senso sounds drop a major release from techno heavyweight dubfire and label boss oliver huntemann. reuniting the partnership that has seen a string of seminal releases over the years in the form of their elements series, humano is the 2nd part of a continuation of this series - more weapons of grade dance-floor material from the high profile duo. later on this year their partnership will be summarized in their restrospectivo album.

belgium based fabrice lig is nothing else than a phenomenon of techno music. the list of high profile imprints where he released his music, like planet e, r&s, kms, third ear and playhouse is unique. marc romboy: „i m very proud and glad that i could sign such a legendary artist to my label. i m playing all three tracks in every set and wish there would be more real techno music like this.“

derek carr is a name known by few and far between, with only a handful of vinyl releases in the early 2000s, he built a worthy but unfortunately not widely-spread reputation for putting together stunning deep techno. originally pressed in finite numbers, the records have recently found themselves in demand on discogs, and rightly so, derek’s music is in a class of its own. having been a big fan since his releases on then local (to label owner ben) leeds label geek records, for those that knoe has dug deep into the archives to put together a sizeable selection of dereks back catalogue, with some unreleased gems dotted amongst the classic must-haves, spread across three eps

nice price deal !!! we welcome our dear friends from milano, boogie drama aka lele sachi and sandiego once again for a dancefloor destructor on moodmusic. the duo has recently delivered hot 12-inches for 2020 vision and systematic and kept their profile well in demand for the past 2 years. lele, known from his residency at the magazzini generali in milano is a proven veteran in the italian house scene and his partner sandiego is an absolut wizard in the studio bringing their refinded sound to a dancefloor near you. the conspiracy pt. 1 builds on arpeggiated synthlines and a moroder like bassline dropped on top of driving beats and a super duped arrangement aimed for the floor but keeping it intelligent enough to be played for more discerning crowds. pt 2 takes a more housey approach, taking a note from the hamburg school of modern deep house with stabby keys, a big chunky bassline and some neat effects. a surefire floor filler. sasse delivers one of his rare remixes for his own imprint, stretching the arrangement into 12 minutes of bliss, mixing in a proto house feel with a balearic techno touch to it. think detroit in 1992 but produced with modern means and add one of the meanest basslines this side of the pond to the picture. well in demand allready by ewan pearson, dirt crew and todd terje, this is destined to be big

nice price deal !!! his >sleepy hollow< on innervisions is regarded as the anthem of 2006, gaining respect from all over the place. this year stefan goldmann is back with his own label macro and the next level of post-minimal modernism: >aurora< and >beluga<. both already are a central part in the sets of richie hawtin, Âme, luciano, damian lazarus, loco dice, steve bug, peter kruder and the lucky few who already have it on cdr. stefan has released through high profile labels like innervisions, perlon, ovum and classic. he recently also became one of europe s most in demand remixers with highly acclaimed reworks for blackjoy, marc romboy, it and … coming up soon: dj gregory. so, macro is destined to be a premier platform for both, stefan s genre-bending outings and the utmost in quality by likeminded artists. what a start

tormento part 1 2×12icnh is an extract (to guarantee the ep sounding) of the second album of the spanish band synths versus me. as stated by mixside.com -is this second album what proves the value of this new band- or as stated by wave press the song -suicider- is one of the best 20 coldwave songs of 2015 so not necessary add much more info. minimal structures and pure analog sounds, romanticism and agressivity at equal dose.

raw analog 90s styled house, incl legowelt remix

we live a life in between exorcism and consumption stirring up a piece of sh-which might be the forgotten, the unexpected, the unusual, the left behind. dust as a metaphor for our repetitive culture, can t be better chosen to head the redust ep on formresonance. grainy and with a sixth sense of its pulse, the tracks do emerge into a wide soundstream. dust hereby transports a piece of wisdom: the sound signature. knowledge which is inherent in class-a circuits, vinyl, or tape and which can be barely re-produced. georg stuby is already a dj on stage, like burning man, club der visionäre… he resident in the zürich party scene, teaches at the school of sound and drops out some nice tips on his own blog: www.georgstuby.com the redust ep is his debut release. jonas & christopher lawrenz provide their experience with georgs music, even longer.
pressing on blue marbled vinyl.

