mix aus the war on drugs und madonna - schwedens underground-stars rocken weiter!
pressung auf 180 gramm vinyl, downloadcode inklusive.

only few artists in techno music have been able to develop a unique signature in sound like eduardo de la calle did. even after releasing more than 90 vinyl records in almost 20 years, the spanish mastermind is still one of the most enthusiastic persons when it comes to preserving the real people and places in our beloved scene. despite touring the world as a dj and putting out his music on big-name labels, he has always supported small labels and underground institutions around the world. the spiritual approach to electronic music hes teaching with his music has been a big inspiration for many listeners, djs and producers. his latest release on night defined recordings is another precious add-on to his unique lifework of music

seth troxlers agenda setting play it say it label is back with another massive release, this time coming from a group of detroit heavyweights. featuring a lead track from andy toth & billy love, it is packed with essential remixes from chuck daniels, andrés & midnite jackers. andy toth was part of detroit grand pubahs and billy love is a singer from detroit who added vocals to seminal tracks by underground resistance. together they have help their citys electronic music earn its enviable reputation on the world stage, and here billy tells a story informed by his time as a male revue dancer at a legendary strip club called watts club mozambique.

without artwork cover - only standard cover (see picture)...ltd warehouse / backstock - the midnite ep is the follow up ep to delano smith s sunrise ep on third ear recordings, released at the end of 2008. the sunrise ep was one of the underground house records of 2009, and the midnite ep is set to be one of the underground house records of 2010. both delano and us think the midnite ep is better than sunrise. after the sunrise ep, we decided to do it again and maintain the theme and name the next ep after a moment, a feeling within the dance floor experience. we decided on midnite. once again we have selected four tracks from a selection that delano sent us. you can play these tracks at any time of the day or night, and we encourage you to experiment in this way. however, dropping any of these tracks at midnite will ensure that you, your dance floor and all the people in the room will be set up for the journey. :-) a1: a special kind is constructed in the classic style of filtered samples from another record over a fat (really fat as this is a record made in detroit) kick drum. the samples are from ashford and simpson s stay free from 1979 on warner bros records. it is a sign of a good dance music producer that s/he can take an already great track and turn it into a dance floor bomb. delano has done this with a special kind. 117bpm. a2: dee s gruv is a very deep, very atmospheric groove. a crisp snare, a growling bass, a kick drum of varying intensity though the track framing the vibe, and a subtly modulating chord that goes on forever. hi-hats and ride cymbal move in and out of the track as it ebbs and flows. this kind of deep, grooving suspension of time is becoming a delano smith speciality. 122bpm. b1: the exploration is delano working through the same ideas as he explores in dee s gruv. hitting harder and driving faster than dees gruv, the exploration is a continuation of delano s search for the ultimate deep house groove. all students of electronic dance music should check this.

in celebration of the 10th anniversary of “force fed” we have teamed up with fat beats to release this limited edition colored vinyl. “the debut album from ide the shanty one, “force fed” is a verbal maelstrom whipping through the placid seas of 21st century underground hip-hop with thunderous beats and lightning-strike lyrics. ide displays his furious command of the mic over 23 dark and storming beats, his imaginative and visceral word-warping and unrelenting flow striking listeners with gut-punch directness.

parisian dj and producer kiddy smile embodies the lifeblood of house music past and present. his music flashes with nostalgia for those mid-80s new york basements where house music first came alive. ‘teardrops in the box’ pulses with the intoxicating energy of a ball in kiddy’s native paris, with its deep-rooted traditions but its intensely forward-focussing culture. following up on his fearsome debut ‘let a b!tch know’ on defected, kiddy smile has deployed the well-established remixing capabilities of mystic bill, a house champion from the underground schools of detroit and chicago. his ‘jersey dub’ eases back on the tempo for a syncopated strut to the garden state, while the ‘vocal mix’ is a bulkier prospect, emphasising kiddy’s growling vocal with some serious attitude bass. finally, his vinyl-exclusive ‘acid mix’ is specifically designed for getting twisted on dark, underground floors. cowbell and raw synths give ‘teardrops in the box’ unadulterated dancefloor credentials but this is more than a club record, the layers to this track run deep.

