89:ghost are thrilled to bring you an ep from talented finnish producer vesa-matti, with an ep that could be a dub techno soundtrack to a finnish sealife documentory, here s some direct info: tracks were written & produced by vesa-matti kivioja in vaasa, finland, between 2011-2017 in three different locations, highsquare sound, studio k & seafront mixingroom: we seriously dig this dude, try check out his other, more ambient work too if you can. peace. nx

incl konrad black remix

the second in the skins whitelabel series delivers yet more carefully crafted dub techno for the dancefloor. opener ‘sahara sky’ begins with menacing low-end atmospherics, with slowly evolving pads and chords forming an assured groove punctuated by dreamy synth lines. ‘eve’ is similarly groove-based, with its relentless forward momentum kept in check by a wistful descending chord sequence. in both, skins lends the spaciousness synonymous with dub techno a club-focused kineticism, creating versatile tracks that allow djs to transform the vibe, whether building up or winding down. the record also features two synth tools: an energetic acid/dub fusion and a stripped-back polymetric chord jam, offering myriad possibilities for textural play and keeping listeners guessing

detroit s inner city, one of the most influential dance acts of all time celebrated their 30th anniversary starting with a memorial day live show on the main stage of detroit’s movement festival this year. formed in 1987 by record producer, composer and international dj kevin saunderson and vocalist paris grey, inner city are best known for their early crossover hits “big fun” and “good life”. further successes saw the group topping the us billboard dance chart five times and securing nine top 40 hits on the uk singles chart.this 30th anniversary will mark a new chapter for inner city, one which sees kevin saunderson now joined by his son and creative protégé dantiez as a full-time member. new material and a live show will soon follow, featuring a variety of musical collaborators and vocalists. movement festival will set the stage for inner city’s new era, with a show formation featuring grammy winner and original inner city bandleader dennis white and kevin saunderson’s long-time collaborator tommy onyx alongside local talent and vocal sensation, steffanie christi’an. in kevin’s own words: “a true family and new sound for a new generation”. with over three decades in the game under inner city’s wing, with a renewed commitment to live performances featuring a strong family core, and two generations of saunderson men in the studio – inner city are poised to enjoy the good life as much today as they did in 1987 and this is entirely evident on the group s latest offering heavy . boasting a stellar edit from detroit techno luminary and inner city collaborator carl craig, heavy is a fresh taste of what s to come from this legendary outfit. essential detroit techno.

acclaimed purveyors of magical (classic) world and soulful grooves, diephuis & jephte guillaume, release their colourful summer afro jam, baba m fa njika - featuring the electrifying voice of cameroon’s songbird, barbara gwanmesia. as you’d come to expect from this duo, baba m fa njika’ is a musical feast of earthy afro beats, hypnotic synths, infectious sax and rhythmic vocal chants, which, pirouetting around barbara’s magnetic croon, throbs with the love, hope and gratitude that the lyrics exude. there could be no better expression of positive power than that unleashed on this gem release from the prestigious shelter records.

berlin based electronic mainstay marquis hawkes has announced details of his second lp ‘the marquis of hawkes’, due out 24th august 2018 on fabric’s in-house label houndstooth (home to call super, aïsha devi, special request and more). ahead of this, hawkes will also release a new single featuring acclaimed uk soul singer jamie lidell. the single, entitled ‘we should be free’, features, alongside the low slung but melancholic original version, three reinterpretations of the song, remixed by hawkes himself. both this, and the essential previous single, “don’t u”, which featured the vocal talents of ursula rucker, will appear on the forthcoming album.

one of detroits true talents today, amp fiddler joins forces with grammy winner louie vega hitting you with some funk deep house on vega records. amp fiddler is the quintessential singer / musician who has played in the seminal band parliament with george clinton, and has had his own band for years now. louie has always wanted to work with amp since first meeting him at the montreaux jazz festival when amp and his band and elements of life were on the same bill on the worldwide stage. finally coming together, amp reaches out to louie for a remix and the result is a beautiful soulful song written and produced by amp fiddler. the remixes by louie vega combining deep house sounds with the funk synths played by axel tosca. there’s one version where amp did more lead vocal overdubs and adlibs, as well a funktified synth solo version which gets immediate response when played. the four versions on 12” vinyl lend itself to different moods and are sure to bring you a dancefloor or house party on fire!

