after a short introduction as a remixer on the >prismatic ep< kevin over demonstrates his production skills. kevin alone at the home-studio surprises in a musical way. level one: >dollycluster< with its click-beats and latin-inspired sounds gives a impression of the summer-parties at dc10. level two: sennhs deep and happy rework dives gentle into sunset. level three: >forrest dump< is a luminous tech-house masterpiece of the 21st century

inner thoughts is a rolling acid track with off beat snares and broken hi hats while space disco is a deep detroit esque, mid tempo slice of electronic gem. sonja moonear (karat, katapult) has added her own dimension into the release, having reworked space disco into an obscurely deep, heavily bassed broken piece of dance floor wonder. also on remix duties, lasimo (senator/germany) has taken the original from down town detroit to a parisian night club, dropping the main acid line out but manoeuvring the percussive groove and gentle pads to an altogether new kind of experience.

the year starts with the 4th instalment of the rising label from germany.>little less more< is the meeting of two musical generations. this fiery track fuses mid-nineties tech electro with up-to-date minimalism. the strange sound effects and minimalistic energy of >jenna s melody in love< create a 21st century techno-journey. daniel solar s and marc poppcke s remix is the absolute contrast. it s deep tech-house grooves like a gentle film score for sunset. watch out for this upcomming artists..

incl cube guys & balearic soul remix!! the cube guys remix is the musical equivalent of someone you know and love transforming from a sweet natured, gentle chap to a bit of a lunatic after an eye opening stag do in estonia. tracey ks vocal is still at the forefront of the track, but the floating, relaxed melodies of previous versions of this track have been replaced with sharp, stabbing synths, fiercely driving basslines and maic percussion. make no mistake, this is an epic remix. the breakdown is an absolute hair raiser - techy, dirty and uplifting - and as the vocal kicks back in, anywhere this drops will erupt in a sea of raised hands and stomping feet.

first single from the stunning hunterville long player from rodney hunter. guest remixes by the neighbouring germans adds to the rightfully expected release on this 12inch. man of the moment christian prommer takes wanna groove on the more gentle percussion trip at first that simply builds and builds into a classic education process. elegant programming as you would come to expect from voom voom/fauna flash/trüby trio team member. it ends at just over ten minutes but the ride spanned a minor evolution in techno terms. wahoo boys, aka georg levin & steffen berkhahn bring back some of the bounce and shuffle and a tambourine shake or two. again, these guys know a thing or two about moving feet and hips and making people heat up their body temperatures.

nice price deal !!! soularis are back with the superb peaktime anthem closer featuring denise johnson on vocals. the unmistakable soularis house groove, skippy house beats, bumpin bassline and gentle congas riding under rhodes chords, provides the perfect backdrop for denise to let rip with her awesome vocal on this track berating a former love! nathan g launches the vocal into orbit with a truly massive club mix injecting the track with huge strings, big builds and plenty of energy!

another smoking latenight excursion from the always reliable mojuba stable with a dose of oldschool-minded tribal funk on the a-side featuring layers upon layers of handclapping, percussive beats and ripping organ chords, while on the flip sven weisemann plumbs the depth of the intersection between dub and house with the gentle >activity chain<

aus continue to release the best and brightest of contemporary dance music with the oehug the scary ep, a collaboration between luminaries will saul and lee jones. will saul is best known as the head of simple records, up for nomination as best british label in dj magazine this year and also sister label to the more experimental aus imprint on which this ep is released. in his career to date he has released numerous singles on simple, the critically acclaimed space between album and has recently produced an ep for the german label systematic. englishman in berlin lee jones has to date released acclaimed singles on liebe detail, aus and his own label, just rec. formerly releasing under the moniker hefner , he is also a main creative force behind playhouse my my, whose oesongs for the gentle album won plaudits worldwide in 2006. opener oehug the scary is a transcendental journey. trace echoes of melody encircle an intensifying percussive step, filtering to a chimed key reflection. tonal themes fade in, compete, distort and then depart, making way for peaks of overwhelming melody, with only the fittest surviving and elevating to the sublime. on the flip side, partial arts (the duo of ewan pearson and al usher) give their own, heavily percussive, account of proceedings. stormy fuzz and bubble bath accents introduce a funk bassline and interplay between looped guitar and tonal melody. a sci-fi synth haze halts and then dictates the progression into a saturated melodic climax.

