modern tech-trance ep

limted coloured vinyl argy longplayer on afterlife records superb!!!! incl. tataki and many other athems

detroit house, tip!

solid dark club tracks with traces of acid

the debut album from unschooling on clear 180 gram vinyl with download code included.

80s / synth laden pop

cool ambietn stuff, limited copies

black vinyl repress.

coloured vinyl

new mini album from regular fantasy who has previously released on mood hut and total stasis and is one half plush managements inc with d tiffany.

incl dj spinna remix

2022 repress! 80s inspired

translucent orange vinyl

new album from swindle on clear and blue marbled vinyl lp, housed in a gatefold sleeve.

new world ist das vierte album des in nipaluna (tasmanien) und meanjin (brisbane) lebenden künstlers scraps. in den letzten zehn jahren hat sich scraps als einer der größten unbesungenen helden des australischen musik-undergrounds erwiesen. ihr sound verbindet die synthie-pop- und clubmusik der 80er und 90er jahre und bleibt dabei fest im zeitgenössischen australischen underground verankert.

reissue of this classic ep

80s inspired

incl. yourhighness / warehouse preservation society remix

remastered reissue of the iron maiden album from 2000. the double vinyl is housed in a gatefold sleeve.

3 electro-funk classics from the mid-80s back on wax.

new world sciences osmos (movements) is a sincere foray into fourth-world fantasy, where disparate synthesizer styles are tied together by harmonized saxophone musings

the 1977 queen album back on 180 gram heavyweight vinyl, half-speed remastered and housed in a gatefold sleeve.

world building presents dreamscape on 2x12 inch vinyl - ltd edition

second transmission from distant worlds comes courtesy of derek carr (for those that knoe, where we met, why so series). his music has been turning heads since the turn of the millenium but only in the last few years has he been getting the recognition he deserves. his productions have a timeless, celestial quality and reward multiple listens, there is always a hint of subtle beauty about his work and this is no exception. scisor and wraith are built for the club whilst fading fast and sunrise in system will work equally well in a club or for home listening. more than a nod to detroit in these productions but all unmistakeably carr productions.

privately pressed to lp in 1978 under the name j. jasmine and made especially for the ann arbor film festival, with artistic collaboration from the festival’s founder and once group artist, george manupelli, my new music is the debut album by jacqueline humbert and david rosenboom. featuring a cast of mills college personalities like david behrman and sam ashley on backup vocal duties, this song cycle is at every turn boundary-pushing and gender-busting, yet still hilarious, sweet, and genuine, all delivered in a post-genre, art-song, cabaret musical style that happens to boast some serious avant-garde chops, courtesy of rosenboom. if it weren’t so spot on, you’d swear it was a guilty pleasure. as j. jasmine writes, my new music is a collection of personal stories and private desires, exposed, articulated, performed and dedicated to the hope that one person’s fantasies can contribute to another person’s freedom. get lost in j. jasmine’s world for a little long while, and be free.

1st vinyl outing from the mysterious new user engine project coming soon. celebrating various aspects of house and techno, the new world order ep charts a journey from blistering old-school acid-house to more modern sounding techno floor burners. will be released on stepback records, mastering by radioactive man, illustration by jamie kinroy.

musician, journalist, radio host. in his works he is looking for a balance between the corporeal and the contemplative aspects of music. sound induced by him can be described as something between techno, deep techno and dub techno, under a deep impact of broadly although not always explicitly understood ambient.

seit 30 jahren ist randall bramblett als musiker t§tig, er spielte bei the allman brothers band, chuck leavell, traffic, robbie robertson, steve winwood und rick fowler. zudem hat er ?ber zehn solo-alben ver¸ffentlicht. mit seinem neuen album -juke joint at the edge of the world- k?ndet er vom verschwinden einer musikalischen kultur. juke joints afroamerikanische kneipen in denen musiker zusammenkommen konnten, um vor publikum live zu improvisieren, sind so gut wie ausgestorben. um zumindest dem charakter der improvisation gerecht zu werden, spielte randall bramblett diese r&b-und blues-st?cke live im studio ein.

new berlin based techno label smaragd starts with its first release by mysterious artist johnny island who recently released a stunning four track a ep on legendary planet rhythm recordings.

coverti world can really be no other than danny wolfers aka legowelt of course. his first tape for new york haunted is a stone cold classic with heavy machinery, acidic lines and his typical haunting melodies. there is a melancholic, almost saw type feel on these tracks, which might be his best work to date. 8 cuts on a 40 minute tape by the master of wavvy techno!

tom hang is the solo electronic work of lobster theremin label owner jimmy asquith. despite being ridiculously busy either quaking dancefloors across the globe and flowing into the world a continuous catalogue of acclaimed electronic heat, jimmy has found time to follow up his ‘tidy bedroom versions’ release with more original tracks from the heavily dusted harddrive.

new 12 inch from the acid mercenaries. previous releases on the infamous panzerkreuz from the haque. 6 track and 5 locked grooves of uncompremised acid!

tom hang is the solo electronic work of lobster theremin label owner jimmy asquith. despite being ridiculously busy either quaking dancefloors across the globe and flowing into the world a continuous catalogue of acclaimed electronic heat, jimmy has found time to follow up his ‘tidy bedroom versions’ release with more original tracks from the heavily dusted harddrive. ‘the new world’ is a sphere where pummelling techno burners teeter on the edge of freedom before winding and convulsing themselves into varying mutant zones that straddle the lines between experimental statement and tightly locked grooves to create a record of pure dystopian dancefloor heat. there is an odd and refreshing unity here within the strict, bare, functional, consuming percussion and the heady, playful, and freeform nature of hang’s melodic grip.