absolutely huge record from the shelter vaults! roland clark killing it on this underground house anthem from the turn of the millenium. i get deep (shelter mix) is pure peak time joy, based around a rough looping sample lifted from blue magics seminal philly anthem welcome to the club from 1976 and with clarks vocals telling us how he gets down in the club over some heavyweight drums. simple, yet devastatingly effective. this 12inch also features the dub mixes, original mix and the always indispensable acapella version for those who wish to create their own version!

with >the lost remixes pt. 2< deep vibes recordings continues to contribute to the love for vinyl: three fine remixes, two previously released digitally through major house labels, are now available on black gold for the first time. sascha dives trippy remix of silicon soul and the pumping muscle-house remix of roland clark & urban soul are already worth every penny.

incl tom clark & daniel dreier rmxs

house music producer, songwriter and vocalist roland clark aka jesus jackson/urban soul must have felt the 50 degrees heat of dubai that influenced him to deliver such a quality & deep vocals and chose the right label for it from dubai. raisani&guidera of dubai rework on the single & deliver the right stumping new york vibe deep club remix that has been everyones favorite & a perfect dance floor anthem.

jazz

a blue note classic vinyl reissue - remastered from the original analog tapes and pressed on audiophile 180 gram vinyl.

huge collaboration of berlin artists, reel deep feel

jonny whites art department returns this march with his first solo ep in nearly 3 years, the first of a string of releases planned for 2018. the record features three inventive new tracks, including one produced in association with new york house pioneer toddy terry and vocalist roland clark. in no uncertain terms, this package re-asserts art department as one of contemporary house musics most essential voices.

doe dee is a new label curated by stalwart sydney dj / fbi radio presenter kato releasing forward thinking club music from australia to the world. the first release sees the two personalities of melbourne producer fergus sweetland splitting 2 sides of a liquorice pizza. on the a side sweetland shines with unique energetic yet emotional deepish house workout with a beautiful deep dubby re-rub from sydney’s own hubert clarke jr 100% silk / wolf music / otis while on the b side sugref takes things considerably darker with a brooding electro influenced acid trip alongside a chunky uptempo dub house workout from sydney duo alba aka cop envy and sam weston

the second release from kalvaberget recordings. two long minimal house tracks from clark eng. old school flavored. deep and bassy with sweeping sounds.

nice price deal !!! danny clarks solid ground label is already in its short lifespan proving to be one of the most indemand soulful labels around – working with the crème de la crème of vocalists, and mixing up their own productions alongside key names on the mixes, the winning formula is firmly fixed on quality. for the fourth release, jay & danny diversify their sound by taking on a deeper tone and working in the haunting vocals of the outstanding nica brooke, with a killer remix package from underground collectives marlon d & the ever impressive atjazz taking the track on different routes.

very nice patrick adams & billy nichols produced boogie tune. original copies are very rare! huge record!
while being a rare patrick adams and billy nichols production, mary clark’s “take me i’m yours” has in recent years become one of the most celebrated disco tracks by contemporary deejays. this borderline gospel-disco gem has all the elements of a timeless disco cut, a driving bass line, powefully arranged strings and horns, but most importantly, a very soulful performance by mary clark. like many of peter brown’s “affliate” labels, little is known about them or the artists recorded. originaly released in 1980 on ‘la shawn’, it is rumored to have been no more than 200 records originally pressed, making this one of the most sought 12 inches among collectors.

d3 recordings offshoot d3 elements is only three releases deep, but already their releases are reaching must-check status. following their recent release of a superb ep from us deep house veteran brian harden, the paris-based imprint offers up something a little different - an ep of gorgeously deep and melodic flavours that joins the dots between head-nodding instrumental hip-hop and floor-friendly 4/4 fare. there are plenty of surprises, too, including techno stalwart terrence parker delivering a flute-heavy downtempo head-nodder, some gorgeous beatdown from detroiter mike clark, and a thrillingly string-laden chunk of deep house bliss from the aforementioned harden.

to introduce the album, a fantastic deep-tech -original mix- by the english duo the filthygeeks. then, following the groove, a dance floor anthem, a killer -version- by the famous producers luca m and just 2 working in team to bring to the table their tech style finest sounds.

this is first single cut from the long awaited japanese deep house maestro kuniyuki takahashi s feather world (mule musiq cd 39, release on 21th jan!). kuniyuki invited many amazing gest musicians from bugge wesseltoft, henrik schwarz,fumio itabashi and name a few. this first single cut is club friendly version of the collaboration track with legendary 80 s poetry singer anne clark . her our darkness are our all time favorite. kuniyuki version is Êhomage to his all time favorite early 90 s house track. our very favorite new artist barnt version is his unique dark kraut rock oriented house.

