every once in a while a record comes along which is a little bit special, a record which stands the test of time, bringing the same reaction to the dancefloor now as it did all those years ago, and dont you want my love is one of those records. almost four decades after its original release in 1979, the record has become a favourite with the glitterbox crowds, creating a seminal moment at ministry of sound when david morales dropped it at the party in march 2017. now debbie jacobs timeless classic lands on glitterbox recordings for a special vinyl package including a re-edit courtesy of disco veteran dimitri from paris.

five years deep into the game, all nine lives fully intact: utrechtian feral feline larry de kat prowls his way onto pets. and we really dont need to tell you how purrrrfectly apt this debut union is. fresh from launching his own katnip imprint (and putting the final touches on a hush-hush disco edit series), pets have managed to prise four of his finest, broadest creations from his creative claws. each one floorbound, each one backing up the hype hes enjoyed from the likes of axel boman, mark e and laurent garnier, each one making us feel like cats who got the creamiest of creams. i know you can hear me’ takes the lead on a more direct tip that you might expect from de kat. big pumps wrapped in a fine vibe balance of detroit and parisian house textures, but done with larrys signature dubby, jacking style, its the perfect paws-sitive statement of intent. slinking deeper into the ep, naakte groove lives up to its nude name with a lean-but-warm bass riff that purrs with finesse around a straight-up strutting drum arrangement. so much fun in such a tight, detailed groove, youll want this on loop forever.amlou stalks up behind with dusty, thumping charm. rolling and scratching like it was 20 years younger, theres an innate physicality in the drums that snaps you out when the big disco hook rides in from nowhere. finally we hit she doesnt. the dubbiest groove of the set, all eyes are on that bulbous sub, rippling synths and precision tuned snare shot. hypnotic, heavy, unhurried and heads down. these sounds are fur real. like all the best stray cats, expect larry to return to pets as and when he pleases.

hell’s first single in well over a year, ‘i want u’ throbs and thrusts with in-the-moment physical tension. unhurried and extensive in its 11+ minute arrangement, it’s every bit as deep and as long as you’d want such a session to be with its rush-riddled breakdown that dips deep under the skin with lavish emotional chord changes and peaked atmospherics. a celebration of gay culture, an homage to purist analog-driven proto techno, a statement for what’s shaping up to be yet another exceptional album from the hugely influential international deejay gigolos founder, ‘i want u’ comes complete with two startling remixes: the legend that is the hacker accentuates the grit and crunchy ebm charm of the original with an all-out exercise in sonic horsepower while hell’s selector kindred spirit and all-round robot-rustling icon martin matiske provides a whirlwind trip back to another foundation era for electronic music with b-boy-busting electro boogie spectacular. trust us, you’re going to want all three. and thankfully you’ll get all three right here. let us know what you think!

*jamaica selects jump blues strictly for you - jamaican sound system classics 1944-1960* ist der nachfolger zur erstklassigen *jumpin the shuffle blues* compilation auf fantastic voyage. das doppel-vinyl ist auf 500 exemplare limitiert.

nice price deal !!! austria and in particular vienna finds itself the focus for new and creative sounds - phlox is a fascinating imprint promising dubstep, plentiful low end and an intoxicating blend we can only describe as neuro garage. a new label, a new identity - and a refreshing music policy - simply that they dont actually have a music policy.

here it is... the long awaited mr. pauli solo-ep. four unbelievably raw-rocking neo-italo monsters on one plate. this shiny black piece of wax will stay in your recordbag for a looooooong time

an unexpected limited viewlexx. only 300 copies for all the italo lovers. viewlexx delivers some raw and unique recordings from the live performance of fred ventura with alden tyrell & i-f. they reworked some old fred ventura tracks and played it on a cbs party in rotterdam and on the lowlands festival in 2005. this is a recording of that hot steamy night in rotterdam with great italo disco classics such as body heat, streets allright, youll never change no more and wind of change. cool