coming out in late july from the man who brought you e ruscha v s -who are you- to great acclaim earlier this year is secret circuit s 2nd ep for invisible inc, the cryptically titled -out of body interiors-. featuring four exclusive new tracks of the acid drenched, dubbed out, tropical disco variety mr ruscha, as always, delivers a sonic palette you won t find on many other imprints: from the turbo-charged homage to early 90s bleep meets indie rave euphoria of stomping ground, through the chugging, motorik groove of crazy ways which sounds like it s blasting out full volume from a smoke-filled space patrol hovercar gone rogue then flipping over to side b and waking up in mali, andromeda in a haze of syncopated percussion, other-worldly guitar licks and a billion new synthetically generated sounds that you may strongly suspect you just imagined.....to finally the feather drop which brings entirely new meaning to the word deep and which fires technicolour sounds of profoundly immense variety at the synapses at a rate of knots not many other producers can keep up with as all the while the bass holds court and keeps things deep rooted and dub heavy. secret circuit (aka eddie ruscha v) has had a plethora of releases on an equally expansive plethora of labels under such names as the parels (lal lal lal), blasé (esp institute), food of the gods/laughing light of plenty (whatever we want), odd numbers ( no label), shadow kids (el diablo s social club) and of course as secret circuit (beats in space, emotional response and invisible, inc.)

outstanding and very limited minimal dub release. buxton records four-track vinyl-only release from sydney-based adam stromstedt will be the swedish expats first appearance on the imprint. the diversity of adams musical output culminates in the >crab shack< ep, showcasing minimal dub with an eclectic array of influences such as oldschool house to acid and techno. not unlike a place where one would feast on crustaceans, this ep is quirky, yet warm and comforting – providing food for the soul in its truest sense. 180g and amazing artwork.

following on from angophora s beautiful long player, ken oath is back with another full length lp from low flung. friends of the label will note that this is his third release for ken oath, and it s a fittingly mature and expansive statement for a debut lp. perhaps mature is the wrong word here, as all his brilliant ideas are backed up by a sense of whimsy that betrays his playful side. the music strikes a balance between styles and spaces that could perfectly soundtrack moments at home, in the club, and in the liminal spaces between. danny s efforts at writing dance music still contain the idiosyncratic approaches of his ambient works: the deadly deep subs and endless echo spirals on -rising damp- sounds like someone trying to piece together a drum & bass track after an off-hand conversation about the genre. he s transmuted the propulsive energy of jungle into something no less dynamic, full of stops and starts and sonic pressure but flush with space. -tarp climber- is at heart a rollicking digi-dub. the more ambient moments of the lp are equally captivating - the glassy tones of -frozen coat- sound like a space-age ensemble soundtracking a floating lounge on a suite of glass instruments, while -ocean grove- blends field recordings and dreamy synthesizer melodies to create an uncanny sense of place that unroots you from wherever you re listening. there s a heavy emphasis on danny s collaborators as well - the cold emotion duo is reprised on the spacey ‘hills hoist’. closer -bacchus marsh- is a collaboration with prophets, a cross-state ensemble that defy any easy categorisation. the music here flirts with jazz and minimalism but with a dubwise production aesthetic to produce something that recalls khan jamal s visionary -drum dance to the motherland- in spirit and practice, but this whole album sounds as otherworldly and one-of-a-kind as the aforementioned lp.

one of our humble imprint s closest allies and a longstanding pillar of philadelphia s electronic music community, billy werner has been a constant presence in the booth at parties throughout the northeast corridor since 1998. we debuted his m//r alias in 2014 with the gathering response data 12- . since he s been busy bringing the grit to points beyond the city of brotherly love, putting in work for the likes of detailssound, l.i.e.s. and jackdept. most recently, he turned out a remix of karen gwyer s -why does your father look so nervous- for the rembo remixes on don t be afraid, as well as another for chaperone s -grit neglect- on the aforementioned snapbackbalaclava ep. written, recorded, and mixed over a period of 15 months, among the methods is in no small part a reflection of the affinities and sensibilities billy holds as both selector and producer. referencing a variety of influences from jazz to dub to electro, the album s allure stems from his deft ability to recontextualize those genres disparate aspects into a familiar–yet fiercely idiosyncratic–musical context. the end result is at once wildly fractured and precision-focused as among the methods finds its own seductive rhythm within a matrix of dub echoes and modulated low-end. it s heady ground,to be sure,as well as the most declarative aesthetic statement fromm//r to date. presented without further comment. the music is the message

it sounded all right through two walls, so what s the problem? the final words of two walls, the fast and very catchy leading track of dj marcelle s new record, sum up an aesthetic almost lost in today s musical climate, where often a pleasing attitude and overproduced music sadly rule, even in so-called alternative circles. the quote comes from the late mark e. smith (1957 - 2018), legendary frontman of the fall, and is taken from some of the conversations marcelle had with smith over the years. smith is referring to a recording process but for marcelle his words stand for something bigger.