the contemporaly house tracks which combine his established heavy groove, smoothness & beautiful essence! -secret floor 002- misterious, raw feeling & the roop of vocal sample are intertwined together to be miraculous sounds-saturday night- melodious and uplifting house track-o-nature- unique sound quality made by mpc & the trumpet sample greatly melt together -sky lounge- slow down...dope track with a spice of japanese sample blackoly profile:dj, beatmaker, and sound producer in tokyo, japan. born in 1981, his parents taught him to play in a forest and make what he wants to play by himself. started his dj carrer when he was 19.the first track he played was -bucktown- by smif-n-wessun. in the ensuing year he started making tracks under the name of dj shibaki. kept releasing his own tracks by casset tapes and cd-r and released -document-(12-) in 2006. after that he released mix cd -abstract- and -gravity-, and he has done around 100 of play in a year with his style of going back and forth freely among various sounds evolving abstract, breakbeats and hiphop.in 2009 he played together with dday one, dorian concept without knowing who they are. when he played together with dj kensei, he got a meaningfull comment -do you always do such a mix?- in 2010 he became immersed in creating tracks with mpc2000xl which was not not used for a long time, and started doing dj & live only with his own tracks by using cd-r & kaoss pad. thereafter he started making house tracks under the name of blackoly influenced by house djs & dancers whom he has played with since 2000s. the various music in his background & the dancer s excitement on the floor like -house- atmosphere greatly melted together and it led to build his unique sounds. in 2013 he released -dirty channel-(12-), in 2014 -dr.circus-(cd), and his work continues to this time.

physical therapy makes his debut on spencer parker s work them records with a medley of club focused techno cuts. growing up in new jersey, physical therapy later moved to chicago, then new york, before finally settling in berlin where he s quickly built a profile as a stand out dj/producer. baktadust comes in the form of two tracks: the fast tempo main mix that combines peppy piano riffs and metallic effects, as well as a slower fried mix featuring cleaner chords and a sultry bassline. push me then demonstrates robust percussion, a rumbling low-end and eerie tremolo atmospherics before shadowy echoes and off kilter kicks conclude the release in spasm.

defined as an independent entity, drawing its inspiration from the deconstructed walls of an imaginary and utopian society where music is king and artist is servant, forsaken cell is a paris and lyon based structure composed of a small ravers community, aimed to show an indie, radical and experimental face of the french underground scene.the third release is the introduction of jiman into the forsaken cell. living near lille, a french city located between berlin and detroit, jiman makes a perfect mixture of those two towns that are his two main influences, focusing on the grainy, harsh, metalic and experimental sound of early 90s techno, with a relish of poetry, smoothness and a slight broken side of idm. his debut ep on the label is composed of 5 tracks that draws on the vinyl groove his long trip into the abyssal deepness of techno music, smelling an uncompromising industrial and raw atmosphere. the artwork, released by lexpo-studio, makes many senses and is opened to many interpretations. this ep is mastered by loop-o at calyx mastering and is available on forsakencell.com.

awake represented a high-water mark for scott hansen, the san francisco musician better known as tycho. described by hansen as, “in many ways, the first true tycho record,” awake announced the arrival of tycho as a full band, and it found hansen streamlining the group’s sound, focusing on the drums and aiming to capture the energy and power of the group’s live set. the story of awake arrives at its natural conclusion with this 12” of remixes, on which hansen’s songs are re-interpreted by producers who make the songs their own while retaining all of their core elements.
pressing on blue coloured vinyl, download code included.

lost tapes recovered from the charred rubble of a post-apocalyptic melt down ‘kiss my smiling face’ is a relic from the distant future. pearl river sound has, to this point, kept a low profile - instead choosing to keep himself holed up away from the horror, emerging only briefly in 2015 to drop his debut 12” via the r&s affiliated meda fury records. in his latest outing, we are mercilessly pushed to the edge, eyelids forced open to witness the terror unfold…

essential reissue!! the producer and dj from chicago joey kay published in 1994 an ep that soon became a favorite of the 90s house djs around the world: eclectiz ep . the legendary label house jam records was responsible for editing and selling it. nowadays, in 2016 (22 years later) the owners of the label bons records have been in contact with joey kay and they have been quick to reach an agreement to make a remastered edition of the great eclectiz ep including the same tracks that the original version but at an affordable price to everyone, not favoring the speculation around these kind of musical gems, mostly in platforms like discogs. eclectiz ep has been remastered by robert feuchtl (fat of excellence)

limited to 100 copies, chas burns has been producing house music since 96, originally with engineer simon vinyl junkie, and later andrew macari (filter flow). as well as producing under flow he also co-owns low pressings (with hernan cerbello), beat code, boxa records and more devotion (with ben racz). -put my shit on wax- first appeared on the shelves of record stores in 2004. it s release was boxa records (which is still going today) second release. the original press was of 600 and was out of stock very quickly. now you ll need to pay l50 for it on discogs, unless you snap up this highly limited repress (100 copies only - be quick!).