2024 repress, 140g vinyl, remastered, double lp with the original lp along with a second record of 14 rare tracks

picture sleeve with printed innersleeve

part of bobby caldwell reissue campaign, 2023 first time reissue, 140g vinyl

collectors 6lp box

re-issued for the first time since its original release, instant funk is available on limited edition red transparent vinyl. 1979 studio album

limited liac coloured vinyl

33 classic motown songs on audiophile 180 gram black double vinyl.

limited edition of 3000 numbered copies on white 180 gram double vinyl.

blue coloured vinyl with download code included.

hot house & dance tracks from the 90s, including atlantic ocean, basement jaxx, faithless, felix and many more! the 180 gram double vinyl is housed in a gatefold sleeve.

lp, first re issue ever, cut from original masters. original packaging strictly reproduced. incl. rinted gatefold sleeve and printed inner-sleeve with cd included. original year of release: 1991. features the tracks out of time man, king of bongo, madame oscar, etc. mano negra the legendary first band of french singer manu chao featuring songs in spanish, french, english and arabic. we are celebrating this year the 30th anniversary of its foundation. the album has been unavailable on vinyl since its first original pressing.

2lp, officially available on vinyl for the first time, cut from original masters. original packaging strictly reproduced. printed sleeve and printed inner sleeve with cd included. original year of release: 1992. mano negra the legendary first band of french singer manu chao. we are celebrating this year the 30th anniversary of its foundation. featuring songs in spanish, french, english and arabic. the album in the hell of patchinko, the live double album recorded in japan in 1991, is available officially for the first time on vinyl.

the inimitable cc:disco! has partnered with hyped underground label soothsayer to curate the first in a collaborative series of compilations entitled first light. soothsayer presents first light: volume 1 compiled by cc:disco! is due for release in february 2018 digitally and on vinyl. australias reigning champion of tasteful electronic music, cc:disco! has procured exclusive tracks from emerging and undiscovered artists across genres such as boogie, balearic, funk, disco and house with each sound piquing her interest, culminating in a finished product that would undeniably slot into a cc:disco! set. her mission statement? less chin stroking, more dancing. it captures what cc:disco! is all about: the dancefloor. the very first taste of first light comes in the form of a salty and sweet track called really want that by jace xl. premiered via resident advisor, cc:disco! explains: i remember the first time i heard jace sing in a bar, at first i thought a dj was playing then i looked up see jace singing his guts out. he blew me away! jaces voice is amazing and to me, a huge part of whats going on in australian music, so its with open arms we welcome him to first light. staub comes back on wax for a third episode. following the no name policy from the parties which started 5 years ago in it is time again for unknown artist to shine. this new ep sees the shy producer appearing on 4 tracks of pristine techno. a1 is an atmospheric trip while a2 is more brutal, on the b side it is going weirder and darker. we think unknown artist tries to craft interesting techno cuts and that he loves variety. that it is the idea behind staub since its beginnings, it does not matter whether you are a newcomer or lady gaga, what matters is the quality of the music. this is what was again aimed with this third record.

top-sampler mit 21 soul/funk/disco-klassikern aus den 1970ern, die in der britischen rare groove- und modern soul-szene seit den 1980ern wieder für furore sorgten, darunter etliche cd-erstveröffentlichungen und vinyl-erstreissues. mit kostbaren raritäten von almeta lattimore, mary clark und tommy mcgee, 2-step-perlen von jocelyn brown und zulema, smoothen jazz-soul-floatern von margie joseph, aretha franklin und ihrer schwester carolyn, debbie taylors grandios orchestrierter ballade -i don t wanna leave you- sowie wundervollem harmony-soul von the ebonys, manhattans, natural high und the impressions.

crowd of one - formed in a bare, airless back room, lost in a labyrinthine warehouse in hackney, east london 2014. blissfully engulfed in a haze of cigarette smoke, music instruments and computer cables... there came, the improvised yet haunting, fused melodies that cascaded down the corridors, leading to the creation of this solo project. crowd of one debuts on resopal with five tracks and his mesmerizing dove ep. somewhere inbetween deepest electronics and mindblowin composing. check for yourself

