light blue vinyl

the best of dire straits and mark knopfler

the best of dire straits and mark knopfler on double vinyl in gatefold sleeve.

pears co-founder fio fa marks his return with a couple more basement anthems in the form of dead money groove

in a time of peace and prosperity on phantom planet, three unwanted heroes arrive home to seek justice where there is none to be sought. shunned by modern society, forsh gets a job at the electricity board, red defender snoozes through work at the local news and booze, and bin man finally finds his dream job. as a postman. with no evil to lay waste to, they put their dinner money together to create the worlds greatest record label, boss tracks. using broken dustpans and dance ejay 98, they create what will go down in history as the most seminal and brilliant piece of musical forgery known to merseyside. 4 tracks packed full of pure dance floor steroids for your love-pump, this is interstellar muscle music at its finest, let it reach out grab you by the tenderloins! thank you phantom planet outlaws. once again the world has been changed forever, for the better.

dj support mark farina, miguel migs, giom, fred everything, joshua heath, tovar, ken ecb, johnny fiasco etc...

house - breaks with a nervous funktouch produced by mark de clive-lowe ! female souvoice of bembe segue !

felix da housecat’s esteemed label founders of filth are back with their second release. the label has received an accolade of praise from the industry since their launch was announced on resident advisor back in may. returning with the aphrohead alias, founders of filth volume two is bursting with enlightening verses and impeccable instrumentation. the divine opens the ep with a haunting synthesis and enthralling lyrics. aphrohead leads you down a path of eclectic percussion and that all important kick throughout. an almost space-age xylophone forms the melody of moonrooms hold/release, building up to a frisky array of drums and shakers, propelled by hypnotic, slowed-down vocals. in-house band the foftreal quintet end the labels second ep on a high with i wonfof002t try. an energetic beat structures the groundwork for the label boss and his enthralling backing singers, taking you on a journey with thought-provoking internal monologue. felix stallings has been making his mark on the industry for over thirty years. the detroit-born music veteran has worked with an impressive array of artists over the years and his productions span a wide range of genres from house and techno to trance and nu disco. felix has gone back to basics with his label founders of filth, claiming that no rules apply in the community he has created, it’s about your love for the craft not for the money.

2xlp: gatefold jacket, protective poly-lined sleeves, cobalt marbled vinyl with red splatter, marketing sticker, shrinkwrapped vinyl

2xlp, cotton candy skies vinyl, gatefold jacket,double-sided 11x17 poster,obi strip, marketing sticker

1xlp, standard jacket, copper nugget vinyl, 12x12 insert, marketing sticker

2xcd digipack, incl bonus cd

cd edition

their bio reads: >recognizing the growing trend in mass entertainment industries, the comtron group acquired two dutch producers and added them -provided with limitless financial resources and a clear set of instructions- to comtrons vast legions of employees. these fine men took all necessary actions to create content for comtron groupÕs comtron, the electronic dance music act, resulting in 18 tracks to be compiled on mass media carriers which will be marketed around the globe from now on under the comtron groups company motto: >follow the money<. tip!

2xlp, widespine jacket, marketing sticker, red & white split vinyl

widespine jacket,black vinyl, black dust sleeves, marketing sticker

a collection of 25 lovers rock classics on double vinyl, housed in a gatefold sleeve.

red vinyl, limited edition

debut album of champyun clouds!

second installment in agogo’s two tribes series. pressed on double vinyl, housed in a gatefold sleeve.

remastered reissue on limited black vinyl. originally released in 2012 on close shave self-released cd titled “made in brum”.

k.o. ist die blaupause für einen futuristischen neuen dancehall-style, der miss red in ein gemeinsames outernationales beat-continuum mit seelenverwandten acts wie equiknoxx (jamaika) und seekersinternational (kanada) setzt. ihr debütalbum erscheint auf dem neuen label pressure ihres produzenten kevin martin aka the bug, der schon auf ihrem ersten mixtape -murder- (2015) neben mark pritchard, mumdance und andy stott zugegen war. die zwischen london und berlin pendelnde mc aus israel tourte als teil von the bugs line-up mit mc-kollegen wie flowdan, daddy freddy, warrior queen und riko dan und arbeitete erfolgreich mit dem warp-künstler gaika zusammen.