derek carr is a name known by few and far between, with only a handful of vinyl releases in the early 2000s, he built a worthy but unfortunately not widely-spread reputation for putting together stunning deep techno. originally pressed in finite numbers, the records have recently found themselves in demand on discogs, and rightly so, derek s music is in a class of its own. having been a big fan since his releases on then local (to label owner ben) leeds label geek records, for those that knoe has dug deep into the archives to put together a sizeable selection of dereks back catalogue, with some unreleased gems dotted amongst the classic must-haves.

the last untitled future times white label release arrived in 2012, a record that we now know, thanks to the eagle-eyed searchers of discogs, featured a hunee edit of re-mida by don carlos. we dont know what kind of material features on this new untitled release from the label, but the bumping hip house rhythm and vocal combo and lush 80s analogue bassline suggests some kind of vintage material has gone under the knife to create this track. regardless, this one-sided 12inch is another essential cut from the dc-based operation.

incl dom04 & dom08... slammin schranztechno pack with andreas krämer & a.crash

limited to 320 copies vinyl edition.
over the years of their creativity, nesmeyana have developed their own distinctive “horror-trash-synth-pop” style, occasionally blending it with elements of musique concrete and post industrial noises. notable russian media and critics defined it as “red disco”, which now not only refers to nesmeyana’s musical heritage but also to a blooming homonymous community residing on the russian facebook-alike social platform vk.com, currently consisting of nearly 10k music lovers and dedicated to lost soviet “cooperative disco” artifacts.
with their debut album &#1065,,,,,&#1072,,,,,&#1089,,,,, &#1090,,,,,&#1099,,,,, &#1085,,,,,&#1077,,,,, &#1079,,,,,&#1074,,,,,&#1086,,,,,&#1085,,,,,&#1080,,,,,&#1096,,,,,&#1100,,,,, (now you don’t call) nesmeyana begin a horror journey through the dark decades of 80’s and 90’s exposing the most troubled themes of soviet union’s “post-perestroika” period — premature deaths of aids and drug addiction, afghanistan war victims brought home in coffins, devastated industrial landscapes where often rape & murder takes place, this album tells us some unpleasant but quite realistic stories which may have indeed happened in the past.

this highly anticipated reissue should need almost no introduction: plustwo’s ‘melody’ / ‘stop fantasy’ 12” (and even 7” version) have long been sought after by both italo-disco and disco/boogie collectors and command high prices on both discogs and ebay.
both tracks represent some of the peak musical achievements of the vibrant italian music scene during the early 80s, skilled performance from talented musicians, tastefully arranged with perfect and unmistakeable vocals from belen thomas.
this reissue is the result of a dedicated effort by hysteric and mothball record, in cooperation with the band, to make this record available to a wider audience.

warehouse find!!! a 100 copies white label test pressing with industrial cyber punk techno tracks rooted in the good old unit moebius tradition and pressed at the now defunct space wars industries pressing plant of guy tavares aka dj schmerzlabor! no nonsense dancefloor material from da goblinn, on this bunker relelated release that never got released because the box with the records got lost in 2013... only a handful went on sale on clone.nl and never got restocked or distributed untill now (only 1 person on discogs got it in his collection!) single sided with nice space wars edging on the flip side! last copies ever...

