future times is proud to present a fascinating, brutal 12 inch from brazilian producer japa habilidoso, aka guerrhina from 40% foda/maneirissimo crew!! a side * funk do sindicalismo* goes for relentless, almost abusive rhythm collage, this cut is the most punk shit that ft has so far had the pleasure of releasing. ruff rugged n raw!!! the flip, * agronomia setorial* , cuts more dance and djshapes, and rides bugged piano loops and a collage of voices and noises to perfection. this is one for the mutants!

essential repress of terrence dixon’s debut album and first release on tresor.
initially released in 2000, this new edition comes with a bonus 7” vinyl featuring two previously uncut tracks: “ what up” and “shuffle all circuits”.
from the far future embodies a specific and vital time of detroit‘s techno production, going hand in hand with juan atkins’ work as infiniti, terrence dixon signed this album with a masterful hand.

limited coloured vinyl

standard weight transparent red vinyl.

2021 repress! fantastic rave techno on transparent 12 inch vinyl. 5 tracks from 5 great artists!

the shortest connection between the past and the future leads through the music of boston 168. drawing inspiration from both classic and contemporary approaches to the acid techno sound, early nineties rave culture and the throbbing pulse of the now, sergio pace and vincenzo ferramosca have carved out a niche for themselves which over the past four years has become a musical microcosm of its own. having released a slew of records on such labels as involve, attic, odd even and dustin zahn s enemy, the italian duo now presents its most cohesive musical statement thus far on ellen allien s bpitch. on the three tracks of »drops in heaven«, boston 168 seamlessly mold together lysergic acid lines with elements of nineties ambient techno and a rhythmic groundwork that is as thrilling as it is intricate. »cosmic tribe« translates its idea of universal togetherness into a nerve-wrecking groove punctuated by complex percussion work and a subtly building acid line, while »drops in heaven« uses a booming kick drum as base for an emotionally driven exploration of sonic textures. the psychedelic »straight to light« nods to nineties pioneers like emmanuel top, showcasing ferramosca and pace s talent for creating musical depth by ingeniously bringing together a few select elements to greater effect. these are tracks that relentlessly head towards the unknown final frontier of what techno can sound like in 2018, while not in the least neglecting the rich tradition that they draw from.

slow motion s 38th (!!) release comes courtesy of berlin-based gallo who you may know as part of balearic gabba soundsystem. joining the family for his debut solo release gallo drops the tempo for three deep-cuts of blissful balearica. backed up with an acidic, chugging re-rub of faron from fabrizio mammarella which is perfect when the sun goes down, orange stripe arrives just in time for summer. how to get the most of this track: combine it with blissful and dreamy beach-excursions or with a sunset aperitivo. this 38th release has -future classic- written all over it.

vinyl only .. space is most definitely the place as far as the latest vinyl adventure from us here at future reactions is concerned. with galactic references aplenty, futuristic soundscapes and more than a hint of interstellar travel on the analog core ep, the only thing missing is an astronaut suit. manning the controls of this otherworldly craft is josé rico, a key figure in themadrid underground scene through his associations with the downbeat and freebeat labels, who blasts off with the raw emotional electronica of orion. that man rico also features alongside the much-vaunted leonid (dolly/sistrum/statik entertainment) under their joint studio guise of cygnuss. having made their debut on freebeat earlier this year with the well-received long player night drive, the duo are on a mission here to warm-up the dance-floor with their house-not-house rocket journey to outertape. hailing from buenos aires but with a sensibility rooted in chicago and detroit, diego perrisson caught the attention of the more discerning ears as co-owner of the short-lived but not-forgotten label monochromatic. turning heads once again with his new venture, fundamental sounds, perrisson captains a smooth touchdown with the cultured deepness of restless ride.

