lol is a bit of an unusual project, its just a thing in its own right, its not for anything or anyone in particular, its just an lp made by three bored people who like music that sounds like it did before the advent of the internet. the project was recorded in the bedroom of a warehouse conversion in hackney wick (bedrooms can be incredibly creative spaces, seeing as most of us were conceived in one). they wrote about self-obsession, social anxiety, drug abuse, and failed relationships using pre-21st century recording devices such as vhs tape, 70s valve microphones, analogue synths, cheap argos catalogue guitars, and 80s drum machines.

simoncino (aka nick anthony) from italian super edit label no more hits crosses the atlantic and finds a new home with on the prowls sub-label party breaks. what immediately stands out upon first listen is the production style, not being able to tell what is a sample and what has been replayed… much like tensnakes mega hit. the simoncino sound is firmly rooted in proto-house and 80s r&b. with ingredients like ancient drum machines, arpeggiated melodies, and cheap 80s pads, his concoction boils over with a certain cheekiness that makes listeners grin from ear to ear. all four tracks are subtle hits in their own right. excellent ep!

the recent time and space machine album released on tirk caused quite a stir. received by fans, press and pundits with a bright glowing prodigiousness, we just had to have one final foray into the 12 inch single department. the albums title track set >phazer to stun< was always a favourite with pulsating krautrock influences, nicely melded with some dirt cheap farfisa organ, freakbeat drumming and (of course) plenty of phazer.

ltd 2x 10 inch, not cheap but deep !

for deep house lovers and beyond laid presents the first release by lawrence on dials sublabel. the 12inch features tracks inspired by the magic experiences in two of lawrences favorite venues. precious hall probably is the best club in the world- a wooden shelter in sapporo on japans hokkaido island. a gorgeous deep sound, the sweetest crowd and a lot of ulong high at the bar are the namegiven substances of the a-side. >dwelling on the dunes< was firstly tested at uri lahavs cheap friday club tel aviv in 2009. when laid co-founder dor levi mentioned that night it was the track who could play forever laid number 09 was born

following his remix of marco resmanns >i will love< feat. mz sunday luv we are now proud to bring you emerson todds first release on upon you. born in new zealand but living in australia his various releases on cocoon, get physical, dirty bird und modular made us love him and now hes bringing the goldrush to us. not only because his tracks are always stable investments in the tech-house area but also because the title of the a1 track eureka goes back to the days of the australian goldrush. but the other side of the coin isnt made of cheap tin either. counter point keeps on digging on b1 looking for the buried acoustic treasure and vertigo shimmers mystically on b1. if you listen indepth to eureka and counter point you will find some great vocals by mey.

we no speak americano reached no. 1 on several charts, been no. 1 on the club charts for the last six weeks in australia.... similar success is in the netherlands, germany, greece and italy, where its signed to the major independent dance labels. for yolanda be cool juxtaposition is everything: bow ties and converse, hip hop and techno, animal noises and nightclubs, pretty girls and tattoos... unused hotel rooms! so yolanda and dcup apply describe >we no speak americano< as >party tech.< sylvester martinez and johnson peterson, aka yolando be cool are rapidly becoming a household name in contemporary clubs. their tracks have been licensed to compilations such as fabric 59 and fake bloods wax on mix compilations and have signed tracks to herves cheap thrills label.

akin to deconstruction itself, >the gift< symbolised the credible mid 90s dance hit. surrounded by a fog of cheap commercial fodder, way out wests roberta flack-sampling crossover anthem shone like a beacon, reaching the top 15 of the uk singles chart in 1996.
kicking off the new package is way out wests own 2010 remix. toughening up the original break based drums and adding a few new synth lines is all wow needed to do to breath a second life in their ubiquitous track.
gui borattos remix takes the track into deep tech house territory. gui flips the track to a straight 4/4 beat, adding some organic percussion, side chained chords and his trademark warm distorted synths to create a truly euphoric groove.

its a fine line between reference and cliche
its a fine line between rough and cheap
its a fine line between moody and dark
its a fine line between independent and arrogant
its a fine line between obscure and abstruse
its a fine line between intricate and complex
its a fine line between passion and obsession
its a fine line between ambiguity and confusion
its a fine line between style and genre
its a fine line between loud and proud
its a fine line between repetitive and repetition
its a fine line between principles and rules
its a fine line between simple and easy
its a fine line between ideas and ideals
its a fine line between nu and new
its a fine line between disco and disco
its a fine line between tim paris and ivan smagghe ... and thats why they are walking it.