limited hand-numbered 7 inch vinyl.

pablo gad joins king earthquake for this 2012 lp of firing uk steppers.

having produced a wealth of some of the most lovingly referential and consistent music of recent times, the tracks making up palta og ti på den tolvte Ø are slightly harder to pin down to exact genre markers. each song is busy yet never overcrowded with elements, building concise and playful grooves which if forced we would say positions them somewhere in the ambient space between jazzy-improv-house and dubby, hypnotic electronics. that s as absolute in adjectives as we would ever care to be... expertly crafted both technically and musically, we are more than excited to be able to present this to you as our fifth installment.

#3 in the periklas series comes from nicolas wiese, a berlin based electronic and audio-visual artist. “unrelated” is available as handnumbered lim.ed. clear vinyl lp in silk-screened sleeve and download. rich in details, “unrelated” is a vital proof of wiese’s artistic skills and a highly entertaining concern, melting electro-acoustic, musique concrète and sampledelia!

80s influenced disco / cosmic / house

slamming funky / groovin disco

vision is a swiss synthesizer band from bern, formed by olivier georges aka jackin george and juno gang member stephan moser. for this maxi-single midnight passion they show us her passion: pure and authentic italo-disco for the dancefloor. summer hit 2018! limited edition

framework recordings is back with a very special, limited run vinyl ep that features five fantastic artists in oliv, o’hana, blurred, fred and ground16, and deep house doesn’t come much finer. first up is the low key oliv, part of the heady party collective bedford crew. his ‘submarine cruise’ is an effortlessly atmospheric dub house track. sandy shakers, balmy pads and an astral lead synth line all ooze underground class. o’hana is another emerging producer with an already well formed sound. his gorgeous ‘lune’ is another prime bit of deep house with analogue kicks and hits, subtle vocal samples and cavernous pads that melt into the horizon.
blurred are a young italian pair from labels like lapsus, safe music and hotfingers and keep up the cultured dub house vibe with more deeply enveloping grooves and dusty hits. the chords here are smeared in the background and sure to find favour with the more intimate dance floors out there. then it’s to impressive new swiss artist fred for ‘mw.’ it’s deep and house-y again, but this time it drives forward on huge kicks, with acid lines and icy hi hats bringing the energy while yawning synths soften the edges. closing out a tasteful package are swiss pair ground16 with ‘3rd street.’ cosmic in nature and with wide open pads, this house groove is another analogue beauty with warmth, smart vocal snippets and dreamscape pads. these are timeless deep house cuts that are deceptively simple and superbly executed.

“solidarity forever vol. iii” co&#769,meme is the last chapter of this series, in which co&#769,meme introduces new artwork, a new logotype and three various artists eps. “solidarity forever” is a motivator for our everyday actions, and a reminder of why we are doing what we do, “solidarity forever” is co&#769,meme’s commitment to the reconstruction of underground culture. the last ep, volume 3, features music by rizu x (laredo, tx/nuevo laredo, mx), ana helder (rosario, argentina), aye aye (vaparai&#769,so, chile), christian s (cologne, germany) and katerina (helsinki / sofia). you will be able to hear texmex hardcore industrial, new german hot wave, psychedelic seaside dub, motivating rebel techno, and highly sensitive low tech jazz - here’s more utopian music against dystopian times. welcome to volume three

paramidas love on the rocks imprint readies its eighteenth release, in this, the year of our lord, 2018 - the latest instalment on the ever-evolving, hard-to-define label is a decidedly non-dancefloor oriented, melancholic/euphoric instrumental number from promising lon-don/lisbon producers elles & violet.

