cristi cons and vlad caia aka sit conclude their sideways trilogy with three dancefloor oriented tracks, meant to awake different feelings in each one of us. the sample embroidery molded into the pure acid form of angels will leave us smiling in wonder. the fast paced scratch theme from reconnect may satisfy our dancing hunger, or we can just lose ourselves into the myriad filtered bits of shadow, with its breaks sequence as our only guiding path. this is the last piece of the sideways’ puzzle, when the last droplets of energy left inside our bodies, after this 15 tracks long analog ride, are spent for seizing the present. the closing moment, when the curtain falls and our minds are still trying to decipher the hidden message. a message that points out to the diversity of electronic music envisioned through sit s creative touch.

inoue shirabe is no newcomer for those who have been following antinotes releases last year. with function spring / gravitation of acidtree, his third release on the parisian imprint, the okayamas producer delivers what may be his two most sophisticated tracks so far. with function spring, inoue shirabe continues to investigate the subtle equilibrium between opposite feelings of sadness and joy that he successfully reached on down into the black church, on his previous 12inch. this time, the japanese producer uses celestial elements (bells, an organ in the distance that we can hear punctually) to counterbalance the roughness of the rhythmical section, in order to plunge the listener into a profound state of meditation.

banoffee pies records return to their original white label imprint for another limited ep with bp003. tip. again the bristol label continue to compile artists and styles from all over following there no f***s given approach. the one sided a1 heavily samples a drum solo from the blockbuster film of 2015 whiplash, a strung out track filled with space and delicate percussion. jaffa surfas b1 provides a mid way techno break pumped with analog sounds and a swirling kick throughout. to end, the finely unearthed and re-issued b2 edit closes this diverse release with a bang offering something completely different. rolling jazz feelings for the dance floor. more love for the banoffee people.

• incl andres remix
• * sabato in pineta* is a track written by these 3 guys (cosimo colella, fabio liuzzi, carmine mongelli) after a great party between the woods of their favorite club, sound department. they capture the feelings and the emotions and write this track in few hours. the emotional impact is really strong, with a great work on surreal pads and trippy synths. the listener can be projected into the atmosphere of the club, but this is sure not only a dancefloor oriented work. andres, with his version, give us a great remix, with his usual amazing use of drums and deep and reminiscent pads. fabio della torre finish the ep with an high quality dub version, more raw and intense on the grooves.

sova stroj is the nom de plume of luxembourg-based producer michel flammant. with a history in black metal, rock and synth pop bands, he has now ventured out on his own, delving into experimental and electronic music. sova strojs debut album silent earth explores feelings of willful desertion through forty minutes of highly concentrated and almost teleologically dark ambient patterns. musically the album is centered around an abstracted industrial music influence paired with precise and evocative melodic and harmonic explorations

veleno viola is proud to present the 2nd release by italian artist mace. as economic complexity is boosting the financial industry, constantly increasing the demand for financial services, human perception of value changes and so do our reactions and our feelings. i asked myself whether nowadays we are witnessing a financialization of emotions. splendore finanziario wants to reflect on the correlation between human nature and the financial system, considering the intensity and the way in which they re changing and giving a sonourous vision of their future developments pink vinyl jacked in gloss printed sleeve.

we’re finishing 2015 with what is pretty much a mini lp by borrowed identity, an inspired producer based in freiburg. there’s a lot here and we think you should just listen to and enjoy the record, draw your own conclusions, but what we will say here is the a is ballsy house and the b is tough techno that touches on trance occasionally. get why it’s called the contrast?

corresponding positions strikes for a third time. presenting its tribute to outstanding achievements of female pressure group and all the women in the music industry out there. this time cp would like to introduce you 4 different styles borough to you by 4 different female producers, showing diversity available on music market today. banging acid from rebekah clr / soma, delicate feelings from electric indigo - female pressure founder, modular love from annie hall / detroit underground usa and analog industrial sounds from label boss monya. title itself is a political statement which raise an objection to existing governmental situation and express approval to pawels kukiz movement. art- stefan wülser / masterings- soluxion lab.

released 25th november on the seminal strictly rhythm label, the album is vastly different from the majority of electronic albums out there. it has a decidedly soulful, blues-y feel and instead of the heres ten club tracks, will this do approach, tim took his time and immersed himself completely into the record, surrounding himself with some of the best contemporary jazz musicians around, including jim mullen (guitar), rod youngs and enzo zirilli (drums), pete wareham (sax), jay phelps (trumpet), john donaldson (piano) and ben hazleton (bass).