the remixs: pointsman – we dont know who he is but he provide a deep big room monster.
tripmastaz - probably the only funky russian you will ever meet. the only russian artist with releases on cocoon, minus, desolat, cadenza. the only russian artist with 4 vinyl labels. hes funky housey remix is the most faithful of the four.
bpmf – schmer label head provides a grimey and noisey big bottom soviet style jam.
steve stoll - nyc acid legend made a hard banging acid tracer.
in 1996 serotonin label heads selway and szostek went to moscow to perform at the invitation of &#1055,&#1058,&#1070,&#1063, magazine. synapse performed at the -waterclub- and met the legendary dj compass vrubell. they went to his -studio- where he had perfected the art of making entire tracks out patterns on the yamaha dx-5. szostek brought a dat of these jams back to nyc and schmer-003 dj rx-5 -a taste for crap- was released as a small run white label in 97. the run sold out and disappeared to be forgotten forever... until 2016 szostek casually mentions its existence to techno uber-nerd nina kraviz who just had to have it for her -fabric 91- cd. so dj rx-5 was back from the ash heap of history and schmer got a new release from him on schmer07. then schmer got the word out far and wide that they d like a remix ep for two of the originals: compass provided stems because like a miracle he still had the patterns after 20 years. heeding the call were pointsman, tripmastaz, steve stoll and schmer s own bpmf. so this is what you get: -a taste for remix-. it will leave your lips wanting more, for sure!

music from memorys final compilation of 2017 sees the release of the double album 1 by 1, which brings together the works of american experimental musician geoffrey landers. during a period spanning from 1979 to 1987, this denver, colorado based multi-instrumentalist, composer, record producer and engineer, conceived several solo albums. only two of these, the ever decimal pulse and habitual features along with the single breedlove were ever released on vinyl. being heavily involved in the local industrial/punk/new wave scene and wanting to create a recording studio available to record artists regardless of their financial circumstances landers set up the packing house studio in 1981. this analog 8-track recording facility was located in a former slaughterhouse in the stockyards of denver and was a place of significant activity for the next three years with the studio releasing recordings from numerous artists most notably allen ginsberg.

in 1973, emi records nigeria released the 45 rpm disc fuel for love b/w soundway, credited to a mysterious band called wrinkar experience. the record was a finely-crafted gem of pop-rock and funky soul as had never before been heard coming out of the countryÆs nascent rock scene, and it ended up being the biggest selling nigerian single up until that point. the success of wrinkar experience effectively demonstrated that was a market for homegrown pop and rock, and sent record labels scrambling to sign similar bands, kicking off the nigerian rock revolution that is still being celebrated and discovered by new generations today. but while wrinkar experience launched the movement, the group itself would be short-lived: after another hit single in 1973, the bands frontman danie ian split for a solo career. the remaining principal players in the group cameroonian musicians ginger forcha and edjoo jacques racine tried to keep the wrinkar name going before giving it up and rebranding themselves as rock town express. rock town expresss debut lp funky makossa was recorded in 1974 for arc records, the cutting-edge studio and label established in lagos by english drum legend ginger baker. the album showcased in long format the qualities that had only been hinted at on the wrinkar experience singles: bright, confident pop melodies, articulate lyrics, and darkly potent funk-rock. comb & razor sound is proud to present a new, fully-authorized reissue of funky makossa, featuring the seven tracks from the original release, plus i am a natural man and i dont want to know, from wrinkar experiences seldom-heard third and final single.

your lost property is ready for collection.the mysterious series of reduxes, reworks & re- versions continues. wild rumours abound on who is behind them, but it seems likely pbr streetgang may have something to do with it, that or the ghost bobby orlandos tape op, we can t be sure... the collection of oddities kicks off with the spacey titled ganu ganu , an apocalyptic sounding wrong-speeder that tensely builds a for a huge slow mo collision, crash helmet required. financial times dub is anything but economic with its use of slap bass guitar, and your all the richer for it.. on the flip things are no less funky but in an italo tinged vein with, with don t come runnin . as balearic as it is adriatic as it is boogie. finishing the quartet of curveballs is princess of persia a a hi tempo disco roller with a hypnotic groove to charm the scales of a cobra and sleazy vibe that makes you want to reach for the liquid gold & head to the downlow.. if you know then you know.. support from bicep, midland, paramida, manpower psychemagik tensnake