if peace, love, unity and freedom are some of the pillars of house music “follow me” is a call to action. this vocal driven cut instantly become an anthem and one house music’s most revered songs. although they did not release more than a dozen singles, aly-us made their greatest impact with the 1992 single -follow me.- produced by kyle smith and written by smith with vocalists eddie -super- lewis and william -kaylin-x- jennings, the deep and uplifting track became an early- 90s house classic and continues to be one of the most memorable tracks out of the vast strictly rhythm catalog. original mix on the a, and dub on the b-side. available for the first time as a 7”.

with the masters at work name under contract elsewhere at the peak of their career, kenny dope and louie vega had little choice but to work under other names for their strictly rhythm projects. hardrive became popular, largely thanks to the iconic ‘deep inside’ whose vocal hook (from, barbara tucker’s ‘beautiful people’) and bass line helped made the track become one of house music‘s most memorable hits. “sometimes a record just manages to capture and distill the true essence of what this is all about and deep inside is one such record, it bears all the hallmarks of golden era masters at work, all the signposts of what was happening in nyc s clubs in the early to mid 90 s were there within it s grooves. you know a record is good when it s still being, quite literally, hammered nearly 25 years later”. it’s no surprise even kanye west would sample this classic to make another chart topping track! this one s a straight up essential for any self-respecting house music aficionado. availble for the first time as a 7”. original mix on the a, dub on the flip. you know what to do!

los angeles native based out of paris, onyvaa is one of europes newest techno imports. dj, producer and owner of her parisian based underground label passeport records. passeport is an outlet for her to release original productions with full creative musical freedom, gathering inspiration from around the globe. onyvaas sound consists of strong driving techno with dub influences along with an abundance of analog touches.

erste reissue des 2001er albums -dread- des detroiter post-industrial/noise-trios wolf eyes (hanson records, american tapes, bulb records). ein freak-klassiker aus verzerrter elektronik, brodelndem dub und dystopischem proto-punk á la cabaret voltaire und suicide mit ausgeprägter us-midwest-sensibilität. 4 tracks zwischen 4-14 minuten, plus dem 21(!)-minütigen bonustrack -sandpapered eyes- als hidden track (cd) bzw. mp3-bonustrack (lp). lp mit download-code und doppelseitigem a2-faltposter.

get your rda of focus, 3 of your 5 a day right here.
z lovecraft opens a channel into his musical universe with three diverse cuts pinned by mellow breaks, nintendo sequencers and crystal chords. nicely pressurized with springy ambience. known to treat data overloads and warp connection burnout from peckham to hyrule.
a rhythm section family member and no bad days console controller, z lovecraft steps out on the inaugural guru meditation disc.
broken beat. lounge. dub techno. &#120452,&#120445,&#120440,&#120451,&#120456, &#9835,•*¨*•.¸¸&#9834,

1per customer , special edition includes custom outer sleeve made out of compressed seeds, folded by hand and cut by laser one by one + 1 credits insert printed in recycled 300grs cardboard + 2 samurai pvc stickers + 2 bookmarks. limited to 150 numbered copies.

das neue label trojan reloaded, sublabel von trojan records, veröffentlicht mit der vinyl 7-inch single einen brandneuen track der britischen dub & reggae formation reggae roast featuring tippa irie, der vor allem durch seine beteiligung an »hey mama« von the black eyed peas weltberühmt wurde. als remixer agiert dj madd, der old school reggae mit dubstep kombiniert.

the warsaw duo private press returns to the indigo aera imprint with four original mixes. its the second release in a series of three eps on indigo aera. on this new ep the polish duo perfectly shows their remarkable talent to mix a strong blend of dub and breakbeats together with 90s sounding house & techno elements. perfect mood setters for the summer festival season!

the mysterious love drop continues his homage to the classic raw sounds of days gone by as he drops an anthemic and pounding slice of house music for home taping. with his trademark moody grooves and heavy delays he builds a vibe which is guaranteed to set any dance floor on fire. keeping it raw and proper with a generous pinch of soul and more than a touch of badass, love drop just moved things up to the next level. less is definitely more as he destroys the floor. on the flip, dicky trisco plays to the emotional strength of the original and delivers a highly polished heads-down, dubbed out version for the club. while rising star of the scene dan shake raises the tempo and treats us to a raw and funky workout to complete a very fine package indeed. free your mind and love drop will follo

arthur baker and murk are two of the most iconic brands in electronic music. arthur baker’s career started in boston, and then hit its stride while he was living in new york city in the 80s and 90s, and he now spends much of his time in miami. oscar g and ralph falcon aka murk were born, raised, and lived their entire lives in miami. this new single is a culmination of the three artists spending time together in miami, and djing on the weekly murk monday events at renowned miami location coyo taco (delicious tacos up front, beats in a secret club in the back). coyo combines the tribal house percussion that murk is known for with the party-driven synths, vocals and instrumentation that is arthur baker’s trademark.