the fourth studio album „in the beginning“ by the critically acclaimed live band marbert rocel from leipzig. a place far away from everything, yet right around the corner. a vision close enough to touch, yet so far away. surrounded by keys, hatches, pots and small fragmented parts, marbert rocel lie down, discuss and dance through the winter of 2015. in this environment, in their studio in leipzig, the band ties together the songs, which first saw the light of day in a small spot enclosed by woods in the summer of 2014. ?each decision goes through every head, each chord is listened to a hundred times, from font to back and in reverse, each compromise: a triumph for the common cause. not pompoous string arrangements fuel this album with grandeur, but rather the notion of a consensual nod, which has evolved within marbert rocel over the years. ?“in the beginning” is the fourth album by marbert rocel, a living utopia and a tart kiss for every purist genre lover. nothing is hewn raw on here, rather sculptured delicately. percussion is tickling from synth pads like dew, and the songs welcome you like good friends. like tinkerbell, spunks voice guides through this strange familiar world, moving past big feelings and small gestures, to finally lead to where it all started: “in the beginning”.

three tracks here evoking familiar feelings heard before but still somehow they all sound fresh and drag you in wanting for more. as if this wouldn t do it, there is first but, not last appearance for barba label by mighty jtc who needs no further introduction delivering a remix. this time he cleverly uses sparse but recognizable parts of title track which he then transforms into relentless floor shaker where detroit meets chicago, if any such comparison needs to be made. aquatic stuff !

brilliant full-length album by italian producer mtd. this gem will be coming on strictly limited grey marbled double-vinyl. early support by oscar mulero, luke slater, laurent garnier, nx1, bas mooy, subjected, paco osuna, dubfire, xpansul and many more!

jah cure is one of the most influential reggae acts today, with hits in the real roots and caribbean pop formats. known for his iconic hooks and street-poet verses, his songs contrast gritty tales of urban struggle with sun-kissed romantic ballads. in the tradition of jamaican reggae, his stories bridge social commentary with uplifting hopefulness. there is playful spirit to his music that has endured the real life challenges of prison, probation and redemption. *the cure* is his seventh album and the fourth for vp records and presents the thoughts, feelings and contradictions of a true reggae artist. anticipation for the album is especially strong in jah cures touring markets where and in support of the release he will tour europe and south america in the summer of 2015. a music video for *made in california* will be serviced to terrestrial and online media outlets to support the album launch internationally.

escapism musique continues the vinyl series with an ep from the greek, hamburg based, dj and producer, boronas (visionquest / suruba / claap). fake romance gathers a mix of feelings, introducing the first original with slow deep sounds and the second one with more cheering and stimulating tones. nikola gala (escada music / ibadan / rekids) and nico puestel (ponsactrilau / soso / pimprinella) revitalize the originals with two ecstatic remixes that complete the ep and make it perfect for the dancefloor. enjoy!

released for the first time on vinyl is max richter’s emotive and minimal score to damon lindelof’s tv series about a post-apocalyptic global event where 2% of the world’s population disappears without explanation. richter’s approach explores the feelings of the protagonist’s family, the garveys, through intimate, small scale music. he tackles this psychological landscape by bringing a ritual quality to the score, while themes of departure and loss are represented by a sense of sonic decay, relying on the instrumentation of a few sustained tones on pianos, harps and celesta. max richter is a classically trained composer that defies boundaries. trained at the royal academy of music and finishing his studies under the tutelage of avant-garde composer luciano berio in florence, richter’s career has followed many paths. his musical output ranges from ballets (wayne macgregor’s infra), reinventions of classical works (vivaldi’s four seasons), collaborations with the future sound of london, roni size and vashti bunyan to writing scores for film and tv (waltz with bashir, lost and found, last days on mars) and solo work (memoryhouse, the blue notebooks, 24 postcards in full colour).

norwegian duo trulz & robin throw down the gauntlet with the third vinyl-only statement from the cymawax label, delivering an acidic take on their patented ‘hot and crunchy techno with soul.’ the prolific pair from oslo have been a force in their country’s electronic music scene for over two decades, with massive singles for full pupp, eskimo recordings, and the cymasonic and cymawax labels to show for it. now, the agent acid ep finds trulz & robin infiltrating the secret lair of a 303 conspiracy and decoding a quartet of sonic documents full of heavy synthesized funk. the ep’s title track is a slinky introduction, featuring battling analog squelches and drum machine patterns while a disembodied vocal plays on top. “i disappear”, adding collaborator brokkoli on the voice, is a more in-your-face effort as its pulsating sequences give way to floor-thrilling breakdowns. the low end might of “magnetisk smultring” showcases trulz & robin’s experimental side, complete with a disconcerting middle passage that soon reveals gentle synth melodies over a hypnotic rhythm section. then “my body”, the release’s closing track, introduces mysterious feelings … percussive clicks and tones build steadily as dub effects, sharp washes, and ominous whispers take hold. the agent acid ep is another triumph for trulz & robin … a masterclass of covert nightclub maneuvers.

