ever-winding down different sonic pathways, the visionquest imprint next shines a light on young norwegian talent terje bakke.

for his 31st release, minibar welcomes hamid into the roster. hailing from the south of france this exotic bird migrated to the cold and rainy londinium, where he refined his musical taste and skills. after a few diverse electronic adventures hamid fully embraced the philosophy of the stripped down beat. this new approach allowed him to continue expressing his romantic side with a renewed strength and character. we are happy to present you his latest coming into the club land, a deep, raw and elegant three-tracker that will instantly seduce you.

love fever, the infamous and erogenous east london discotheque and record label returns with some late night works in the form of ron jason and kim ann foxman s the dream project ep . after ron jason s paradise garage evoking and much played paradise lost (with love fever regular larry heard remixes) caught the ear of label bosses alex & andy last year with its depth and sincerity, ron was tracked down, discovered as italy s enigma simoncino and connected with brooklyn s fly girl and modernist diva kim ann foxman to explore possibilities in house.

the mysterious lord of italo hooks up with il bosco on the latest hot 4 tracker from red laser. a simple and dark bassline with haunting lasers creates the bubbling imagery of a journey through manchester at night. where are we heading? to the fukin disco mate. how we getting there? in il bosco s 10 year old ford focus with the fat system g. why is the underside all crumpled? cos dj emerald beached it in tib street car park. windows down on a summers night? no, theyre broken. kid machine rocks the quickest shit i ever heard him make with this italo-electro-disco smasher. the title track to a film score that doesnt exist maybe ? this sci-fi thriller gives bass line collectors their monies worth and the beats are seriously heavy, but my favourite thing about this recording is the glittering euphoric interludes that appear twice in the track and make the whole composition complete. his strongest stuff yet. yes yes yes starion returns with another cosmic italo disco bubbler. its the soundtrack to a film set thousands of years in the future about a pimpin robot called night flanger. he makes sure all the fembots undercarriages are maintained and well lubricated when hes on a night out drinking diesel and smoking aluminium too hot to handle. too cold to hold. dirty girl is a boogie electro funk jam from il bosco. a chopped up rare as fuck record. can you find out what it is? probably. if you do and you know how to contact the artist let us know... do not miss!

little black book is a new concept series from moda black, part album, part mix compilation, part remix package, part crate digging expedition, the series will play host to some of the most interesting, exciting and innovative electronic music artists and will invite listeners into a more personal place than ever before, as the conducting artist creates a body of work that reflects on their past success whilst venturing into their future aspirations. who better to launch the series than moda black s dynamic talent hot since 82, with this two track 12 sampler laying down an exciting primer for what to expect from a unique new series

the light fantastic is a dancefloor orientated club album with a range of influences like – deep house, vintage synthesizers, classic boogie, disco, chicago jack, acid house, and even a dash of full-throttle rave revivalism.

we are very proud to present the first collaboration of various artists on ubertramp records, including 4 wonderful productions from the likes of roni nachum, giovanni damico, michael mclardy, and desos.

the ep starts with peace in the world, an infectious, assertive stomper that hooks you with a simple keyboard riff and vocal sample. the energy doesnt let up on runnin, though that cut is decidedly deeper and smoother. the flip finds montel turning it back up to 11 with ecstasy, a dramatic club anthem, and get down, a funky, elastic burner that closes the 12inch

gravious (real name alastair jackson) is a dubstep and electronic music producer based in glasgow. his early releases came via the hotflush label, and its scuba sub-label. more recent releases have come through highpoint lowlife, davey jones, saigon and broken bubble. now gravious offers halocyan his most ambitious work to date, the *rolling thunder ep*. the eps title track begins with glassy, plinking synths that segway into a rollicking, stuttering beat. pitched up vocals lend a 90s throwback vibe to this fun, uplifting number. hotly tipped new york producer octo octa (100% silk) cools down the original with loads of house flavor and his own pristine melodies. on the b-side, *release*, is a towering, glacial epic pushed along by a lurching, pulsating bassline and sensual, shifting vocals. closing out the record is *sulaco squares*, a taut, careful arrangement packed to the brim with colorful melodies and arpeggios.