after an amazing duo of vinyl releases from jordan fields and vincent floyd, chicago basement trax keeps banging out the jams! the boxed out ep sports another lost tape from jordan fields with oriental. no fake added noise here from this original 80 s synth and drum machine creation just more uncut raw from jf s archive that seems to have no end!! check out more old school and acid by jack jeremy williams, italy s giuseppe gatti and paris underground pushers wondernature! massive ep!

lost in time continues on it’s path exploring timeless underground house music with number 8 in the series. the ‘last step’ ep focuses on the extraordinary production talents of tuccillo, the italian musician widely regarded for his unblock studio. this record marks a deviation in direction for tuccillo, who is recently returning to his roots, making stripped down minimal dubs aimed directly at the dance floor. lostime008 includes four new cuts which can best be defined as ‘romanian’ style in essence. in fact raresh from a:rpia:r and livio & roby from premiesku are early supporters. the title track kicks things off with rolling percussion with more than a hint of latino attitude. dubby stabs and detroit style chords soon join the party and intricate changes in the drum programming keep subtly lifting the track throughout. ‘changed’ opts for a totally different tact, opening with lush, dreamy pads which evolve alongside rolling snare patterns and bass grooves to reveal a heavily harmonised spoken word vocal. on the flip side, ‘drum engine’ opens with feint, delayed vocal stabs which are joined by celestial, swirling pads, before being abruptly stripped away to reveal a menacing growling bass finally, ‘titled’, takes thing in a more minimal direction with airy pads and acid bleeps panning around the mix, showing off tuccillo s immense production talent

benjamin is back with a follow up to last years smash hit light of my life b/w dreamins for free.this time out backed by the fabulous dreamdances benjamin shows no signs of slowing down with the sophomore release on palmetto street, not one more tear b/w thats what you mean to me. side as quick tempo and strong buildups are not only the perfect platform for a story of persistence and self-realization but an irresistible 4 on the 4 dance floor groove. evoking the murky underground stormers of detroit circa 66 its an ideal prime time spin for your local soul club. thats what you mean to me is a charming ode to love that s yet to arrive. falsetto lead vocal stacked up with syrup sweet group harmony backups and offset by big boss brass all resting on top of a floaty mid tempo groove. it s certain to warm up any vibe with an irresistible sing-a-long chorus.

darauf kann man sich verlassen: wo joey negro draufsteht, ist tanzmusik drin. seit der 13-jährige david russell lee 1977 in einer tv sendung den song boogie nights von heatwave hörte, ist er vom disco-virus infiziert. und den ist er bis heute nicht mehr losgeworden. obwohl produced with love erst sein zweites eigenständiges album nach universe of love von 1993 ist, hat joey negro in den vergangenen dekaden mächtige spuren im dance-bereich hinterlassen. nicht nur produzierte er zahlreiche chartbreaker, dancefloor-kracher und remixe unter diversen pseudonymen (jakatta, raven maize, doug willis, prospect park u.v.a.m.), vor allem war er für grace jones, diana ross, deep dish, lionel richie, mariah carey, tears for fears, ultra nate, masters at work, roy ayers, blaze und roger sanchez aktiv. hinzu kommen kollaborationswerke, bandprojekte und eine reihe herausragender kompilationen wie die house masters-serie, remixed with love, disco not disco oder kings of house. kurz: ob mainstream oder underground, joey negro ist ein mann der superlative, bei dem einfach jeder beat, jedes hook und jeder loop perfekt sitzt.