harlem s legendary disco label queen constance has long been a cult favourite among fans of underground dance music for decades. one of many labels operating under the equally legendary p&p family of imprints queen constance was operated by one peter brown, a truly colossal figure in nyc s music scene, it s catalogue still fascinates music lovers to this day. covering a wide range of styles including gospel, early rap and disco the label s output continually finds it way into the playlists of respected dj s and selectors across the globe. high fidelity will be the first in a series of queen constance rarities to be reissued, an extremely rare and coveted record that can change hands on the second hand market for big big money, avoid those low rent bootlegs that are out there and cop this fully licensed repress. the group s self-titled sole long-player is a fantastic 6 track set of gritty, soulful and uplifting funky disco with a diy edge. not too much is known about the artists themselves, or even when the record was performed, recorded or released but it certainly sounds like a group who knew their craft inside out. the energy is high across the record and the group sound like they re on fire, just check the outrageously funkified magic carpet and you ll see what we mean. amazing. the whole project has that enchanting lo-fi, back-street feel to it in terms of production and the mind boggles as to how such a record would have come off had it been recorded at a motown or any other big studio, but no matter as this release is perfect the way it is, an essential piece of street-level nyc disco straight from the underground.

salsoul records have always stayed one step ahead of the game. since the labels inception in the early 1970 s the imprint s focus has been firmly fixed on presenting the most cutting edge dance music sounds and in the process the label has been instrumental in creating legends and shaping the landscape of contemporary club culture throughout the original disco era and beyond. it comes as no surprise that many of todays labels and artists cite salsoul as a fundamental influence on them and their output. the labels music has been endlessly rediscovered, sampled, re-edited and appreciated over and over again, your favourite dj s and selectors undoubtedly reach for tracks from the catalogue each time they play. this is why salsoul continue to collaborate with the best labels and artists out there today.

a heart from your shadow is the debut collaborative lp from michael beharie (new york) and teddy rankin-parker (chicago). since graduating together from oberlin college, beharie and rankin-parker each veered into markedly different avenues. beharie joined up with the ever-confounding new york ensemble zs (northern spy, the social registry). rankin-parker became an on-demand cellist for his prowess in the work of improvisation and avant-garde music, lending his talents to a wide array of collaborators such as primus, iron & wine, steve reich, and pauline oliveros. rather than jump into stream-of-concious improvisation, beharie and rankin-parker chose to focus the albums themes via intricately composed pieces. a heart from your shadow could be described as protest music, brimming with intense energy, harrowing anxiety, and steadfast optimism. produced by michael beharie, mixed carefully by jim o rourke, mastered by james plotkin and cut to lp at d&m berlin. black virgin vinyl housed in poly-lined inner sleeve in reverse board-printed double-width spine jacket with spot uv finishing. first pressing of 300 copies.

arkansas native, lee moore moved to memphis in 1975 with only one goal in mind: to make it big in the music industry and to release music that would be played in new york, l.a and everywhere in between. as a singer and songwriter lee moore spent the 1980s collaborating in memphis with the best of the best session musicians and vocalists from labels like volt and stax records to record and release futuristic boogie, soul, and funk. lee moore unfortunately never got close to reach his goals of fame and fortune. for the first time, past due records is reissuing lees incredible free & easy lp which was only released as a handful of test pressings in 1981 because lee thought the record was too good to release on his score records label. it is a pure memphis modern soul / boogie funk masterpiece that features countless artists from the stax crew, al greens vocalists and even herbie hancocks keyboard player. the 1981 test pressing has commanded huge sums of money on the used vinyl market and is one for the real soul connoisseur

sagmen second release is just exceptional

originally released through the beastie boys french fan club, the in sound from way out! is a collection of the group s funky instrumentals from check your head and ill communication, with a couple of new tracks thrown in. the beasties have a flair for loose, gritty funk and soul-jazz, and the stuttering, greasy keyboards of money mark give the music an extra edge -- he helps make the music sound as authentic as anything from the early 70s. pressed on 180g vinyl.

* london artist dean blunt returns with hotep by blue iverson.
* this vinyl only release marks the second 12” on benji bs deviation label.
* first making waves with the almost cult level ‘hype williams’ project, and then more recently solo and as part of the group babyfather, the new 8 track lp sees blunt step back into the shadowy role of producer for a new band called blue iverson.

limited edition double transparent vinyl in gatefold cover.