like the face-painted celtic hordes that succesfully repelled all invaders, seaghdha continues to dominate the high ground and provide sonic sustenance for rave caves the world over. as the series continues to pick up new fans and plaudits aplenty, the modus operandi remains the same - precision club workouts, which ricochet between uk flavoured jams, to clean cut techno & stripped down house.

funk, soul, disco, ein down- und midtempo-himmel voller soul! the blaxploited orchestra ist das neueste projekt des spanischen produzenten simon garcia (poker flat, supplement facts), der sich hier von klassischem funk, soul, disco oder motown beeinflusst zeigt. unter den vier tracks ist auch ein brillanter remix von good guy mikesh & filburt.

nach der veröffentlichung des neuen albums tomorrows harvest, das von einer aufsehenerregenden internetmarketingstrategie begleitet wurde und boards of canada weltweit erstmals in die charts katapultierte, erscheint nun - aufgrund starker nachfrage - eine reissue-reihe mit all ihren bisherigen vinylformaten...

klamauk 005 various artists release is coming with tracks from roman rauch in collaboration with his mate philta, spontanmusik head keinzweiter, tom ellis and florence based the clover. roman rauch, well known for his releases on philpot, tenderpark or quintessentials brings us with >gino< a slow and deep housebanger with a smooth bassline that unfolds into some vibes and funky monosynth jamming for a simultaneously laid back and upbeat experience. keinzweiter – >the stomp< is a laid back discoslammer, getting richer in sound untill the break where the strings come all down and make the track to a little symphony. tom ellis created with >got your back< a big groovemonster, wobbling in deep territories and shuffled percussions. closing it out, we have the clover with their track >whitening the cell<. a live played bassline, setting the stage for some expansive background synth work in the second half with some cutted microhouse elements. limited and numbered vinyls.

authentic pew presents with its fourth release the debut of the collaboration between angel costa & attemporal under the moniker attac. forcing rhythms and well chosen acid ingredients open a wide space for a hypnotising mindtrip. the following remix by perthil & aerts reinvents the previous elements more to the floor. as patria from paris focussing on their 9-minutes-journey the deeper shades of techno, before tomohiko sagae breaks it all down with industrial noises and terrifying beats.

for our first release power up, weve decided not to pull any punches. it features a groovin pair of tunes from muffin man, which stand on their own...

ovatow drops 3 extremely deep journeys into the fog of endless re-verb and delay applications.flame and a thought are 2 electro-techno tracks that are both build on randomly step-sequenced square bass lines, raiser sharp snares and dubbed out melodies drowned in layers of breathing dusty tape delays. visitation dub iii is a different version of an ovatow track, earlier released as part of the viewpoints chapter one compilation, but this time stripped down to the core bass line, reminiscing bcs presence. the release is dedicated to the loss of south rotterdam based dj juvenile jay who played an important roll in the early dj career of frustrated funks head honcho klen, the man behind the ovatow moniker. very much recommended!

this vinyl release brings together first class remixes taken from the singles, the future is yours and good for the city - which features sam duckworth of get cape wear cape fly fame. first up on the a-side from solomuns diynamic crew is adriatique. the duo were big fans of the future is yours, featured it on the diynamic podcast and got in touch with the kraakers to say they would be up for remixing the song. the result is deep house heaven and a summer terrace stalwart. next up is portuguese disco don moullinexs take which lays down a classic disco style and vibe in the mix.

art department presents martina topley bird featuring mark lanegan & warpaint crystalised is a re-imagining of the xxs modern classic of the same name. the original down-tempo version featured on the 12inch are remixes from directors cut aka bona-fide house legend frankie knuckles and eric kupper, french luminary agoria and close label associate deniz kurtel.

