the ballroom basement of a hotel. the place for jack nicholsons mean encounter with a ghost or possibly the place for a cocaine laden sexual encounter with part of the media agency elite. the label worked there. and so did pablo. buying talent, slinging drinks, just a couple sneering punk kids looking towards a completely different berlin future. there was a time when rough and tumble crossed paths with diamonds. maybe it created diamonds in the rough? pablo always sent the label demos before the label was a label and could do something with them. pablo has had a string of successes since then (too numerous to point out) and the label became a label. became uncaged. time to let this relationship out of the cage. it is a long way from that ballroom basement, now time to do some thrusting, propelled, grinding, noisy, sonic shit together. house music? is it really? just in case you forgot that no one is all grim guts and clenched teeth, that wild abandon sometimes comes in the form of an ecstatic beach dance, nick höppner comes around and forces you to go out to hasenheide park for a picnic and to pick up a bag of dirt weed. >so fucking buy it<

marq spekt and blockhead have teamed up once again for a new album titled keep playin. the duo’s latest project is a follow-up to their 2014 lp justplaywitit, one of that year’s best yet most slept-on projects. the broady champs mc and acclaimed producer link up to craft yet another gem that any underground hip-hop fan is sure to enjoy. the duo’s new album features 13 tracks filled with marq spekt’s unique brand of grilchy rhymes paired up with blockhead’s modern twist on boom bap production. sadat x of brand nubian, conway the machine and karniege are among the notable guests on this exclusive vinyl release.

italy-born, dublin-based producer leopoldo rosa aka lerosa returns with his second ep in 2016

that which is not said...
twins is matt weiner who is also known for his featureless ghost project and of course as the head of the dka records label… his project twins is not limited to one specific style but the dominant characteristic is the synth driven sound… other influences in the mix are various styles of dance music and a healthy dose of arty post-punk… this new mini album “rather not” is the perfect blending of all of this… due to this it is on the one hand a classic minimal elektro record but at the same time a rather modern piece of electronic music… catchy tunes and surprising twists go hand in hand and make up for an authentic and original record… which is more stunning every time you play it!

all naked records hit the ground running with four flaming tracks by artists they hold dear.
the rigologo side features a ghost future track that takes you back to the chicago of 1994, but adds that little something extra. rawmental then pushes through into detroit territory with an epic and infectious synth jam. the techno side, launches with a club ready techno burner from captcha (aka strip steve) and finishes with a nate tone track. an essential debut release.

the last and eighth release in this series opens up with christian wunschs remix of ex machina on the a-side which is all hypnotic bounce, roaring chords, cutting through the irrepressible groove. morbecks remix of ghost town on a2 is an atmospheric but tough interpretation of the original, kicking hard with jackhammered drums, coupled with metal scraping metal sounds and a simplicity that makes it a handy tool to build great tension on the dance-floor. the b-side kicks off with jonas koppss remix of miscellaneous pt. 1 – creatively pairing the heavy rolling 909 drums with a classic four-on-the-floor clap pattern and topped with the eroded drones of the original track. b2 is a re-mastered version of the utterly timeless and epic club hit “1969” by the mastermind christian morgenstern himself.

video for the title track “mango bay” was played for hours over stream by one of the top dota players rtz, achieving legendary meme status over night. “rush” and “rocky bay” are wrapping up the a side carrying faster tech grooves, while still maintaining the organic component (warmth) with bass, chopped vocals and woodwind leads.
b side starts off with “calypso”, one of the earliest x-coast productions - a steady house groove made from layers of keys, trumpet stabs, rich with hats and ghost snares - perfect to get the party started. being the last track, “don’t stop” is a hidden gem of this ep - what seems to be a hawaiian steel guitar classic, quickly transforms into a floor stomper, it’s a house beat reinforced by a classic rolling break, hammond stabs and samples of sterling void & paris brightledge’s “it’s all right”.