lovely slice of deep vocal heaven here starting with an afro brazilian flavored guitar intro and gentle beat with a subtle kick that slides into some extra warm synths and the baduesque vocal by zansika that sets the tone, polish all the way. incredible break about two thirds the way through that gets quiet and takes a moment for just the beat, echoing vocal and dizzying synths that should mesmerise the floor. b side dub strips the track down to its essence exposing all its elements to let us see what makes it work so well

incl remix by regular heads jaumetic and bruno d. !! spinky & parrado offer us a crunchy mixture of energetic electronic sounds designed to create intense moments due to its gentle progression and its forceful rhythms.

nice price deal !!! hot electronix by marco bernardi and a super sweet remix by kettel! minimalistic electronix with a touch of cut-up 4 to the floor techno and wierd vocals. kettel delivers another great remix with stunning melodies and soft rolling beats. very nice and gentle! huge reactions from afx twin , sven väth, r.hawtin, michael mayer !!!

one half of crosstown rebels with a nice melodic electro flavoured 3 track ep on suicide recordings

finest epic track with large amount of delays and effects creates a magic smooth and gentle feeling. this is very unique and shows jeffs ambition to extended the genre of minimal techno, to one with more emotion and soul !!

after his much applauded tribute to manuel göttsching, norwegian martial arts grand wizzard blackbelt anderson returns with another deadly sample of his secret technique: the main cut >alfaz de pi< molds the ancient styles of cowbell driven space disco and ruff acid into a powerfull weapon for dancefloor action. >sandoz< overwhelms in a more gentle way with its sweeping balearic chords and the melancholic melodie while the prins thomas edited >snake eyes< hands out some hard capoeira style slaps. surely one of the most crushing releases on full pupp so far.

nice timeless deep techhouse tracks by morris brown back in stock !!!

bla kula has emerged from his deep crypt with two gentle reworkings of some soulful tunes. the family song by kindred the family soul gets an extended house treatment that is so deep its 6 feet under. michael jacksons human nature floats along in a very mellow vein. seriously breathtaking

theo parrish legendary harmony park re-released. >twin cities< sees theo combining some fairly jackin beats and a throbbing dubby bassline with an amazing jazzy vibes line and some dubbed out synths on this superb late night cut, dropping elements in and out of the mix with consummate ease. on the reverse, >dance sing< is a percussion-driven cut with a booming bassline and gentle keys pitting wits with a drifting vocal stab (dance sing) and great percussion elements on another late night gem

cool 4 track mini sampler with a deep house bomb by klas lindblad a deep atmospheric tek house tune by henrik schwarz a monster bass groove by george spruce and a deep dub influenced thing by asshole and gentle man aka sasse and henrik schwarz

lullaby belies its title by blending great analog bass drifting dubby keys shuffling house beats and some stellar percussion elements behind some stellar guitar play for some surefire floor pleasing house on the flipside the dub version takes the original and throws dubby delays liberally throughout the entire track and praise completes this superb trio with a laidback downtempo gem combing a plodding analog bassline lazy beats and gentle guitar into a summery terrace track

todd terje's night version is a gentle, yet demanding rework of the original. terje is locally known as quite the wunderkind, and brings a touch of elegance to everything he does. he's currently wrapping up his major in astro-physics, no joke. - the original is a pumping, neccesary song about the greatness of wolves, sounds a bit like early madonna, or so we've been told. - prins thomas' remix of the psych-funk track 'chin up!' is a long, mystical journey.

builds with a warm bouncing bassline wrapped in snares and gentle percussive textuires. highly infectious melodies lie on an bed of shimmering atmospheres combining with a driving click beat and deep subbass to complete this balmy uptempo dancefloor cut

kosovo floats in with a liquid, subtly swinging beat, bubbly bassline and gentle key chords creeping in slowly: first sounding sweet but later on changing on into a beautiful yet haunting and slightly sinister melody from a grinding musical box. the intense, slightly unsettling atmosphere - as in an italian 70s horror flick - is further enhanced by the permanently nagging acidline and horn lick synth pads. for more manic dancing check orange feels: totally insane chopped up beats and f*d up string loops challenge you for some advanced electronic boogie