not much is known about manchester based producer belly, his online profile merely states live artist & vocalist from the uk. what we do know is that he releases records on his own imprint belly dance uk and that the 3rd instalment in this series (produced by la s seth cobblepot) is yet again hard hitting and dark. following on from the previous 2 records, featuring timothy j fairplay & headman respectively, he has invited 2 more underground powerhouses, brassica & thinnen, to contribute their takes on his new ep simply entitled water

yse saint laur ant has spent far too long writing and releasing music in one guise or another to endure writing clever promo/impress releases. instead, vinyl only wants to let the music speak for itself keep it simple if you dont like it today then thats cool, we get we cant please all the people, all of the time. however if don t buy from juno today please dont whine to us when you ll be forced to spend the better part of double/treble the price for this very same release on discogs in a few years time

stl has been a firm favourite of phonica records ever since his first releases surfaced in the early 2000s. although he is highly revered within the underground scene, hes always kept a low profile and consistently pursued his own blend of boundary pushing abstract and experimental house & techno. the majority of his music has been released through his own something imprint but his unique productions have also found a home on perlon, smallville and detroits echospace. the two tracks on the amplified bleep package ep marks his first contribution to phonicas white label series and were extremely happy have him on board.

„closed sessions“ is a little comeback for our small family business rivulet records, so we re very happy to get help from some good friends on this one. pablo mateo from lack, perseus traxx who has released on bunker and mos, mod.civil from ortloff in leipzig, profile from esthland and our very own stanley schmidt are artists who have been inspiring and exciting us for quite a while and who seem to share the same love for serious dancemusic. although the tracks are very different, the whole compilation is driven by a dark and moody vibe which doesn t let go the utopian and hopeful core of housemusic which has been the light we re been running for since one of these mornings… we hope you like what you hear, thanks for the support! yours sincerely, rivulet.

nami has previously released sould out editions on nami, eastenderz, neoconcepto that already strike high on discogs. metroline limited first 12 inch of 2016 after a series of succesful vinyl releases by east end dubs, doubtingthomas, dhaze & more.

the first release of slagerparade - full pupps brand new imprimt for sought after or (too long previously) neglected classics of norwegian heritate has finally arrived. actually appearing on the b side of skatebards flashes in the night ep from 2006 which was done by digitalo enterprises/kompakt - data italia is such a gem you really need to listen to believe how good it is. a customer comment from discogs on the 2006 ep says it all: i really dig the b side. data italia is enchanting italo disco. circuitry impulse overload is a slick bleepy techno workout with lush pads, swirls, and classic 808 claps. were proud to release data italia in a 2015 remaster, sagtann remix and prins thomas versione lunga strada! we let the music speak for itself. more hotness and hot mess just around the corner. full pupp hq, juli 2015

one of the rarest 12 inches from the black male catalogue gets a timely official re issue.
originally released in 1992 this was one of romans first eps and goes for over £100 on discogs with only 7 people in the world stating they own an original copy. official repress!

after a successful summer of church white releases gathering support from session victim, move d, galcher lustwerk and a host of others, church returns with it’s next offering from peckham via auckland brothers chaos in the cbd. fresh off the back of the juno number one seller ep ‘midnight in peckham’ on rhythm section, they delve into deeper territory with emotive title track ‘constraints of time travel’

on007 comes courtesy of shadowy producer cliche morph. hailing from belarus, the young, low-profile artist created some buzz by his stand-out track *overwhelming fear* from last years semantica compilation index. part one. the immaculately produced on007 proves that track wasnt a fluke and solidifies his status as a talent to keep an eye on. the fanon flowers remix is the cherry on top.

swedish electro profile visit borft for a -end of the year- release. deep old school tech & electro. limited to 300 copies. handstamped labels and sticker...

following up the fantastic summer re-release of upsetting keys “empathy” ep, path records follows with its first new catalogue number since 2006. path 008 marks the return of artist fate 258, whose 1999 “why 2k” path 001 ep has been a hotly sought after item on discogs. the three-track ep contains two exciting new mixes of cult classic techno track “the path”. the a-side version “path to hell” is the harder of the pair, a dark edgy journey into the unknown with shuffling 808 rhythms providing much of the melody. “path to heaven” slows the groove down and adds warm juno pads throughout the mix for a very deep detroit flavored techno style. on the final track “heaven or hell” sort of a broken beat downtempo piece, sparse vocals and bladerunner samples mix to complete the dystopian concept. these mixes of “the path” are considered pre-mixes, as they were completed in 1998 before the original release of path 001. fate 258 is a project from brooklyn producer reade truth, known for his work over the last decades on labels such as planet e, sonic groove, n-syde, wurst and strictly rhythm to name a few. limited to 250 worldwide, with the first 100 including full black and white cover art.