coeo are toy tonics lead artists and they dont joke! technically perfect on a level that most producers start to get jealous. musically filled up with so much knowledge about the history of disco and house that its no wonder that big names like kenny dope, borrowed identity and tensnake are huge fans. and their styleà? its a pure hedonistic discoish attitude that combines the funk driven eclecticism of today, the curiosity of young music cats who always want to be ahead and a sense of quality in music that we miss in so many of todays house music productions. in fact its 2017 and a lot is changing in the house scene. the old melancholic deep house now is quite dead - while most deep house charts are filled up with sample based funk house. coeo are regularly on the top of the several deep house charts, and there is a reason: their tracks have that kind of new, nasty, sexualised vibe that gets more inspired from the late 1990ies french touch house or early masters at work production. from jazz djs and dj sets of wildstyle djs like harvey or the idjut boys. its not any more about the old schematic ketamine deep house that always sounds the same (and makes your feet fall asleep.) listen to flesh world! its black music basically. its booty sound. disco for sure. this track gets you riding on a trip. play it one time and youll play it every time. and: check the percussion jam remix by toy tonics head kapote.

henry thomas low key 45 on raptown records has until now been a featured in the record boxes of deep boogie and two step dj s who know the deal, it s now time for it to spread its fm synth wings to bigger dancefloors. what more do you want, a solid two sider that only slipped through ebay a few times on the cheap as people did not know it, managed to bag one of those myself and with some help from a good friend track henry down, alive, well and looking forward to his music getting a revival.

language is a tricky thing. it’s possible to convey the most beautiful and heartfelt experiences with just a few words but meanings can be lost in translation. language itself being just a symbol pointing to the actual thing, like fingers pointing to the moon it’s key not to mistake the finger for the actual moon. if you do you might miss all the heavenly glory the finger is pointing to. the map is not the territory. kiani & his legion is back on sohaso with the next chapter in his sonic explorations. a mini-album that’s more than the sum of it parts, drawing you in with a story worth to be told. using a language that doesn’t need to be explained trough words, the symbols merge with their meaning trough sound. the story commences with a female voice whispering gently to you to ‘close your eyes and fly’ and while making your journey don’t forget to ‘breath’. you get introduced to the sturdy drum patterns and eerie string pads that have become main ingredients for kiani’s soundworld. eindeloos takes an irresistible groove and badass walking bass winding up between endless flanging spirals. oval flight starts out with the cheeky sound of an electric harp but inside it hides a seed that sprouts to enormous proportions. beneath the beauty you can feel something sweltering, wanting to expose itself. it links back to the beginning and finally lifts you off with a grand gesture. if you remember me then i don’t care if veryone else forgets, uses haunting atmospheres that remind of 80’s science fiction or the eerie vibes found in twin peaks to provide safe landing ground beneath the feet after your flight. l.o.v.e. forms an appropriate conclusion to the story, reflecting with a melancholic chord progression, soul healing choirs and the phonetic symbols ‘lima, oscar, victor, echo’ repeating till infinity.

we were very happy to be asked by connaisseur recordings if they could put out another album with our music! now it s all come together and they ve asked us to do our own press release for it and quite like the album, we want to do it in our own way, personal and from the heart. it s been a few years since our last connaisseur album, and a lot has happened since. we ve built a new studio, matured musically, acquired new gear, sold old gear, done a lot of gigs, lost faith in music and regained it again. the process of making the loneliest man in space (this album) was a genuinely pleasant experience, as we never really set out to make an album at all. we didn t conceptualize or have any grandiose plans, we simply enjoyed ourselves in the studio. inspiration was running high, so we focused on making a lot of music uninterrupted, rather than signing tracks, which left us with quite a bulk of unsigned material. the idea to release these tracks as an album came from our friend alex, at connaisseur. we instantly jumped on the idea, listened through the material, taking some tracks out and composing a few new ones, to make it sit more together as a whole. we tried to come up with a title that would ft the feeling of the sum of tracks and settled on the loneliest man in space. as the album, to our ears, sounds a little melancholic and a little spacey. we sincerely hope that you enjoy the album either as a listening experience, a dance experience or something in between!