after a new trip to new york and several collaborations on their respective projects both fellows decided to work on a common project: in the cut. still inspired by mid-90s new york hip-hop, this albu is produced entirely by dj low cut. nutso is not alone behind the microphone since you will found many guest appearances like smiley the ghetto child, rasheed chappell, dirt platoon, timeless truth, nems, ft, ag da coroner and c-rayz walz. like the song *shut em down* (a tribute to public enemy) or *grand scheme*, the 10 tracks of *in the cut*, definitely boom bap, will bring you in a world where underground hip-hop sharp lyrics, mingles with the melancholy samples soul 70s.

lars wickingers house label is now releasing its number 003 - an event that is celebrated with a various artist compilation.the gang has gathered and is ringing in the festival season!

is it balearic drop a 10 inch slice of acid house perfection from one of the true masters of the genre in foolish felix dickinson! *ousana* grows slowly over a driving house beat as warm synth pads and synth leads take the track along nicely with a subtle acid line until the bassline drops. a vocal refrain joins the groove seductively cooing *i want to take you home* over the acid layers that develop in deeply hypnotic fashion. straight into the basement. on the flip coyote take the tempo down, bring out the percussion and create a balearic acid stomper. bleeps dubbed out vocals all swirl around the percussive rhythms then the acid line drops subtle and reminiscent of a certain acid house classic. early doors or at the beach bar for this mix.

avicii mit seiner eigenen dance definition auf vinyl im longplay format ! incl wake me up, hey brother !

fix, samsa and millian are peaktime, stripped down industrial machine funk monsters. a trio of bassheavy battle weapons wich will leave any dancefloor in shatters.

major people is a new label from santiago salazar. the debut track *new beginnings* is more of a theme song for salazar as he introduces the major people label. modulating synthes can be heard throughout the track and the catchy bassline will warm any dance floor.
*technik* is a slice of sleek, contemplative techno that is far out on a late-night tip, leaving only a bouncing bassline and skipping tech-house beat to hold down the groove amongst the tune’s more ethereal sounds. on the remix, chicagos defend:r (ricardo mirandas alter-ego) takes apart the original to form a hybrid electro style remix laced with sub bass grooves and just the right amount of synths to take it to the next level.
this is the beginning of much more to come from major people.

following on your work as one of the twin pioneers of glaswegian radge-rock in arab strap cant be an easy task. aidan clearly has had other ideas, quite different ideas, and most of them comprise his solo project release via his alter ego, lucky pierre. in these recordings, l. pierre pays an affectionate tribute to the wear and tear of overplayed vinyl, the hiss, scratch and pop of records long loved but worn down. it is the sound of survival, the echoes of a life lived well, moth eaten music of dasness and resilience, of beauty and backbone.
pressing on 10 inch vinyl, download code included.

the star eyed condition is chameleonic effort in the impossible to pin down trajectory of loden s career. the belgian-based producer and musician has already proven his facility for glassy disco and droning ambient on his 2005 debut valeen hope, and glitchy hip-hop via his work with sole and thirsty fish.
on his new album, koks goes even further beyond his already drawn boundaries. there is a touch of robo-electro to tracks like *optimist never cries* and *sanesserarian* (a play on the phrase *ça ne sert a rien* or *it is useless*). he brings the ghostly sounds of german electronic pop into the dirtiest of hip-hop beats. and on his collaboration with rhymer doseone, *future confetti*, he gets lost in a psychedelic wilderness worthy of dj danger mouse.

stuck in the 9-5 grind, stifled by the impersonality of constant social media and mobile interaction, contemporary urban life can be suffocating. for a certain breed, release cannot be found in the vast, unpopulated great outdoors. urban animals congregate in heaving warehouses, seeking solace in the liberating beats of the kick drum. they are bound not by association, but through a shared experience of primal relief felt in those shadowy, dance floor corners swelling with the sounds of low end frequencies and brazenly sculpted grooves. this is the urban animals jungle.

sydneys excellent death strobe label return with another surprise! there is just no pinning these boys down as they chalk up another fine addition to an increasingly vivid and varied catalogue.