2015 repress - from the first glimpses of henry laufers work as shlohmo, it was clear that the la native and visual artist turned self-taught musician was onto something. with an effortless grasp on sound design, laufer combines deceptively simple and emotive melodies, subtle bass drops and swinging slow motion drums. his early work has placed him at the forefront of a new wave of rising talent amongst west coast producers… inspired by the desire to write songs and create a release of full-range instrumentation and vocals all his own, laufer promptly began home-recording >bad vibes<, his proper full-length debut album for the friends of friends label. some might say the songs on >bad vibes< represent the spawn of a new rhythm and blues - one that swings and sways under the backbone of henrys own take on modern electronic music. augmented with delicate slide guitar playing, homemade synth sounds and lilting, tuneful melodies, shlohmos latest output is one that will take you places - specifically the un-paralleled vibes swirling through this young mans head.

limited release on brown vinyl, featuring tracks from rahaan, the owl, matt hughes and ed wizard & disco double dee.

red laser returns with four tracks from ste spandex. if you ve heard any ste spandex productions you ll know what to expect ! this ep is a fascinating collision of diverse dance music aesthetics & bristles with energy and passion. as usual all the tracks are live takes with various hardware working overtime from ste s orchestration. side 1 features two tracks with long time collaborator sarah bates. soaking wet is a peak time workout with tightly sprung drums, whirling effects & sarah s vocals weaved enticingly throughout the track. next is breakin my heart, an addictive bubbler melding house and boogie feelings with the vocals more centre stage. side 2 kicks off with gotta move, an 80 sesque grinder. pumped bass rubs up against squelched keys and peaky synth riffs, while nice weather closes things down, a short and sweet movement of shuffling drums and swerving synth action.

where his previous effort, 2014s *the hollow organ*, dealt in dense, distressed sonics, *olympic mess* is younger responding to a period spent engaged with loop-based industrial music, dub techno, and balearic disco. these musical references, all of which can induce hypnotic states and feelings of euphoria, inform ten evocative aural landscapes which unfurl over the course of an hour and act almost as a counterpoint to the turmoil that spawned them.
mastered and cut by rashad becker at d&m, pressed on 140g 2x12 inch lp, download code included. features photography by kim thue and artwork by bill kouligas.

released by pizzico for the first time in 2009 with the moniker -erre-, marco antonio spaventi was one of the most pleasant surprises about what an excellent techno producer can do with his beloved background: italo disco. influenced by soundtrack masters as vangelis, john carpenter and most of all italian maestro s like nico fidenco, pino donaggio, francesco de masi, and appearing in the sky like a laser beam in a post-atomic bronx filmed by enzo g. castellari, the positive first album of ma spaventi called -viaggi- is landing. a real journey into obscure worlds, dirty streets, atomic sunsets, broken hearts and analog feelings, a blessing for your most romantic and cinematic essence. could this folding full length fit the modern dance floors? maybe it could be better for the outcast clubs of a near future: synths atmosphere are sweet and pressing at the same time, the melodies and beats fit together in a succession of deep emotions, the -tape- sounds old school and totally irresistible. pizzico is proud to present ma spaventi s viaggi: nine exclusive tracks for a brand new album, invoking and evoking dusty italo vibes, analog synths and written soundtracks for unwritten movies.

12 inch vinyl in full picture sleeve shrinkwrapped with sticker. the madtech imprint has been running since 2012 and can boast material from the likes of citizen, south london ordnance, applebottom and josh butler across its catalogue, here its a&r prowess is once again on radiant display as the label continues its compilation series following the success of madtech 01. this time round the imprint delivers a weighty collection of hard-hitting house cuts with madtech 02 - ibiza ahead of the impending ibiza season. the compilation welcomes some driving forces in house music at present with the likes of josh butler, alexis raphael, and features rising talents human life, bontan, fabricio pecanha and luvstuff

the australian dj, producer and musician jad lee likes to have several irons in the fire all at the same time. for instance hes a member of mitzi (along charles murdoch and dominiqe bird), one half of the pan-pacific indiepop duo twiggy lashes and a solo artist known as jad & the ladyboy. under this moniker he releases music which can be described as soulful house with plenty of disco influences. for never come back down jad had singer mark borgazzi in his studio to cut a precious, groovy two-stepper into a genuine pop diamond. in order not to get only radio airplay, but also to be played out in gloomy underground clubs with extra fat subwoofers yannick provides his homicidal sexfactmix. with its untamed bassline and a milling-machine like synthesizer this feels like an unchecked punch to the gut. there will be blood on the dancefloor!