a negative hallucination is an idea that was first put forward by sigmund freud in 1890. he used the term to describe how a hypnotised person could be led to be unable to see a person or thing that was right in front of them once out of the hypnotised state, creating a gap in their reality. sadly, this gap in reality seems endemic in the minds of many in the world, whether from lack of access to facts or from wilful ignorance. the result is the same regardless: a world where many oppressed peoples reality is edited out of the conversation. noleian reusse (half of africans with mainframes) and thomas cox (one third of pittsburgh track authority) got together in the studio in pittsburgh during a week of extreme social unrest in the usa in late 2015, resulting in these recordings. the tracks are crafted with a stripped back electronic funk and a stark, relentless feel that reflects the energy in the air at the time. as long time fans of politically and socially charged music like public enemy, underground resistance, nwa, dopplereffekt, and gil scott-heron, noleian and thomas have taken these influences and mixed them with their own styles to come up with a modern dancefloor version of those ideals. lead track solidarity fills the whole a side with its optimism. soulful melodies and strings conquer the driving rhythms, bringing a sense that through sticking together, a better future is possible. the b side s perspective is darker. police state is a crazy raved out banger that combines gritty acid and harsh tones that channel the day-to-day existence for far too many urban people. the third and final cut, surveillance, is a paranoid, spacey techno track that would be ideal as a soundtrack for closed-circuit television video reels. this snapshot of urban life is tied together through artwork by andrew burger, whose mix of throwback style and current ideas nails the dystopian existence that is now reality as predicted so long ago by orwell, huxley, lucas, and many more.

cult hits from 1983 on triple vinyl.

welcome robert apetrei on hashplant - hpr010 - coloured vinyl - limited copies

twelve years ago tresor records released terrence dixons debut album >from the far future< - a personal homage to the art and ancestry of techno, culminating in a discursive and dream-like course through the genres many tomes, complete with subtle nods to key protagonists such as kraftwerk, derrick may and juan atkins. a luminescent and ethereal catalogue of tracks awash with shimmery synths and taught rhythmical programming - that still holds true today, >from the far future< made for a stunning first full length that cemented dixons already proven credentials from his population one work and utensil records foundations. after a string of stylistically rich releases - including another album, >train of thought<, this time for cologne-based label yore records - the detroit native returns to tresor records with >from the far future pt.2< - an ambitious, scopey and deeply personal sequel.

niki b & chrstian e.f.f.e. grew up with the legendary tuscany sound championed in the nineties by italian masters francesco farfa & miki. since then this electronic duo rides the progressive influenced house music world,they gained solid respect from the scene leaders and have released several records for saw, stereo, renaissance, mantra vibes, audio therapy which brought them to dj worlwide and spread their trippy grooves and futuristic melodies to wider audiences of music fanatics. hell yeah is proud to bring you the question and fatman, future sounds from a nation gone too minimal..

firmin is a resident at our parties and this is his second ep for us. it s a new alias of his focusing on more progressive club tracks. carlo who did the remix for us runs neovinyl records and is a resident at ipse in berlin. dj support so far from: brett johnson, radio slave, kinrade, sage caswell, dave harvey (futureboogie), photonz, tony humphries, the wasp (dabj), dennis quin, ernie guerra, christophe, alkalino, freedomb, tiga, robbie akbal, nic fanciulli, steve lawler, gene farris, john digweed, horse meat disco, demi, audiojack, claptone, vincent neumann, joris voorn, absolute.

new years deal - dresden s lockertmatik starts his engines for the first time on shtum and delivers a string of tracks that seem to come from a not so far away dystopian future. here are four tracks that are unpretentious but elaborate, effective but not overambitious. -break the chains- sets the bars in terms of dark techno bliss for both basements and bigger dancefloors. on -message from the underdog- lockertmatik shows off his knack for acidic perfection while -jaku- gets the jazz treatment. finally, -313 - 0351- is all about building tension without losing one bit of impact on the dancefloor. the artwork comes courtesy of carl-johannes schulze.

recovering from the gray decay of the winter here in berlin, we are more than ready to push forward farther into the future. in order to do so the powers at chronicle have aligned a new musical offering to test the palate of those who know, and those who care. we are pleased to present six tracks from the prolific arnaud le texier, who has made waves for years with his children of tomorrow imprint and renowned taste. from cosmic interludes to heavy hitting transcendence, arnaud manages to showcase all sides of his production skills as they translate into a compelling and emotive narrative. among them stands a tribute to one who was lost along the way that we simply do not want to forget. only rarely in this life do we stand witness to gures that make a true impression, an imprint that continues to leave a mark long after the original has passed. max_m was one of these gures, and it is through his music and immensely dignified curatorial prowess that his legacy will live on. arnaud’s poignant tribute stands as a personal note amongst an ep full of forceful techno suitable for deep space exploration

two thousand has always been the official symbol of the future. two thousand has been told, represented, drawn and played centuries before the year two thousand. and now it s past. -i don t wanna get rid of this: all the changes you re making now, will simply belong to two thousand. we belong to two thousand-. white label 10- w/ unknown edits that dig heavily into jazz samples but they go beyond, creating sonic impro jams including menacing low pitched arpeggios, celestial breaks of synths and far away lights of a black continent pulsating under the crisp mastering work. included is a nice printed poster with artwork from 2000 himself.