while this album could have gone down a rather obvious route, with the remixers of the asphodells album *ruled by passion…*, andrew weatherall looked a little closer to home.
mainly revolving around the axis - the group of locally-based producers who can be spotted in and out of weatheralls shoreditch studio bunker - reworkings from the likes of phil kieran, scott fraser, hardway bros, justin robertson and ivan smagghe soon came to light.
this idea lead to a broad range of styles with something for everyone. we have stopped arguing in the office about which is the best track. they all are.

mr.g is returning with a mint 4 tracker for the heads. 4 acey analog anthems with that authentic mr.g. sound. rich basses and excellent placed vocal cuts that allign with open hats perfectly. another phoenix g smasher to end up the year with.

anaxander make a welcome return to local talk following the mighty local talking ep released earlier this year which got support from heavy weights like rolando, ben sims, recloose, ben westbeech and many more. on this release he drops the bpms and let the machines do the talking. both candy stand and my aniseed lollipop are perfect examples of how to lay down an acid track sparse but bold percussion frameworks to contain that all important, tension laced 303 work - perfect for ballrooms and basements alike!

real house master phil weeks makes his debut on guy gerbers supplement facts imprint with a trio of dancefloor bombs packed with his signature bump, funk and bass. title track sharks looking for fishes is a fuzzy, warm affair with warping pads and shimmering cow-bells building with dusty samples combined with a jacking bassline. on the b-side bees assault is pure heads down techy business, unhinged and driving its the peak time banger of the release and an assault on the senses. lastly, hold onto the memories brings back the french deep touch with another solid jacking groove and faded vox.

remixes for major lazers dancehall banger coming from dimitri vegas & like mike and daddy yankee plus a collab with t.o.k. on *shell it down*. watch out for this!

west midlands pair ultra knites touch down with the debut release on their own eponymously titled label. got to release has already been described as a future classic with its distinctive warm pads, vintage bassline and vocal hook while ny sleazd is the choice track for peak time dancefloor destruction. the b side takes things deeper underground providing variety with two more chord driven cuts, flanged synth stabs and harmonised basslines. all delivered on heavyweight 180g vinyl

bosq y orquesta de madera is the much anticipated full length debut album by bosq from whiskey barons. on the heels of his three well-received 12inch singles, the album delivers on the promise of a well-rounded and killer collection of afro, house, latin, soul and disco tracks with the intention of keeping bodies moving on the dancefloor.

john foxx and jori hulkkonen have collaborated on a new ep, featuring 4 brand new songs, 2 remixes by film-director david lynch and a radio edit of the exquisite lead track evangeline. the other songs – strictly, something is coming down the avenues and can t see you anymore – are as dream-like and strange as anything in either artist s catalogue.

sam cooke is considered to be one of the pioneers and founders of soul music. through his justifiable legendary and distinctive voice he acquired the nickname king of soul.
this is the remastered version on 180 grams audiophile vinyl of a record that has been out of print for a (too) long time.

fleetwood mac is a band with many faces. in contrast to their poppy sound of the 70s, fleetwood mac actually started out in the sixties as a psychedelic blues band under guitarist peter greens lead.
pious bird of good omen was originally released in 1969 as a compilation of the bands bluesy roots: their first four uk singles and their b-sides and two tracks by bluesman eddie boyd with fleetwood mac backing. the albums sound is laidback, down & very dirty, featuring scorching cover versions of little willie johns >need your love so bad< and robert johnsons >i believe my time aint long<. the b-side features the international hit single >albatross< and peter greens composition >black magic woman<, the latter being popularized by santanas version in 1970. this album is a must-have for blues fans. anyone interested in the roots of fleetwood mac might discover they are essentially a totally different band than one might think.

stripped down & raw underground house & techno tracks from the mysterious, brand new and already much talked about label/project: berg

the last 12 inch in the invisible sunrise remix series and to say they have saved the best until last would be unfair on all the other amazing remixes but this really is a doozy. quiet village do what they do best - an exceedingly epic 13 minute tropical jungle chugger that transcends time and space to take you on a trip you are never going to forget. without a doubt one of the best things we have heard from qv in quite some time. on the flip the advisory circle provide what is perhaps the most beautiful remix - melodic, inventive and deeply lush. an anthemic come down for those moments when you need a big audio hug. simply gorgeous. lastly seahawks leave us with an unreleased mix of crystal beach which sounds like george benson tripping his nuts off on a beach in hawaii at 5am….languid jazz guitar, slo mo beats, the sound of the waves and some deep electronics ... what more could you want? seahawks at their finest and one more reason this is an essential purchase. swim on forever.