3 track vinyl sampler, raw, dark underground acid /techno madness

split ep with volster and aubrey, brilliant acidic underground techno

played by raresh !!
politics of dancing records celebrate their 3rd anniversary with two vinyl only releases and a digital compilation of unreleased tracks from a pretty impressive line up of confirmed and up and coming producers. this is the second vinyl only part to be released, with another 4 tracks of serious cutting edge underground house music. io (mulen) , chris carrier, john jastszebski and tommy vicari jnr are on the line up and it s been highly supported by raresh, d julz, apollonia and djebali among others. io (mulen) opens up with a classy 8 minutes floor killer with a fat rolling bass and funky stabs, chris carrier goes deep space for good with jazzy drums and killer effects. on the b side, john jastszebski gives us a masterful deep dub techno lesson, and the prolific and versatile tommy vicari jnr closes with style, on a smooth and elegant deep house cut. another top notch 4 tracker from politics of dancing records.

vinyl only. inner balance welcomes french duo arcarsenal, whose super-refined analog improvisations have found premium company on labels like finest hour, underground quality and their own bass cadet records. meditative, cyclical, distilled grooves with a fierce low-end are the order of the day, placing this ep squarely in the nearly 25 year-old lineage drawn from maurizio through bluetrain and thor and in to the bags of the verveines and cloutiers of today. whether it s the reverb-laden soundscapes of the a-side or the loopy mind-traps on the flip, these four tracks will animate and intrigue in equal measure.

nice price deal !!! red sign/acid eyes is the first single to be taken from kap bambinos brilliant second album blacklist, due for release in may. two short sharp shocks of pure aural adrenalin at just over two minutes long, these tracks are a perfect re introduction to one of the most original and exciting new bands of recent times. since the release of their debut album zero life night vision, a brilliant slab of noise pop which was released in february 2008, kap bambino have toured incessantly and have become huge on the underground selling out 1000 capacity venues in the states and europe on a regular basis.

originally released in 1978 on greg charmichaels red greg records, ‘lady bug’ and -love bug- are probably bumblebee unlimited s most recognizable hits. now repressed on the get on down label ... with an undeniable groove, signature keys and arrangements by patrick adams in addition to the comically sped-up vocals, lady bug is considered by many to be one of the most important underground tracks of the disco era. as with the original -lady bug- 12- single, the john morales and frank trimarco -sunshine sound- mix takes the a-side of the rca release. a true disco version in every sense of the word, this almost 10 minute mix brings out the latin percussions to the front making it a true dance floor classic and establishing john morales as one of the best remixers in the industry. the b-side belongs to one of new york city s hottest djs at the time: larry levan. despite being a very early remix by the legendary paradise garage dj, the talent was evident and his understanding of a club mix in wide display. it’s no wonder larry levan would go to become one of the most respected and revered remixers of his generation.

another hot lo-fi edits 7inch featuring a deep abstract remix of a legendary jazz diva & then flip it for paris underground deep house by leandre. plus 22 bonus locked grooves featuring dan curtain, jordan fields & jivaro & many more! limited hand stamped white label with a collectable sexy photo.

dj support: nastia, cassy, radio slave...
tenax recording is proud to have marco faraone on board again, one of the residents at the club. after his successes around the world recording for the likes of drumcode, ovum recordings, holic trax and his own label u&#1048,,cag&#926,, he delivers an absolute banger of a ep including a very sophisticated remix by the very talented honey dijon from chicago. the ep is composed of 3 original tracks with raw elements and atmospheres: horizon is a never-ending dj tool based around a groove with a great synth line, double faces has special dub characteristics and parallels is a real stomping track aimed straight at the floor. the perfect mix for underground dancefloor.

angelehnt an ein legendäres konzert im mai 2008, bei dem das pariser symphonieorchester les siècles unter seinem dirigenten francois-xavier roth kompositionen des detroiter techno-produzenten carl craig in vollkommen neue klangsphären überführte, erscheint nun das album -versus-, das diese konzeption aufgreift und in perfektion vollendet. dabei wirkt der französische pianist francesco tristano als mediator, der craigs techno-sounds in klassische partitionen transformiert. als zusätzlicher spiritual advisor war carl craigs langjähriger freund und wegbegleiter moritz von oswald an den aufnahmen beteiligt, mit dem er zusammen in 2008 das legendäre -recomposed- album bei der deutschen grammophon veröffentlichte. traditionelle klassik-orchestrierung trifft elektronischen underground-sound.
spezifikation: schwarzes doppel-vinyl (8 tracks) im gatefold inkl. download-code (mit allen 14 tracks des cd-formats).