back in stock.. künstler treu geht steil auf eleganz-records .. einerseits ruhig, vertraeumt in einem wunderschoenenen maerchenwald, andererseits etwas funky duester mit verfolgungscharakter !! rmx by jackmate and phoneheads

written and produced by lindstrom !! 'entle as a giant' comes with dry clavinet, heavy percussion, a monoton almost techo-ish synthbass and epic french horn. a2-track 'temperert' features acid synthbass and a very simple moog&flute melody. flip for the title-track 'arp she said', a balearic disco-groover. the ep ends with 'kontroll', slow-moving arpeggios and nasty hammond-feedbacksà enjoy yet another quality feedelity-release

builds with a warm bouncing bassline wrapped in snares and gentle percussive textuires. highly infectious melodies lie on an bed of shimmering atmospheres combining with a driving click beat and deep subbass to complete this balmy uptempo dancefloor cut

from the underground of stavanger norway one could expect some serious filth and crunch, but ullis tapes issues two soft, gentle and almost slick house tracks with bubling acidic melodies and pads on the a (with tom ace from club no-no 3) and lengthy slow chorded lullaby house on the b feat. bejjer.

album # 13

cd gatefold sleeve, artwork insert, postcard

greyscale full length release #27 offers two previous mood series artists to share one long player. titled >strange fog<, genning takes the first 6 songs while botn wrote the last 5. this album is full of gentle picturesque ambient pieces that equally create a space and a vision of an atmosphere or setting.

the 21st full length release on greyscale is by none other than the home town hero sraunus. a veteran of the label, we are thrilled to have the fellow lithuanian back once again. the depth of surrealismus is nothing short of amazing. how only 7 tracks feels deeper than any double cd set, we are still trying to uncover and understand the entire scope of this release. sonically, it is a true gem of pushing the limits. idea wise, this album is cohesive and awe-inspiring. holowuka is beautiful and gentle opener. it sets off a serene almost deep sea diving atmosphere with the long delays and low frequency chords vibrating through. the melodic elements open up even more, a vast world as the track evolves. from the low key and moody to the pumping aggressiveness that is hroniglas ii . a true monster with a sick combination of trance and deep techno thrills. jueootas conjures of memories of 1990s ambient techno with the light and airy feeling of nostalgia. a lovely adventure on the high seas. jurgynas continues this theme with a beautiful ride into a sound that is blissful and forever. some of the most soothing dub techno we have heard yet. lapunai is another strong candidate for being our most favorite on the album. featuring what sounds like excerpts of violin s over some amazing layered melodies. a shinning moment and a perfect example of a dub techno track s emotional potential. lastly, ramunanas submerges us in a beatless (but not bassline-less) sphere of magical and shimmering sounds. a true master-class of more ambient dub techno. sraunus is back and if surrealismus is any example of what he has in store, then everyone should bookmark his choice where he shares his latest news. we think this could revival any dub techno release for album of the year. it s that good!

greyscale unveils its latest long player masterpiece! mood series regular altone, has had four eps credited to himself on the label in the past year alone. >forest land< is his first full length and its a deep journey with ten tracks of some of the strongest and most high-quality dub techno in the business. >hunt< & >ethereal night< are not for the faint of heart. these are some of the headiest and immersive tracks we have heard yet at the label. then there is >oak< & >pinecone< which hone in on and harken to a lost age of traditional dub from the mother land. enjoy being transported with >flying leaves< & >downpour< as they give off impressions of scenic landscapes from distant memories. altone then adds a good dancefloor number for those house lovers in the addictive groove >cold ground<. >pebble< is reminiscent of some of the best of intrusion with its gentle waves of chords that surround you like a warm blanket on a cold winters night. lastly, >morning dew< is a standout crescendo bringing the album to a triumphant closing is pure class. >forest land< is guaranteed to have something for everyone and to also impress the most hardened dub techno critics as well. altone is proving he is a name to keep an eye on!