medical records presents the second release in our transfusions 12- singles series. not too far from medical s headquarters in seattle, resides josh rose aka derivatives in vancouver, bc. known for intense live hardware sets, derivatives has been making waves in the pacific northwest playing alongside multiple notable producers who have toured the area. transfusions presents the first release by derivatives containing 4 distinct and uncompromising tracks that could be loosely associated with minimal techno but with a more complex and certainly darker edge. the tracks were recorded late 2015 in vancouver. for fans of labels such as token, mote-evolver, and avian, you should dive in. presented on classic 160gram black vinyl in our transfusions 12- sleeve. mastered by martin bowes at the cage studios, uk.

now in its 3rd release, fortified audio give us this blazing e.p from one of garages finest newcomers: cosmic revenge. hailing from san francisco, cosmic revenge first made an indelible mark on the future garage scene with his >psychic< e.p on whistlas l2s imprint. the tracks from >cold hearted< explore the far-reaching range of cosmic revenges tastes and influences, keeping the usual crisp 2-step beats and vibes while incorporating elements of deep house and techno, the right side of rnb and broken beats that wouldnt sound out of place on a classic domu record. hurricane blues kicks the ep off with some deep, bleepy garage, mutations is his take on uk funky, lead track cold hearted a ridiculously swung roller with boards of canada influenced atmospherics, and late nights rounds it off with a sleazy talk box love-step jam. with this e.p, cosmic revenge is sure to up his status as one of the leading lights in a genre that has seen unbounded progression over recent years, not to mention soundtrack your balmy summer nights. support comes from martyn, shortstuff, mary anne hobbs, jackmaster, whistla etc

incl rock version movie anthems of rocky iv, flashdance, dirty dancing, beverly hills cop ! ltd 1000

ltd ed , aqua coloured vinyl

welcome to future dance club, a place for freedom of expression, smiles and dancing. an inclusive space, where we remember, once again, what its like to dance with old friends.

black vinyl

continuing the story of his previous two iterations on this title, spanning 3 vinyl discs, it is a serene undertaking of unrivalled motor city rhythms and sound. it finds the detroit producer oscillating, from excursions in paradises of synth pointillism to husky storytelling and dixons peculiar beat work.

skinny pelembe corrals together a cast of talented friends for his new ep. it’s his most ambitious release to date, boasting a different group or artist featuring on each of its tracks, each of them an act he’s met through music or through linking with brownswood’s celebrated talent development programme future bubblers two years ago. across its four entries, he bridges hip-hop, psych-rock and jazz-influenced tangents, cutting out a diverse cross-section of the city’s music scene. it’s a document of the connections he’s made as an artist, and is the most collaborative project he’s worked on so far. the title of the ep comes from some advice which skinny noted to himself on an old notebook. each of its songs started as a rough idea which was then fleshed out and re-imagined with his collaborators.

innervisions continues their collection of hidden gems which drop into their sets every now and then, dipping them into colors of great variety. this double ep marks the 10th edition of the secret weapons series.

the second outing on his midnight themes imprint, marlon hoffstadt touches on featherlight acid, proto trance and jacking house across three tracks, also brimming with sub and dub. fresh from recent releases on hot haus, ransom note records and his own retrograde, marlon hoffstadt is reemerging as a defiant staple of dancefloors far and wide. with his newest release, the berlin producer encourages listeners to engage with the music without the parasitic interferences of 21st century life. so for the next 20 or so minutes - screens off and blinds down to enjoy some pure awareness.

the mighty one-man-band with the most notoriously misspelled airport pick-up signs in music history returns to his beloved hometown imprint musique risquée with a scorching three-track can of shake-ass. guillaume & the coutu dumonts is never one to shy away from fresh contrasts in his works, and we have no exceptions here - all manner of dark-to-light, flacid-to-hard, and identifiable-to-wtf? moments, sounds, and vibes abound. lead-off piece histories vraies brilliantly soundtracks the inevitable future moment when a season-premiere costumed viewing party for game of thrones unknowingly gets their punch spiked with moon rocks and teleported right to the middle of panoramabar at peak time. a2 jam far is the field counterattacks with the next level fusion of sun ra arkestra-esque transmissions wrapped around a humpty dance-on-steroids bassline, twisting and shifting away from the hands on the clock with beautiful ease - i am music.. indeed. finally, b-side long-burner whatevers inside rocks a sultry belly dancers theme song at an fm and modular synth bazaar on uranus, with g & the cds patented sharp percussion fills ensuring that the resulting melted faces and hearts will still be set in motion by the all-important collective flexing of the gluteus maximus.