craig peyton was a mainstay in nyc jazz and dance music beginning in the 70s. from playing on dan hartmans -vertigo/relight my fire- to his work on boogie funk productions with daryl payne, he is one of the unsung heroes of the era where disco transitioned into house music. his drum machine and synth based cover of william devaughans -just be thankful- came out on profile records in 1983, a daring move for a white man trained on the vibes. he gives the jam a haunting and funky rework that has only escalated in popularity over the years. it has been bootlegged extensively while original copies remain quite elusive.

vernon felicity is also known as conforce and boris bunnik, the tireless dutch producer who marries analog and digital sounds together into otherworldy sound tracks. now he is back on mos once more after a new conforce album on delsin, and again he impresses with his unique ear for detail and ability to craft intricate sonic worlds.

transmitting from new york (via toronto), jex aka jex opolis has so far been known as the man behind and in front of the good timin label. infamous for its boogie burner bombs to quote discogs member kutter karlo jex, trades his label for running back and a shifts the gear. up with the tempo and down with the lights, there still is a variety of styles. studio e is named after an after hours spot in edmonton that the record s author partied at in the early 2000s, also sounds like something ivan smagghe would have enjoyed at that point in time. laxmi tool is referencing classic tribal house and a street in pune, where jex wifes grandma bought the drum used in this track. on the flip, harpa brags and boasts with its trampoline bass line, while la casa surfs some timpani waves.

die verboten are a space rock band formed by david and stephen dewaele of soulwax, fergus fergadelic purcell and henry riton. this is the first album from die verboten, written and recorded in 2007, rediscovered and mixed in 2015. this lp consists of five tracks, dafalganger, white island, e40, nacht winkel and aquarius. it is the sound of classic german kosmiche, live drums, synths, percussion and a loose funk you only find in these kind of stretched fluid grooves. the album was produced by die verboten and recorded and mixed at deewee. artwork is by ill studio / fergadelic. die verbotens debut ep live in eivissa was released in 2009 via londons vinyl factory (now selling for over £100 on discogs) and was recorded poolside in ibiza.

after making a great impression with its first ep, giant records serves up a second hot helping of house music from boss man grant dell, complete with fresh remixes by scottish techno stalwarts silicone soul. dell, also known as chicago transit authority, has been doing his do for 25 years now. as a dj he is at home in clubs in ibiza and barcelona as well as around the rest of europe, and is someone who always prefers to push his own brand of widely infused and influenced music than his own profile. once again here he comes up trumps with the emotive, glowing house cut ‘in your mind’. with a neat bassline and mid tempo house drums, subtle but effective synth smears add warmth and colour to the groove, whilst soul fuelled vocals add a real sense of personality. this is sure to get people grooving at any hour and comes with grant’s own space echo remix. as the title suggests it’s a more dubby and reverb rich affair with cosmic signifiers and sci-fi vibes pervading from start to finish. silicone soul need little introduction having been at the heart of real deep house and techno for decades on the soma label. their first remix is a darkroom dub - named after their own label - and is a seductively slo-mo and lazily unfolding house cut with languid synths that really suck you in. their lush hypnohouse mix is then a twinkling, late night bit of melodically rich deep house with starry skies twinkling above sombre chords. this is a patiently served but hugely alluring ep that is stuffed with plenty of tender feeling. one again then, both grant and giant have come up with the goods.

four labyrinthine excursions in psychedelic techno, from antonio marini. take a step back... move to the side, just a touch... there... acid, dub and free jazz, focalising like heat blisters, then healed in a flash. wayward flow, for example, with the ghosts of double bass and bongos swirling in from the margins. entheogenic freak-outs, with the left profile of robert hood, the right profile of vangelis. pressing on 180 gram vinyl.

erased tapes artists and friends Ólafur arnalds and nils frahm have separately carved out a musical career that defies genres both with their unique live shows and a loyal fan base that’s always eager to hear what their prolific output will bring. their latest collaborative 2-track release ‘life story love and glory’ is a live improv affair on two pianos, recorded in 2012 at nils’s durton studio in berlin. fans may wonder why they have waited until 2015 to release these tracks, but having revealed a new website www.arnaldsfrahm.com you may think this may not be the end to their musical story this year. the limited 7 inch vinyl includes a download code.