subset is the featured artist for the 17th greyscale full-length. named >this quiet earth<, this 9 track heavyweight of dubby goodness offers a consistent variety of spatialness while the atmosphere clearly surrounds you with its innate charm. heavy chords are consistent characteristic here while the beats are strong and favor more of a steady low tempo. tracks like >the rivers are dry< and >trippy specs< are soaked in reverb with an old skool dub sound while >the community of worlds< and >two halves< are another pair of deep-seated scenic heaters. the steady static over many tracks give off a language of communication to the listener that balances the organic elements extremely well. >lucys sky dreams< is not unlike a classic echospace track with tremendous depth that has you on the edge of your seat. a gentle album across the board that still has a reserved serious tone to it. another fine addition to the camp, subsets debut with us is a memorable one.

expanded version of the original motion picture soundtrack by god hans !

floating points personal collection of global soul, ambient, jazz, folk treasures from the latest in the late night tales. includes exclusive material from sarah davahi, toshimaru nakamura and floationg points cover version of kenny wheeler. also features an exclusive spoken world piece by lauren laverne. included bonus download code to the unmixed track versions in flac, wav & mp3

experimental, ambient styled tracks

we! love! dj koze!

travel agents for inner journeys seahawks take us on a voyage ever deeper into the new age vortex. their last album escape hatch described by vice as a modern masterpiece only hinted at the transcendent power of seahawks music. eternal beams goes further to create a whole new harmonial experience. side one: the listener immersed in a soft storm of tape saturated raindrops and distant thunderÉnuminous waves of sound cascade to create whirlpools of womb-like warmth with gentle pulsations. side two: enter laraajiÉ flocculent flows of golden zither, rich vocal vibrations, dolphin tones in phantasy phase - all coalesce generously, bringing feelings of rebirth and light. to conclude: a wondrous journey of resonant oscillations, inner exploration, a portal to other dimensions.

the new album from kieran hebden aka four tet

extrawelt are back! although in fairness, they were never gone. on the contrary, since their first release on james holdens border community label dropped in 2005, arne schaffhausen and wayan raabe have been responsible for a plethora of classics including schšne neue extrawelt and in aufruhr, their two seminal albums on cocoon recordings. the duo are one of the most booked live acts worldwide, commanding a huge fan base. their performances are the stuff of legend, making them the absolute highlight at every club and festival they play

this marks the third single from intrusion s forthcoming album: -a gentle embrace- the second official album since 2009 s critically acclaimed, -the seduction of silence-. what has not been heard before comes into glimpse via analog circuitry, obsolete synthesis & sonic exploration beyond dreams. gorgeous plumes of sound evaporate into the ether, shifting and undulating to the unseen electro-magnetic pulse of the universe. this double cd set features the original mix as well as three beautifully hypnotic dub reductions from cv313 and an epic 70+ minute entrancing ambient rework from variant, which might be one of our personal favorites to date. a passionate, galactic, deep voyage to the other side of the galaxy, we ll meet you in the stars. for those who loved deepchord presents echospace s classic, -the coldest season- on modern love you will find plenty to appreciate here, a beautiful analog tapestry made in the heart of detroit, techno city.

hotflush are proud to introduce an exciting young artist, pyur, along with her singular debut lp epoch sinus. despite her relative newness, pyur meets the world with fully formed and unique signatures in both visual and sonic work, revealing a deep artistry that transcends medium. growing up in munich, in and amongst the same fecund scene that spawned artists like the zenker brothers and skee mask, pyur cut her teeth from a young age as a guitarist and singer before becoming spellbound by the electronic worldÕs endless scope for sound design. endowed with innately strong synaesthesia and reared in a shamanic household, she tells how music Òplayed the biggest role in my growth. it alone had the purpose to help me dissolve boundaries, discover the beauty of lifeÕs mechanisms, create freely. it talked. soon i felt like the music was making me, not the other way round.Ó epoch sinus is a seamless and heartfelt whole, a life-like being unto itself, describing the disintegration of barriers between the self and the all. here pyur offers an intimate and personal statement, combining knowledge of universal harmony with electronic music. she states: Òi m mainly influenced by my inner visions and nature itself, yet also a lot from club culture, which is undoubtedly an important space of connection and freedom for so many people. the record dances playfully between supposedly incompatible qualities: moments of brutality turn to softness, new life embraces decomposition, while explosive rhythmic and melodic structures are tempered with gentle and subtle percussion.