2015 saw datassette in generous form, the original offal brought 100 tracks of alleged offcuts. while a rare few actually live up to this self-deprecation, it couldnt be a more misleading title. now, selected offal has been boiled down to a gravy-like substance for a vinyl release by the nice folks at shipwrec. after discussions with the artist, and suggestions from fans, seventeen prime cuts have been selected for the vinyl edition of offal, alongside a few brand new previously unheard nuggets and alternative versions. expect a buffet of delights. smooth electronica, abrasive funk, out-there acid experimentation, chip tune chicanery and everything in between from this chameleon of machine music.

german krink presents his newest release on underyourskin after his great the wilderness ep on ursl. for the remix work he asked tamer malki (kindisch, supernature) from boston.

the stunningly prolific manchester-based beat-monger my neighbour is has returned to the cold busted label for his eighth album of head nodding delights. elegantly titled moons reflection on a quiet lake, this set of funky dance floor nuggets showcases the producers acumen for punchy, rolling rhythms, smooth melodic textures,and cleverly woven sample tapestries. moons reflection on a quiet lake is perhaps the most accomplished effort yet from my neighbour is, evidencing an innovative producer on the rise. dont miss it.

sebastian maschat a.k.a. stoneage kid has been around in the house music scene for about 15 years now: cult stoner house with extra produktionen , drummer in erlend oye s whitest boy alive and numerous other projects. stoneage kid is an hardware / mpc based act, with own vocals and a very distinctive electro pop aesthetique. his first ep on smile for a while creally sounds like captain comatose meeting isolee in some purple haze panic room. you ll find melancholic drum machine jams, some serious synths, lotsa vocoder and a lot of bassline-bumping. phillip lauer delivers a refreshingly cheesy remix with god singing solo and the holy ghost on drums just as expected. hang on to a dream is quite a special tune, written and sung by german indie veteran otto von bismarck. this remix version is really something for intimate connoiseurs of both pop and house music.

(gatefold 2lp) a new compilation series, record box #1 presents a prime selection of forgotten gems and timeless classics from the crates of tlp aka troubleman, soundtracking a 30-year career in nightlife and music. featuring tracks by mother freedom band, bill withers, teena marie, chronixx, the family stand and many others.

es gibt den frühen acid house-holmes. sein letztes soloalbum the holy pictures (2008) atmete la düsseldorf, the jesus & mary chain und brian eno. er produzierte primal scream und jon spencer blues explosion. und er schrieb (und schreibt) unzählige hollywood-soundtracks, allen voran für steven soderberghs oceans trilogie (mit george clooney, matt damon, brad pitt). nun legt david holmes seine late night tales version vor, bestehend aus vielen, kleinen kopfkinofilmchen, in denen wir auf david crosby, buddy holly und die children of sunshine treffen. dazu gibt es reichlich exklusives holmes-eigenmaterial, kollabos mit bp fallon und jon hopkins, sowie das von ihm produzierte 10cc cover i m not in love von song sung. insgesamt sind es 9 exclusives, wozu auch die spoken word-perfomance von stephen rea zählt, der aus seamus heaneys aeneid book vi elsewhere anchises vorliest.

waxwork records is thrilled to announce the vinyl debut of shock waves. the 1977 film stars horror movie legend peter cushing and is directed by ken wiederhorn (return of the living dead 2). the 100% analog synth score composed by richard einhorn (the prowler, dont go in the house) marks one of the earliest electronic compositions created for film. waxwork is proud to finally release this landmark electronic horror score in vinyl format 40 years after the films initial public release.
pressing on coloured 180 gram vinyl, housed in a heavyweight old-style tip on gatefold jacket with printed insert.

primavera may lifts you from ordinary life: the apparition of rain clouds and droplets blur into a soft curtain over the world as the whir of delicate hi-hats glisten in a muted sunlight. imagine a moment where the most inanimate inhabitants of the earth ghost dance before disappearing into nothing. makker s spoken vocals add a crestfallen hue to the vanished. she monotonously recites her regret: -everything is dancing / everything is crying / it can feel so heavy / before it has begun- a denser, yet similarly sorrowful song, before i fall asleep is sculpted around nimble strings and webbed by breathy vocals, remaining slightly suspended, as if levitating just above the verdant ground. halfway through primavera april, the track is transformed by acid showers, a lead synth lifts off to reveal a ravaged landscape, diametrically opposing the previous peace. the ambient acceptance snow closes primavera with the self-fulfilling prophecy of its theme: that snow will fall, and the world will go to sleep. conjuring the surreality of renkas childhood landscapes, for all its reverie, primavera always orients itself toward the responsibilities of the present. there is an acknowledgment that all day dreams must lead back to reality, that all journeys must be fulfilled.