rod modell returns as deepchord for his first solo release on astral industries since inaugurating the label with his sought-after ‘lanterns’ ep. consisting of two stunning long-form pieces split on one side each, immersions¿ captures the emotive, halcyon sound that rod has long become synonymous with. opening with glistening ambient textures, ‘immersion i’ grows into an 18-minute piece of deep rolling dub techno. on the other side ‘immersion ii’ paints pristine soundscapes of soft, lapping waves, underpinned by submerged pulsations that rise to the surface to continue its deep space explorations. two highly refined and inspiring tracks that sit on the apogee of this sound.

limited 2018 repress !!
the timeless classic that is energy 52s >cafe del mar<, first released in 1993, has been rejuvenated and re-invented with 2 brand new remixes from germanys leading beat scientist ricardo villalobos. mysterious like a deserted bay at midnight, and blissful like the balmy white sands of ibizas hidden beaches, ricardos main mix snakes and meanders over 9 minutes of pure minimalist magic. filtering and reducing the originals main theme and bass pattern, a purely electronic interpretation is formed with ultra deep kick drums, and silky, woody textured percussion

stone classic bullwackies, sensationally featuring two unreleased dubs (w/ download code)
stone classic bullwackies (as excursioned by rhythm & sound for burial mix), sensationally featuring two unreleased dubs, newly extracted from the master reels. both are equally unmissable but quite different, with contrasting effects: the second dub adds ninety seconds, including whip-dem spring reverb. drawn from the selective showcase lp, the vocal mix is more open and dubwise than the sing & shout lp offering, with less keyboards. asked whether it should be mash or march, after some pondering bullwackies replied: -that’s a good question

the third album by blundetto, the man behind french radio station radio nova. for this fourth album, he’s back to the roots of his music : the reggae. . an album focus on jamaicans music, roots or digital, with legendary singers as ken boothe, cornell campbell, little harry and some close friends as biga ranx or jahadan blakkamoore. produced by blackjoy. why this title? slow dance? that’s a musical movment in the north of brazil. all the reggae soundsystem are slowering the tempo of the songs and the crowd is dancing in couple. closely. blundetto is one of the most played of this new musical movement.

comes with postcard!
come summer, it s time to get a tan, a caipirinha in your hand. to complement these delectable moments, attic salt comes with postcard
discs proudly brings you the official reissue of the modern classic that is -lait de coco- by maya. remastered and pressed on a 10&#8243,,,,,,,,,,,,,,,, comes with the original artwork and a postcard, because souvenirs and sweet words to your loved ones are everything.

uplifting, expertly balanced blend of driving disco dub & house vibes

meraki soul is an australian artist who brings us a nyc house & garage cut combined with fantastic mixes from defecteds scott diaz & plastik people s own tuff vibes

mysticisms eyes summer luv dancin’ as new-not-new deep dean emerges from the antipodean well to offer sunrise anthems for the me generation. a man of mystery, but too tight to be a total new-jack-wack. releases on a who’s who confirm the tight-tight-tight production matches the swing brimming of technique, confidence and factor one, fun. undiluted vibe alives, we ride ocean groove, with the original setting us afloat, teasing the monkey, bassline for open skies and warm hearts. you feel good? the drums club, the hats fly high and that’s all you need...

baba osman presents uk boy harry wills for their third installment. dj yue is back again with a heavy bassline remix on the flip side.

prfy 002 features four acid centered tracks by purify records co-founder and longterm goethebunker resident cramp. the first solo ep of the german dj and producer features four crafty club cuts suitable for a versatile range of settings. acid, techno, house, dub - it‘s all in there. don‘t sleep on this one!

mysterious japanese newcomer neem unveils his debut vinyl on japanese imprint aura music. the title track delivers some mechanical beats topped with delicate layers of samples and electronics. on the flip “forge” meanwhile is more abstract and spooky as strange voice murmurs on industrial background. “mustard-colored jacket” is a “basic channel” rooted minimal piece features some dub samples on heavy bass.