remastered edition, contains a printed inner sleeve and 4-page 12inch booklet with liner notes and photos. tip! after a classic artistic journey and an experimental stint with aktuala and other brilliant fellow musicians (like franco battiato, above all), lino capra vaccina, near the end of the 70s, recorded antico adagio. it was an amazing album, anticipating countless future experiments in the field of new age and world music but also in avantgarde and electronic music. apart from a few violin parts and the extraordinary vocal lines (sung by vaccina himself and juri camisasca), antico adagio is an album fully built on percussions. but, at the same time, it s the farthest thing from the typical idea of percussions. you won t find a single trace of african or primitive beats: instead, this is a collection of rather long, subtle and thoughtful compositions, crafted with vibraphones, marimbas and gong. together they create a work which will remain unique both in capra vaccina s discography as well as in a more general sense.

uwe schmidt has long been recognized as one of electronic musics most respected and versatile artists. a man of many talents, projects and identities including atom heart and senor coconut, uwes playfully ironic and acid- tinged atom tm moniker is perhaps the identity that most speaks to the new york dancefloors where the bunker makes its home. several atom tm releases are much-loved bunker classics and with the future nights 12inch uwe offers a heady experiment in what happens when a track takes you so far inside your own head that you’re in danger of losing your way back. . the a side is comprised of two fuzzy vocal techno tracks that are as fun to listen to as they will be to subject to some heavy tweaking in the hands of a capable dj. the b side, chemistry is particularly versatile and crazy-making with elements of darker techno stirred into a disorientingly stereophonic maelstrom that’s guaranteed to cause a dancefloor to lose its moorings until the only thing keeping reality from splintering is the tracks dry academic vocal reassuring us that its all just chemistry

the latest ep on tresor records comes from reduction luminary terrence dixon. detroit’s most puzzling genius debuted on the label in 2000 with his first ever full length work – from the far future. it took over a decade for its sequel to follow – from the far future pt.2 released in 2012 to great public acclaim. this year, terrence dixon prepared a matchless four track ep, going ever further in his very own tenor of collided electronics and mesmerizing tones. words can simply not describe.

holding hands is blasting off with a bang of cosmic proportions, featuring two cuts from desert sound colony’s dance floor alter ego ‘dsc’. far reaching, as its name suggests, takes inspiration from the deep well of our musical past. drum & bass, jungle, breaks, house and hardcore are all present. that being said, this is not just a revival record. these sounds combined take your mind out of the past and place it firmly in a previously unimagined future. hard as nails to begin with, the track eventually builds to a glorious rapture. too hard is deep like the mariana trench and made for dance floor meditation. kicks rock you back and forth as a soft canvas of pads drapes itself over your mind. space is the place people, space is the place. both tracks are produced and sculpted for the club. they want big sound systems and dark rooms. close your eyes, hold hands and experience transcendental space flight…

i did not know what achievements, what mockery, even what tortures awaited me. i knew nothing, and i persisted in the faith that the time of cruel miracles was not past. - stanislaw lem (solaris, 1961)
this paragraph from solaris, the novel written in 1961 by stanislav lem, is the starting point for the concept this 30drop album has been built upon. science fiction masters like lem are one of the greatest influences for the artist, who devised this album after the mental challenges that humans should overcome in a future: encounter with beings from other civilizations: capable of interacting with us in a totally unthinkable way so far.

limited repress due to high demand on requests. eating records was born in the brussels underground scene, inspired by the idea of synthesizing two different horizons to get a beautiful concept. in the beginning it was simply the need to go back to roots and try to connect with the present and future, but eventually it ended up with a modern groovy label. the first release of the label was not that easy to find. the eclectic worlds of the two members did not really help them. but that was until they found jr from dallas - a talented dj producer from lille, owner of gourmand music recording - maybe food is the key... who knows ? jr has always been a forward-moving artist, but his music cannot - and should not - be mapped linearly. after releasing on labels as farris wheel recordings and greenhouse recordings, he had nowhere to go but backward for his new ep on eating records to its 90 old school beats and hypnotizing basses. phonical deep is gorgeous and evocative all the same. technival is stylish enough, and it is as restlessly creative as you would expect. it is followed by the hypnotic and beautiful remix of jay bliss of phonical deep - the eps final track. the fact is, jay bliss has managed to create something so refreshingly unique that trying to categorize and label his remix is rather dubious. he transformed the original melodic part to a blissful pad embellished with a repetitive rhythm spiced with tiny subtle details. it is easier to see this remix as the backbone of electronic music - simple and repetitive but never boring.

