new york city house / disco from ny/philly based producers. jacques renault of let s play house offers a string-heavy bassline slapped floor filler. matpat of philly with release on exploited and 124 recordings brings a raw kick, heavy pounding loop driven classic house track. evan michael offers a belter of a raw filter track for the rooftop set. higgins closes the record with an uptempo stomper.

the reveries begin with a simple electrical hum – a starting signal for the appearance of a vibrant array of sound, shifting before us in seemingly random motion. before we know it, all those pulsating melodies, razor-cut hifi-house beats and drunken robot jazz ensembles start forming into patterns, secretly & perfectly designed by one art alfie. a long time operator in stockholm’s small but insistent underground music scene, oscar wedrén broke through internationally in 2012 with the karlovak project, founded with on-off studio and dj partner rudolf nordström, a.k.a. mr. tophat. the duo’s inexplicably fresh takes on classic dance music tropes is as much a result of a brilliantly odd pairing of personalities as of a defined concept and a precise method in searching for the perfect house groove. while writing reveries of, released early spring 2017 through studio barnhus, art alfie freed himself of all conceptual footholds, delving instead deep into his archives of old and new memories and feels, working with improptu field recordings and emotionally-guided sampling processes. he came back with an intricate and personal debut album and he didn’t lose his groove on the way.

dutch live-act and dj duo artefakt release their atmospheric debut album on renowned techno imprint delsin. known separately as robin koek and nick lapien, the pair first appeared on field records before follow up releases on prologue, delsin and konstrukt. kinship portrays a compelling narrative in a body of work that will undoubtedly keep listeners engaged from start to finish.

a simple walk in the park on the ways of the city, with a big coffee, waiting for the tram. simple choices, simple pleasures, tram days ep is the second release of aquaphresca. following the first established routine, chopped, arranged, smooth rhythm, you will probably recognize it immediately. music will always find its way, more like .. people. two long awaited eclectic jams on repeat!

efficient space continues to expose australias esoteric musical history with oz waves - a collection of 80s diy recordings, compiled by odd wave anthropologist steele bonus. definitive proof that inhabitants of the down underground were links in a global network of creative kooks, oz waves connects those who utilised mobile recording rigs and small press releases to create and disseminate misfit synth-punk, tape loop experiments and inner city pop. through overseas mail order exchanges, anonymous groups like zerox dreamflesh could find place on belgian compilations, while chris and cosey lullabied their son to sleep with irena xero and her interdisciplinary art collective zip. bonus selects 10 survivors from the fertile period (1982-1989), most of which were only issued on cassette in tiny editions of 5 to 100 copies. m squared affiliates prod join the extraterrestrial software seduction, he dark ages minimal wave neglect and the irreverent cut ups of the horse hes sick and mk ultra & the assassins of light. the remaining tracks have been sourced from musicians private archives and are being officially released on oz waves for the first time - andy rantzens industrial dub itch-e & scratch-e precursor, the buoyant vocal-drone of ironing music and moral fibro, sydneys short lived answer to weekend and marine girls. with detailed track by track notes, lines are drawn to severed heads, scattered order and other

nice price deal !!! nice price deal !!! nice price deal !!! the city of bologna (bolo for locals) has been always a crucial junction for the underground music scene in italy. over the last few years a small group of bad boys has started to fill the streets with a distinctive and modern interpretion of house music. we are here to represent that sound. we are bolo represent

in therapy02 by flavio folco consists in two original electro cuts that represent flavio s most mystic interopretation of modern electro. in the dark side (b) we find a mental strait forward techno remix from plural.

d-formation returns to the label with another huge release plenty of fat and epic stuff. after the big success of balkia ep, his debut on suara, the spanish legend delivers two timeless and trippy tracks for the pleasure of melodic music fans. for the remix duties we are glad to have on board two of the coolest names from the current electronic music scene. tuff city kids, the combo formed by gerd janson and lauer, deliver a remix from io that becomes an instant classic and proves that trance is the new black. my favourite robot remixes in motion (released in kitties wanna dance 7) putting the track into another different way. a very special release, don t miss it!