the first in a series of compilations by jura soundsystem is a blend of dub, ambient, downtempo, boogie and proto house with a focus on music never before released on vinyl, sought after out of print titles and some special versions edited specifically for the album. . the intention with this project was to delve deeper into the reissue pond and unearth some lesser known tracks and artists. highlights include smackos (aka legowelt) ambient epic ‘we can watch alf in the hotel room’, never before released on vinyl, the dub / psych hybrid of minus group’s ‘black shadow’, kash’s sought after ‘percussion sundance’ and special edits of ken dang and tabou combo. the end of the album includes some soothing ambient tools.

following a standout appearance on dvs1’s mistress label with his “just pain” track, the man from minneapolis, doubt, returns to don’t be afraid for the first time since 2014’s “poor dog” ep. in the interim he has continued to record on disposable commodities under the doubt moniker, whilst also exploring experimental and ambient sound under the name time heals nothing.
for his most inclusive outing to date, doubt mines the outer limits of minimal house music whilst still maintaining the vibe of alienation and melancholy that characterises his work. the mood of “april” is euphoric and carefree but dig deeper and the fragile beauty also suggests an impending and ominous apocalypse. “what is happening” and “samusex” counterbalance the a-side’s brief suggestion of joy with a mood closer to doubt’s previous work. the title track meanwhile recalls the work of labels like ifach and trelik with a swinging, stripped down dub sound.

dax j returns to monnom black with a huge double ep of techno and acid weapons! absolutely essential! comes with free digital download code, a5 art + sticker.

echocord sub-label echo echo continues this july with orbite’s ‘interstellar’ ep, a threetracker from the berlin- based producer. orbite is a brand new project founded in berlin, germany with a nod towards the raw, dubby sounds often heard across the clubs in the city, and where better to inaugurate things than the recently launched sub-label of copenhagen’s echocord, one of the leading imprints in the realms of dub techno, home to pioneering acts like rod modell/deepchord, pole and fluxion who have paved the way for orbite’s own twist on the genre. the ethereal pad textures of ‘skylar’ lead on the package, deftly evolving alongside bubbling synth tones, swelling chords and shuffled percussion to create a create dynamically unfolding six and a half minute cut. ‘moment’ follows, edging things further into dubbed-out territories with heavily delayed dub echoes and mesmeric spoken word poetry intertwining to create a, hypnotic beatless soundscape. ‘organi’ closes the record with emotive, billowing pads, warm bell like tones and vocal murmurs running alongside swinging shakers and stripped-back micro-house percussion.

best effort records jumps out of the box with their inaugural release ’number one’ - a selection of tracks that celebrate friends making music together. cold emotion are danny wild and rory stenning. the duo explore improvised club music using various keyboards and modular synthesisers. “toast” is a track taken from an extensive live recording session from 2015. accidental cv messages create unexpected cyclic baseline patterns while keyboard melodies float freely above jacking modular beats. the result is an imperfect, inspired club jam ready for any occasion. -cantao- pitches things down from the hypnotic frenzy of -toast- to offer a unique hybrid between computerized dub, subaquatic g-funk and triphop ambiance. canadian content! -manipulate me- is a collaboration between ivy barkakati and phran. the stark, alienated quality of ivy s spoken vocals & dark subject matter sounds even more claustrophobic and sinister backed up by the duo s frigid machine-funk, which is more in the spirit austere & icy 80s coldwave than modern house music. metric systems are a duo from somewhere in australia. the fathoms-deep -adaptation dub”, recored in 2009, is reminiscent of australia s after-hour dub technicians sheriff lindo or andy rantzen. look out for a full lp later in the year

der renommierte künstler elektronischer musik paul d. miller, besser bekannt als dj spooky, hat in einer kollaboration mit vp records einen exklusiven longplayer produziert. exklusive beats treffen auf authorisierte samples und melodien aus dem reichhaltigen katalog von greensleeves und vp. dj spooky wird dabei von seinem protege stephen levitin (aka apple juice kid) und dem keyboarder alex thompson (aka fourth shift) unterstützt. als stargast wurde walshy fire von major lazer für den tune enter the arena engagiert und der dancehall-künstler sanjay für dash it in the mirror- ins studio gebeten, sowie die stimmen von busy signal, lady saw und garnett silk kommen in dem vielseitigen dancehall-projekt zum einsatz.