for their 12th release, fasaan recordings has dug deep into the techno underground of malm and found the drum machine anthems of frankie twilight. not your usual techno producer, the woman behind this alan vega-esque alias does not subscribe to any genre definitions. having played in a berlin-based punk band as well as acting as resident dj at a members only 78 rpm jazz club, to say her tastes are diverse is quite an understatement. the diy spirit is however a red thread throughout the 4 tracks of her synergy ep for fasaan

much could be said about german house royalty boris dlugosch. from his teen dj years under the wings of fronts legendary klaus stockhausen in hamburg to his own marvelous tenure there that is pretty much synonymous with the explosion of acid house in its proto- and post-incarnations. one could examine his role as a herald of us garage and jersey house or as a remixer of underground gone pop records. but we will leave that and other stories for the front page soon. the traveller ep is the result of dlugosch and cassara meeting at a mutual friend of theirs, getting excited about their shared love for classic synths (see sh-101 for the traveller bass line) and exploiting the latter’s extensive synth collection. what you get: classic disco, french house, electro-funk, dj sound effects (that tractor plowed the front every night) and most of all fun, fun and a little bit of extra fun. chin-stroking impossible.…

as owner and curator of the exotic dance records label , j. albert has released a steady handful of projects on his brooklyn based imprint , as well as showcasing new music from deejay xanax and person of interest . add to that, recent releases on the 1080p label and black opal, and j. albert is fast making a mark on the scene for his raw and undiluted deep fusion of house, techno and jazzy vibes. his debut ep for hypercolour opens up with dont hide it a bumpin and jazzy flavoured house cut, resplendent with rolling snare drums and warm stabs, a sampled double bass riff and choppy vocal refrains xtra sauce is another stellar house track, fans of the ron trent/prescription chicago sound will instantly find an affection here with the rolling drums and soft keys, all pushed along at an energetic pace, whilst vista finds j. albert in more playful mode, carving out a 10 minute jackin underground house vibe that cuts raw and hypnotising.

we are extremely happy to welcome yet another talented crew from italy in the moonshine family. d-operation drop is a project born in 2010 thanks to the encounter of 5 university students wich found themselves sharing the same house and more importantly, love for music (in 2013 zeemo joins the crew, modifying the formation from 5 to 6 elements). after a couple of early collaborations, almost casual, uniradio cesena gives to d-operation drop the chance to lay the foundations of an underground music program on air twice a week. thanks to this experience the group officially finds its frame and looks forward to its new goals such as producing, djving and vj’ing. to date d-operation drop, after almost seven years of experience, has received support from artists like j:kenzo, distance, n-type, icicle, radikal guru & many others. releasing music with notable labels such as lion charge, artikal music uk, subaltern and now moonshine recordings.

baile musik returns with fourth fresh juice edition presenting our new producer the mighty aprapta together with our resident producers and djs marcelo cura, alisonn and nice n trick. fourth edition combines diverse selection of tracks joined into strong and underground minimal and techno influence.

** vinyl only ** ray kandinski s much sought after jam could you (be mine) finally drops on vinyl via the e-beamz label! backed with 2 underground warehouse belters on the flip the tongue-in-cheek lo fi is dead and the balearic basement vibes

nyc underground hero s and proteges of david mancuso and johnny dynell (mudd club), the carry nation, debut their 12- ep on batty bass. eli escobar (classic music company) provides a sterling remix. previous releases by tcn have been on tribal, tracy, and nervous records. dj support: jason kendig ((honey sound system) dark entries, solardisco recordings, 3rd strike records)