travelling extensively across asia and africa between 1974-1985 to study music, roberto made many field recordings and collected many instruments on his travels which he would then combine with synthesizers and electronics back in italy. big tip!

andre kronert is back on berg audio with two very efficient, dancefloor oriented originals. the ep entitled « lost era » also includes remixes from mike dehnert and deadbeat. cover artwork by juli jah inspired by the treptower park located in berlin..

originally initiated due to its 10th anniversary in four parts throughout the year 2015, kittball records now continues the limited vinyl series each quarter as a best of kittball” special edition reflecting its most successful tracks within the past period. having the inside tips from january till march on the spotlight, the first edition in 2016 includes originals by demarzo with a track from his debut ep and p.a.c.o.’s beatport-charting collaboration with return of the jaded on the a-side. the b-side presents tube & berger’s latest single set free” together with ghost loft as well as paji’s enormous venom”.

three freude am tanzen releases from taron-trekka for one special price:
- fat048: blue random ep
- fat054: grom attaf ep
- fat072: black magic ep

there is an alternative reality known as the big funk factory. those unsuspecting travellers who fall into this other place find themselves exposed to many characters and tales from this universe.

beginning from the abstractions of their self-titled debut release in 2004, the group embarked on a trajectory that saw them move toward near-song structures, tricoli’s voice becoming a dominant element amid an increasingly dense and layered production style. on speak to me, however, the listener feels confronted by the ghost of music, sonic memories echoing across a psychedelic expanse. evacuated of any clear structure, the music becomes a reverb-saturated morass, from which crystalline details momentarily emerge: shimmering echoed guitar, bowed double bass, tactile hand percussion, skittering electronics. suffused with a darkly pensive atmosphere, speak to me is an elegant summation of the distinctive blend of electroacoustic techniques, instrumental improvisation and contemporary psychedelia pioneered by 3/4hadbeeneliminated over the last decade

nice price deal !!! the luvin legion of hot and bothered slime creatures, ghost groovers and winged horses has landed!some refer to bmmb:s music as funk, some call it skweee, but in the end its modern modern soul.it comes from a place where heavy crunk beats make love to sticky synthesizer leads and angel-like falsetto singing. so far bmmb has mesmerized club and festival audiences around europe.bmmbs only ep (hrmn-7) released in 2009 received amazing amounts of love from educated players such as modeselektor to mention a hot name. now bmmb is back with their long-awaited and long-prepared debut-album dirty seconds on harmonia.bmmb stands for barracuda, mesak and michael black.randy barracuda:best-known as a member of the electro funkateers imatran voima and one of the pioneers of the skweee -movement.mesak:known as a solo-artist from his releases on klakson, ceo of harmonia and a member of the electro group mr velcro fastener.michael black electro: poetry in motion. best known as a member of the hiphop avantgardists ceebrolistics and for his solo -productions on black acre - records

original motion picture soundtrack for the 2016 movie “ghostbusters”.

nice price deal !!! son of the electric ghost is living up to his name and releases broken and electrofied ghost onto our ears and feet.

12 inch with printed sleeve, inside-out, black innersleeve, 180g vinyl, permanent vacation co-owner with his very first own ep. after a couple of well received remixes, here comes the first full grown ep by benjamin fröhlich, who is also known for being one half of the permanent vacation enterprise. the range spans from synth-driven electro to hypnotic beat tools, industrial acid jams and 90s uk-influenced - melodic breakbeat. four tracks that are universally applicable in the world of dance music.