driven by many musical styles both, herbst & blecha spend hours sitting in their small, freezing basement studio, twiddling knobs, djing on weekends and drinking loads of sweet, cheap and sticky orange lemonade. now the work of these two talented producers is rewarded with their first common release. jove is a melodic tech-house piece containing one of those catchy bass lines that will still be sticking in your ear long after the track has finished. well fitting to summer the track ôshilpaö takes you on a smooth trip and will form the perfect transition from your club night experience to watching the sunrise afterwards. the zoo brazil rmx of ôjoveö is a crisp piece that shall evoke your best summer nights you have spent this season. each time the kick drum lets go of your body in a break, you will just get carried away, throw your hands in the air and then fall back into the beat and just smile!

very fresh 2010 repress in new artwork, marbled vinyl.. three fresh driven nu-electro tracks, plus floorsmashin remix by zombie nation... big big big!!!.. played by laurent garnier.. hot

blind minded lives in london and is famous for his live appearances and has his third release with trapez ltd with >mr propre<. his first two release on trapez ltd was supported heavily and where charted by the italoboyz so weare looking forward to his follow up. >mr. propre< is the return of what used to be of the detroit sound blended with modern spontaneous changes in mood and crossovers which will put a smile on your face. >mr. propre< is the most technoid of all three tracks, whereas >jazz 2 me< is a bassline monster, with vocalquotes about jazz music stating it as >a state of life<, >something that you live!<. altogether a sexy cool groover! >the melting freak< is the most deep of all three tracks. here you can hear blind minded playing his analogue instruments (also a real 808 drum machine) being funky and cool rather than going for cheap thrills.

it s been ages since the visionary thomas brinkmann delighted us with some new techno tracks, especially on a label other than his own max ernst. curle strikes again!!

get ready for ill thrills and cheap spills coming finally back to you live and directly from klangfarbe schallplatten, colognes freshest vinyl designers!

their debut ep comes on alphahouse records, and is turning heads as a late-night monster. need a mental picture? imagine classic g-man, strobe lights, smoke machines, and a cavernous berghain style freak show. the duo slyly manage to push the tracks in many directions, looking back to a time before ableton-warped bootlegs and cheap production techniques, all the while maintaining a standard that feels fresh and experimental. some of us are searching for more. with this record, we approach closer to that groove than ever.

you can see it on the news: techno is back, but for those who never left, techno is not a word that comes and goes, techno are forward thinking sounds that you cannot do in one minute with some libraries and cheap software.this brand new release from our factory shows exactly how techno should be done properly, in the interpretation of kike pravda, eric krakeroy and label owner oscar mulero as a remixer.main track, >fear is the enemy< has a direct approach, clean and driving drum programming grows and grows helped by shuffled 909 hats, leaving room for a razor sharp synth line that opens and closes filter in the most dynamic way you can imagine. just a few elements put together wise. oscar reinvents the original in a very similar way, but slowing the vibe a bit, adding more percussive details and elonging the structure, again the sound is clear , punchy and hard, as you like it.closing release, >jaque a la reina< its a 21st century acid track, modern, sharp in sound and agressive in low end, concrete claps, metal hatz and driving synths makes this one the perfect compliment for this stunning release.

special collectors item - double 12 inch vinyl in gatefold sleeve. live album recorded during the razors edge world tour.

already licensed to the upcoming dubfire mix cd !!! minisketch10 is signed by berlin based artist sebrok. vision and cheap and awesome are two wicked minimal techno tracks that already got the support of such artist as dubfire, nic fanciulli or alexi delano. vision ia already been choosen by dubfire for the 2009 cocoon cdmix. sebrok - the person. im a passionate musicfan and my profession is being a dj, producer and label owner. could there be anything better!? - these are the words of the berlin-based artist sebrok. in 2004 m sebrok founded his own label paso music with marc miroir and joachim spieth.

spencer product is back after his debut mix cd product. this time he delivers a party anthem we bite with razor sharp remixes from londons tronik youth and nyc darlings designer drugs. we bite, named after one of spencers classic lower east side sleezefests is an ode to honest to goodness late night debauchery. its all about downtown basements, pbr, dirty sex, cocaine and vomit...what more do you need. spencers original is an overdriven distorted electro rock affair while designer drugs clean it up a bit for the late night electro beatdowns. tronik youth keep things very 80s new wave disco with heavy reverbs on the drums, cheap synths and vocoders all the way...if you cant get a trip in to new york this year just close your eyes and this record will take you there.

david sugar has been a popular face on the uk, and european chip music scene since early 2004. after being selected to take part in the desiel u music tour in the uk during 2006, his profile has risen, and he will now accompany top ten star clavin harris on his uk jaunt in june and july 2007. he regularly plays to large crowds all across europe, including germany and switzerland, now it appears that the rest of the world is catching onto his unique and quirky, but damn fine pop music. deep not cheap: arrangment tight not filter sweep

ken cesar and mario neugebauer are nuwalker, who made this 2x12 inch ep for cheap records in 2001. spaced out arrangements of voices around electronic beats form an irresistible soundscape to get lost in.