manchester original sameed comes through on gamm with two tasty noodle nuggets based on his food experiences from vietnam where he currently resides. his simple yet effective approach is best described as sample-friendly underground dance music with influences of disco, soul and jazz. on his gamm debut the first noodle dish comes with a heavy disco and jazz-funk feel (bun) that together with some gritty vocals gives us a peak time jam to die for. for desert, sameed delivers chao which is way darker and chops up some deep jazz samples with some 4/4 rhythms. again, simple but oh so effective

los angeles based up-and-comer oxóssi excels in utilizing his lifelong exposure to a diverse range of music, which has allowed him to successfully craft his highly eclectic, ambient and bass heavy style, one that blends his deeply rooted musical upbringing with his own creative individuality. his atmospheric and unconventional take on raw bass music production enables his listeners to be transported beyond the music itself into different mental spaces, facilitating a form of meditation on music. with releases already on banana stand sound (bss001), crucial recordings (crucial005) and silent motion (smv001), oxóssi is well on his way to infecting the underground with his unique musical personality.

3rd release from underground-music-xperience on the sublabel infamous district hard tekno

rdf number 4 comes with a massive trancy underground gem from leipzigs own - napoleon dynamite -. the flip side includes two masterpiece reworks by tristen & ron deacon.

4 to the floor presents sub-urban records documents the output of this true underground champion. based in new york, sub-urban records was arguably the best and most consistent american garage and vocal house label there was. co-founded by the mighty tommy musto under northcott productions, tommy had his hand in much of the musical output from the label, and in turn this double-pack 12inch collection. documenting sub-urbans legacy, the album also features tracks and remixes from artists including mike dunn, sandy rivera, and matthias heilbronn. the spunky free me brings together dennis ferrers co-production with a remix by kerri chandler, whilst the basement boys add their characteristic groove to next phases piece of mind. 4 to the floor presents sub-urban records is part of the 4 to the floor series, lovingly selected and compiled by luke solomon. 4 to the floor will also delve into the movin records, fourth floor, faya combo, soulfuric and slip ‘n’ slide catalogues, digging for those lightbulb moments of musical discovery. fulfilling his role as your friendly record shop assistant, luke’s 4 to the floor series comes correct with brand new vinyl lp collections and digital albums from these now legendary house labels, plus official label merch to accompany all of the releases, for that full rack-raiding experience. 4 to the floor is very much about selecting music that has stood the test of time from each and every one of the labels. it will be a celebration of house music history. – luke solomon

a staple album since its release in 1998, ‘heavenly’ is as relevant today as it was twenty years ago. it turned heads everywhere, got the underground scene buzzing and set dance floors ablaze like an accomplished pyromaniac. now, the album is back for another round of techno-flavored goodness. revisited, tweaked and rearranged by kevin saunderson under his e-dancer moniker, the album not only comes with additional material in addition to the 1998 originals, but is also poised to fuel a number of exclusive e-dancer live shows. a collection of songs sure to keep the dance floor ablaze for decades, ‘heavenly’ (revisited) is set to make history once more.

a staple album since its release in 1998, heavenly is as relevant today as it was twenty years ago. it turned heads everywhere, got the underground scene buzzing and set dance floors ablaze like an accomplished pyromaniac. now, the album is back for another round of techno-flavored goodness. revisited, tweaked and rearranged by kevin saunderson under his e-dancer moniker, the album not only comes with additional material in addition to the 1998 originals, but is also poised to fuel a number of exclusive e-dancer live shows. a collection of songs sure to keep the dance floor ablaze for decades, heavenly (revisited) is set to make history once more.

walrus has no fear! by taking care of the maiden release on his newborn label “basic moves” he shows the spiritual direction and marks the blueprint for future offerings. the concept is simple: a 12” always has two different sides. one track on each side, each track a different mood. “full of feeling” resonates like the synthesis of an endless night encoded in washes of sounds. twisted, alienated vocal signals communicate in deep space to form a teasing, never-ending, spine-tingling groove. the weekend lingers on, the dream is not over. “among the thugs” is stripped down music for abandoned warehouses. a distorted vision of bleep techno and druggy chicago acid house hides deep in the quirky waves of this wobbly and moody crowd mover. the ghosts of after hours haunting sweaty warehouse clubs from the past seem to float over these excellent tracks. walrus refers to the best of all eras but forges his own unique stamp of modern dance music. underground clubs are where his music comes alive.