rihanna’s 2005 debut album music of the sun back on 180 gram double vinyl. housed in a gatefold sleeve

this release - a collaboration between ali x (alphonse from azari & iii) and mexicos theus mago - turns the heat up all the way to on and just leaves it there. the lyrical content of the title track would lead many to use descriptors like sexy, sleazy, and steamy like you wouldnt even believe, and while the music also bears that out its important to remember not to stigmatize something that almost everyone does at least a couple of times a week. vision, meanwhile, offers the perfect b-side accompaniment, a sci-fi techno workout where you dont even have to think about sex if you dont want to. the ep features dub versions of both tracks for more stripped-down club sets aimed at people who understandably have problems with the sound of the human voice. it also includes a remix by curses, whom we recently bumped into (he says cornered) in berlin and asked if hed provide one of his trademark eerie downtempo excursions. long story short: he said yes.

turbo recordings is proud to present the definitive collection of remixes for planet e, tigas collaboration with hudson mohawke from this years no fantasy required lp. in fact, were so proud and excited that were going to jump straight into blow-by-blow trackdescriptions while the passions hot. 01 dense & pika remix hypercolour label boss alex jones and chris spero (aka glimpse) deliver what canresponsibly be called one of the years biggest chart-topping smash remixes. this wasalso released on counter records as part of tigas album deal, so at worst you have aspare copy for your bomb shelter. 02 danny daze polyester mix we have been trying to get this miami-based producer on the label for years, and thisremix is the closest weve gotten so far. sometimes life is about compromise, and if youget enough future-italo-electro hits like this one you may be lucky enough to forget whatyou wanted in the first place. 03 mele remix dont you ever dare say that turbo doesnt care about young uk producers. until youstop for good, well keep tapping talents like mele, whose love of brazilian beats, classichouse tracks, and trans-atlantic hip-hop shine through on this mix. but while genre checklists are great and vital and exciting and so much of the reason we do what we do, its the music thats the pudding youll find your proof in.

* as one of chicagos most mysterious and revered characters, the story of gemini, aka spencer kincy has become something of a myth in recent years – blazing a trail throughout the 90s, prolifically releasing over 200 tracks from 1994 to 1999, spencers music had shades of innovation and soul few of his peers could match. then, suddenly, at the peak of his career, he disappeared.
* anotherday are very proud to bring you the reissue of geminis most complete and varied album – 1997s ‘imagine – a – nation’, originally released on cajual subsidiary relief. you know the music - every track is on youtube, or you have picked up one of the very expensive original pressings on discogs, but here it is, in its fully re-mastered glory!
* rumours and gossip of spencer’s whereabouts and situation have been rife in the music press, and rarely on the money. spencer is alive and well, and wants his music to be heard. this album has been licensed directly from him, and the money made from its exploitation will go directly to him.

the ultimate tribute project with all exclusive new recordings featuring the new breed of jamaican stars and upcoming artists like chronixx, jah 9, iba mahr, jesse royal, kabaka pyramid, ikaya, exco levi and exciting bands like raging fyah or no-maddz. also paying tribute are the international known and established artists jah cure, maxi priest, and gyptian, richie spice, with also the veterans freddie mcgregor and mutabaruka being on board. all tracks have been recorded with producer legend clive hunt, who also appears with two instrumentals as the vp hit team. -we remember dennis- comes as 2lp-vinyl set with 20 tracks available including high-quality printed inner sleeves presenting sleeve notes and images!

ostgut ton reissues acht of zehn with original tracks by din (aka efdemin and marcel fengler), fiedel and tobias. 2015 marked ostgut tons ten-year anniversary, celebrated with an extensive 30 track compilation release, titled ostgut ton | zehn, spread out over ten 12inch vinyl records housed inside a limited box set. this sampler sold out in no time, which is why ostgut ton is re-issuing these ten 12inches individually in 2016. bubbling synths, a stoic bassdrum, some live hi-hat percussion and synth pads full of bliss – what started as marcel fengler’s and efdemins inaugural collaboration as din for 2013s masse ballet sees its continuation in form of mono on a1. on a2 fiedel contrasts the opening tracks cool sounds with an upbeat contribution: probe-806 gently brushes funk, electro, acid and even boogie territory atop the general muscular rhythm. analogue synth aficionados are being served by tobias.: like a drug is a minimalist techno track with maximalist dancefloor effect through its use of haunting, distanced vocal fragments, discomforting alarm tones and crackling background textures. as with every good drug, you dont necessarily want more of it, but rather a longer duration of effect (in this tracks case: 8:36 minutes).