hhatri are pleased to announce the third & final chapter of the far east transcripts series. the far east transcripts iii gives you mr terada s absolutely mesmerizing disco cuts. as always, what is presented are some of the finest pieces that have ever came out of soichi terada s far east recording catalogue back in the early 90 s. these tracks are a true demonstration to the iconic mentality, soichi terada exhibited when making music. sincerely, marking him as one of the most exciting producer/performers to emerge from japan s house nobility, past, present and future alike! freshly remastered, these historic house tunes are back in business

goldmin music label founder romain lanteaume alias einka meets detroit minimalism master terrence dixon aka population one for a truly conceptual techno 12-.. terrence dixon is one of our favorite artists and biggest inspiration.. detroitborn artist released his first 12- back in 1994 followed by several quintessential records and 2 epic albums -from the far future- on legendary berlin-based label tresor. terrence is not only a great techno producer who makes subwoofers roar in clubs, he is a man obsessed by a concept, an idea that he s following from the very beginning.. -minimalism- in the reaaaaal sense of the word.. for example, when thousands producers are wondering what s eventually missing in their new track, terrence is rather wondering what s useless, what could be removed and that s definitely what he gets to share on his own -reduction- imprint. after the release of terrence s track -steve austin s mile- on goldmin theme lp, romain got to meet him in detroit during summer 2014. the aim was to make an abstract record that could still be linked to a feeling or a situation.. a1 the edge track is probably a good example as it s designed and built to make you feel like you get closer and closer to the edge while the track is slowly growing until you fall.. can you feel it? :) as for the other tracks, there is also a special idea behind them but we better let you interpret it your way

nice price deal !!! the brstl label reaches its tenth release with a return to where it started with a 12 inch from october & borai. the label was set up by rhythmic theory, chris farrell and shanti celeste in 2011 from the idle hands record shop as a means to showcase the finest house and techno being produced in their city, bristol. octobers * head 4 phuture* is a nod to the acid pioneers without resorting to revivalism. instead a heady groove is teased out over several minutes, perfect dj gear. october & borai * too high the future* is a heady stoned house groove, from bristols highest producers – with some weighty sub to propel things along.

nice price deal !!! what happens far away from pointless party spots, boring student clubs, werder bremen and the smelly station forecourt full of piss, in this beautiful, grey city next to the river? more than before, we checked the musical output of the town, listened to recordings from friends and dug the archive. back to the origin of our intention – having a platform for all the artists who surround us in our dynamic environment and structures. for the five year anniversary of zckr records: a journey through warehouses, rehearsal rooms, workshops and studios of people who create the art we appreciate and who let us look to the future with a great sense of enthusiasm.

meanwhile returns having celebrated its 10 year anniversary, not by releasing a swanky box set, but by taking a year off. first release on the fully rejuvenated meanwhile is from sen aka john shern who forms part of the satellite religion collective along with g.r.i.t, future thought tapestries, channel 73 and space_ci. here he delivers 25 minutes of deepest machine music spread over 2 tracks. a side future thoughts jazz is a deep drifting detroit infused journey through the far reaches of outer space, while the b side wars of truth(reseen) is an epic slice of heavy clanking industrial rhythms and deep textures. the release is also the first to feature artwork commissioned by sometime meanwhile recording artist samuel van dijk aka mohlao, inward content, vc118a, multicast dynamics. so, both sonically and visually this release sits perfectly within the meanwhile catalogue of quality not quantity.

groundbreaking scientific news from the franconian space hq. ministers johannes albert and johannes paluka did some research on the moon for their new moon-project. they told us about the days and that it’s not that quiet anymore up there as people thought so far. don’t expect weightlessness up there, expect more abfahrt, they report. but they also discovered new robot dance moves in the nighttime. better known as the dark side. as always international interest in this is huge. moon, the first franconian techno-scientifics in space, checked out the area with very special research findings. smells like future historical stuff.