for the 11th release 7777 presents the ghost miners remixes. for these remixes i offered each producer samples from different songs from the 2 ghost miners records. instead of doing straight forward remixes of a single song, i put forth the proposal for each artist to make their own version of a ghost miners song from scratch or using any samples they feel like. contributors include 3 of my favorite producers. 2 in demand artists, fit siegel and andreas gehm and one new comer, brian thrash. andreas gehm s version is a standard acid gehm gem. calling in the chords from the originals mixed with standard gehm acid brilliance. in fit siegel s version you ll find the perfect pure underground dance sound. featuring ray-7 on hand drums fit constructs a remix that combines elements of classic detroit and chicago sound while keeping the attitude and acid aesthetic of the original material. on the b side brian thrash, controlling his analogue arsenal, takes you on an epic acid journey traversing through the underground and space. thank you for your time. - jared wilson

mannequin records alessandro adriani is up next for pinkman s white label series and the flavour is unapologetically wave. melodies ghost, whisper and finally roar as the italian pushes the parameters of darkened electronics. croaking samples and brutish percussion coiling to a bitter end.

straight from the 90s comes our next release, an entire album from an amaaazing producer! 8 beautiful tracks... one record has the after party mood , while the other will send u to the dance-floor

third * tunes from blue mondays*, released on vinyl only

elektronische remixes für die vierte single let it carry you aus dem aktuellen josé gonzalez album vestiges & claws . dfas new yorker synth-popper holy ghost! verzaubern mit einem 1980 er dancefloor-groove mit deutlichen italo-disco-anleihen, während disco-guru dino socchio aus los angeles seinen remix auf einem smoothen, mellow, fast balearischen sommer-vibe-level hält.

im kloster which means in the monastery-, is ion ludwig s third solo ep with lmd, following -clair obscur- - lmd006 and -mr. nubilous- - lmd013.
over the years we have seen ion grow and grow as an artist and seen his sound develop and mature which was brilliantly summarized last year on his stunning album -ghost to coast-. on -im kloster- however mr. ludwig spreads his wings wider, writing and performing vocals for a1, and delving further into his incredible studio to create a mesmerizing sonic masterpiece.
ladies & gentlemen welcome to the monastery!
vinyl only

spazio disponibile is the italian label run by voices from the lake, aka italians donato dozzy and neel. it finds the pair putting out music made with their rome party of the same name in mind. music comes from the founders themselves, as well as guests who record in the studio in the days leading up to the party. after a first release by voices from the lake, dozzy is back with a solo ep offering four cuts to form the that fab ep.

previously half of pseudo-kitsch acid-electro force light year, and now gone solo, mikey melas aka jensen interceptor joins the binary cataloguing cpu with a perfectly formed electro cut. any artist who samples ghost in the shell, arguably one of the greatest anime films of all time, are all right by us. mikey does so to great effect on the big beat / trip hop tempo model 2029 , which sits alongside three unrelenting electro bass bin destroyers. mactavis being the toughest cut, utilising a fierce driving 808 with a robotic bassline interjecting throughout. electro is often overlooked for the club but it s obvious this e.p. was designed from the ground up to smash a big room. jensen interceptor m e.p. limited edition (300 copies worldwide) 12inch vinyl in shrink-wrapped printed sleeve with paper inner. includes microbial, minor arc, mactavis and model 2029.

ghosts/spirits is the result of many exorcism sessions, most of them performed unknowingly. the tracks are numbered based on their order of collection. ghosts are generally subtle and linger around more than spirits, which are said to go straight to your mind’s heart. whether you long for a naked dance in the forest, or a subaquatic journey through mermaids and sunken ships, you are welcome to indulge in our musical exorcism, in the name of the tribal forces which brought us rhythm, and the spiritual forces which brought us together. ah,… man

the classic burial album is re-pressed on 180g double vinyl and, for the first time, updated to include the beatless atmospheric tracks that up until now have only been available on the cd album and the digital album. please note - these are not re-issues, theres no new music, nothing remastered - just revised, improved.