thirtyonetwenty - the international dialling code for amsterdam - is the city s hot techno imprint co-founded by sandy huner and dave ellesmere in 2007, now run solely by sandy. for thirtyonetwentys next strike we welcome back nick hollyster & robin orlando!

double vinyl in gatefold sleeve, download code included.

the long awaited ninth release from going good is here. the first live incarnation of naples infamous mystic jungle collective. analogue improv captured live in front of an audience of around 100 people in an art-space in the city. sprawling across 2 sides of wax uninterrupted and encapsulating the tribe s cosmic drenched machine funk live in napoli is a fascinating document of a crew formulating something that touches equally on boogie, new age, house and esoterica with ease while oozing the sophistication and singular style the mjt have become known for in recent years. recorded in 2015. released by going good in 2017.

klamauk is back and ready to drop their first release of 2017 with this excellent cut from moony me. the austrian artist has already turned heads with a string of quality records dropping since 2012 and this current release is up to his usual high standards channelling deep, sample driven house vibes. the ep opens with “city of storms”, a knowing nod to soulful chicago and a lovely iron curtis rework that seriously does the business. over on the flip we have “puzzle shuffle” which packs lots of energy with the main hook, and will surely be a hit on the dancefloor. for “glass jungle chant” moony me uses a lighter touch with intricate live percussion, lovely chords and a squelchy sub bass.

invaderband are a garage/artrock band assembled in 2012 in derry, northern ireland by mancunian singer, guitarist and songwriter adam leonard who enlisted local musicians to voltage-enhance his dystopian post-punk songs.
leonard has a prolific history as a musician with an extensive back catalogue of solo and collaborative work, and was an occasional member of one of stewart lee’s favourite bands, the owl service. he was also the winner of the uk city of culture 2013 resonate award for best song. invaderband’s lead guitarist / synthmeister is chris mcconaghy aka our krypton son. bass frequencies are provided by gavin mccartney (of here comes the landed gentry, the murder balladers) and drums are handled by rion mccartney (on the album) and john goodman (live).
invaderband’s debut single the implausible man was issued on record store day 2015 and the follow-up, attack of the pod people arrived in december ‘15. the singles were picked up by local, regional and national bbc radio, with the latter making it onto the bbc 6music recommended playlist.
the self-titled debut album (below) is released by tectona grandis, the vinyl release includes a download code.

rawax proudly presents neil landstrumms 1997 album * bedrooms and cities* back on vinyl! this re-mastered beauty will hit the stores late october incl. bonus track * george shoulders is alive*

respected producer and dj red rack em is due to release his new album self portrait this february via his own label bergerac. formed over the course of four years during a transitional period after moving to berlin, self portrait, as the title suggests, is a true reflection of danny berman and his influences.

ltd repress - a psychedelic jazz monster from stone cold estonia. ltd vinyl lp (500 copies) forerunners of underground estonian jazz-funk since 2013, estrada orchestra is a 5 pieces band based in tallinn. loosely defined genre borders situate the group of master improvisers into equal parts psychedelic grooves and avant-garde. although names like herbie hancock and mulatu astatke pop into mind, the list of kindred spirits of estrada is far and beyond to find.

after a first collaboration focusing on the city of angels, la legend john tejada and acid innovator tin man (johannes auvinen), this time brooding on the latters home city, and formers birthplace, vienna. the austrian capital is known as the city of music and the city of dreams, two broadly aligning concepts that go far in describing this beguiling 12-inch. the four songs were mixed down live to 2 tracks, created in the real world without a daw, or multi tracking, which has really captured the spirit of performance and improvisation. succeeding railjet, a tense drum workout, comes bim, referring to the colorful trams that run through vienna. here, auvinen sculpts his 303 into near-pizzicato form. the acid box is accompanied by stately pads making for one of the duo’s most memorable tracks yet. the next cut, danube nights, references the mighty, ancient river, the flow motion mirrored by a couple of widescreen acid lines. a pensive lead and some melancholy chords emerge, but the drums roll right along like the water- tough enough for a heaving floor with a hint of fragility for the headphones. the record concludes with the acidic prater allee, named after idyllic, sprawling park on the banks of the danube. the duos love letter to vienna is well-suited for travel, for the dance and for dreaming.