lay-far s critically acclaimed debut album -so many ways- which took him worldwide gets a friendly treatment from the global music family! in the first installment of the remix series we have artistic versions from atjazz, inkswel, jonny miller and thatmanmonkz! martin iveson kicks off the ep with a masterpiece of a remix for one of the highlights of the album - electronic ballad -stand up- featuring pete simpson. when the strings come in you realize - it s atjazz at his best - conscious boogie for the soul! we believe it may easily become future classics! inkswel s version of -when i m seeing you- is soaked in the warm sound of distorted drum machines and tape delays. be warned - this heavy-hitter can actually damage your speakers! the b-side opens with the deep and sophisticated afro house of jonny miller whose remix of -summer vacation- immediately teleports you to the open air party in the adriatic sea coast. last but not the least we have sheffield s own thatmanmonkz revisiting -that dream-. inspired heavily by classic blaxploitation movies, shadeleaf music label boss comes up with a dynamic soundtrack for the imaginary chase scene. badass!

limited nice price action
this is the first release of the new french label >work machine<, label of sebastien drums. four huge remix for this amazing track !already supported and playlisted by many djs around the world ! miss u. 4 remixs for this release from benedetto & farina feat akram. the version a1 the remix of thomas gold is absolutely huge, good sensation on the dancefloor,more melodious,this remix ,this remix argues in clubs as a future bomb spray to dancefloor

pig & dans elevate label is going from strength to strength in 2014 with a series of stunning releases. if you are familiar with pig&dans work, then you know that they produce and play music that is far from linear. they are always looking to push the envelope with genre-bending music and a devotion to creating something special that gets right under your skin and elevates the spirit. pig&dans attention to detail is a mark of their creative excellence. having created a trio of dynamic techno grooves, they give each track its own distinctive identity. whether they do twitchy (sandstorm), full-scale onslaught (power), or transcendent beauty (there is no turning back), they always do it with unrivalled style and panache. it would be hard to find another duo whose creative juices flow so freely right now. what they have is a very special meeting of minds that is being cherished and developed to ever-greater heights as the years tick by, leaving the future of techno in very safe hands indeed.

berk offset, dr.nojoke, coeter and vincent casanova – all outstanding artists in their field of work and specialists in modern electronic aesthetics – come together to remix the music from dinamoe s latest album l analogie d Échecs and move their pieces on the board. a record that seemingly slipped into our spheres from a future far away. interpretations and soundscapes not to miss!

after an astounding year for apollonia storming all corners of the earth, the three welcomed further success with a momentous fiesta at bpm to commence 2014. working the label in tandem, the list of pioneers featured thus far – point g, callisto and kerri chandler – is mighty impressive. jovonn is a name that sits naturally alongside them, the difference being that the forthcoming ep on apollonia is not a repress but juicy new productions. a highly respected international dj and producer hailing from brooklyn, jovonn made his mark within the underground house scene with classics such as >i cant make up my mind<, >garage shelter<, and the standout collaboration with dj deep >back in the dark<. an intrinsic inspiration to the apollonia trio, a personal relationship first formed at wmc miami last year. enjoying a production comeback following music on dogmatik and la vie en rose in 2013, talk of working with apollonia has fruitfully resulted in - the ep - . proving he can still produce a house bomb with ease, trippin is a jovonn future classic dripping in sexy hushed vocals, with a dub alternative that sticks to the tracks fundamentals. the march journeys forward into the deepness of dreamy synths, while the contagious beats lure you into a swinging metronome effect. in the words of jovonn, >its spiritual<.catch jovonn playing alongside apollonia at treehouse on 24th march, as part of this years wmc miami festivities

after last years spectacular return to our airwaves and the world of techno with the release of the excellent album from the far future pt. 2, the detroit veteran terrence dixon is back with a new release entitled the giant robot ep on monique musique imprint.

after last years spectacular return to our airwaves and the world of techno with the release of the excellent album from the far future pt. 2, the detroit veteran terrence dixon is back with a new release entitled the giant robot ep on monique musique imprint, while that enigmatic and experimental british producer actress has been brought in on remix duties.

old future music is an exciting new independent record label based in naples. the label prides itself on understanding and delivering quality deep house & funky music. its founding members are all specialize in various different areas of the business, from promotions to web design, from investments to industry contacts. every possible part of business/industry relation has been covered, enabling this young company to meet the same level of professionalism found in many of the already larger, long established record labels.
but of course, old future music was not set up just with business in mind - far from it - the founding reason for this label is simple ... for the love of house music because the future is in the past! our influences are: all the things makes with heart and love for music.