2003 electro-release by khan aka can oral on austrian cheap records. remixes come from snax and whipstick.

nice price deal !!! lp is special packaged and plays at 45rpm (strictly limited to 500 copies)

rare remixes from sebatian for artists such as daft punk, klaxons, bloc party, the kills, revl9n, mylo and many more..

delikate soundforschung und ausgeklügelte bedeutsamkeit sind relevant hinsichtlich lustvoller klanggestaltung für ausgedehnt -belebende nächte in einer hoffnungsvollen zukunft. das ist die neue milnormodern und zuständig für diese nächte sind shu okuyama, dop, krause duo & db. support by: technasia, troy pierce, laurent garnier, wighnomy brothers, krause duo, chloe, seth troxler

2 dj remixers from london aka herve & sinden, well known through their own label cheap thrills. dirry dj vocals by glitty ranks.

its made to play so take it to the club, wind it up and and get your cheap thrills. jesse rose and herve combine forces for the first time on made to play with two whacked out club smashes. supported by marc romboy, deepchild, djulz, lee mortimer, riva starr

gunjack & matt k strike back on the 64th release on this massive techno imprint! a serious beats extravaganza that will test your eardrums on how much bass you can handle. dirty beats, dirty samples, serious techno with a hiphop flavour..

cheap is back !! brilliant funky down tempo styled masterpieces for high society hang overs

soak the kinks in cheap booze, reignite the stooges strut...gritty yet hazy rock music. swampy guitars, twitchy rhythms, and power pop vocal harmonies!

the >midnight drop ep< is phonogenic at his absolute best dropping 3 tracks of wicked fresh, germanic, house music. the title track is an inspired, lush, flowing house workout best dropped, oddly enough, at midnight... limited restock

french artist based in paris. this prolific musician gets noticed by the od records label that has produced his 2nd ep in 2006 mixing in all his productions influences from the 80s, 90s and 2000s through cheap but stylish synth sounds, melodies that underlie a certain sense of tragic and his own gimmicks, he builds tracks socked in old school house, minimal and electropop that immerse us in a cold, sensitive and personal ambiance.

no worries this is not one of these endless cheap redundand big floor cover versions of insufferable 80s hits but a real solid techhouse tune with a great deep danny freakazoid mix & a tokyo sub mix, which is a bold statement: the remix of their life!

no stranger to fans of funk, soul, r&b and house music,tim fuller breaks out with his debut album! solidifying his place as one of underground dance musics freshest new vocalists. produced by sean dimitrie along with nav bhinder, fuller is able to showcase his entire range by visiting the many faces of house music with an infectious and universally appealing release. delivering the feel good tone of a dance record, fuller forges his own path using anthem styled vocals, seductive solos,complex harmonies and some dancehall reggae thrown in for good measure. taking the listener through the block party sound of the early 80s with title track the slightest touch, rolling disco vibe with cheap advice to the jazz tip with beautiful (along with acclaimed jazz artist denzal sinclaire), fuller expresses himself through both his subtleties and casual demeanor, enticing the listener to explore every song on this tightly sewn double pack.

the royal we are six young dreamers who came together in early 2006, under inevitable glasgow rain to plot and do stuff and hang out in cafes as if in a godard movie. things still seemed to coincide and very quickly they had a bunch of pop songs, albeit an older, odder kind of pop reminiscent of the experimental pop of orange juice or esg or even the raincoats. the band signed to domino records imprint label geographic and are due to release their stunning debut self titled album soon. this is preceded by a special 7inch single, the fantastic all the rage. the track encapsulates their staggered swagger perfectly, glam on the cheap, sassy and fun the perfect pop moment.

alphahouse welcomes kai to the family, with the dazzling 3-track ep >gakuon< his debut release came last year on portables sud electronic label, and put him on our ones-to-watch list. now kai delivers his second ep and its a killer. with so much music in the world following the same patterns, and producers sucked into using the same cheap tricks in the studio, its refreshing to hear that some people out there are still capable of independent and abstract thought. we hope you agree. >ac< is a mutant deep techno piece equally suitable for dark club mayhem as it is for sunday brunch with the in-laws. seriously, try it out at both places and if it doesnt work the next beer is on us. >spacetravel< is exactly that. a micro-sampled ride though the cosmos. tiny vocal spurts and playful melodies surround a throbbing bassline. stripped just to the groove and not over-arranged, theres plenty of room to let your imagination roam free. >gravity< is one of those special inside tracks that we search so long and hard for. delightfully simplistic, yet incredibly groovy. its amazing how much you can do with a few well-placed sounds, isnt it?