yse saint laur ant has spent far too long writing and releasing music in one guise or another to endure writing clever promo/impress releases. instead, vinyl only wants to let the music speak for itself keep it simple if you dont like it today then thats cool, we get we cant please all the people, all of the time. however if don t buy from juno today please dont whine to us when you ll be forced to spend the better part of double/treble the price for this very same release on discogs in a few years time

ltd nice price blow out , last copies left ... very useful and more highly demanted defected acapellas. this time the code red vocals. not to be missed

two sides from our favorite early 80s lover lew kirton. its the first time the sexy soul mans two track have been 45! both solid tried and tested lp tracks, but who wants to spin lps. 15 years of doing a club every week and you end up with some secret weapons, *something special* was always a big tempo change record. everyone is tired from dancing for two hours to fast disco, modern and deepfunk and without warning you just drop this badboy in take it down a notch and let the dry riding commence, solid. on the flip is lews straight up jack of gloria gaynors *i will survive*, pure shameless anthemic dancefloor disco smasher that i have championed for years, that catchy guitar line over lews big voice never tires.

paper disco are back on vinyl ahead of their forthcoming trash the wax vol. 2 and two totally exclusive tracks. leon sweet launches things with sunny bigler that has a moroder style bass and plaintive male vocal designed to make grown men cry on dance floors. italian master blaster shares the same side rocking his trademark edit chops with games whch will only be seeing the light of day on this wax. turn it over and yam who makes an appearance with natasha watts and paper tea boy chris massey on remix duties. its floor heavy 4/4 disco with modern production and dynamics that will slot in to any discerning box. the second exclusive comes from oslo young bucks de fantastiske to who offer up a more house take on disco. gimme sum dim sum has a shuffling backbeat, lush keys and chords to give it an organic garage feel that tips a wink to the best that new york has to offer.

raw waxes meets unperson for its second release: 2 vinyls, 4 techno tracks per vinyl, including remixes by perc, samuli kemppi, stanislav tolkachev and tomohiko sagae.
the second release supports unperson, who dont want to share with you any infos about bio or thought, just want to let you feel in his trip. stream of consciousness ep is his manifesto of driving industrial techno and for any kind of underground dancefloor. indeed raws stuff collected for this ep 4 artists who never look to what can sell or what is considered cool. they did amazing remixes understanding at the best what raw is looking for: no pussy techno, no easy techno.

you dont have enough fingers on one hand to count the number of tadd mullinixs musical aliases. often does an artist want to explore disparate genres, and sometimes they try by releasing under various project names. rarely does this ever work, but its part of mullinixs growing legacy to consistently pull it off with tact, empathy and exuberance.

support by juan atkins, brothers vibe, valnetino kanzyani, ray okpara, guy j, andre galuzzi, phil kieran, chris lattner, rampa, nekes, federico molinari, fimo, patrick bateman, mathias schaffhaeuser and many more! enough! music is back with its newest ep package made from three berlin based artists who bring their own unique sound and styles, a stong statement that these three rising talents are certainly ones to watch closely over this coming year. first we must speak about the two originals provided by george p., aptly named <start> and <stop>, each track carries the signature drive and syncopation typical in any george p. track. <start> is a hypnotic and smooth tech driver, pushing forward with intense percussion rhythms, haunting synth lines and intense pads in support, this has all the hallmarks of any classic detroit cut only with more panache. <stop> continues in the same vain with a raw and jacking tech mix, the intensity growing as the track evolves, a driving stab and tom bass establish a funkiness that becomes infectious and certainly a big dance floor number. the first remix comes from label boss danilo schneider who is <pause remix> of start brings on a solid deep groove perfect for the early hours, yet doesn t loose any of the intensity of the original, this is danilo at his very best and most definitely one killer deep ass shaker here!last but not least is the second remix is by edgar jack who is version of <stop> (aptly named <you know i don t want to>) manages to capture all the rawness and colour of the original as a funky, jacking mix with deep dubby basses and a nasty swing groove that will knock your hip out…yes, you ve been warned.enough! music delivers once again with a very strong and promising ep that will certainly please the dance floor and rumble those speakers from side to side, these three gents from berlin have delivered four powerful and unique cuts that you know you can just simply sink your teeth into.