nice price deal !!! double 12” pack from label boss martinez with deep hypnotic house, techno and breaks. enjoy!

raw-analog-dubbed out b-movie instrumentals, from some of cincinnati’s best musicians. retro early 70’s sounding live drums, groovy tight thick bass lines, soulful hammond organ & electric piano backdrops, gritty reggae guitars, splashed with live horns & vintage synths. it all adds up to a unique, hard hitting, original & professional but lo-f sounding realm. recorded on analog tape & vintage studio gear.

while the rest of the world basks in the body glo of a dreamy label debut from australia s bronze savage, moonboots & boardman are straight back to business, uniting a diverse cast of mancunian talent for a four track collaboration with clothing brand good measure. after romancing our ears with the emotional pop of delicious crime back on nado 1001, half silk returns to balearic base camp with the exotic exploits of tsukimi , a coastal cooler for hot summer nights. borrowing a bustling bossa from the libraries of japan, the mystery man canters through infectious organ licks, eleki guitars and subdued synths, darting between surf and city pop with a trail of tape delay in his wake.

tunnel signs is the nom de plume of australian born lover, fighter and romantic, ash moses. with a taste for playing and producing records that embrace the darkness, moses parts the sea and finds the wonky middle ground between reverb drenched postpunk, hypnotic techno and spaced out disco. having previously seen releases on labels such as nein, clouded vision and hakt he now finds a home with cutters records with this 12inch with will buck. the release, titled spirits came into existence when ash relocated to new york city, a place he had long dreamed of from afar. as luck would have it he found himself sharing an apartment with another likeminded electronic musician named will buck who became his studio-partner and eventual collaborator. having bonded over a shared love of synthesizers, drum machines and all things rhythm they soon began their own freeform jam sessions which paved the way for this 12inch release. spirits shares some of the slow hypnotic swagger and dark disco drone of red axes and multi culti but with a futuristic percussive palette of the likes of four tet. the heady modulated elastic synth sounds give way to deep undulating bass patterns and tribal percussion. on the flip, the lights get turned out and the acid turned up with an ominous techno rework courtesy of hivern discs own marc pino

-christos mavridis is a many of many guises. he s done an ep on - house is ok , some tech house on noir music, kindisch or get physical and right now he s preparing a tier-1 techno career...for s4aw he delivers a dancefloor-heavy house music ep showing of

following their much-acclaimed surprise debut album vermont from 2014, motor city drum ensembles danilo plessow and innervisions marcus worgull reunite for more synth daydreaming on the suitably titled ii. the new outing continues where the first full-length left off, strolling further down the luminous and undulating path that the duo turned into, influenced in equal measures by kosmische, krautrock, minimal wave and synth soundtracks.

its an all us line-up as we welcome back to strictly the soulgasm main man brian coxx along with new production partner morsy for feel it, their stomping-piano tribute to classic house. new jersey man coxx is behind the memorable soulgasm sessions volumes 1 & 2 released on strictly at the end of the zeros/beginning of the tens, and hes currently celebrating ten years of throwing the infamous soulgasm sessions parties around new york city. bronx resident morsy has notched up a brace of releases with nervous and, as part of the developing coxx & morsy partnership, a trio of tracks on kenny summit s good for you imprint. formerly part of the itinerant nyc dj crew crooked disco, he s played festivals like coachella opening for the likes of moby and steve aoki and lately travelled to gigs in europe along with a neat sideline playing cruise ship events. you can find him playing his weekly residency mr purple on the rooftop of the hotel indigo on manhattan s lower east side.