makeness, the brainchild of kyle molleson, returns with his white label . off the back of a minor science remix being played out by the likes of jamie xx, ben ufo, avalon emerson and more last summer, the ep marks the producer’s most dance oriented ep yet. the roots of temple works date back to the producer’s time in leeds, which played an important part in both this release and his wider love for dance music. while there, molleson recorded a friend s percussion project, g-bop orchestra, at an old textile mill in holbeck, known as temple works. the vast openness of the space made for the best natural reverb and is weaved throughout the title track. it was also in leeds where the producer discovered cosmic slop, an all welcoming party with a sound system built by founder and resident dj, tom smith, with donations going towards raising money for local charity map (music and arts production). slop’s intimate and flawless sounding room played a huge part in cementing makeness’ love for club spaces.

repress!!! frame of mind is a new venture initiated by gerd: a label that focuses on re-issuing rare and sought-after tracks as well as on releasing new music. first up we serve you this official re-release of nature boys classic ruff disco volume one. this highly in demand double pack goes for mad money on the second hand market, so after 25 years, a beautifully remastered edition is finally here. nature boys sound is best described as a rough combination of disco infected grooves with raw and hard hitting rhythms. tracks such as the livingroove, ha ha, trackin and of course tobago caused bliss and mayhem on dance floors world wide and brought joy to thousands and thousands of dancers, djs and music collectors all over the globe. this lp displays a fine mixture between house, disco and sometimes even dub/reggae. to this day ruff disco volume one is a timeless work of art.

i-lp-o in dub is the solo project of pan sonic member ilpo väisänen. capital dub chapter 1 follows the 2015 debut communist dub - a year marked by further descent into economic crisis and instability. the usual business cycles of production / distribution / consumption running alongside macro cycles of boom and bust have been replaced by ossification, austerity, the machine seizing up.
ilpo’s “circular riddims” complement the ebb and flow of the circulation of money + commodities and are mirrored by his field recordings of barcelona rain – the final phase of the cyclical movement of water. but of course the smooth running of “paradise capital” is unsustainable. destroyed techno and open spaces contend with sinister swarming atmospheres. a cash machine flickers. zeros and ones displace another factory. dub as decay – the ghostly remains of tracks eroded by time and technology. the “invisible hand” of the market spasms with tremors.
ferocious textural feedback as music for stock exchange crashes. the soundtrack to heaps of money hoarded by the hidden class. capital is value in motion, but there is nowhere to go. after the collapse, picturesque ruins. capital dub chapter 1 simply asks the question: what next?
the vinyl release includes a download code.

-you can go on man with spliffs and booze, because a milf got no time to lose!- imagine a world lead by a cult of vengeful milfs. where business, market, money just ate themselves and sex is the only law left. would you survive or give up? surrenders bill

an all-instrumental journey through numerous genre-crossing worlds. features members of antibalas (daptone records) and beastie boys’ synth master money mark. coke bottle clear vinyl, limited to 500 copies. les yper sound presents an all-instrumental journey through the many worlds of drums and saxophones. in early 2016, new york session musicians miles arntzen and jas walton—who both currently play in afrobeat ensemble antibalas—began experimenting with their respective instruments in miles’s greenwich village basement. they composed demos that were made up of miles’s percussion, jas’s woodwinds, and the sounds of everyday objects

imyrmind debuts on tartelet with a four-tracker ranging from banging mpc techno to contagious latin house and laidback jazzy wonk. after finishing a degree in architecture and relocating to berlin earlier this year, imyrmind stepped up his game with the release of his solo debut on astro & graef s money $ex imprint. this november will see the release of the beatsmiths second solo venture on tartelet records. the opening track tong po is imyrmind s take on techno, inspired by the villain from jean claude van damme s 1989 cult classic kickboxer. a heavy pitched kick drum, fuzzy melodies with generous use of tape delay and a badass bass line dropping around the three-minute mark makes this a peak time candidate. wanja 9000 slows down the pace. dusty jazz samples and wonky beats with sloppy turntable cuts add a nice live feel to the track. on the b-side upturn sets the mood with classic salsa percussion infused with an epic brass and piano hook that could very well stem from the infamous palmieri brothers or one of their contemporaries. embrace your inner latino and follow your hips. the last track of the record number seven completes the circle with venturous drum programming, layered melodies and plenty of early morning ambiance. imyrmind is scheduled for a three week australia, nz and asia tour in november alongside long-time collaborator glenn astro.

the eccentrics parties started some three years ago by will and mark, have been a monthly staple of the eclectic nightlife scene in peckham since its inception. the party has hosted many great guests over its three years, such as andi hanley, piers softrocks, toby tobias, phil mison, frank tope, bill brewster and many more. this 12inch is the culmination of mark and will saving their hard earned gig money so they can present the sound of eccentrics to a wider audience. these edits were put together along with another local hero sanky (a regular guest) whom has kindly provided the system edit and the artwork for the jacket.