limited edition 10inch collection of ultra-rare brazilian tracks from 50s and 60s- curated by nicola conte

format 2lp + mp3 - with download coupon, glossy black innersleeves and glossy insert with a short history of kuduro music

special repress , after the huge * lucky star ship * 12 inch from moon man, anotherday return with their third release. a track that will forever go down in chicago house history - * fear tha world * by unsung chicago hero houz mon is credited as being the first ever ghetto house track. originally released in 1993 on beat boys, and despite an awful pressing quality, the original release the has been selling on discogs between £50 and £90 due to its painfully limited pressing. ripped from the original dat, we would like to present * fear * for the first time on vinyl in 21 years - and the first time ever on beautiful virgin vinyl!

ltd cocoon box , incl 6 x 12 inch + full c d album
it is almost hard to believe and we are looking for that wormwhole that brought us here as we are already looking at the arrival of compilation number * o *. and we rather do not start thinking about the endless wordplays we could do with the * story of o*, however we have to admit that this special * o-edition* comes with an extra portion of deepness, soul and yes, even sex

endlich ist * pause*, das zweite album des elektronikpioniers four tet wieder auf vinyl erhältlich! ...
nach dem erfolg seiner post-rock band fridge begann kieran hebden seine solokarriere als four tet. nach der veröffentlichung einiger high-profile remixe, unter anderem für apex twin auf einer warp compilation, erschien sein debütalbum ‚dialogue‘ 1999 auf trevor jackson’s legendärem output recordings. sein bahnbrechendes zweites album * pause* erschien erstmals 2001 auf domino, und wurde von der presse oft als folktronica-album beschrieben. nach einigen jahren ist das album jetzt endlich wieder auf vinyl inklusive downloadcode erhältlich!

this is the second 12 inch vinyl release from vision collective recordings and features four original tracks. since establishing the label in 2011 in cork city, ireland they have built up a solid global following with 23 digital releases & one other 12 inch vinyl release to date. the labels releases have been supported by numourous high profile djs and radio shows.

ltd warehouse find, two fantastic disco banger !! big
in november 2013, a mysterious 12 inch hit stores in very limited supply, and became a cult classic amongst those lucky enough to pick one up
despite its winter release, international smark endured through to last summer and became an underground anthem in the beach bars and under the stars. discogs prices rose accordingly and its still very much at the top of many wants lists
* international smark* (translation: international taste) opens with an 8bit techno tinged waltz before quickly floating into dreamy synth chords and staccato guitar licks.
featuring an infectious cross dialect narrative (swedish/finish) provided by international songstress tigerlight, the track comes across like a meeting between metro area and abba - two acts payfone cite as big inspirations.
* people* on the flip explores an electro-disco aesthetic bouncing along into the night with a heavily pitch affected vocal and angular bassline that drives an incessant groove

head-honcho adam beyer delivers the next drumcode release following a monumental year from the techno heavyweight. two singles on the drumcode a-sides compilations, a multitude of releases on different labels, a 7 hour live broadcast from awakenings festival, 10 shows in ibiza for carl cox, cocoon and enter as well as an incredibly busy show circuit across the world. coming up there are a multitude of drumcode parties around the world including festival stages at major festivals and other high profile events. adam beyer is back on drumcode with an impressive array of tracks that will get the senses tingling and shows us what drumcode is all about. these 4 tracks are deep and almost melancholic in their approach to techno, using effects to really help enforce an ambience only beyer can achieve within his productions. the under lying throbbing of the drums drives this ep into the forefront of the heads down drumcode sound and have been heard in many of beyer s phenomenal sets throughout the year.

as the music is research, pisetzky loves to get deep into bass lines of different sound dimension. his style is always powerful and melancholic, moving hearts and minds into multi layered soundscapes. he started producing in 2010 with the name fabiano valli as sound designer for fashion brands. since late 2013 he turned his profile into pisetzky, inspired by a growing milans techno scene, he started to realise his attitude into being active part of the project just - this. he already proved his musical research for the biggest europe festivals stages ( off sonar week, ade, amore, barrakud ), as in the finest clubs and parties. in the darkness of his studio or even on the hottest dancefloors, pisetzky shakes deeply souls and bodies with his dogged rhythms.

midas104 is a rising young producer which flies between pretty deep house and soft techno sounds. always hard at work his output is huge and after releases for high profile labels like katermukke,crossfrontier audio and parquet records he is about to release his next ep named humming top on ursl records this year