matt karmil is a british musician currently residing in sweden. ++++ is his third album, following 2014 s pnn debut - - - - and idle033, released on bristol label idle hands earlier this year. his output also includes a variety of singles for labels such as new york s beats in space recordings and stockholm s studio barnhus. on this new album, karmil can be heard exploring the concepts of impossible objects, reflection, symmetry, infinity perspective, truncated and stellated polyhedra - hyperbolic geometry, tessellations and lost love. while making the music that constitutes ++++ he interacted with mathematicians george p—lya, roger penrose and harold coxeter as well as the crystallographer friedrich haag, and also conducted his own research into tessellation. the result is ++++, karmil s most clever, strange, emotional and fun work yet, a testament to his breadth and depth as a musician. did we forget to mention that he s an awesome party dj?

welcome back to the movielike resonating sound world of the 23s. already in 2008 the mysterious one-man band proofed with the album ÒboliviaÓ that they are trying to do another kind of music Ð something that isnÕt entertainment, something that isnÕt show, something that goes gently straight to your soul. now the producer from nord-rhine-westphalia did it again and tuned in the longplayer ÒflamingoÓ. anew he delivers a special kind of cinematic journey music that grooves opposite to his other, more rhythm based hypnotic dance productions. also as the 23s he produces pattern-based music, but it pursues a different intention: each listener should dive into a hallucinatory world of seen and unseen films that his inner eye creates unprejudiced. all ten tracks are romantic smooth operators. they put themselves in service of an artistic vision, in which the listener should get lost in music. the album can be seen as a love-letter to the movie scores of the french 70s cinema or the impressionistic sound arrangements you can hear in the early cinema of peter greenaway. with double bass heat, discreet piano melodies, levitating guitar chords, some gentle horns here and there and beats that recollect the warm jazz influenced soul of oldschool hip-hop the 23s generate a sublime get-down-deep instrumental journey. you can listen to it attentive. or you can just play it in the back while doing whatever you like to do. it is recommended to play ÒflamingoÓ in a decent amount of volume as all loungey tracks begin to live bigger and brighter with sound intensity. if you play it flashy you will experience an atmospheric sometimes light-flooded, sometimes foggy 40-minute electronic journey that offers open-minded souls to fill the room between the notes with their very own milky fancy. soon the album will be accompanied by a bunch of remixes tuned in and twisted by producers like giegling and white artists edward, christian s of the c—meme tribe, canadian producer the mole and the german post rock and electronic music band to rococo rot.

a touch of classical music, left field electronics, ambient love affairs, and discreet dubby house emotions without a kick drum: the third instalment of mule musiqs famed enjoy the silence sampler serial swings gentle, tricky, and multidimensional.

after last years album love & devotion the husband and wife duo of mike paradinas and lara rix-martin follow up with weird drift. the album shows just how much their ability to write confident and thoughtful pop songs has developed, while still being able to retain the sleepy cushion of steamy synth pop that made the first record so rewarding to listen to. this time album features the vocals of a vezelay, a.k.a. french singer and producer matthieu le berre, who brings a gentle poised falsetto to the duos productions along with a delicate but hopeful angst.

2 cds of classic & contemporary progressive rock masterpieces

mighty clouds is a brand new project that finds thomas re-teaming with betty marie barnes, a talented singer who provided vocals for slgtms every night and fill up the room.the result is a collaboration of the sort that can only occur when two musicians connect on a level that goes beyond the songs they are performing. throughout mighty clouds self-titled debut, thomas and barness musical camaraderie generates a gentle electricity that exudes intimacy and beckons the listener to move in for a closer listen.

whilst barlande may be difficlut to classify in genre it has been described as having its roots in flamenco and some ramifications of contemporary classical music. but any attempt to pigeon-hole this album should be ignored beyond deciding what shelf or floor to place it on in a record store. barlande is about creativity and discovery and its story is both fasciniating and inspiring a father, pedro soler, and his son, gaspar claus have created something entirely unique. the opening track insomnio mineral is a gentle begining with sparsely plucked cello before being joined by a gently sweeping flamenco guitar. what takes place from there on in is difficult to describe in words. the language between the cello and guitar become unlike anything i have heard before. the cello comes alive, a voice at times, leaping and striding in near freeform before coming back to join in mutual step and melodic interplay with guitar.