lady ist das neue gemeinschaftsprojekt von terri walker und nicole wray. getragen wird diese transatlantische partnerschaft von walkers und wrays gemeinsamer leidenschaft für den klassischen soul-sound, der noch heute untrennbar mit labels wie stax, atlantic und motown verbunden ist. die beiden ladys wechseln ansatzlos von solo- zu makellosen harmonie-gesängen, gestützt vom produzententeam leon michels und jeff silverman. jetzt kommt ihr album auch als instrumental lp auf den markt.

many reggae artists are lucky to make one breakthrough to the music mainstream. horace andy has managed not only to make a mark with *skylarking*, but also to deliver the definitive reggae version of soul singer-songwriter bill withers evergreen *aint no sunshine*. one of reggaes most distinctive singers, andy has managed to sound as credible delivering social commentary as he does love songs. as one critic put it, *the fragile, vulnerable qualities of his voice could invariably be relied upon to add dignity and sincerity to songs*, the proof is everywhere on this compilation.

vinyl album released to coincide with bbcs punk britannia and the queens jubilee. a re-recorded greatest hits album by the original 1977 line-up of jimmy pursey (vocals), dave parsons (guitar), dave tregunna (bass) and mark cain (drums) released to coincide with bbc tvs punk britannia series featuring jimmy pursey and sham 69, and the queens jubilee.

domenico writes and co-writes all the songs, sings, plays guitar and designs the rhythmically adventurous soundscapes heard on cine prive. with the help of old (pedro sa, alberto continentino, moreno veloso, kassin, and adriana calcanhotto) and newer (money mark, darin gray & glenn kotche of duo on fillmore) friends and musical collaborators the songs were recorded live in the studio with most tracks calling on no more than three musicians at a time.

toolroom trax completes a phenomenal year with their fourth installment of winter samplers packed with toolroom treats from leading artists mark knight, manuel de la mare, copyright, prok & fitch, pete griffiths and more!
yet again another more for your money vinyl sampler that is packed full of club anthems!

emanating from japan, and discovered by erid d (of rub n tug fame), these re-edit masterclasses would never have gotten outside of their native market. luckily a helping hand from one of nycs most hyped party throwers has guaranteed a wider audience!
all the combis so far have sold out in a matter of days and are now exchanging hands for silly money. this release has another glorious duo of obscure but super high quality dancefloor friendly edits.

the third instalment of the bitches brew limited 10-inch series is the darkstarr remix and darkstarr dub of >dont do it< by salvador santana. the 10-inch is designed and hand-printed by artist james morrison so that each record is unique. salvador santana is a hip hop / soul singer / songwriter / keyboardist and is also the son of carlos santana. his debut album >keyboard city< saw contributions from bay area legends such as del the funky homosapien, gza of wu-tang clan and beastie boy studio wizard money mark who also co-wrote >dont do it<. the darkstarr production duo of ashley beedle and cosmo were asked to do a remix and bitches brew has released the results on vinyl on this special 10-inch series. their darkstarr mixes have received big support from musical selectors as diverse as the lofts david mancuso all the way to shit robot.

emanating from japan, and discovered by eric d (of rub n tug fame). these re-edit masterclasses would never have gotten outside of their native market. luckily a helping hand from one of nycs most hyped party throwers has guaranteed a wider audience! all the combis so far have sold out in a matter of days and are now exchanging hands for silly money. this release has another glorious duo of obscure but super high quality dancefloor friendly edits. the price is a little more than we d usually like to charge, but if it wasnt for us, you d be buying these as japanese imports!

yet again another more for your money vinyl sampler that is packed full of club anthems!

marco petralia: his sound is deep, dirty and twisted – his dj sets are energetic and impulsive! as bigcitybeats resident he played already side by side with international dj stars like george morel, roger sanchez, steve angello or mark knight and further is responsible for mixing the very popular bigcitybeats compilations which hit the top ten of the german compilations charts each time they are released. marco can refer to a row of successful releases on labels like open bar music, miss moneypennys and of course bigcitybeats. the baggi begovic remix of his last single >getting deep< got massive support from roger sanchez! without exaggeration you can call >breaking all the rules< marcos best release so far featuring stunning vocals by the young and beautiful us singer taleen marie and a bunch of rocking remixes from superstar d.o.n.s, uprising newcomer cold n what, abel riballo & dj kds and robert heart & christian gimbel.