black magic emo-electro by the dark lord. follow the path of the left-hand. limited to 200 copies, silk-screened sleeve.

huge support from jeremy underground / floating points / motor city drum ensemble. huge record if youre into disco, modern or just good fucking music and you probably dont own unless you work in the city or spend half you life looking for it. frazelle is the party record that everyone wants, big support all round on this so dont be waiting around and then email us when they are gone. licensed from ken frazzelle himself which always makes us happy. expect bileo like sales on this so stock up as they will fly

the coeo boys need no introduction anymore. their two last singles made it into the sets of so many djs. they are among the emerging artists of that new german scene of kids that make house music inspired by old jazz and funk records. the boys are mad about rare vinyl. and they love to make music with a positive spirit. yes, there is something sunny in their tracks. something that instantly makes you want to move. we heard so many mixtapes that started with a coeo track. makes sense: they are perfect to set a vibe. a good mood. but if you know that the coeo boys work in a studio over the roofs of munich, with a fantastic view over the lights of the city, with a great vibe where you see all the glammy colors of the light in the night then you understand why coeos music sounds as it sounds

baricentro is an italian funk-rock band founded in 1976 by two brothers francesco and vanni boccuzzi, after the release of two albums in mid seventies (sconcerto and trusciant) for the major record company emi they recorded in 1983 the single tittle tattle representing a clear innovation in sound from their past, without believing that would receive a positive response in the new york city underground music scene and soon becoming a paradise garage and loft classic. best record italy today came out with this special reissue-project as a limited edition ep, remastered from the original master tapes and containing for the first time all the versions from 1983 and 84 including the unreleased dub that was previously available as an acetate cut only for deejay play.

none of that run-of-the-mill grind, but a heady cocktail, where the best psychedelic elements from 1960’s san francisco meet mississippi blues in a garage, with serious intentions. the phat bass lines and the funky and rich drumming build a house, where fiery and earthy slide will take no prisoners. the cherry on the cake comes by courtesy of honey b’s singing. think of updated memphis minnie and you’re close. she hails from finland.

underground quality boss jus ed is beginning 2017 in fine fettle, with transition his first album since 2014 heading up a spate of vinyl releases. the triple-vinyl set is full of evocative, immaculately produced deep house treats, from the alton miller style intricacy of the loop 222 bodin strasse and shuffling, yearning the day prince died, to the rich bass and dancing drum machine hits of medellin my new grooveland (inspired, apparently, by a recent trip to colombia), and the low-slung, motor city grooves of sci-fi connection. best of all, though, is the rushing positivity of spring is near, where intertwining synth lines bubble away over a fizzing, techno-influenced rhythm track.

music and power brings you another installment in the spaces and places series from ron trent. berlin nights is inspired by the underground pulse of the city with heavy 909 drums, primal drive and string elegance. on the flip, mississippi mud is a tribute to indigenous american ancestors.

ltd copies , nice deep house

homeboy sandmans legendary sophomore lp available on vinyl for the first time!

sydney based imprint ken oath records lands with its official debut, a 100% australian va sampling the earthly delights of the country’s temperate south-eastern corner. ken oath hits the ground running with four slices of sun soaked house music from dj riggles, underground city loops, donald’s house and low flung. shuffling snares, lo-fi grooves, balearic rhythms and dreamy synths are all enclosed within.

experimental lp inspired on the streets of the big city, listening to the sounds from different angles and perspective of the city. created just for listening, not for the dancefloor.

