware of the monster. rave navel-gazing back to his roots: his first ever release was a jungle 12inch in 1994. early support from ben ufo. on the flip, batu (timedance/xl) offers up crisp percussion and ominous sound design in his energetic 140 remix of album opener eddies. then the ep is closes out with carpet bombing, the title of which references the producer adding more and more notes to the main percussive motif as it builds and builds.

italian producer piero pirupa’s musical cv is nothing short of impressive. so it’s no surprise that his next production has found a home on damian lazarus’ crosstown rebels, enlisting the vocal talents of new york’s mr.v. influenced by the sounds of 80s and 90s chicago, pirupa worked tirelessly on this ep to reach a version he was happy with. after seeing the reaction from dancefloors around the world, he decided to send it to carl cox and damian lazarus. we must be (the piano track) breathes new life into today’s dance music with a message from a bygone era. it harks back to the golden age of house music with its lush piano topline and positive message sung by mr.v. happiness simply emanates from this production. with lyrics such as “we must be all in this together, we must live to respect one another” and “this is the plan to make us unified” it takes clubbing back to a time when everyone came together on the dancefloor regardless of race, gender, sexual orientation or religion.