disposición asoleada (spanish for sunny disposition) is the moniker of the ecuadorian music citizen³ david jarrín. active in the brussels psych and noise scene since 2003, his explorations range between acoustic lo-fi experiments to eerie soundscapes, from glitch electronics to raga oriented transfigurations on a six string banjo. lexi disques is proud to present his first vinyl: two atmospheric and tense pieces haunted by andean ghosts and the evocation of hidden voices in the spoil piles of history. lexi disques is a microlabel based in brussels since 2008 and specialized in 7”. it explores the possibilities of the short format on experimental or adventurous musicians from psych-pop to straight electronics, from local fresh faces to underground heroes.

the second release on obas nenors label nenorion is a gathering of friends and like minded musical misfits from the brooding tel aviv underground.

besides launching his fresh bodybuilder quartet series (qsb), inaugurated by scott franka, nachtbraker unveils yet another quartet: four records in the the trophy quartet series (qst). both these two quartets will be released over the course of the next two years. the trophy series will cover the warmer side of the house music spectrum. and who better than parisian boy-wonder tell (banoffee pies, skylax, rutilance) to kick off proceedings with the brilliant faster than light ep. last year he released hope springs eternal on qs003 which was an overnight succes after getting rinsed by heavyweights like jeremy underground and dam swindle, so a proper solo ep was inevitable. on the a1 tell serves up some intergalactic french filter house dubbed faster than light which brings back the daft punk and armand van helden vibes of our walkman-days. we all just love filters, admit it. its true. next up is yall feel that honey (paradise mix), a tune with undeniable swing and moody chords that ultimately collide beautifully with a delectable big room piano riff that will stay in your head for days. b1 opens with a leisurely-paced jam called “what can u do for me”. it’s the ‘pretty one’ of the ep, the one girls fall in love with and boys hate to love because they know he’s hot stuff. a high pitched vocal, asking what you can do for her, flies over rubbery rhodes chords with neat percussion keeping you on the groove. the ep closes with b2 vamos a la playa. keywords: coconuts, sand, bikini, six-pack and tan. vamos! large and in charge.

loco dices desolat label welcomes uk artist waff for its next ep, a meaty four tracker by the name of hanzz sup. in recent times, waff has really established himself as one of the beacons of main room house and techno around the world. from standout sets at key ibiza clubs to gigs at fabric, london via big underground hits on labels like drumcode, cocoon and hot creations, he is a real man of the moment. the title track opens the ep in fine style with hulking great big kicks reverberating down low as wonky tones and scattered percussion add more heat. barreling along and taking no prisoners, it is a hugely physical drum track with spoken word mutterings piling on the pressure. making just as big an impression but in less direct ways, the shuffling and bubbling karimba is a skittish, busy affair with tribal drums and vocal chants all layered up into something that is sure to become anthemic in ibiza this summer. on the flip side hypnotised works on getting into your brain with tight, scurrying drum and percussive patterns that never let up. its a dense, busy arrangement that makes for a high octane ride. last of all inception takes on more of a house feel, with well swung, low slung drums bringing the groove as hammering hits and frosty synth lines keep busy up top. this is house and techno that makes a big impact from one of the most on point producers out there right now.

limitiert und remastered: fünf nachpressungen vergriffener studio one bestseller.