siren sind darshan jesrani (metro area, startree) und dennis kane (disques sinthomme, ghost town). ihre erste recording sessions fingen im winter 2013 an, aber die anfänge ihrer zusammenarbeit reichen zurück zu ihren gemeinsamen residencies im berühmten new yorker hot-spot apt und anderen parties, die sie organisierten. nach dem mitreißendem und euphorischen a/way mit mr. reed, im herbst 15 veröffentlicht, klingt ihre dritte maxi paradise sowohl eindringlich, als auch recht kolossal und treibend. paradise kommt mit einem zugleich fesselnden, düsteren und mechanischen late-night techno dub von gavin russom (black meteoric star, dfa), und als digital bonus bekommt die maxi eine hagere, futuristische, drum machine-geleitete 5-uhr-morgens-in-new york-mäßige reinterpretation von siren.

an atlantic crossover brings together detroits stingray313 and glasgows galaxian for a very special 12. more collaboration than split, the ep sees each artist fly solo as well as combining their admirable analogue abilities. pressures are high from the outset, galaxian twists and teases patterns in the reverbing reverence of storm coming. bpms surge as the two merge for the cold nu-1000. lilting notes ghost between rasping rhythms. and it is around such racing drums that warmth flows, as in the meandering softness of graphene. beats dont abate as stingray takes the helm for the blistering bass of dopant

finally on vinyl: the successful album of pentatones with singer delhia de france, as high-quality double-12inch with gatefold sleeve, and special artwork, including the hits -the beast- and -ghost . produced by robot koch

nice price deal !!! “rising / falling” marks multi faceted artist daze maxim aka markus manowki’s second full length lp since 2000’s “same place the bot got smashed”. this is the 3lp deluxe vinyl version.

livity sound founder kowton jacks the rapid fire drums and disquieting samples of cowboy rhythmboxs fantasma turning in a sub-heavy club roller that applies his peerless rave sensibility to the original s ghost train atmosphere. a burbling slice of bristol meets blackpool pier, only on phantasy white label, limited to 200 press. dont hang around.

solo-debütalbum des filmkomponisten und mitglieds des gothtronic-trios the night terrors, miles brown. nach dem trio-erfolg mit *pavor nocturnus* veröffentlicht der solist brown ein synthie-pop-opus mit klaustrophobisch-eiskalter grundstimmung und textlich orwellscher thematik (die bedrohung der freiheit des individuums durch technologischen fortschritt).

bangin harder techno monster

new 303 tools by pw.
mpc beats versus tb303 -- editing live -- dj shit

from field recording to analog machines, sound design and acoustic instruments. - reflecting on the sounds of our lives and their perception by our mind, - four - ghosts - were born. - the spontaneous realisation of an emotional connexion with a sound (the birth) and the feeling it can create in our mind, body and soul. (the story) first, the ghost is born, acknowledged and captured: rain falling, airplane passing by, metal grinding, underwater impacts, birds in empty spaces or other sources of raw sounds combined to form a spectrum of emotions, a personality. then, the ghost is understood, carefully tamed, manipulated and controlled to become part of the host s identity by the pure continuity of the cerebral activity through the nervous system and the being itself. eventually the consciousness / awareness of the moment is integrated and the ghost becomes the experience. (the source)

haron comes home with his district iron ep including some heavy remix work by jeremiah r. this platter is loaded with low,

ltd 2016 repress !! presenting its third offering, common labour offers up a various artists release. strictly limited vinyl only. this four tracker covers all bases and will secure its place in the bag of the desiring wax jock

following a summer of fifth birthday celebrations, tom tragos voyage direct label returns to action with a brand new 12inch from amsterdam scene stalwart simon weiss. although a new member of the voyage direct family, weiss is no newcomer to the scene. hes previously delivered high grade eps for rush hour, deepermotions and home taping is killing music, and his contribution to first mission, voyage directs fifth anniversary compilation, was one of the undoubted highlights of that set.

new rawthenticity release featuring 3 tracks produced by miruga & fulbert at miruga s studio in suzaka, in the middle of nagano mountains, japan. deep & obscure as japan countryside can be... a side is a 15minute deep piece of music melting house, jazz & techno influences - homage to miruga s father who runs a small garage in the backyard of the family house. b1 is miruga s deepness at his best & b2 is some japanese sake inspired sample madness - tribute to a ghost that may or may not have been involved in the production on that special night of may 2015. limited 250 copies - vinyl only