its something you usually dont want to hear in a information sheet ... that >this release is the best he has done so far<, but we are quite sure >ein stueckchen urstoff< is a phenomenal piece of techno and 100% unique! defying genres such as melodic techno, or manipulated music, glitch or whatever.
>ein stueckchen urstoff< reflects on dominik eulbergs sound design he developed for his >diorama< album, fused with much more hedonistic force, phantasy and tons of wit to go with it.
played by: luciano, monika kruse, max cooper, microtrauma, dubfire, nick warren, dave seaman/ steve parry, steve lawler, hot chip/ felix, john digweed, rodriguez jr, mauro picotto, mihalis safras, stacey pullen, taster peter, hermanez, florian meindl, ronan portela, rowan blades, orde meikle/ slan, fra soler, mononoid, moritz ochsenbauer, d- nox, hollen, van bonn, noah pred, Ümit han, intu:itiv, jules de pearl, dirt crew/ felix, tom wax, toni d, lee holman, lee burridge, derek miller, emre dogan, king unique, goldfish, axel bartsch ...

>square< is the follow up to redshapes album debut >the dance paradox< (delsin, 2009) - that is if you dont want to count the double impact 12-inch >red pack< as a long player. and indeed, it is a long player in the truest sense of the term.

at the end of 2006, erol alkan was at a crossroads. he’d been voted dj of the year by mixmag. he’dmade landmark, expectation-defying remixes for bands he loved: a crunching “glam racket” reworking of ‘do you want to’ for franz ferdinand, a wonderfully wistful reinterpretation of hop chip’s ‘boy from school’, a psychedelic take on scissor sisters’ ‘i don’t feel like dancing’ and a genre-defining reworking of justice’s ‘waters of nazereth’.

the byrds were one of the earliest groups who could combine the best of two worlds. they caught on to the energy of the british invasion and combined it with the lyricism & musical elements of the contemporary folk movement. along the way they pioneered psychedelic and country rock, always keeping things recognizable with their vocal harmonies accompanied by their jangly guitars. their 1965 debut mr. tambourine man hit the flower generation like a bombshell. >one of the greatest debuts in the history of rock<, it melds their lyrical prowess with their compelling guitar riffs, and was the blueprint for their future sound. a classic, now back on 180 grams audiophile vinyl!

düsseldorf born niggemann has enjoyed a constant climbing success in recent years thanks to his precise tech house productions on 8bit,tsuba and supernature.now based in berlin,he arrives on poker flat with this,the first single to be lifted from his imminently arriving album debut. we dont want to tell you too much about the album right now, but if these two tracks are anything to go by,be sure youre in for a treat!dont wait (extended mix) layers niggemans trademark tight, percussive beats as it builds towards a surprising vocal arrival and a killer,positively hung bassline.equally perfect for late night sessions as it will be for the coming spring summer season,basking in the sun,its a versatile and uplifting cut in the true poker flat tradition. on the b side a dubbed out synth voyage unfolds with curious.working snappy drums and airy,wistful fx,niggemann skillfully tells his moody story with passionate charm.swirling synth pads lift before a mid-point break gradually introduces a second theme,cementing the young producers able hand at writing melodies and creating strong,rushing feelings.

this is singer/songwriter lachs highly anticipated sixth studio album, titled ramshackle heart, and featuring former member of slowdive and mojave 3, neil halstead as co-producer, vocalist and instrumentalist. the album itself was recorded at halsteads studio in cornwall.
code for free download of this album included.