early big support by hanne & lore, aka aka, gabriel le mar, claude von stroke, d. diggler, raycoux jr., playane, tobsen graale, alex rath, rob slac, summer and many more!
first release of this upcoming deep and tech house label. after some succesful vinyl releases on oliver schories label turnbeutel and subotnik, clark davis release his >tulpenbluete< with a big remix by andre kronert (e.g. ostwind) on vogelfrei.
on the other side chris noise shows his talent with his track >shadow from the sun<. his friend ingo boss from cocoon remixes this nice track.

when listening to scsi-9 its quite unavoidable the mind turning apart from the body and flying, fantasizing about unexplored roads and boundaries. once again, anton and maxim are providing a trip within their personal globe, travelling in the terra del fuoco (tierra del fuego), in the southest city of te world, ushuaia. tom turns the wave in an heavy deep stone, surely to become a classic to be hold in the most fond of the genre library. the voice is shaped in the loop and becomes like paraffin, the chords completing the whole, transforming an electronic piece into a classic dance floor track. the second track, chasing shadows, following the first one basic line, fill up the b side with the yapacc remix, not disappointing the expectations and concluding the ep in a classy way, giving voice to monsters and fairies, flowing into or days groove.
support by: someone else, osunlade, oliver klein, dj sneak, patrick zigon, nic fanciulli ...

with this new ep tom clark makes an impressive return to the highgrade release program. following a collaboration with marcus schatz and most recently with benno blome, he now comes back as a solo artist. after only a few beats, you’ll be sure to recognise his signature sound. tom needs surprisingly few elements to build a unique atmosphere and his matchless grooves. on the title track “scorpio“ we find a deep, rolling bassline and a slightly orientally influenced vocal, combined with the typically unique clarkish synth leads, and we’re ready to go. it’s a track that continually keeps the excitement moving while never letting the cat out of the bag, and more than deserves the a-side. then we come to “albino“, also featuring sparkling synths and rolling drums that create an impression of fluidity and an unhurried beginnings, but we also end up in a waterfall… who would have known!? in conclusion comes “sand flea“, as lively as a box of fleas, but not nearly as aggrivating! mister clark is again at his best, with a love for detail, an innate sence for strange sounds and an a significant quantity of leisurely energy, this tune also really hits the mark. this is not the work of a newbie who produces an aggressive sound to prove his talents. the result is the feature of this ep: seldom has an understatement sounded so fresh. + digital-only bonus track “12 notes“!

berlins tech house supremo, oliver koletzki lends his talents once again to the hell yeah stable with massive double a side single, >yes we can< & >nascita of the monsters<. both tracks feature olivers deep, infectious formula and never fail to stir up a frenzy from the caverns of fabric to the led lights of watergate in berlin. already a cult figurehead in his native berlin, oliver brings his brand of quality techno across borders, with an enviable list of live dates around europe and a slew of sought after releases on various labels like great stuff, trapez, stil vor talent, flash and hell yeah. after the critical acclaim of his last release on hell yeah, >music from the heart<, east berlins perennial bad boy teams up with roland clark of defected fame, who has worked with our very own fat boy slim and chemical brothers, for a unique emotive off-beat introductory track

dj roland clark hits us with another soulful stunner. his artistic range over the years has proven his dynamic ability to go from spoken word preacher to hard house vocalist to pure soulful singer as heard on this current release, goodbye love. upping the ante on the remix is sole channels own supreme nyc producer alix alvarez whose production on the aa sc vox mix is the exact fit for this song. his sc fly dub is slightly pumpier and deeper for those who like to keep the bass heavy and the head groovin.

i get deep, i get deep, i get deeper. that should actually read he gets deep. dj roland clark, that is one of the rulers of the sermonizing vocal, roland steps up to the pulpit once again with his latest release, black in my soul, on king street. this man not only has black in his soul but also an excellent sense of humor, including the ability to work it into his productions, and thats something we all have time to appreciate. swedish producer extraordinaire tiger stripes pumps us full of his dark fuel creating an intricate, nicely rhythmic and dancefloor dramatic track. his dub vox retains its deep and dark stature but twist synths rolands voice into a fiendish narrator. west coast producer david hernandez funkifies this tune on his deep west mix but keeps the deepness well intact. say it loud and dance proud!

big with dave clarke, karotte, the advent, paul dailey and aldrin (singapore)! marco bailey might be a global player since many years, but he has never forgotten about supporting talent from his belgian home ground. on the next mb elektronics marco is introducing davy dee from liege with the track >koala<. its supported by two wicked remixes from redhead (red factory, terminal m) and joseph capriati (cmyk, frankie).