5 banging and forward techno tools that makes every party to a big one. incl. a scene hit remix by andreas kremer aka mayhem man

we are very pleased to present the final volume in a fantastic remix series. a big thanks to all the dj’s around the world that supported all three releases.volume 3 presents three artists new to aesoteric, all of whom currently reside in barcelona in the coastal stronghold of catalunya. erikotanabe s cut up and chunked down post-minimal mix has been gaining lots of attention from all the heads from london to sydney. the love twizz (2 cheap tricks) mix from tres manos & garcy noise sets a pulsating bassline under lush strings, seductive vocals, and synth stabs

played by dj hell (international deejay gigolo)... here comes the follow up to the mega-successful kookaburra 12 inch, that saw the first music-collaboration of heckmann and kauffelt, and again they explore the depth of cheap instruments and deliver crazy, funky and fresh rockin techno tracks !!

london is a fiery electro smasher which rocked not only the pussies on the dance floors its punx style miami demonstrates us retro based electro sound at its best this is no cheap 80s reproduction includes 2 dj friction mixes not to be missed

avida perfectly fit in with a kind of underground music that was getting all the rage in italy in those days: nonsense music (musica demenziale). the structures were intentionally primitive, often made on cheap electronics. maurizio damis vocals , inspired on early 60s italian singers (to carry on and close the typical 20 years cycle of revivals), such as edoardo vianello, had an appealing mix of trash and humour. avida was essen tially a live band. their performances were a mix of theatre and music, where visuals played a major role. anyway, today some of that music still sounds interesting and not only due to its lyric. in our opinion about the best music alexander robotnik ever made

cool minimal pumpin >max duley< like

spitzenmäßige 2 track ep , >cheap trick< ist ein wahres strobogewitter des sounds und >black sun< kickt in die minimale jackin chicago ecke !!

köln's kanadier kocht nach seinem spezialrezept: forsche basslines, frisches arrangement & ein kräftiger schuss indiependent. fertig ist das japanisch-kölsche kanadiergericht

hit machine frank popp jumps into the time machine and travels from the swinging sixties to the neon-lighted 80’s hidden under his alter ego maria ghoerls without leaving his cheekyness behind: cheap casio's, vintage electro beats updated with some modern clickety clack, thick synth basslines, rock antiques and strange voice snippets are expertedly mashed up for maximum rave effect!

special nice price - luke vibert has made many great records over the years, but few are quite as well crafted as his 2004 debut album under the now familiar kerrier district alias. inspired by a mixture of metro area, black devil disco club, cheap synthesizers, early new jersey garage, italian house and, of course, classic disco, it remains a touchstone in the development of nu-disco. this timely reissue features freshly re-mastered versions of all ten tracks from the original album, plus the six tracks which made up 2006 s kerrier district 2 12inch. these include the loved-up, late 80s loveliness of ce porte, the 808 cowbell and vocoder laden disco nasty, and a typically eccentric ceephax remix of sho u rite.

handsome furs entstand, als sich spencer krug und dan boeckner Ð die beiden songschreiber und sŠnger von wolf parade Ð anderen projekten zuwandten, um ihre eigenen musikalischen ideen besser umsetzen zu kšnnen. spencer krug grŸndete die band sunset rubdown und dan boeckner mit ehefrau und schriftstellerin alexei perry das duo handsome furs. boeckner spielt meist gitarre und singt, wŠhrend perry keyboard und drumcomputer bedient.

the trickfinger project was recorded 10 years ago with no intention of being released at the time, made purely for discovery and learning experience. -in my opinion, making music with no intention of releasing it is the best thing a musician can do for his own development in this day and age. the trickfinger lp was made in that mindset, and it was the beginning of a new musical life for me. when i hear it, it sounds like i am opening up doorways to new worlds, and i never have had that feeling listening to music i made for the purpose of releasing it and selling it.- all the music was recorded live onto a cd burner, through a cheap mixer. john would sit on a chair, in his living room, surrounded by five to 15 machines, and just keep programming and jamming until the track was ready to be recorded. there were no overdubs Ð recorded all live