after 5 years of throwing parties in leeds, london and across europe, flux inaugurates their record label with a stunning 4-tracker from enigmatic newcomer shedbug. accompanying 3 original tracks are german heavyweights tuff city kids (gerd janson and lauer) on the remix. pressed onto 180g high quality black vinyl (no digital release), this limited run is presented in beautiful cover and label artwork from laura zhang. opening track aftermath is a lo-fi techno ballad that pairs distorted kicks and brittle hats with gliding pads and sparkling synth details. siren, a gawping broken-beat roller, counter-balances by drawing heavily upon pioneering sounds of late-2000s uk bass/dubstep. on the flip tck s retro take on aftermath is an uplifting gust of 90s-inspired euphoria. with tough beats, a touch of acid, and rave-tinged string lines, the remix caters for all peak-time occasions. recovery closes with a tender 7-minute sojourn through hazy dream-states, subtly melancholic, but ultimately a cathartic experience. poignant, effective, and well polished, afterglow delivers a diverse but focused sound. highly emotive beats for the more sensitive dance-floor

julian stetter might be best known as one half of the electronic pop duo vimes, but he is no stranger to the cologne club scene. his debut ep insides stems from a long history of djing and organising underground parties across the city. a resident dj and collaborator at colognes famed jackwho club, it was these surroundings that drove stetter to dive deep into producing. his first solo project is now set to be released on the label pnn. it features three tracks plus a remix by beyou. stetters sound is polished and the precise production of each three tracks make this ep feel far from debut. emily, the main track of the single, draws you in on shimmering waves that rise and break into a deeper and spacier sound. warm beats are interjected with random snippets of whale song. listening to emily feels like receiving a welcome hug at an after party.

coling strange lands on lies.. going to hit hard, this one..tip! collin strange has a long and storied history in the new york city underground music scene of the nineties. from owning a record shop in the east village, to working at distributers, to playing in bands of all sorts, to producing music alone, strange was around at one of the most vibrant (and transitional) times in the l.e.s., just on the cusp of guliani s culture crackdown which choked the life out of the city, forcing many to leave. currently located in seattle, strange has picked up where he left off years ago plugging in the gear and churning out blistering acid cuts with a very d.i.y. edge that brings to mind drop bass network, unit moebius, or free party french acid of old. coming full circle these tracks are completely at home on l.i.e.s. and will undoubtedly thrash any soundsystem in sight. play at maximum volume for total disruption

another stone cold ny club jam from the archives of the legendary sam records label. feel alright does exactly as the title suggests! pure early 80s electronic disco joy for packed, sweaty dance-floors. not much is known about komiko, an undercover studio outfit that featured guest vocals from carol williams, tracey weber & vicky d and was produced by the criminally underrated darryl payne (who manned the boards for sinnamon, sharon redd, carol williams, nv & many more) but it s okay, as this - their sole release, more than makes up for it! a true boogie classic indeed feel alright was a huge club record that got spin from the garage to the streets of london. if you re into that sparse, electronic and funky early 80 s boogie / electro disco sound then you wont be disappointed with this one. a guaranteed floor-filler of the highest calibre! reissued in conjunction with sam records, new york city. fully remastered with all original 1981 label artwork intact. file under - essential disco

brooklyn nyc - 1990. former berklee college of music student ed -the red- goltsman has already been locked away in the studio for the previous 5 years producing and playing on numerous underground soul and hip hop records. his deep love of music and his involvement with these projects eventually led to him setting up his own venture. inspired by encounters with nycs dance music underground these sounds and experiences helped shaped his idea and sound into what would become one of the most popular, cult dance music labels that emerged from the city during those fertile years - bottom line records.

exzellente vinyl-compilation mit den besten tracks aus 2016 des norwegischen vorzeigelabels smalltown supersound, persönlich zusammengestellt von labelbetreiber joakim haugkland. neun titel von biosphere, prins thomas, dungen, supersilent, kelly lee owens, lindstrøm, mr tophat & robyn, mungolian jetset und dan lissvik.

rastlosigkeit und isolation: die schwedische postpunk-band widmet sich der großstadt. die vinyl-lp erscheint inklusive album-cd.

são paulo born producer l_cio, is already an established name in the brazilian underground electronic scene. having previously released on d.o.c. and kompakt records, he delivers a 3 track ep full of energy and dance floor ready cuts.
the a side kicks off with “lua”, where unresting hi hats harmonically blend with a powerful kick and lush pads. a2 is the vocal vox version of “lua” featuring the amazing laura diaz, co-founder of the mamba negra collective in são paulo, brazil. on the flip side we find the track “percussive city”, a throbbing percussive number that is primed and ready to set dance floors on fire.