audiowhores own label with a deep and deadly package with roland clarks preacher style vocals calling for a new world order!! early indications are this is a future classic, house with a feeling with mixes for a variety of tastes.

it hasnt been long time ago since the last coup made by clark and schatz hit the streets but highgrades head-honcho tom clark and the true berlin talent markus schatz allready go for the next round. the original version of >hot choc< makes the start - playfully swinging, the track developes itself into a masterpiece of an easy going groove without being half bad. the french dj and producer tom pooks - well known for this productions on ovum, kompakt and other wellsounding imprints gives >hot choc< a whole lot of jacking energy to take along. he sets the percussive elements free - and rightly so! punch meets hypnotic deepness - perfect! with the hot choc re-edit on the flipside by markus schatz he eventually letting the cat out of the bag. without any detours and in best daniel bell-like mannour he jump into a real inferno made of funky bleeps and weird sounds. delivering with this one more than just another highlight on this release - because last but least it’s the best evidence, you gotta reckon with these two!

soulful piece of house music presented by roland clark! a side feat organ mixes by daishi dance. flip for the deep grooving dolls combers mixes

clark drops his excellent new album. dont expect the lullabies and emotional epics of the last album body riddle, turning dragon is a smasher. hard, deep, continuously evolving and gritty tracks, aimed at contorting your body on the dancefloor or just contorting your brain. this is an album that you could almost call techno, but techno with the a.d.d. detail pushed as far as it can go

roland clark presents urban soul returns with a swingin jazzy house tune that ll make you shake your rump. roland is on the mic, egging people on to enjoy themselves, fortifying the purpose of a party. mr. v gives us a pumpy but deep mix with a faint victrola background hook. the 5 beats mix (named after the paris/nyc party with franck roger & alix alvarez) is a straight up simple shoo be doo repetitive jammin dub. the original mix gives the full essence with a more mainstream radio appeal. just let go & have fun!

knallfetter deeper minimal techno mit detroit & techhouse einflüssen , sowie ein ganz starken tom clark remix (highgrade, berlin)

service station tom elaborates his very own style of minimal deep house, fathoming lots of aspects of today s minimal dancecuts into one clear vision, without ever leaving the dancefloor.

song in mayleads in with clarks vocal and a deep funky bassline, before being joined by warm chords and crisp beats on this deep house gem, with both the main mix and instrumental takes sure to please. on the flip, kemit goes out in his kemistry guise, reworking the track with rearranged drum patterns, added layers of synths, and a great guitar hook.

the finest selection of quentin tarantino’s soundtracks.

orange indie edition + poster ! the original motion picture soundtrack from quentin tarantinos “once upon a time in hollywood” on double vinyl, housed in a gatefold sleeve.

repress - next up on sneaker social club is a fresh 12inch from robin clarke a.k.a dream cycle. after a chance meeting at gottwood in 2016 a bond was established between clarke and label owner jamie russell over a shared love of 2 bad mice and moving shadow and now, channeling elements of that influence, clarke presents his dream cycle part.1 ep. unfolding over 4 steppy tracks and an ambient closer, clarke melds sharp snares, summery motifs, dense atmospheres and thick subs whilst keeping things suffused with a distinctly uk quality that marries his work perfectly with the sneaker catalogue. dj support: ryan elliott, dj die, the black madonna, octo octa, bwana, altered natives, noodles (groove chronicles), liem (lehult), deejay astral, la4a, 2 bad mice, fred p, matt karmil, flori, marco zenker, j.rocc (lol at comment!), ajukaja, gnork, william djoko, till von sein, fold, asok, gene farris, dj bwin, seven davis jr, trp, dj octopus, dj normal 4, gerd, dean man s chest, poté, doc scott, violet, james welsh (kamera), konx-om-pax, etch, raresh, hrdvsion, michael serafini (gramaphone), soundbwoy killah, dj guy, mak & pasteman, shenoda, urulu, mark archer & james zabiela, zinc, lehult, jackie house, mosca, noodles (groove chronicles) & dj die

a comprehensive collection of songs from quentin tarantino films on triple vinyl. 2023 edition.

the best of boss black rockers compilation finally available on limited vinyl lp!

singles from the 10th depeche mode studio album from 2001 on 8 x 12 inch vinyl in a collectors box. including remixes by dave clarke, josh wink, deep dish, danny tenaglia, bushwacka and more!

a comprehensive collection of songs from quentin tarantino films on triple vinyl.

the best soul tracks used for the movies on a double vinyl lp.