echte hits gehören auf kleine schwarze scheiben, dachte sich die kölner band die sonne und legt nach ihrem famosen debütalbum, das im august 2014 erschien, eine schöne vinylsingle vor. auf den beiden a-seiten finden sich die lieder *für alle* und *untergehen*. beide liveerprobte smasher, die sich sofort zu band- und publikumslieblingen entwickelten und deshalb so schnell wie möglich auf platte gebannt werden mussten. *für alle* überzeugt mit catchy stadionrock auf metaebene, während der krachige herzensbrecher *untergehen* mit einer satten portion feelings und einem ohrwurmigen gitarrenlick zuschlägt.

10 track 12- on collectable japanese label -snaker-. leaving signature fm synthesis work arcade game, blends with soft reggae feelings, his programming make more minimalismic, polyrhythmic and even funky approach through eerie,vertiginous,glistering and ominous without long dramatic notes. this primary sound make us mad, it has something common to lo-fi feeling or row house groove.

ltd 2015 repress ** phunked up chicago house styled ep, > til the feelings gone< was already dropped by zip on his recent fabric compilation

we are very happy to start this new edition of deeply rooted releases with insolates mood module ep, produced by the very talented miss sunshine. the ep goes through different moods and feelings: epic is a straight up techno journey, werk is a great rythm track that keeps building all the way through, parch is a dark and heavy uncompromising track, the record ends with tuga a deeper and more mysterious jam, we hope youll like it as much as we do!

visonias nausicaa ep marks the third release for rotterdam s electronic emergencie

-lecka- means delicious in german. this was the most said word during the 5 days joerg and pablo spent together in barcelona, “lecka”. five days that were mixed between studio time and gastronomic moments. five tracks make this detailed and deep ep since

12 inch limited to 100 copies
started in 2013, mollusca vinyl is a brooklyn based electronic reocrd label specializing in minimal style, analog laden music. our folks believe in pushing the vinyl medium as art. this set of compositions has been described as balearic downtempo with pastoral departures. written while on several beaches, it suggests the definition of lackadaisical make out music, emoting euphoric post pillow talk feelings-of-the-raw through minimalist synth phrasing, ambient texturing and isolated beats. artwork by doroniyam at azuri cafe. mastered by jason at transition mastering uk. printed at brooklyn phono.

part 3 of this special project meant to introduce the new bunch of artists on the label - brique rouge is back with a new creative crew, from paris, to spain, to belgium, to portugal, to uk.

for this release, our residents made something really special. they went further in their respective vision of electronic music, and it ended up with these 4 original tracks from ra.pu, suli, primear, and nekow. all is about the groove and feelings. b side is vinyl only

collaboration project between jauzas the shining & victoria lukas featuring ekman and orgue electronique. lukas, drawing upon personal sensations, melds diary-like lyrics into dreamlike ambiance and textures, beautifully fusing with the infectious electro-pop grooves of jauzas the shining. songs encapsulating lost love and longings for sensation, emotional stimulation and experiencing feelings through those of another are conveyed via vocal pieces, cold sweat and coral eyes. ekman contributes a driving, acidic groove version of cold sweat more apt for the dancefloor, while orgue electronique pushes the electronic pop vibes into house territory. shadows written, recorded and produced by jauzas the shining & victoria lukas for last known trajectory 2014

visonia returns with the anticipated debut album release entitled, impossible romance. commencing with juana de arco, which edges finely the fragile border between expectant angst and hopeful optimism, this opening piece pretty much sets the tone for the album. undulating between the highs and lows of human emotion which beautifully encompasses visonias own conception of art to hold hands and contribute to humanity to give beauty, wisdom, or to simply open the listeners mind in order to reflect and ask questions of ones own self, ones own existence what we have here is at times a poetic soundscape of emotions, feelings, fears and positive expression. the album, in its double vinyl format includes the previously available collaboration with dopplereffekt, namely die reisen, alongside an equally striking collab with new wave/synth pop artist, mad moizel in the form of beat frequencies and late addition to the album – the sleek, driving vision of between lies and real looks

vortex has been constructed over an intense array of melancholic emotions, using noise, crunch and melodies for reinforcement. every track expresses this in it’s own unique manner, all 4 tracks being very different from each other creating contrast and variety throughout.