uptown xos album colour de grey will only add layers of depth and nuance to his hardbody sound. introspective, stylish and gritty, xo is a reflection of his dc environment. colour de grey straddles commericial appeal and underground grit, utilizing street smart lyrical content with an ear to the political, along with infectious soul stirring, head-nodding production. get down if you know whats up!
limited edition pressing on grey coloured vinyl.

ever the shape -shifters and genre-benders, on their newest ep lullaby san-francisco dance darlings pillowtalk move away from their innovative brand of housified soul and look toward the misty terrain of lush, 80s-inspired synth-pop. turn down the collars on your izods, switch on your walkman, and drift into that delicious space between waking and sleeping, love and loss, making out and making up.

welcome vinyl reissue for this ultra-rare slice of warm and dreamy down-tempo disco heaven from one-hit wonders byron. originally released in 1985 on tiny italian label golden sound, *too much* is highly sought after today in balearic circles for its gorgeous sun-drenched atmosphere and the understated chugging funky combination of hypnotic bass, other-worldly vocals and heady chiming synths. a must for any discerning balearic record bag, grab a copy while you can.

dood, the second single from claude vonstrokes forthcoming album, urban animal. dood is inherently dirtybird and the one youve been waiting for if you were expecting something nasty from the project. the heart-squeezing booty-bass-line smacks instantly, while the rumbling drawl of the stoned vocal perfectly encapsulates vonstrokes witty spirit. the track is an homage to the time claude spent in los angeles during the production of the album and really captures the fun, dark edge of that sprawaling so-cal metropolis.

fast-rising rebel queen francesca lombardo is back on crosstown with her seductive new single ‘what to do featuring remixes from infinity ink, matrixxman and a luca cazal dub. showcasing francescas undeniable raw talent and pure, fluid vocal flair, what to do is another example of the producers sublime song composition in an electronic framework. the sultry mood evoked by francescas voice wraps around the infectious melody as spooky ethereal tones rise and fall with the subtly driving groove. infinity ink strip down the elements with mechanical precision, injecting some darker bass and a more solid kick. matrixxman revels in the twilight zone and delivers an alternative trippy tapestry of jagged synth stabs and melodic bleeps with only waves of the vocal. luca cazals dub is a perfect late night builder with added sonic textures

lph whites second offering picks up where the first one, by waze & odyssey, left us. that 12inch featured a remix by london-by-way-of southern-california house up-and-comer, urulu, who produced all four of the tracks included on this ep. left coast is an ode to taylor freels home turf, but dont think its all blissed-out balearic burners one might listen to while rolling down a palm tree-lined stretch of the pacific coast highway. every one of the four songs is a cranked-up, high-octane, peak-hour monster

daniel steinberg cheats on his own label imprint arms and legs and gets down for a wild romance with kittball records. the result: 3 bastard babies that will turn the worlds dance floors upside down. green cash is a swingy groove monster with a super cool vocal on top

geddes first single is impressive with the title track remedy sure to be a pinnacle in many dj sets. remedy is laced with house rhythms and uses a melodic synth and stabs to create a tough house groove before the vocal gives the track the unique flavour and character geddes can produce. shout sleazily rolls along being joined by different instruments to create a funky club track that will turn dance floors upside down

berlin label bright sounds debuts with 12inch release from brighton-based dj & producer myles serge, a self-described reclusive perfectionist, whose haunting production sound reflects influences from early detroit & chicago electronic music. the inside the box ep collects three stripped down & floor-ready techno cuts:building blocks continues the detroit tradition of doing a lot with a little, piecing together a groove of subtle intensity by small increment