temple of the jaguar is the first release on eomacs new label eotrax. a single sided pressing with an exclusive b-side etching by artist sal stapleton. an 11 minute conceptual track that attempts to explore structure and narrative, texture and tone, taking techno as a starting point, but seeking to move beyond its conventions and expectations. conceived on a visit to teotihuacan near mexico city, inspired by both the cosmic and earthly power of the place, temple of the jaguar attempts to find a way back to the animalistic nature within us all. a reconnection to the dark, sensual part of us that has been repressed for centuries in a limiting and limited, fearbased, patriarchal society. a reconnection to the body.a reconnection to femininity.a reconnection to wildness. to intuition. to sexuality.to earth.to self acceptance.without fear, without shame.

arthur forests name should be more widely known in the world of dance music, the man lent his expert to touch to more than one classic record emanating from detroit during his time and has quietly left an indelible fingerprint on house and techno history. here at mint condition and for our third release we are extremely proud to present one of art forest s (in our opinion) finest moments - the majestic, futuristic expectations ep. released in 1992, this 4 track ep has always been sought after by detroit lovers worldwide. often very difficult to track down and commanding high prices on the second hand market, this 12- is a real rarity. showcasing a style that stands out from a lot of records released around the same period -expectations- still sounds so killer today. listen to -flow with me- on the b-side, an insanely deep, melancholic piece of detroit house, steeped in motor city futurism (those synth pads!) and with an otherworldly vocal performance from dan carter it ticks all the boxes, absolutely sublime and worth the admission fee here alone. stunning. if you re up to your neck in the history of detroit dance music, or if you ve literally just stumbled upon this entire world of amazing music (welcome!) you ll want a piece of this. beautifully crafted deepness from a quiet master of the artform, what s not to dig? mc003 has been reissued with the permission and involvement of arthur forest and remastered by london s very own curvepusher. 100% legit, licensed and released. dug, remastered, repackaged and brought to you by the caring folks at your new favourite reissue label - mint condition!

this is the first release of steady work by dear friends. based in heidelberg (germany) they catered the city and its music lovers with good music for the last ten years. dog patrol is a young mannheim (germany) based producer and a long term and very good friend to the steady work by dear friends crew. dog patrol delivered for this release warm and shaking house. he twisted but not dubbed over his raw and lo-fi sounding style to three crawling but thriving tunes, which easily fit and hit every dancefloor.

our first release is born from cordoba to berlin, through rosario, as a split ep. ernesto ferreyra delivers -colour blind-, pulsating and adventurous, takes us to a fascinating trip where you can hear colors. on the other side pedro d alessandro, label owner, and rosario city son deep mariano give us -las vueltas-, a unique groove, melodic and explorative engulf us in a sweet atmosphere. one record, two tracks and three friends is the way castelar discos began.

with a constant slew of quality releases jorden hodgetts has not only become in demand internationally, but keeps holding a vital spot on the figure roster. his unyielding tracks as cleric proudly wear their manchester heritage on the sleeve, and this bold ep makes no exception. exploring various angles of the city’s musical lineage, cleric creates a sound scape that seems industrial and yet futuristic. as broken and straight rhythms repeatedly alternate over the course of this record, the mixes implicate both force and elegance, thanks to clever pacing and immaculate sound design. whether it be narrow, bleeping stompers, epic wide-screen breakdowns or intricately assembled percussion - across this fresh and dynamic ep cleric further sharpens his profile, not only revealing his roots but even more importantly his individual vision.

hailing from the city of bucharest, nice n trick have been earning their stripes over the past couple of years, which includes having works on labels such as mulen, heisenberg, arupa, baile musik, tzinah and many more. their track adiacent delivers the vibrant sounds we love, brought together with tight percussion and warm soundscape