finally, the right time has arrived! we are very excited to announce our brand new concept >tzinah on black<, represented by an authentic collection of mind-boggling grooves that are about to be released exclusively on wax. for the very first edition we are glad to divulge to our fans 3 tracks that resemble in depth the tzinah sound. from the top of our heart, we have grabbed crocodile soup, who, after the memorable tzinah showcase in berlin, went back to the studio to express all his feelings in >those magic moments<. faster makes his presence felt once again in our camp, bringing along a bunch of heavy bass and deeply mesmerizing drums that we can feel in his hypnotic trip that bares the name >vrei, nu vrei<. finally, the mystic duo of felipe valenzuela and jkco mosqueira is unafraid to take us for a ride on an enigmatic groove through unknown places, leaving us in a state of >inexacto<. will we drop this one in our main set or keep it for the after-hours? so, get your shelves ready, get your bags ready, and especially, get your turntables ready! >tzinah on black< is coming on vinyl only! from tzinah with love!

public possessions eight offering is a 10 inch ep curated by our good friend samo dj from stockholm. co-running the fantastic born free label with daniel isling aka sling, releasing records on his own and in various different formations on labels such as l.i.e.s., born free, high feelings and more, he seemed to be exactly the right person to tackle the task of putting this record together.

warm feeling techhouse tracks...

mathematical rotes. a continuum none wishes to give up. deep bars, groove pads,diverse elements entering and modifying structures, feelings, situations. as if it could go on forever. the path is always the same: gently bumping.

retrospective is back with a new member of the extended family: ilya santana, delivering a killer package featuring remixes by retrospectives own longtime superstar rayko alongside fellow madrid disco edit king & moroder sound club owner nelue, thomass jackson & future feelings.

combo release by lunar lodge & mai mai mai. three unreleased tracks born from the collaboration between the two sides of the roman obscure underground scene. industrial beats, dark techno, drones and samples from the traditional percussions of sila mountains: armed with analogue equipent (909, 707, ms20, opera 6, pro-one...) they will bring you down exploring your dark feelings thru the deepest side of the beat.

following on from his releases pain & love & feelings within eps t returns with his latest offering – shake that. this is ts 3rd ep to be released on pmr records & leans more towards the dance floor. no featured vocalists on this one just straight bangers.

to celebrate its 10 years of existence weme records have asked to 13 artists of its catalogue to create unreleased tracks.

after a years absence, sudden drop return with leif yet again at the controls. after his superbly received lp dinas oleu for uk imprint fear of flying, the welsh maestros sound continues on its upward trajectory with this beautifully constructed four tracke from the more peak time warm vibes of solstice, the deeper feelings of with your sincere heart or the more musical once there was nothing and sintra

shir khan returns to his disco-house-edit imprint black jukebox presenting you 4 heavy jams: 2 from brussels (mickey), 1 from paris (the mekanism) and 1 from philly (matpat). limited collector s vinyl only. cop that before it sells out.

back to the roots of uk techno starting from.. colombia! all the great feelings of the 90s style, no frills, just proper banging techno and your desperate attempt to survive on the dancefloor. an absolute retro flavoured gem!

the fourth ep from raw waxes includes two tracks from the noisemaker, italian producer already on fire during the last years. both original tracks have got a delightful groovy soul, amplified by a dark arpeggio, which drives strong energy in stomach and legs of the listeners. the sounds he choses are captivating, dynamic, and push feelings to an high vitality. the deepness of the original tracks is perfectly interpreted by the remixers, who kept his mood and added a personal touch to it. on the a side, mike parker keeps a sinister atmosphere and beautifies it with noisy and raw sounds, which coherently distinguish his productions from many others. on the b side, haiku develops mostly the dance floor mood of the original track with an upbeat based production going through mind trip breaks and industrial pads, giving to the entire release a summer breathe.

drawing from an acute sense of what could perhaps be described as deep minimalism-turned-into-a-quasi-equatorial-feast, full of holes gradually unfolds and weaves its fabrics in ways that are evocative of the disparate sensations and heady feelings one might run into in a proto-ritualistic setting, whilst xdbs recontextualisation routes a more linear but no less absorbing excursion.

disco bucuresti is an audio homage to romanias capital, bucharest. growing up between the citys communist blocks of flats and maturing in the citys underground discos left a distinct creative mark on andrei idu (the legendary 1979 orchestra). ever since leaving bucharest for amsterdam, andrei felt the need to tribute the place that shaped him. however, it was only until recently that he found the means necessary to express the feelings he felt. thus, records released during the 70s and 80s in romania as sole sample source, analog drum machines, delays, filters and reverbs, all recorded in live takes come together in this evocative ep.