2021 repress is here!

the original motion picture soundtrack from quentin tarantinos “once upon a time in hollywood” on double vinyl, housed in a gatefold sleeve.

last copies arriving in january for a special price!
since it’s inception in 1991 on the streets of glasgow, soma records has stood for uncompromising quality of the highest level in every area it operates. stuart mcmillan & orde meikle formed slam during the acid house explosion in the late 80’s and then together with friends glenn gibbons & dave clarke they forged one of electronic music’s most widely known and well respected labels. with mcmillan & meikle as the figureheads with their slam project and influenced by the early detroit techno scene, soma quickly began to develop it’s own sound and with their eyes firmly fixed on a vision of the future, the team began the quest to instill their unquenchable thirst for electronic music into the world around them. soma quickly became an international brand as slam’s anthemic “positive education” brought about an electronic renaissance that saw the group thrust into the limelight and green lit the furious rise of the label.
limited edition 5x12 inch box set with illustrated vinyl sleeves, poster and stickers.

for those familiar with the infamous birmingham techno movement, makaton is someone who needs little introduction. for those that arent, the brummie producer is the head of the inimitable rodz-konez and has seen himself showcase his cut-throat techno on seminal labels such as token and blueprint. his first contribution for voitax came at the end of 2017, with iconic dance floor slayer around the throat, which went straight for the jugular on the voi 010 v/a. a good half a year on and we get immaculata - makatons full debut ep for voitax. early support by ancient methods, and, anosme, anastasia kristensen, dave clarke, drumcell, electric indigo, henning baer, inigo kennedy, kangding ray, kwarz, manni dee, matrixxman , marcel dettmann, mark broom, phase fatale, pfirter, rebekah, ruffhouse, stephanie sykes, surgeon, swarm intelligence, svreca, tommy four seven, umwelt and many more.

the strictly rhythm imprint is legendary and is instantly recognisable by connoisseurs worldwide. it s a label that has contributed time and time again to dance music culture across it s almost 30 year lifespan. countless classics passed through the nyc offices of mark finkelstein and gladys pizarro and this brand new strictly classics series looks to celebrate this cornerstone dance label and it s immense catalogue by going back to the archives and presenting some double-header action for diehard fans and newcomers alike. that s right, the proper mixes, reissued from source and remastered to the highest spec, each track spread across one side of a 12- for optimal sonic playback. number 3 in the series kicks off on a proper old-school tip with cls mammoth can you feel it from 1991, a collaboration between todd terry and benji candelerio cls made a huge and lasting impression with this euphoric and anthemic slab of dancefloor madness. instantly recognisable from it s ravey riff and funky drum programming, file this one under rave classic ! over on the flip side we have south street player s smoothed out (who) keeps changing your mind? , a rolling and deep jam from roland clark and george morel that came out in 1993. this one s some lights down, honest to god soulful house music, skipping garage drums and that organ driven groove offer the perfect vehicle for clark s gorgeous vox to soar over. yet another set of absolutely essential sr cuts from the archive! remastered with love by optimum mastering, bristol from original master sources. made in conjunction with strictly rhythm 2018.

south london label and party series troy town is proud to present the first release in 3 years from warren brown aka wbeeza, insanely talented south london producer and 1st generation pioneer of what has become affectionately known in dance music as the peckham sound . djs, producers and musicians such as henry wu, bradley zero and chaos in the cbd have added to the wealth of a deeply musical community but it was the likes of brown and another se15 local, el-prevost, who first put the area on the dance music map. although he s resistant to using the word house too often about his music, the swing nods to detroit and chicago while the links to friends and collaborators, delano smith, mike agent x clark and scott grooves are clear. progressing through a musical heritage that has seen him produce across grime, hip-hop, drum n bass and techno but it s his signature low slung, heavy-on-groove and atmosphere productions that have garnered the respect of peers and critics whilst his popular and energetic live sets have seen him tour extensively around the world for the past 8 years. this 3-track ep covers a variety of moods and situations. opening with the od, a heady march to peak time on the dancefloor which has featured heavily in live sets over the last 2 years. the bassline bubbles tantalisingly as it edges through a kinetic, digital riff that sticks with you long after the lights go up. grove park is so low slung that the snare sounds like it might fall out of sync at any moment while the lead synth leads you on a drunk walk home, at times holding it s line before stumbling over a pitch bend and veering to find its balance. bizzle boogie is equal parts gritty, midwest-influenced bounce track and shimmering eyes closed rave moments.

jor-el making his be as one debut with a smooth and well crafted spacey techno ep (including jay clarke remix). a must have release for those closing your eyes moments when its time to deep dive and get lost into -dark places-.