what? unit 2, the classic mad mike production for the seminal detroit house label happy records (a subdivision to underground resistance, distributed by submerge) remixed some decades later? blasphemy, you might cry, a sacrilege, others might say, discogs police sirens everywhere. whatever the verdict, approved and sanctioned by the copyright holder himself, here it comes again and again. begotten during a kink live set, successfully identified by the running back ceo, extracted and road tested as a phantasmal endorphin-producing staple in his dj sets, later released as a limited, stamped white label and now properly issued by popular demand. people whose life is not a big room or a rave in a car park, will find a tamer, but nonetheless heartfelt remix by rome’s dynamic duo tiger & woods on the flip. deep doesn’t always rhyme with sleep.

the fourth release on spazio records is indeed a very special one. it’s the first release from behrang mohammadi - who also is one of the label bosses. coming from the punk/noise scene playing in various bands, he found his true calling in the underground electronic community of southern sweden.
the ep consists of two minimalistic club weapons, each one of it’s own kind. it’s a groovey affair with the typical elements of behrangs own djing: it’s not too much, not too little - always full of passion.

we proudly present our second vinyl only release ! mountains vol. 1 comes from two well known producers from the underground scene : dhaze and duky . dhaze s track is remixed by the berliner artist sierra sam while duky s track is remixed by the luminer duo

bress records is back with his second release brs002! the label presents a new series: v.a. friends & buddies, including tracks from bress underground, ruff stuff and lucas welles.

amine edge & dance have become well known for their releases on their own label cuff. by bringing new sounds to this label, they are building a reputation for some huge anthems, and it looks like their latest has arrived under bad influence‘. a hard hitting beat kicks the track off, while also flitting in with the vocals of sergy which provide a real different edge to the track. they have a soulful feeling to it, especially when the track begins to build and whenever it drops down. the vocal chops work well with the deep flowing bass line and hard hitting beat that amine edge & dance have delivered. bringing this all together with the drum samples and the various synth layers which work into the background of the track, it all seems to just provide a sense of groove, a sense of energy, a real deep underground driver. amine edge & dance deliver the goods with bad influence . dj support: felix da housecat sante lupe fuentes walker & royce severino panzetta tommy trash shiba san dj krush treasure fingers vanilla ace grant nelson

having released on shifting peaks with label mates such as trevino, youandewan or mak & pasteman, modular synth aficionado cutoff!cutoff! is finally delivering his first wax on the berlin based toys imprint. toys affection for uk club sounds is mirrored in the ep s title track -shifted- that nods towards the british dance music tradition with its ravey pads and vocal snippets amidst heavy hitting stabs. the drone sounds and gnarly synth of volatile delve deeper into a sinister atmosphere. the relentless machine groove of this modern take on underground techno is aimed at warehouses and basement clubs alike

carlo troja aka don carlos is active as a dj from the late 70s. he debuted as a producer towards the end of the 80s with the single alone, which became one of the cult tracks of the international deep house scene. his productions have always mixed house rhythms with afro-american jazz sounds, verging sometime towards disco, sometime towards progressive house or electronic soul. in 1992 calypso (irma) released mediterraneo a mini album all by playing ... deep jazzy house !

100 limited coloured vinyl! carlo troja aka don carlos is active as a dj from the late 70 s. he debuted as a producer towards the end of the 80 s with the single alone , which became one of the cult tracks of the international deep house scene. his productions have always mixed house rhythms with afro-american jazz sounds, verging sometime towards disco, sometime towards progressive house or electronic soul. in 1992 calypso (irma) released mediterraneo- a mini album all by playing. deep jazzy house

personliga artiklar (personal items) is pure electrical energy from the bottom of rage to clean sanded adventurous sound hypnosis. slim vics music mixes sound worlds with clear impact in sound art and darkest ambient, likewise small flirts with underground-based techno and idm. the album is a selection of previously unreleased material mixed with music that only existed on single or remixed versions earlier, personal articles. one of sweden s most prominent artists in the spray painting, rolfcarlwerner, has created all the artwork for the album. the cover to the original painting was painted directly inspired by the album s sound world and was shown at the exhibition outside in 4.0 at the gallery erik axl sund in stockholm winter in 2016.

subwax black label series continues their mystical slavic underground saga, the next techno bomb is here!